The AKG D109 is a vintage lightweight compact dynamic omnidirectional microphone. It's designed originally as a lavalier mic to hang from chest, with response characteristics rolled off below 300Hz to overcome the booming resonance of the human chest cavity. Though it is equally suited as a handheld or instrument mic for example. Has a high output / sensitivity to insure sufficient gain with all types of amplification equipment. Nominal impedence of 200 Ohms.

The Audio-Technica MT830cT5 is an omnidirectional condenser lavalier microphone. This is the same as the MT830R / MT830c but is terminated with a 55" (1.4m) cable with TA5F 5-pin connector designed for Lectrosonics body packs or ATW-U101. Provides high intelligibility for lecturers, stage / TV performers, singers, interviews, etc. The wide-range capability ensures clean and accurate reproduction. 30Hz to 20 kHz freqency response. 200 ohms impedance.

This also includes a Equipment Emporium EZ Mic power supply model mark 2, wired for MT830. This power module runs on a 9V battery and provides power to the MT830cT5 and a XLR (male) output. With this power supply, you use this lav on really any recorder, mixer, or camera with XLR instead of needing to use it with a bodypack. The power supply also features a low cut filter switch.

The Auricon E-6 is a vintage omnidirectional dynamic microphone. It's a similar mic to the Electro Voice EV 630, except this is black instead of silver. Consider it the "Darth Vader" Auricon version of the EV 630. It is marked as 50 OHMS and stated to "use within 3 feet for best speech recording". The published frequency graph shows a nominally flat response (±1dB) from 60Hz–5kHz, followed by a broad presence boost (+2dB) from 5–10kHz. The moving-coil diaphragm was made of Acoustalloy, a nonmetallic material that provide stable performance regardless of ambient temperature, humidity, or corrosive salt air.

The Bryston 875HT is an audiophile grade 8- channel power amplifier, most commonly used in a home theater setup with surround sound processor. Equally at home in a studio. Capable of supporting 7.1, 6.1, 5.1. Capable of 75W into 8ohms per channel or 100W into 4ohms. Bridged mono mode allows higher power per channel (250W per channel, up to 4 channels) per Bryston 875HT. Inputs are XLR balanced or unbalanced single-ended RCA. The output binding posts offer three different connection options - banana plug, spade lug, or insulated wire up to 3AWG stripped bare 5/8" to 3/4". The power up sequence can be controlled from a 12V control voltage. Dimensions: 19x19x3.5". Weight 55lbs (25kg). Bryston products are built tough and high quality. This is a serious high-end power amp!

The Mackie DLM12S is a powered 12" subwoofer which packs major power in a relatively compact and lightweight profile. It delivers up to 1,000W program and 2,000W peak power into a heat-treated 12" woofer with a 3" voice coil. Its frequency response extends down to 35Hz, with a variable low-pass crossover from 90 to 135Hz. Inputs are balanced XLR. Max SPL: 128dB @ 1m. Also features a set of XLR full-range outputs and high-pass outputs. Also features: one-touch digital processor with bright OLED screen, alignment delay up to 300mS, three memory locations, precision digital crossover, rugged cabinet and grille, Smart Protect DSP. Weight is around 48lbs and dimensions are about 18" x 18" x 16" - which is not tiny, but is incredibly small considering the power it can provide which is adequate for bands, DJs, and good sized venues of many sorts. This is a good match and has presets for the DLM12, DLM8, SRM350, SRM450 speakers, but of course can be used with a wide variety of mains with a variable mode to allow you to select best crossover frequency for your needs.

This is a Whirlwind Medusa 12-channel DT12 breakout box. Has a 37-pin male DT12 connector on front and 12x female 3-pin XLR on top. This is all housed in a heavy duty powder coarted steel stagebox with integrated handle. We are not sure of the precise model number, it is likely a custom shop order.

This is a Whirlwind Medusa 12-channel DT12 breakout box. Has a 37-pin female DT12 connector on front and 12x male 3-pin XLR on top. This is all housed in a heavy duty powder coarted steel stagebox with integrated handle. We are not sure of the precise model number, it is likely a custom shop order.

The Musicam CDQ Prima 210 ISDN 20 KHz Stereo Bi-Directional digital audio codec box is a 2U, character LCD, basic keypad box that accepts 3 interface modules and has AES/EBU (XLR) digital I/O and dual RS232 ancillary data channels. Universal power supply. 20 bit A/D, AES/EBU or S/PDIF digital audio I/O. Up to 20 kHz bandwidth with better than 92 dB SNR and 0.01 THD+N. Built-in high quality rate adapters allow 24.05, 32, 44.1 and 48 kHz digital audio sampling rates with internal or external synchronization. Fully compatible MUSICAM-enhanced MPEG Layer 2, MPEG Layer 3 and G.722 algorithms support bit rates from 24 through 384 kb/s and sampling rates from 16 through 48 kHz. CCS Inverse Multiplexing, ITU J.52 BONDING and H.221 transport protocol are standard. Adjust MPEG Layer 2 encoding algorithm parameters to tailor the audio to your application. Fully Eureka DAB compatible. BONDING of up to 6 x 64 kb/s channels for contribution quality is based on systems such as DAB ETS300401, ADR spec.1.3 or Direc-TV is supported as well as enhanced features for broadcasting, production studios, advertising and news agencies and many other applications.

The Rolls PM50sOB personal monitor amp + (plus) is a small footprint device that accepts a 1/4" TRS stereo line-level signal with a XLR microphone level signal and outputs the mix to two sets of headphones. Has a monitor level control, mic level control, pass through XLR jack. Can run on 9V battery or external power (not included). Ideal for performers who need to monitor their own signal, such as a singer who needs to hear their vocals over the main mix or other musicians. Other potential uses include drummers who might need to mix a click track with a monitor signal.

The Sound Devices 788T-SSD Portable Digital Recorders features 8 digital recording tracks. Can record on an internal 256GB SSD solid-state drive, CompactFlash media, or external FireWire hard drive - can record to any combination of these mediums independently or simultanenously. The 788T-SSD acts like a mass storage device when connected to high-speed USB or Firewire ports on Windows and Mac OS X computers. 4 XLR and 4 TA3-male connections, 8 channels of balanced AES3 digital input, and 6 channels of AES3 output. Additional features include: 24-bit or 16-bit without dither, 32kHz-96kHz sampling rates, input-to-track assignment with 256 possible routing combinations, AV or BWF format, mono or poly files, uncompressed PCM audio, MP3 encode/decode, 48V phantom power, limiter, polarity reverse, high-pass, selectable delay, headphone monitoring, full time code implementation, word clock with tri-level video sync support, USB keyboard input for control., exceptional durability and light weight, large backlit LCD and controls, and 100-240V wordlwide power supply.

The Sound Devices 788T-SSD Portable Digital Recorders features 8 digital recording tracks. Can record on an internal 256GB SSD solid-state drive, CompactFlash media, or external FireWire hard drive - can record to any combination of these mediums independently or simultanenously. The 788T-SSD acts like a mass storage device when connected to high-speed USB or Firewire ports on Windows and Mac OS X computers. 4 XLR and 4 TA3-male connections, 8 channels of balanced AES3 digital input, and 6 channels of AES3 output. Additional features include: 24-bit or 16-bit without dither, 32kHz-96kHz sampling rates, input-to-track assignment with 256 possible routing combinations, AV or BWF format, mono or poly files, uncompressed PCM audio, MP3 encode/decode, 48V phantom power, limiter, polarity reverse, high-pass, selectable delay, headphone monitoring, full time code implementation, word clock with tri-level video sync support, USB keyboard input for control., exceptional durability and light weight, large backlit LCD and controls, and 100-240V wordlwide power supply.

This includes the Sound Devices CL-8 mixing control surface. This powerful unit unit features 8 rotary faders for controlling input levels. Also provides additional record tracks, which can be monitored, recorded, and routed to the 788T outputs. Tactile buttons provide control over each input's high-pass filter, limiter, polarity, and muting. Shortcuts are provided for routing the inputs to the left/right Mix tracks and the Aux tracks. LED indicators display signal presence and peak, as well as left, right, aux, limiter, high-pass, and polarity status. Also features a slate mic button.

The Wendt X5 is a 5-channel portable field audio mixer. All five XLR inputs can provide 48V phantom power, 12T (t-power or A/B), or be set for dynamic microphones. Each channel has rotary level control and PFL momentary switch which allows pre-fader listening via the monitor out. Also each has a3-position low frequency roll-off switch at 20Hz, 100Hz and 140Hz. Output is over XLR Male balanced connectors (mic/line). A pair of mini XLR(TA3-M) connectors also output mic or line level signal and a 3.5mm(1/8") Stereo Mini jack is available for feeding a microphone level signal. A 1/4" headphone with 3-position matrix switch allows monitoring in Mono, Stereo or Mid/Side modes Dual 3.5mm tape return inputs allow audio from 2 playback devices to be monitored through the mixer. Powered by 8x AA batteries or external power (not included). This offers flexible and professional features at an affordable price.