The AG-HPD24 is a solid state AVC Intra P2 portable recorder deck for HD live production or equally well in your NLE system. The AG-HPD24 is compatible with AVC intra (50/100), DVCPROHD, DVCPRO50, DVCPRO, DV. Worldwide NTSC/PAL frame rate compatibility, including native 1080/24p. Variable frame rate (VFR) compatibility at 720/24P with varicam cameras such as AJ-HPX2700, AG-HPX500, AG-HPX370, AG-HPX170, AG-HPX250. Additional features include: two P2 slots, HD-SDI I/O, HDMI out, time code I/O, RS-422 control, XLR audio, USB 3.0 conection, 3.5" LCD screen, up/down/cross conversion, battery / ac operation, waveform / vectorscope functionality, gamma conversion for cinema production, hot-swap record function for continuous unlimited recording lengths, metadata, thumbnail functions, front speaker / headphone audio monitoring, and left/right sync playback on a 3D monitor via two decks.

The Panasonic AJ-HD1400 is a compact 100Mbps DVCPROHD VTR with DVCPRO 50/25, DVCAM and DV Playback, HD-SDI and IEEE 1394 interface standard. This is the successor to the popular AJ-HD1200A deck. Additional features of the AJ-HD1400P include: comprehensive assemble/insert editing capabilities controlled by RS-422 or IEEE1394, playback of both NTSC (480i) and PAL (576i) tapes, supports of worldwide HD formats including 1080/59.94, 1080/50i, 720/60p, 720/59.94p and 720/50p, built-in up/down/cross converter, 4:2:2 color sampling, multiple conversion capabilities between image formats and frame rates, digital audio with up to eight embedded channels, and AC/DC operation for either studio or field use.

The Panasonic AJ-HPD2500 (AJ-HPD2500P / AJ-HPD2500PJ) is not just a typical P2 card reader and video recorder, but a a full-size broadcast studio VTR and edit deck. Ideal for mobile trucks, broadcast studio, production facilities, non-linear editing systems, line/studio recording, editing, synchronizing dailies, transmitting, archiving, and more. Supports 10-bit 4:2:2 AVC Intra 100/50 for the utmost in quality. Also works with DVCPROHD, DVCPRO50, DVCPRO, DV. Super versatile with compatibility with worldwide PAL/NTSC frame rates (1080, 720, and SD) - and up/down/cross conversion between formats. 6 P2 slots, which allow continuous recording for extended times and hot swapping. Pro connections include: HD-SDI, SD-SDI, AES/EBU, XLR audio, time code, RS-422A, RS-232C, analog composite video, headphone, USB, LAN, eSATA 3Gbit. Additional features include: 4.3" LCD display, comprehensive editing control panel (editor GUI, AV independent edit, insert edit, overwrite edit, editcopy function), jog/shuttle dial, varicam speed effects, text memo, shot marker, clip metadata, direct capture from external VTR, waveform/vectorscope display, gigabit ethernet for FTP transfers (FTP client function, FTP/Samba server function, HTTP server function, and WWW browser function).

The clamshell design and durable construction make this ideal for rugged field use, though it's equally at home in the studio. This can be powered with regular AC power or via 4-pin XLR power supply or battery with 4-pin XLR output.

Connections include: HD-SDI, component/composite, IEEE 1394 (DVCPRO/DV), AES/EBU, USB2.0, RS-422A, XLR audio, time code, and more. The P2 Mobiles playlist function enables speedy cut editing of up to 100 events (or a 24-hour timeline).

The AJ-HPM200 features an all-new editor GUI. It can simultaneously display player-side (source material) thumbnails or a preview screen on the left side, a recorder-side (timeline) preview screen on the right side, and the timeline at the bottom. This allows smooth, intuitive operation for users familiar with nonlinear editors and users accustomed to conventional DVCPRO laptop editors.

The Panasonic DVD-RP82 is a DVD player that plays DVD-Audio, DVD-Video, DVD-RAM, DVD-R, CD-R, CD-RW, and MP3- and WMA-encoded CDs. Quick Replay jumps 10 seconds for easy recaps. Progressive-scan video output. Dolby Digital and DTS surround-sound decoding with 6 analog-audio outputs and an optical digital-audio output. Variable zoom converts widescreen images to full-screen on 4:3 TVs. Outputs include component video, composite, s-video, surround 5.1, coaxial, optical.

But what really makes this special is it has had a professional SDI mod installed. This modification upgrades this to have a SMPTE 259M serial digital interface. The modded SDI connection bypasses the D/A and A/D stages and sends a digital 480i & 576i signal directly into your video processor. The result is a much more detailed picture with richer colors and NO video noise.

The HDW-D1800 is a HDCAM studio editing recorder. Unlike the HDW-1800, this model can also playback tapes in Digibeta and MPEG IMX formats. Capable of 60i (59.94i), 50i, 29.97PsF, 23.98PsF, 24PsF. Also can do 3:2 pulldown with the optional HKDW-104 board (which is included here). Editing features inherited from the HDW-2000 such as DMC, audio split, pre-read, and audio cross-fade. Also features built-in down converter, up to 3 packets of VANC metadata recording / playback, non-audio recording such as Dolby-E or AC3, confidence recording, and color LCD panel (which can display audio levels, time data, menus, and playback/recording picture). Connections include: HD-SDI, SD-SDI, RS-422, analog XLR, composite, component, time code, AES/EBU, and more. This is a full-sized robust studio deck.

The SRW-5800 is the top-of-the-line most recent HDCAM SR VTR - a master format for movies, commercial productions, high-end TV, archiving, HD broadcast, etc. This is the only SR recorder that can work with 880 Mb/s high data bit rate and 1080/60P and 50P recording (unlike the SRW-5500). This records in HDCAM SR only (not HDCAM). The HDCAM SR format uses MPEG-4 Studio Profile with visually lossless compression. Powerful error-correcting technology and high-peformance heads with auto tracking technique allows for very reliable recording and playback. The SRW-5800/1 is capable of recording uncompressed audio, which makes it a vital tool for high-end audio archiving while being able to record non-audio data such as metadata information. 12-channel audio signal is recorded in 48-kHz 24-bit format. 1080 formats include 59.94i, 60i, 50i, 23.98PsF, 24PsF, 25PsF, 29.97PsF, 30PsF. Also has 720/59.94P and 50P. Additional features noiseless playback at variable speeds, confidence heads, advanced time code features with time code input/output, independent audio level control, tele-file memory label system, capstan override function, remote control operation, frame accurate assembly/insert editing, digital jog sound, signal generators, fine tuning of almost any parameter you can think of, and much much more.

The included HKSR-5803HQ option board makes the full power of this unit shine with its 880Mbps bit rate. Allows 4:4:4 full bandwidth signals in SQ (440Mbps BRR 4:1) and HQ (880Mbps BRR 2:1). Can do 60P and 50P at 4:2:2. Playback is now possible of 3D tapes record by SRW-5800 or SRW-1. Further allows 2x transfer to a specific server over HD-SDI dual link. Note this is dual-link compatible (3G-SDI is not available because this is the original SRW-5800 deck installed in it, not the SRW-5800/1). Meets the demands of high profile video studios, compositing suites, and digital mobile units. Ideal for purposes such as chroma keying, due to the massive amount of color information provided through its data stream. 4:4:4 footage is much easier to color correct during post.

This also has the HKSR-5802 HDCAM and digibeta playback option board installed. Can upconvert from digibeta to HD-SDI. HDCAM formats supported include 23.98P, 24P, 25P, 29.97P, 30PsF, 50i, 60i, 59.94i. If you have HDCAM and/or Digibeta tapes to play, you can use this SRW-5800 without the need for a seperate HDCAM and Digibeta deck!

Lastly this has the HKSR-5001 format converter option. Allows the deck to convert HDCAM and HDCAM SR to a wide variety of frame rates, resolutions, and color bit rates. Change HDCAM SR full color sources to 4:2:2 compressed HDCAM as well as convert 1080i to 720P cross conversion. 4:4:4 to 4:2:2 and 2-3 pull-down conversion capability. Adds tremendous versatility to your SRW series deck.

The SRW-5800 is the top-of-the-line most recent HDCAM SR VTR - a master format for movies, commercial productions, high-end TV, archiving, HD broadcast, etc. This is the only SR recorder that can work with 880 Mb/s high data bit rate and 1080/60P and 50P recording (unlike the SRW-5500). This records in HDCAM SR only (not HDCAM). The HDCAM SR format uses MPEG-4 Studio Profile with visually lossless compression. Powerful error-correcting technology and high-peformance heads with auto tracking technique allows for very reliable recording and playback. The SRW-5800/1 is capable of recording uncompressed audio, which makes it a vital tool for high-end audio archiving while being able to record non-audio data such as metadata information. 12-channel audio signal is recorded in 48-kHz 24-bit format. 1080 formats include 59.94i, 60i, 50i, 23.98PsF, 24PsF, 25PsF, 29.97PsF, 30PsF. Also has 720/59.94P and 50P. Additional features noiseless playback at variable speeds, confidence heads, advanced time code features with time code input/output, independent audio level control, tele-file memory label system, capstan override function, remote control operation, frame accurate assembly/insert editing, digital jog sound, signal generators, fine tuning of almost any parameter you can think of, and much much more.

The included HKSR-5803HQ option board makes the full power of this unit shine with its 880Mbps bit rate. Allows 4:4:4 full bandwidth signals in SQ (440Mbps BRR 4:1) and HQ (880Mbps BRR 2:1). Can do 60P and 50P at 4:2:2. Playback is now possible of 3D tapes record by SRW-5800 or SRW-1. Further allows 2x transfer to a specific server over HD-SDI dual link. Note this is dual-link compatible (3G-SDI is not available because this is the original SRW-5800 deck installed in it, not the SRW-5800/1). Meets the demands of high profile video studios, compositing suites, and digital mobile units. Ideal for purposes such as chroma keying, due to the massive amount of color information provided through its data stream. 4:4:4 footage is much easier to color correct during post.

This DOES NOT have the HKSR-5802 HDCAM and Digibeta playback option board installed, so this is a HDCAM SR only deck.

Lastly this has the HKSR-5001 format converter option. Allows the deck to convert HDCAM and HDCAM SR to a wide variety of frame rates, resolutions, and color bit rates. Change HDCAM SR full color sources to 4:2:2 compressed HDCAM as well as convert 1080i to 720P cross conversion. 4:4:4 to 4:2:2 and 2-3 pull-down conversion capability. Adds tremendous versatility to your SRW series deck.