The Soundweb London BSS BLU-160 offers configurable I/O, configurable signal processing and a high bandwidth, fault tolerant digital audio bus. he BLU-160 has open architecture which is fully configurable through HiQnet™ London Architect. A rich palette of processing and logic objects and a “drag and drop” method of configuration provide a simple and familiar design environment. This processor features a low latency, fault tolerant digital audio bus of 256 channels which uses standard Category 5e cabling giving a distance of 100m between compatible devices. Fiber optic media converters can be used to increase the distance between devices to over 40km. Four card slots facilitate many different device I/O configurations. Device-specific information such as Device Name, Device Type, Firmware Version Number, Time, IP Address and Subnet Mask is available from the front panel display. A bi-directional locate function allows devices to be identified both from and within HiQnet London Architect. 12 Control Inputs and 6 Logic Outputs allow the BLU-160 to be integrated with GPIO compatible devices.

This has 4x BSSBLU Analog input (80-1203-c) cards installed. Each analog card enables Soundweb London devices ( BLU-800, BLU-805, BLU-806, BLU-320, BLU-325, BLU-326, BLU-160, BLU-120, BLU-80, BLU-32 and BLU-16) to receive microphone / line level signals. Offers Phantom Power, configurable per channel and software controlled analog gain in 6dB steps from 0dB to 48dB. Each has two Combicon connectors. The four cards alone are worth more than the asking price.

The Musicam CDQ Prima 210 ISDN 20 KHz Stereo Bi-Directional digital audio codec box is a 2U, character LCD, basic keypad box that accepts 3 interface modules and has AES/EBU (XLR) digital I/O and dual RS232 ancillary data channels. Universal power supply. 20 bit A/D, AES/EBU or S/PDIF digital audio I/O. Up to 20 kHz bandwidth with better than 92 dB SNR and 0.01 THD+N. Built-in high quality rate adapters allow 24.05, 32, 44.1 and 48 kHz digital audio sampling rates with internal or external synchronization. Fully compatible MUSICAM-enhanced MPEG Layer 2, MPEG Layer 3 and G.722 algorithms support bit rates from 24 through 384 kb/s and sampling rates from 16 through 48 kHz. CCS Inverse Multiplexing, ITU J.52 BONDING and H.221 transport protocol are standard. Adjust MPEG Layer 2 encoding algorithm parameters to tailor the audio to your application. Fully Eureka DAB compatible. BONDING of up to 6 x 64 kb/s channels for contribution quality is based on systems such as DAB ETS300401, ADR spec.1.3 or Direc-TV is supported as well as enhanced features for broadcasting, production studios, advertising and news agencies and many other applications.

The Rode Reporter omnidirectional handheld microphone is designed for interview, field reporting, and presentation uses. Its transducer capsule is internally shock mounted for rejection of wind and other low frequency environmental noises. Internal plosive screen rejects vocal pops. Rejects frequencies below 70Hz, to reduce wind and environjmental noises, while boosting between 4 and 10kHz to accentuate speech. The omnidirectional pattern eliminates the need to move the mic back and forth relentlessly during interview. Does not require phantom power, so has high compatibility with any field recorder or wireless transmitter. Also features anti-glare matte black finish, die-cast body, extra long balanced handle. Connector is standard 3-pin XLR.

The Sennheiser EM 100 G2 (EM100 G2) is a tabletop wireless microphone receiver, part of the EW 100 G2 system - commonly used with SK 100, SKM 100, or SKP 100 transmitter. 4 preset channels, which can be reconfigured to any of the available 1280 UHF frequencies. Features include: comprehensive LED display, rugged metal design, 1/4" unbalanced and XLR 3-pin balanced output. Runs on AC power.

The Vega RMT-14 Multi-Channel Transmitter. Perfect for IFB, PL talent-cueing, and audio monitoring applications. Four channel, private line, VHF wireless transmitter base station in a one rack space. Easy to expand from one transmitter to as many as four by adding internal modules. XLR audio inputs accept line level, or may be individually programmed to be compatible with Clear-Com or RTS wired intercom systems.

The AMP1A is a self-powered 1RU rack-mounting monitor speaker intended for space-critical environments where quality monitoring is required. Two balanced XLR and unbalanced RCA (phono) inputs and XLR loop-through outputs, volume and balance controls, and miniature loudspeakers. Contains four high performance transducers driven by three power amplifiers. High performance, designed for optimally focused sound in the ultra near field working environment, thus reducing adjacent bay crosstalk. Extensive magnetic shielding for use near video equipment. Additional features include: 98dB SPL at 2 feet, extended frequency response and low distortion, audible indication of phase/polarity problems, blowout proof speakers.