The Fiberplex LightViper VIM-1832 8x32 Audio Distribution Tail is used in conjunction with the VRK-1832, VIS-4832, VIS-1832 to achieve a 32x8 fiber-optic transport system. Supplied with a pair of transmit/receive LC fiber connectors (different connector configuration options are available). It also contains a single fiber “thru” connector (transmit only). This is the tail end of for Stage to FOH or drive snake applications. The VIM-1832 features 8 audio inputs which are selectable between analog line level and AES3 digital. The 32 audio outputs of both units are both analog line level and AES3 digital and are simultaneously available. Audio is via DB25 connectors. The VIM-1832 is the clock master in the system. I has the ability to generate it's own superiour quality Word Clock, or alternately accept an external Word Clock. The system features a “control” connection which is a TTL data port which appears on an EtherCon connector. It allows LightViper accessory devices such as the DMX4o (DMX lighting control) or MD3 (RS422/232/MIDI) to be connected to the unit. 48k or 96k operation. Ideal for live sound, broadcast sports, churches, performing arts centers, theme parks, mobile (remtoe) recording, and more.

The Fiberplex LightViper VRK-1832 8x32 Audio Distribution Head (analog) is used in conjunction with the VIM-1832 or VIM-MY32 YGDAI cards to achieve a 32x8 fiber-optic transport system. Supplied with a pair of transmit/receive LC fiber connectors (different connector configuration options are available). Two optical splits come standard. These splits (transmit only) are presented on a single fiber each. This is the head end of for Stage to FOH or drive snake applications. The VRK-1832 contains 32 mic/line inputs (sends) and 8 analog line level outputs (returns). There is a 3 position gain switch for each input that sets the gain of the mic-pre. The normal settings for these switches are as follows: 0 = line level, 26 = mic level, 12 = high transient / very “hot” mic level.There are 4 +48v phantom power on/off switches with associated on/off LED indicators. Phantom power is applied in groups of 8 inputs. Connectors are 3-pin XLR type. The system features a “control” connection which is a TTL data port which appears on an EtherCon connector. It allows LightViper accessory devices such as the DMX4o (DMX lighting control) or MD3 (RS422/232/MIDI) to be connected to the unit. 48k or 96k operation. Ideal for live sound, broadcast sports, churches, performing arts centers, theme parks, mobile (remtoe) recording, and more.

The Studio Technologies StudioComm Model 71 Control Console is a compact command center for use with Model 76D, 76DA, 760-01, 760-02, 760-03, 780-01, 780-02, or 780-03 central controllers. Provides additional user locations with the most frequently desired functions: level adjustment, reference level, and dim. Up to three Model 71s can be connected to, and powered by, a central controller.

The Genelec 8050A bi-amplified monitoring system is a near filed active studio monitor speaker, featuring a wide frequency response and high SPL capability (peak of over 120db per pair). Ideal for large recording studios, broadcast installations, mastering suites, post-production houses, radio studios, and more. Has a 150W 8" woofer and 120W 1" metal dome tweeter. The low frequency response extends down to 35Hz. The low level active crossover has versatile controls for matching to difficult acoustic environments. The MDE (Minimum Diffraction Enclosure) and reflex port aid in providing solid, clear frequencies with a minimum of compression, distortion and port noise artifacts. The gently curved sided and Directivity Control Waveguide (DCW) provide exceptionally smooth on and off axis frequency responses, precise imaging and optimal directivity across the whole audio spectrum. Mounting to desktop is easy with the included Iso-Pod(Isolation Positioner/Decoupler) which eliminates coloration of the sound by decoupling the monitor from its mounting surface. Can be tilted on the Iso-Pod to point the acoustic axis directly at the listening position. Other mounting options are possible using the integrated mounting point on the rear of the enclosure, or the M10 threaded hole on base. Input is over XLR and input sensitivity is adjustable on the rear.

The Mackie HR824mk2 / HR824mkii is a high resolution active two-way studio monitor speaker, ideal for stereo or surround mixing. Features a 875" low-distortion woofer, 1" titanium dome tweeter, and elliptical passive radiator to provide a clear, lifelike sound across full frequency spectrum (35 Hz to 22 kHz at -3db). Internal amplifiers provide 250W RMS of total power.

XLR 3-pin, TRS 1/4", and RCA input connectors for compatibility with virtually any audio gear you can throw at it. Controls for LF and HF filters, along with acoustic space matching allow you to customize the monitor to your specific workspace for optimum performance.

The cast-aluminum Zero Edge Baffle keeps diffraction to a minimum for excellent imaging; the optimized waveguide provides a wide sweet spot; and the integral cabinet damping eliminates midrange artifacts. The internally braced wood cabinet is OmniMount ready, allowing it to be mounted easily on a wall or ceiling. THX pm3 approved for surround mixing.

The On Set Headsets 1-Pin Earpiece (black color) is a professional listen-only IFB field monitor designed for maximum discretion in broadcast and film productions. Virtually invisible on camera and ideal for on-air talent, presenters, and performers who need to receive clear audio cues without distracting the audience. Delivers crystal-clear audio via a high-efficiency miniature driver. Modular design allows for easy cleaning, making it a hygienic and long-lasting. The durable 5 ft cable terminates in a standard 3.5mm mini-jack, ensuring compatibility with a wide array of IFB receivers and monitoring packs.