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Pro Audio
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Dolby
DM100 bitstream analyzer
More
Info
S/N: 500282
Used. Cosmetic 7.5/10
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(In Stock)
Price: $225
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The Dolby
DM100 Bitstream Analyzer is a hand-held diagnostic tool that can monitor
or generate Dolby Digital, Dolby E, and PCM bitstreams. Quickly test
the integrity and composition of these signals throughout a facility.
Intended for broadcast, cable, DBS, and postproduction facilities,
as well as DVD mastering and home theater installation. Accepts input
signals via XLR, BNC, and Toslink. The decoded analog signal, sent
to a 1/8-inch stereo headphone jack, can be switched to monitor any
two decoded channels, while a small built-in speaker can monitor the
sum of any channel pair. A front-panel LCD displays metadata information.
Six front-panel LEDs indicate critical bitstream and system status
information. A set of Dolby Digital, Dolby E, and PCM test bitstreams
is stored in internal, nonvolatile RAM, and can be changed in the
field via software download. The selected test bitstream is produced
simultaneously on all output connectors. Can receive and decode an
input signal while simultaneously generating a test bitstream. Also
features a passthrough mode that allows modification of the input
signal’s AES channel status bits before passing the signal to the
output connectors. Also includes system level tests, such as latency
measurements, and the ability to check the clock synchronization between
audio and video signals. Powered by four standard AA 1.5 V batteries
or from an external 6V, 800 mA DC power supply.
Power supply is not included. The rear battery compartment has
a hole in it where somebody had modified it to receive an external
power supply into the battery compartment, but it operates normally
when batteries are inserted. This is missing the rear clothing clip
as well. There is a few scratches and nicks in the finish. But cosmetic
issues aside, this is in normal good working order.
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Dolby
DP572 Dolby E decoder
More
Info
S/N: 500737
Used. Cosmetic 8/10
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(In Stock)
Price: $44
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The Dolby
DP572 Dolby E Decoder was designed to ease the transition from two-channel
to multichannel audio for DTV / HDTV broadcasters and program producers.
It decodes up to eight channels of high-quality audio, plus Dolby
Digital metadata, from a Dolby E signal encoded on a single AES3 pair,
external fiber, satellite link, digital videotape, digital audiotape,
or from a video server. It's easily integrated into your postproduction
and broadcast facilities. The DP572 can accept both PCM and Dolby
E signals, and it can switch automatically to provide seamless integration
of multichannel and archived stereo programming. Multichannel programming
typically uses a "5.1 + 2" Dolby E configuration, with six of the
eight channels carrying a 5.1 program and the other two an Lt/Rt (matrix
surround-encoded) or stereo two-channel program. Alternate channel
configurations are available for multilingual or other specialized
applications. A second input, PCM delay, has multiple functions -
insertion of a voiceover into the decoded Dolby E program, insertion
of local stereo audio, or automation of switching between stereo and
multichannel programming within a transmission chain. Requires a standard
video black reference signal. It can also be used in 24-frame applications
when accompanied with the Dolby E Tri-Level Sync Interface DP579.
This has some cosmetic paint wear on top panel and minor chips
on blue front - mostly gives a very good cosmetic appearance. Firmware
shows version 2.0.0.8. Not fully tested to factory spec, only for
proper power on, passing its self diagnostic test, basic button
functionality, and reset to factory settings. It did come from working
environment and is expected to fully work. We will still guarantee
full functionality via our 30 day warranty. Multiple units are available.
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Dolby
LM100 Broadcast Loudness Meter
More
Info
S/N: 503174
Used. Cosmetic 8/10
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(In Stock)
Price: sold
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The Dolby
LM100 Broadcast Loudness Meter is a tool for measuring the subjective
loudness of dialogue within broadcast programming. Applications for
the LM100 range from postproduction and quality control to final transmission,
program turnaround, and cable head-end facilities. Can use ITU-R BS.1770-1
and BS.1770-2 as the core measurement algorithm. Users can also select
Leq(A) or EBU R128. The LM100 can also determine the unweighted peak
and a range of other information about the signal, including the Loudness
Range measurement specified by the EBU. The LM100 presents its measurements
in an easy-to-understand numerical format - eliminating variations
in reading VU or PPM meters, neither of which is designed to measure
subjective loudness. A set of user-definable alarms and monitoring
functions can inform an operator of input loss, signal clipping, high
or low signal levels, silence, and incorrectly set dialnorm values.
Connections include: analog XLR input, RCA output, digital BNC input,
and 9-pin (RS-485, GP I/O, alarm), and headphone.
This is the LM100-LTC version (option card cat538 v2 installed)
which includes a timecode input, which allows alarm and other signal
conditions to be logged to either the internal time-of-day clock
or external timecode. Firmware 1.3.1.6. Cosmetically has some wear,
mostly on top portion from rackmounting. Tested in good working
order. Multiple units are available.
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Whirlwind
Medusa DT12 to female XLR
More Info
S/N:
Used. Cosmetic 8.5/10
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(In Stock)
Price: $125
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This is a Whirlwind Medusa 12-channel DT12 breakout box. Has a
37-pin male DT12 connector on front and 12x female 3-pin XLR on
top. This is all housed in a heavy duty powder coarted steel stagebox
with integrated handle. We are not sure of the precise model number,
it is likely a custom shop order.
In clean cosmetic condition, very little signs of use except for
some subtle paint wear and scratches on bottom. Working order. Multiple
units available.
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Whirlwind
Medusa DT12 to male XLR
More Info
S/N:
Used. Cosmetic 8.5/10
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(In Stock)
Price: $125
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This is a Whirlwind Medusa 12-channel DT12 breakout box. Has a
37-pin female DT12 connector on front and 12x male 3-pin XLR on
top. This is all housed in a heavy duty powder coarted steel stagebox
with integrated handle. We are not sure of the precise model number,
it is likely a custom shop order.
In clean cosmetic condition, very little signs of use except for
some subtle paint wear and scratches on bottom. Working order. Multiple
units available.
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Musicam
USA
CDQ Prima 210 ISDN audio codec
More Info
S/N: 22754
Used. Cosmetic 7.5/10
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(In Stock)
Price: $125
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The Musicam CDQ Prima 210 ISDN 20 KHz Stereo Bi-Directional digital
audio codec box is a 2U, character LCD, basic keypad box that accepts
3 interface modules and has AES/EBU (XLR) digital I/O and dual RS232
ancillary data channels. Universal power supply. 20 bit A/D, AES/EBU
or S/PDIF digital audio I/O. Up to 20 kHz bandwidth with better
than 92 dB SNR and 0.01 THD+N. Built-in high quality rate adapters
allow 24.05, 32, 44.1 and 48 kHz digital audio sampling rates with
internal or external synchronization. Fully compatible MUSICAM-enhanced
MPEG Layer 2, MPEG Layer 3 and G.722 algorithms support bit rates
from 24 through 384 kb/s and sampling rates from 16 through 48 kHz.
CCS Inverse Multiplexing, ITU J.52 BONDING and H.221 transport protocol
are standard. Adjust MPEG Layer 2 encoding algorithm parameters
to tailor the audio to your application. Fully Eureka DAB compatible.
BONDING of up to 6 x 64 kb/s channels for contribution quality is
based on systems such as DAB ETS300401, ADR spec.1.3 or Direc-TV
is supported as well as enhanced features for broadcasting, production
studios, advertising and news agencies and many other applications.
This has a DIF101 RS-422/X.21 digital interface installed. This
seems to be more rare than the DIF102 V.35 and TA301 ISDN U interface
most often found. This has noticeable paint wear on top cover from
rackmounting and light scratches on front cover, but no damage.
Tested for power up and basic button functionality, though not tested
fully to factory spec. However, we will guarantee it just the same
with our 30 day warranty.
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RDL
EZ-MX4L 4-channel line-level mixer
More
Info
S/N: 116972
Used. Cosmetic 9/10
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(In Stock)
Price: $35
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The RDL
EZ-MX4L is a compact stereo 4-channel line-level audio mixer. Allows
you to attach multiple devices into a single input. Ideal for example
to connect multiple home theater devices with stereo outputs to a
single input on a speaker system or amplifer. Each channel has gold-plated
stereo RCA inputs (channel 4 also has a 3.5mm stereo mini-plug). Each
input has a level control knob on the front. Output is either stereo
RCA or stereo 3.5mm mini-plug.
Comes with the EZ-UCB2 bracket pair for mounting (removable if
don't need them). This does not include power supply. One needs
to obtain the PS-24AS or a universal/generic power supply (24VDC
with center positive) to operate. Cosmetically in very good condition
with only extremely minor signs of wear. Good working order. Multiple
units are available.
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Studio
Technologies
StudioComm 71 Control Console
More
Info
S/N: M71-00201
Used. Cosmetic 9.5/10
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(In Stock)
Price: $125
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The Studio Technologies StudioComm Model 71 Control Console is
a compact command center for use with Model 76D, 76DA, 760-01, 760-02,
760-03, 780-01, 780-02, or 780-03 central controllers. Provides
additional user locations with the most frequently desired functions:
level adjustment, reference level, and dim. Up to three Model 71s
can be connected to, and powered by, a central controller.
Mint condition with almost no signs of use. Working condition.
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Studio
Technologies
StudioComm 78 Central Controller
More
Info
S/N: M78-00306
Used. Cosmetic 8/10
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(In Stock)
Price: $175
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The StudioComm
Model 78 Central Controller combines with the StudioComm Model 79
Control Console to form the StudioComm for Surround system used for
8-channel 7.1 monitoring. The 78 Controller allows connection of two
8-channel inputs and an 8-channel monitor output. The first input,
Surround A, will be connected to a multichannel output. The second
input, Surround B, will be connected to a playback device. For film
or video post applications Surround A would be considered the direct
source, while Surround B the playback source. The inputs are compatible
with balanced or unbalanced signals having a nominal level range of
–12 dBV to +6 dBu. All connections are made using 25-pin D-subminiature
connectors. Fifteen-turn trim potentiometers are used to precisely
calibrate the input signals. A sophisticated bass management function
is integral to the Model 78’s design.
When combined with the Model 79 Control Console remote, all monitoring
parameters can be controlled. Numerous LED indicators provide complete
status information. A 4-digit numeric display indicates the monitor
output level in real time. Four downmix modes allow the selected
source to be checked for compatibility among different formats.
An LFE low-pass filter function is provided as a means of checking
the audio content in the selected input’s LFE channel. The monitor
output level can be controlled by way of a large, easy-to-use rotary
control and includes a mute-all capability. The output mute function,
along with the input mute/solo function, allows an operator complete
flexibility when checking an input source and its path to the loudspeaker
system.
This listing is for the StudioComm 78 Central Controller only.
It does not include the 79 Control Console (which is needed along
with 9-pin connection cable to complete the system). This is in
good cosmetic condition with only some normal "rack rash"
wear mainly on top cover. Will guarantee in good working order once
you provide a good working Model 79 to combine it with.
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Telex
/ RTS
CES-1 earset kit - lot of 3
More
Info
S/N:
Used. Cosmetic 9/10
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(In Stock)
Price: $150
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The Telex
CES-1 is a complete IFB and assisted listening earset / earwig kit
from the patented Telethin series of personal monitoring products.
The package is compatible with both the TR and SR series of portable
receivers. It includes the RTV-04 125 Ohm telethin driver magnetic
earset receiver, CMT-2 cord with 1/4" TS phone connector, ET-4
coiled acoustic eartube with clothing clip, and a set of earcones.
This is for a set of 3 Telex CES-1. Each is configured differently.
Unit #1 is the most typical configuration with the ET-4 coiled tube
and set of 3 eartips. Unit #2 has a coiled tube with the ET-1 eartip,
which is a soft and pliable eartip with a metal plug (snug fit and
limits ambient noise). Unit #3 is set up without the coiled tube,
but instead has an earloop fitted with an ET-1 tip. Only included
is what is pictured. Working order.
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