Features include: vacuum tube triode signal path, high-performance microphone input transformer with +48V phantom power, selection Instrument DI high source input with front panel connector, high-gain switch, special spectral control including de-ess is available with the dual sweep mid EQ to side-chain switch, all discrete Class-A equalizer switchable between Pre/Post compressor, high- and low-frequency bands provide the smooth characteristics of an all passive design, dual mid-bands include variable frequency and switched Q-width selection, range of the mid-bands is extended into the high- and low-bands by the use of x10 frequency multipliers, output level control provides a variable control of the overall signal path, large VU meter for output level and compressor gain reduction monitoring, and swwitchable power supply

I/O connections include 8 channels of ADAT I/O (supports S/MUX II and IV), 2x8 channels of AES/EBU, 2 channels of S/PDIF I/O, 4 line inputs, 8 line outputs (with true analog gain), 2 premium mic/DI preamps (3-pin XLR) and more. Supports 4x8 analog audio streams or 8x8 including digital. Keep things in sync with dedicated Word Clock and Loop Sync I/O.

The Fiberplex LightViper VIM-1832 8x32 Audio Distribution Tail is used in conjunction with the VRK-1832, VIS-4832, VIS-1832 to achieve a 32x8 fiber-optic transport system. Supplied with a pair of transmit/receive LC fiber connectors (different connector configuration options are available). It also contains a single fiber “thru” connector (transmit only). This is the tail end of for Stage to FOH or drive snake applications. The VIM-1832 features 8 audio inputs which are selectable between analog line level and AES3 digital. The 32 audio outputs of both units are both analog line level and AES3 digital and are simultaneously available. Audio is via DB25 connectors. The VIM-1832 is the clock master in the system. I has the ability to generate it's own superiour quality Word Clock, or alternately accept an external Word Clock. The system features a “control” connection which is a TTL data port which appears on an EtherCon connector. It allows LightViper accessory devices such as the DMX4o (DMX lighting control) or MD3 (RS422/232/MIDI) to be connected to the unit. 48k or 96k operation. Ideal for live sound, broadcast sports, churches, performing arts centers, theme parks, mobile (remtoe) recording, and more.

The Fiberplex LightViper VRK-1832 8x32 Audio Distribution Head (analog) is used in conjunction with the VIM-1832 or VIM-MY32 YGDAI cards to achieve a 32x8 fiber-optic transport system. Supplied with a pair of transmit/receive LC fiber connectors (different connector configuration options are available). Two optical splits come standard. These splits (transmit only) are presented on a single fiber each. This is the head end of for Stage to FOH or drive snake applications. The VRK-1832 contains 32 mic/line inputs (sends) and 8 analog line level outputs (returns). There is a 3 position gain switch for each input that sets the gain of the mic-pre. The normal settings for these switches are as follows: 0 = line level, 26 = mic level, 12 = high transient / very “hot” mic level.There are 4 +48v phantom power on/off switches with associated on/off LED indicators. Phantom power is applied in groups of 8 inputs. Connectors are 3-pin XLR type. The system features a “control” connection which is a TTL data port which appears on an EtherCon connector. It allows LightViper accessory devices such as the DMX4o (DMX lighting control) or MD3 (RS422/232/MIDI) to be connected to the unit. 48k or 96k operation. Ideal for live sound, broadcast sports, churches, performing arts centers, theme parks, mobile (remtoe) recording, and more.

Additional features include: phantom power, 3-band EQ with sweepable midrange, 18db/octave 75 Hz low-cut filter on microphone input, 60mm log-taper faders, high-resolution 12-segment stereo meters, sealed rotary controls, and multi-voltage poewr supply for worldwide use.

Suitable for broadcast applications with improved RF rejection. Ideal also for live-sound mixing, houses of worship, clubs, gymnasiums, banquet halls, conference rooms, boardrooms, multi-track studio and field recording, video postproduction, multimedia applications, broadcast, bands, and many more.

The PreSonus Studio 1824c rackmount 18x20 USB-C Audio / Midi interface offers high-resolution conversion, eight class-A mic preamps, a host of outputs. With XLR-1/4 combo inputs with selectable 48V phantom power, can accommodate condenser microphones, active DI boxes, electric instruments, and line-level mixer outputs. Quality converters that let the interface operate at up to 24-bit / 48 kHz resolution or at a 192 kHz sample rate with 8x8 I/O functionality. Extensive output functionailty - two independent 1/4" headphone outputs, two main line/monitor outs, eight additional line outputs, and separate volume controls for both headphone outs and the main output. Mute button and mono button for checking the stereo-to-mono translation of your mix. The 10 line outputs are DC-coupled, so you can send MIDI sync and sequencer data from your DAW as CV (control voltage) to external analog synthesizers and drum modules. Sports 4-segment LED meters for all eight analog inputs and the main outs. The 5-pin MIDI I/O jacks on the rear panel allow simple hookup of a MIDI controller, synthesizer, or groovebox. BNC wordclock output and digital I/O connections for stereo S/PDIF and 8-channel ADAT. Compatible macOS- or Windows-equipped computer.

The Studio Technologies StudioComm Model 71 Control Console is a compact command center for use with Model 76D, 76DA, 760-01, 760-02, 760-03, 780-01, 780-02, or 780-03 central controllers. Provides additional user locations with the most frequently desired functions: level adjustment, reference level, and dim. Up to three Model 71s can be connected to, and powered by, a central controller.

The On Set Headsets 1-Pin Earpiece (black color) is a professional listen-only IFB field monitor designed for maximum discretion in broadcast and film productions. Virtually invisible on camera and ideal for on-air talent, presenters, and performers who need to receive clear audio cues without distracting the audience. Delivers crystal-clear audio via a high-efficiency miniature driver. Modular design allows for easy cleaning, making it a hygienic and long-lasting. The durable 5 ft cable terminates in a standard 3.5mm mini-jack, ensuring compatibility with a wide array of IFB receivers and monitoring packs.

Three polar patterns available (omni, cardioid, and figure 8). Switchable -10 dB pad that allows it to capture SPLs up to 127 dB without distortion, and a low-cut filter for controlling buildup of low-frequency content. XLR 3-pin output. 48V phantom powered. Elastically suspended capsule. Frequency response of 20 Hz to 20KhZ.

The shockmount has spider-style elastic suspension isolates the mic from vibrations, effectively reducing low-frequency noise from rumble and footfall. The swivel mount enables easy adjustment of the mic's angle while it remains cradled in the suspension. 5/8"-27 female thread that can be fastened to most mic stands.