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Pro Audio
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Dolby
DP572 Dolby E decoder
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Info
S/N: 500216
Used. Cosmetic 8/10
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(In Stock)
Price: $44
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The Dolby
DP572 Dolby E Decoder was designed to ease the transition from two-channel
to multichannel audio for DTV / HDTV broadcasters and program producers.
It decodes up to eight channels of high-quality audio, plus Dolby
Digital metadata, from a Dolby E signal encoded on a single AES3 pair,
external fiber, satellite link, digital videotape, digital audiotape,
or from a video server. It's easily integrated into your postproduction
and broadcast facilities. The DP572 can accept both PCM and Dolby
E signals, and it can switch automatically to provide seamless integration
of multichannel and archived stereo programming. Multichannel programming
typically uses a "5.1 + 2" Dolby E configuration, with six of the
eight channels carrying a 5.1 program and the other two an Lt/Rt (matrix
surround-encoded) or stereo two-channel program. Alternate channel
configurations are available for multilingual or other specialized
applications. A second input, PCM delay, has multiple functions -
insertion of a voiceover into the decoded Dolby E program, insertion
of local stereo audio, or automation of switching between stereo and
multichannel programming within a transmission chain. Requires a standard
video black reference signal. It can also be used in 24-frame applications
when accompanied with the Dolby E Tri-Level Sync Interface DP579.
This has some cosmetic paint wear on top panel and mild wear on
front blue panel - but mostly gives a very good cosmetic appearance.
Firmware shows version 2.1.0.14. Not fully tested to factory spec,
only for proper power on, passing its self diagnostic test, basic
button functionality, and reset to factory settings. It did come
from working environment and is expected to fully work, as have
previous units sold successfully from same source. We will still
guarantee full functionality via our 30 day warranty. Multiple units
are available.
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Dolby
LM100 Broadcast Loudness Meter
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Info
S/N: 503174
Used. Cosmetic 8/10
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(In Stock)
Price: sold
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The Dolby
LM100 Broadcast Loudness Meter is a tool for measuring the subjective
loudness of dialogue within broadcast programming. Applications for
the LM100 range from postproduction and quality control to final transmission,
program turnaround, and cable head-end facilities. Can use ITU-R BS.1770-1
and BS.1770-2 as the core measurement algorithm. Users can also select
Leq(A) or EBU R128. The LM100 can also determine the unweighted peak
and a range of other information about the signal, including the Loudness
Range measurement specified by the EBU. The LM100 presents its measurements
in an easy-to-understand numerical format - eliminating variations
in reading VU or PPM meters, neither of which is designed to measure
subjective loudness. A set of user-definable alarms and monitoring
functions can inform an operator of input loss, signal clipping, high
or low signal levels, silence, and incorrectly set dialnorm values.
Connections include: analog XLR input, RCA output, digital BNC input,
and 9-pin (RS-485, GP I/O, alarm), and headphone.
This is the LM100-LTC version (option card cat538 v2 installed)
which includes a timecode input, which allows alarm and other signal
conditions to be logged to either the internal time-of-day clock
or external timecode. Firmware 1.3.1.6. Cosmetically has some wear,
mostly on top portion from rackmounting. Tested in good working
order. Multiple units are available.
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Fiberplex
VIM-1832 Audio Distribution Tail
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Info
S/N:
Used. Cosmetic 8/10
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(In Stock)
Price: $325
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The Fiberplex LightViper VIM-1832 8x32 Audio Distribution Tail
is used in conjunction with the VRK-1832, VIS-4832, VIS-1832 to
achieve a 32x8 fiber-optic transport system. Supplied with a pair
of transmit/receive LC fiber connectors (different connector configuration
options are available). It also contains a single fiber “thru” connector
(transmit only). This is the tail end of for Stage to FOH or drive
snake applications. The VIM-1832 features 8 audio inputs which are
selectable between analog line level and AES3 digital. The 32 audio
outputs of both units are both analog line level and AES3 digital
and are simultaneously available. Audio is via DB25 connectors.
The VIM-1832 is the clock master in the system. I has the ability
to generate it's own superiour quality Word Clock, or alternately
accept an external Word Clock. The system features a “control” connection
which is a TTL data port which appears on an EtherCon connector.
It allows LightViper accessory devices such as the DMX4o (DMX lighting
control) or MD3 (RS422/232/MIDI) to be connected to the unit. 48k
or 96k operation. Ideal for live sound, broadcast sports, churches,
performing arts centers, theme parks, mobile (remtoe) recording,
and more.
This appears to be the VIM-1832-S-ST configuration. The ST meaning
STPanel Mount optical connectors and the S meaning Fiber Type of
9/125µm Singlemode. Power cable only included (no other cables are
included). Minor cosmetic wear, but overall clean. Guaranteed to
be in good working order once installed in a complete and compatible
system with appropriate configuration. Multiple units are available,
as well as matching VRK-1832 head end.
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Fiberplex
VRK-1832 Audio Distribution Head
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Info
S/N:
Used. Cosmetic 8/10
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(In Stock)
Price: $275
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The Fiberplex LightViper VIM-1832 8x32 Audio Distribution Head
(analog) is used in conjunction with the VIM-1832 or VIM-MY32 YGDAI
cards to achieve a 32x8 fiber-optic transport system. Supplied with
a pair of transmit/receive LC fiber connectors (different connector
configuration options are available). Two optical splits come standard.
These splits (transmit only) are presented on a single fiber each.
This is the head end of for Stage to FOH or drive snake applications.
The VRK-1832 contains 32 mic/line inputs (sends) and 8 analog line
level outputs (returns). There is a 3 position gain switch for each
input that sets the gain of the mic-pre. The normal settings for
these switches are as follows: 0 = line level, 26 = mic level, 12
= high transient / very “hot” mic level.There are 4 +48v phantom
power on/off switches with associated on/off LED indicators. Phantom
power is applied in groups of 8 inputs. Connectors are 3-pin XLR
type. The system features a “control” connection which is a TTL
data port which appears on an EtherCon connector. It allows LightViper
accessory devices such as the DMX4o (DMX lighting control) or MD3
(RS422/232/MIDI) to be connected to the unit. 48k or 96k operation.
Ideal for live sound, broadcast sports, churches, performing arts
centers, theme parks, mobile (remtoe) recording, and more.
This appears to be the VRK-1832-S-ST configuration. VRK meaning
5RU rackmount configuration (instead of VIS floor configuration).
The ST meaning STPanel Mount optical connectors and the S meaning
Fiber Type of 9/125µm Singlemode. Power cable only included (no
other cables are included). Minor cosmetic wear, but overall clean.
Guaranteed to be in good working order once installed in a complete
and compatible system with appropriate configuration. Multiple units
are available, as well as matching VIM-1832 tail end.
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Studio
Technologies
StudioComm 71 Control Console
More
Info
S/N: M71-00201
Used. Cosmetic 9.5/10
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(In Stock)
Price: $125
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The Studio Technologies StudioComm Model 71 Control Console is
a compact command center for use with Model 76D, 76DA, 760-01, 760-02,
760-03, 780-01, 780-02, or 780-03 central controllers. Provides
additional user locations with the most frequently desired functions:
level adjustment, reference level, and dim. Up to three Model 71s
can be connected to, and powered by, a central controller.
Mint condition with almost no signs of use. Working condition.
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Pro
Audio
