For Sale - Cameras, Lenses, Tripods, Production Gear, Lighting & Accessories

Cameras, Lenses, Cinema / Production

ALL ITEMS SOLD INCLUDE A
30 DAY WARRANTY!

Camcorders / Cameras

(In Stock)
Price: $12,695

The Arri Alexa Plus 4:3 (K1.71150.0) is like the standard Alexa Plus, but has a 4:3 Super 35 sensor ideal for using anamorphic lenses. The full area of the sensor is used and a much higher image quality retained - the magic that anamorphic lenses provide is rendered faithfully and fully in the digital image. This can also be used in 16:9 mode just like any Alexa, so it's versatile even if you're not using anamorphic. This has the exceptional film-like organic image the Alexas are known for with extended clean highlights, low noise floor, natural skin tones, excellent color separation, and cinematic depth. Extremely rugged and reliable build with ergonomics and easy usability well considered. Form factor ideal for balanced shoulder use and on tripod.

The newer Alexa Plus models have all the features of the Alexa Classic EV, but adds features such as: Arri wireless lens control system compatibility, electronic horizon, lens mount has LDS contacts (lens data system), extra monitor BNC out (1.5G HD-SDI), GPS function, lens synchronisation for 3D, a third RS accessory power output, built-in position and motion sensors, and quick switch BNC connectors.

These come with the Alexa Plus 4:3 license bundle - which includes high-speed (120fps), DNxHD recording, and anamorphic de-squeeze standard.

Can record in HD / 2K ProRes up to 4444 and HD DNxHD. This has the newest SUP 11.1.1 which allows 3.2K Pro Res at 16:9 (which is easily upscaled to 4K / 3.8K UHD). Also has the XR module upgrade just like the XT models have, so also can do internal ARRIRAW 2.8K as well (though note does not do Open Gate). This module uses capture card drive such as Codex CDX-3730. But can also use SxS Pro / Pro+ cards if adapter CDX-3790 (K2.48838.0) is installed. Can also work with qualfied SanDisk Extreme Pro CFast 2.0 card with use of adapter K2.48839.0.

Maximum frame rates are: 16:9 ProRes HD at 120fps, 16:9 ProRes 2K at 60fps, 16:9 Prores 3.2K at 30fps. 16:9 ARRIRAW at 120fps, 4:3 Prores at 48fps, 4:3 ARRIRAW at 90fps. Some reduced frame rates at 4:4:4 when using SxS media instead of CFast 2.0 or XR capture drive.

Additional features include: 14 stop dynamic range, EI 800 base sensitivity (160-3200 range), Log C / Rec 709 / DCI P3, audio recording over 5-pin XLR line level input, surround view, false color exposure check, peaking focus, color bars/tone, and much more.

This has the XR module upgrade installed, allowing internal ARRIRAW onto CDX-3730 drives (adapter are available to allow Prores / DNxHD onto SxS / SxS Pro+, or Sandisk Extreme Pro CFast 2.0 cards). The XR module makes this very similar to the Alexa XT model, except without Open Gate. Newest Sup 11.1.1 installed, unlocking 3.2K pro res recording in addition to HD / 2K. Also includes many valuable accessories: EVF-1 viewfinder with eyecup and connecting cable, VMB-2 viewfinder mounting bracket, Anton Bauer battery plate, CCH-1 center top handle, SP-4 shoulder pad, BP-13 bridge plate, Tilta sliding dovetail plate. Cosmetically in acceptable condition for a professionally used Alexa - with just some paint wear / touchups and a good amount of scuffs on body, but no damage or indications of rough usage - overall very presentable. This has a reasonable 3603 hours of use. All features, functions, sensor, connections and included accessories are tested in excellent working order.

(In Stock)
Price: $4,449

The Panasonic AJ-HPX3100 P2 HD camcorder is a 2/3" 1920x1080 10-bit 4:2:2 master quality ENG style shoulder camcorder. Newly designed smaller/lighter and less power consumption than the AJ-HPX3000 / AJ-HPX3700. Records in AVC Intra and DVCPROHD. Worldwide framerate capability of 24P, 25P, 30P, 50i, and 60i. High sensitivity and excellent s/n ratio. Power is via Anton Bauer goldmount battery plate or any quality 4-pin XLR power supply. It can also use v-mount / v-lock batteries by installing a simple goldmount to v-mount adapter plate. Features include: advanced gamma settings, film-like shutter controls, HD-SDI output, wireless metadata input, chromatic aberration compensation (CAC), three level dynamic range stretch (DRS), advanced 14-bit digital signal processing (DSP), digital zoom/super gain, one clip REC function, 2 disc/4 position ND/CC optical filter wheel, 3.5" color LCD monitor, and full customization of image you'd expect in a high end broadcast camcorder.

This includes the Panasonic AJ-HVF21G 2" black & white viewfinder. Provides ample resolution for easy focusing. Useful functions for focus peaking, contrast, brightness, zebra, and front/rear tally. Includes microphone holder and eyecup.

This comes with the AJ-HVF21G viewfinder. Microphone, batteries, and power supply not included - as is typical with broadcast camcorders. This has some cosmetic wear and paint touchups sporadically but overall gives a clean and well taken care of appearance. The flip-out LCD has some hairline scratches, which are not visible unless looking closely while it's off and not noticed when in use. The LCD is for basic composition and menu operation anyway, not for the most critical viewing like the viewfinder and HD-SDI output. This has already been upgraded to the latest firwmare. Hours of use: operation 301x10, power on 6343. While this may seem a little high at a glance, this is a solid state camcorder and extremely well made and taken care of, so this is just moderate usage in the scheme of a high end ENG camcorder. This is tested in excellent working order, good sensor, with all functions/features operating correctly.

(In Stock)
Price: $275

The HVR-A1U fits many professional features in an small "handycam" form factor. 1080i switchable between 60i and cineframe 30P / 24P with 2:3 pulldown. This is NTSC, not PAL. Features include: C-MOS imager, HD to SD downconversion, cinematone gamma and cineframe functions, switchable hdv/dvcam/dv recording (onto mini DV tape), high quality 10x Carl Zeiss lens, lens hood with integrated cap, stabilization system, manual focus ring, 2.7" 16:9 LCD screen with touch screen menus, viewfinder at rear, built-in mic, color bars, nightshot (green low light capability), XLR inputs with phantom power, i.LINK (IEEE 1394), expanded focus, 3 mega pixel still images onto memory stick, and much more. Output connections for monitoring or live output include: HDV/DV firewire / i.link IEEE 1394, component HD / SD, composite. This doesn't have HDMI, but one can always gets a component to HDMI converter for example if they need that. Many use this as an affordable studio / live / streaming camera into a mixer, if they do not want to record onto HDV tape. It is extremely compact which makes it useful in a variety of situations where larger cameras are impossible.

This includes XLR adapter, remote, ac adapter / charger, long-life battery, component/av cables, manual (not pictured), lens hood w/ integrated cap. This does not include external mic. Good cosmetic condition with some exterior scratches from transportation, not from usage because this has low hour meter readings. The hood shows a bit of extra wear because it came from a different camera with more usage. The previous owner did etch the serial number into the bottom of the camera. Clean LCD screen. Good lens optics. Hours of use: drum 0x10, tape 0x10, threading 5x10, operation 1x10. So this has had under 10 hours of actual usage, which is quite rare indeed. All functions, features, connections, tape transport are tested in good working order.

(In Stock)
Price: $375

The HVR-V1U 3CMOS HDV camcorder packs a lot of big features in a small package. Captures video at 24P, 30P, and 60i - processed at 1920x1080/60p in full 4:2:2 and recorded as 1080/60i (24P recorded with 2:3 pulldown). This is NTSC only, not PAL. Records onto miniDV / HDV tape. Many professional features include: DVCAM/DV recording, 20x Carl Zeiss Vario-Sonnar T* optical zoom lens, downconversion, 3.5" LCD, rear color viewfinder, manual or automatic control of iris/shutter/focus/zoom/gain, HDMI and i.link interfaces, XLR audio, ClearVid for clear diagonal lines, integrated ND filters, picture profiles, focus peaking / zebra functions, SteadyShot, color bars, gamma settings including Cinematone Gamma, black stretch/compress, knee correction, versatile ergonomic design for handheld or tripod use, and much more. Many use this as an affordable studio / live / streaming camera into a mixer, if they do not want to record onto HDV tape.

Low hours of use: Operation 50x10, Drum 15x10, Tape 11x10, Thread 37x10. 150 drum hours is very low usage. Includes ac adapter/charger, small eyecup, av/component cables, and mic holder. This includes battery, but note it is a generic model, not genuine Sony battery (it does still work but full life not guaranteed). Cosmetically this camera has some scratches and scuffs in various places on the body. There is also some cleaning scratches on LCD, which are only lightly visible when in use. It's not perfect looking, but it is overall presentable and clean. Optics are clear and without scratches. All functions, features, connections, tape transport are tested in good working order.

(In Stock)
Price: $7,825

The Sony PMW-500 is a 2/3" camcorder that combines the 4:2:2 color space, sensor, and 50Mbps bitrate of camcorders like the PDW-F800 and PDW-700 with the SxS recording of the PMW-350. Features Power HAD FX 3CCDs, dual SxS slots, MPEG HD422 codec, ALAC, slow shutter, HyperGamma, interval recording function, ND filter wheel, proxy data recording, up/down/cross conversion, high quality 24-bit four channel audio, scene file system, 3.5" LCD (for footage review/thumbnails, menus, status), eight assignable switches,and all the functions, features, precise audio/video customization, and ergonomic capabilities you'd expect from a professional shoulder mount ENG video camera.

This includes the CBK-HD02 option which adds SDI/composite video input, digital extender, pool feed input, 50-pin interface, and support for the XDCA-55 camera adapter and HDCA-702 MPEG TS adapter.

Includes the HDVF-20A viewfinder, a high quality 2" HD viewfinder. Has extra resolution to provide ample detail for discerning focus over cheaper viewfinders. Features controls for zebra, tally, display/aspect, focus peaking, contrast and brightness.

This has some mild cosmetic wear on body if looking for it - but overall gives the impression of a clean and well-treated camcorder. There is some scratches on the LCD screen protector, but nothing that inhibits viewing in a significant way. Above average compared to most field used ENG broadcast camera. Running firmware 1.61 (1.090 on the CBK-HD02 option). Low usage at 785 hours on the meter. Good optical block with no issues at any gain after warmed up. All functions/features tested in good working order.

(In Stock)
Price: $7,275

The Sony PMW-F55 Cinealta 4K digital cinema camera features a 8.9MP Super 35mm image sensor capable of capturing 4K, 2K, and HD internally in a variety of worldwide formats onto SxS Pro+ memory cards. Choice of 8-bit MPEG-2 HD422 at 50 Mbps, 10-bit XAVC 2K/HD at 100 Mbps, SR Codec 10-bit MPEG4 SStP at 220/440/880 Mbps, and XAVC 4K/QFHD at 300 / 480 Mbps. This has an incredible exposure latitude of 14 stops of dynamic range, for film-like rendering of highlights and shadows. Incorporates the same color filter array technology as the F65, for a color gamut wider than motion picture film. Also has a global shutter to eliminate motion skew and other rolling shutter distortions. The optional AXS-R5 recorder enables 16-bit RAW with frame rates up to 240 fps in 2K and 60 fps in 4K. The AXS-R7 allows 120 fps RAW in 4K. The F55 supports real-time 4K output via four 3G-SDI connectors. Can output HD-SDI and HDMI. XLR inputs with phantom power via the included module. V-mount back for BP-FL75 Olivine battery, BP-GL95A, GL64A, L80S, L60S, and most high quality third party v-mount batteries. Also takes standard 4-pin XLR power. Native FZ mount and included PL mount adapter to use PL lenses. Can also be adapted to Canon, Nikon, Leica with optional adapters. This is one of the highest end cinema cameras you can buy!

Includes the DVF-EL100 OLED color viewfinder. Reproduces nearly a 14 stop range, no smear/blur, adjustable mounting arm, contrast ratio of 10,000:1 with deep black tonal gradiations, and 1280x720 resolution for faithful reproduction of sharp images and critical focusing applications.

Has the CBK-55PD DNxHD / ProRes codec board option installed which provides additional support for Apple ProRes and DNxHD. This codec board supports ProRes 4444 12-bit Full HD, ProRes 422 (HQ) 10-bit Full HD, ProRes 422 10-bit Full HD, DNxHD 220x 10-bit Full HD, and DNxHD 145 8-bit Full HD at a variety of frame rates.

Beyond the OLED viewfinder and CBK-55PD option, this also includes viewfinder connection cable, factory top handle and PL mount (with good contact pins). Has some cosmetic paint wear, scratches and touchups - most noticeably on the handle and some knobs. There is also a cluster of scratches on the side sub display screen (which is not very noticeable when it is on and is cosmetic only in nature). Though there is some wear, it overall gives a reasonably clean presentable impression. A relatively low 904 hours of use on the meter. The latest version 9.2 firmware is installed. Good sensor. All functions / features / connections are tested in excellent working order.

(In Stock)
Price: $244

This is for a Chrosziel CLWAH-F4,5 mattebox system, also known as the 415-02F110 or MB 415. Designed for any Canon, Fujinon, or other brand of lenses, even wide angle lenses with focal length up to 4.5mm. Dual stage filter stages - 1 fixed and 1 rotating filter stage. This is a clip-on style mattebox for use without rods. This is a robust and professional matte box system, not a chintzy knock off.

This includes the CLWAH-F4.5 sunshade housing, 410-31 4x4/4x5.650 filter holder, 510-01 5x5/4x5.650 filter holder, 130-110mm intermediate ring, 110mm-98mm stepdown ring, 110mm-95mm stepdown ring, and foldable top french flag. So this can accomodate 130mm, 110mm, 98mm, and 95mm diameter lenses (though you can obtain other stepdown rings if your needs differ). Even includes a hard case to carry it, model Pelican 1500. Shows noticeable cosmetic wear and paint touchups, but no damage. In very good working order. Multiple units available.

(In Stock)
Price: $7,725

The Cooke S4 14mm T2 is a PL mount wide angle prime cinema lens that covers Super 35mm format. Offers superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. Fast aperture of T2 for shallow depth of field and low light capability. Cam-style focus movement coupled with a large lens barrel diameter, allowing for an increased number of focus markings, particularly at close focus. A four-point contact bearing provides a smooth positive backlash-free movement. Compact, lightweight, and optically matched to other Cooke lenses. Also features MOD of 33", minimal focus breathing, focus marks on both sides of barrel (imperial in feet), industry standard 0.8 mod focus/iris gears, 110mm front barrel diameter, clickless iris ring, eight-leaf linear modular iris assembly, and scratch resistant PTFE hard anodised finish.

This is the 14mm focal length. Has imperial markings (feet). This is the standard S4, not the S4/i, so there is no lens contacts. Includes front/rear lens caps. Cosmetically in very good shape with only minor paint wear on the barrel. Clean front/rear glass without scratches. Internally is a few dust specks that don't cause any issue. There is no optical problems. Focus and iris rings operate smoothly and accurately. All in all, this is a very good example of this lens.

(In Stock)
Price: $725

The Fujinon HAF20B-10 is a 20mm 2/3" B4 cine style HD prime lens. Very fast maximum aperture of T1.5. This does not have ENG servo (manual zoom/focus/aperture), but is optimized for cinematography use with high quality optics and industry standard gears for use of follow focus. Has 144.5 degree focus rotation. Internal focus designs to minimize focus breathing and ramping. This is a member of the "premier series", using Fujinon's highest quality glass/optics. The overall high quality and top optical high definition performance of the HAF20B-10 makes the lens ideal for episodic TV, commercials, green-screen shoots, independent film production, or any other cinematic projects that employ 2/3" HD cameras.

Perfect for any 2/3" camcorder such as the F23, AG-HPX500, AG-HPX600, AJ-HPX2000, AJ-HPX2700, AJ-HPX3000, AJ-HPX3100, AJ-HPX3700, HDC-930, HDC-950, HDC-1500R, HDC-1700, HDC-2400, HDC-2500, HDC-2550, HDC-2570, HDC-3100, HDC-3170, HDC-3300R, HDC-3500, HDC-4300, HDC-P1, HDW-F900R, HSC-100R, HSC-300R, HXC-FB75, HXC-FB80, PDW-700, PDW-F800, PMW-350, PMW-500, PXW-X400, PXW-X500, PXW-Z450, and many more. This could be a good choice for adapting to Panasonic GH4/GH5, Sony a7S / a7R II, PXW-FS5, PXW-FS7, PMW-F5/F55, Canon C300 mark II, Blackmagic URSA Broadcast / Mini 4.6K / Pro, etc. Please research the technical limitations of adapting a 2/3" B4 lens on your specific camera if it is not natively designed for 2/3" B4 lenses, to make sure you will find the trade-offs acceptable compared to the benefits.

Includes front/rear caps. Cosmetically in very good condition with only minor wear. Clean glass and good optical performance. Focus and iris ring work normally, smoothly, and consistently. Excellent example of this lens.

(In Stock)
Price: $75

The MTF MTNIKGFZ is a Nikon G to Sony FZ lens adapter, compatible with the PMW-F55, PMW-F5, and PMW-F3 camera. This allows you to use Nikon G and DX series lenses. Turn the blue ring to adjust aperture, compatible with lenses with or without aperture rings. Will introduce a magnification factor of 1.5x with full frame lenses. Flat black coated baffle. This is a "dummy" style mount without electrical contacts.

This has some cosmetic wear from normal use, but not damage or signs of harsh use. Caps included. Overall in good presentable condition and in working order.

(In Stock)
Price: $425

The Optitek ProLock Mark II (CPLII-Sony-F3) is a FZ to EF adapter that allows Canon EF lenses to be used on the Sony PMW-F3, PMW-F5, or PMW-F55 camera. Unlike previous version, the mk II has electrical contacts to allow powered control over the iris in 1/3rd stop increments via buttons on the mount. The adaptor also provides power to IS stabilization and internal focus servos. Draws power directly from camera mount, so no additional cable required. Features a PL style clamping lock ring on the Canon EF mount to secure lenses. When used with the Optitek Optitron Lens Controller, precision repeatable remote focus control is also available.

This has some cosmetic wear from normal use, but not damage or signs of harsh use. Caps included. Overall in good presentable condition and in working order.

(In Stock)
Price: $525

The DSMC Titanium TI PL Mount (725-0022) enables the use of high quality PL mount cinema lenses on your Red DSMC and DSMC2 camera such as Epic Dragon, Scarlet Dragon, Scarlet-X, Epic-X, Weapon, Epic-W, Scarlet-W, Monstro, Helium, Gemini. Has a robust titanium construction and solid locking mechanism for lightweight, but durable support for even the longest/heaviest lens. Features electronic pins contact for lens communication.

This includes protective cap (attachment screws not included). Clean cosmetic condition overall with some superficial wear from normal usage. Good working order.

(In Stock)
Price: $4,449

The Service Vision Scorpio Focus is an ultra high quality wireless digital cinema lens control system for Focus, Iris, and Zoom - i.e. FIZ. The hand unit can be connected to the motor driver box wirelessly (most common application) or wired. The motor driver box then is wired to the motors to control the lens. The hand unit has a focus wheel that can accept marking discs, iris slider with marking strip, and zoom potentiometer micro knob for iris - though any control can be assigned to focus, iris, or zoom as desired. The information display shows menu items, speed, total meters/feet counter, last take counter, signal coverage indicator, low battery indicator, camera status, and zoom position scales. Motor drive box can accept power between 11-30VDC. The hand unit is powered with NP-FM50 style batteries. Lenses are automatically calibrated either by connecting motor cable to motor or from the hand unit menu - this can be saved on memory when disconnecting the equipment. It is possible to add a second hand unit in master-slave mode. Two motors can also be synchronized or even six motors two-by-two when adding a second motor driver box, plus one can rescale mark by mark the second focus in regards to the first - so this is ideal for 3D applicaitons. One can set limits for any FIZ movements. Can also run camera start/stop control from the hand unit. This system is very versatile, with brackets, gears, driver cables, and power cables available for nearly any camera/lens configuration you can imagine.

This includes 3x motors - 1x SB 92 (5101) digital motor and 2x standard S.C.O.R.P.I.O motor. One of the motors is a "clunker" and requires repair to work normally. The other two motors work very well with no problems or backlash, though note that they have re-glued cable connectors (which is cosmetic only in nature). So consider this a 2 motor kit, with a bonus motor which could be hypothetically be repaired if desired.

This is a fully loaded package which includes: hard carrying case with custom foam, 3x blue Arri bushings, 2x gold Panavision bushings, 2x rod brackets for motors, bracket/shield and handle for hand unit, 3x genuine batteries, 2x generic chargers, a large collection of markings discs (all have marker on them which needs to be cleaned), a wide assortment of gears for many lens types, 4x motor cables, Arri run/stop cable, Arri power cable, zoom-iris command 6-pin cable, and misc parts/screws/antennas.

This is a well-used system that has seen some time on set. It has heavy paint wear and brassing. There is velcro and electrical tape affixed in many areas. Some connectors are re-glued securely. Though there is no damages and it is mostly in good clean presentable shape if one gets past the mentioned cosmetic wear. This is fully tested to be in good working order. Reset to factory settings and calibrated. The only functional issue is one of the three motors is for parts/repair. Otherwise, this is a good working 2 motor system. Buyer is responsible to add any brackets, gears, cables, or other accessories as needed for their specific configuration if not included or pictured here.

(In Stock)
Price: $4,245

The Zeiss CP.3 XD 15mm T2.9 (model 2189-367) is a compact prime full-frame sensor coverage lens in PL mount, with marking in meters. This is the newer upgrade to the CP.2 with an updated form factor to be more similar to Ultra Prime lenses, improved mechanics, better T* lens coatings, even weight distribution. Increased anti-reflection masking for increased contrast and reduced flare. Has the signature Zeiss look, to match up well with other CP.3 lenses as well as any types of high-end Zeiss cinema lens. Features Zeiss eXtended Data (XD) technology combined with Cooke's /i lens metadata protocol. All information is transmitted in real-time via the 12 o' clock position on the PL mount or the 4-pin LEMO port. This technology allows for accurate focus pulling when combined with a rangefinder or recording alongside footage and applied in post. In particular, the recording of ZEISS-specific datasets enable DITs using Pomfort or DaVinci Resolve software to analyze recorded footage to remove distortion and shading in post-production (saves time especially for productions than plan on using VFX). Has the standard 95mm front diameter to be compatible easily with matte boxes, follow focus, and lens supports. 14-blade iris for pleasing round bokeh. Clickless iris ring and geared focus and iris control round out this very impressive lens.

Includes front/rear caps. This is the version with markings in meters, not feet. Cosmetically in mint condition with extremely little wear or use, imperfections only noticed if looking carefully. Clean optics inside and out. Rings turn smoothly, accurately, and consistently. Tested in excellent working order.

Camera Accessories

(In Stock)
Price: $145

The Ambient Recording ACL-202CT Lockit is a time code generator for video and audio equipment. It has the ability to generate time code or jam sync to an external source. Useful for syncing multiple cameras or other equipment. Tri-level Sync works with component video; allowing for reference in component and HD applications. Portable and operates on AA batteries. Works in worldwide framerates.

This includes case, BNC timecode cable, and BNC to 5-pin lemo timecode cable (commonly used with Arri Alexa and various Sound Devices recorders). Good condition cosmetically, just had a new label installed. These are often worn on these, making it difficult to read how to set the dip switches / settings. This is nice and clean label, easy to read. There is velcro on the underside. Tested in good working order.

(In Stock)
Price: $145

The Anton Bauer QRC-4K-S is a battery adapter plate to convert the V-mount of the Sony PMW-F5 or PMW-F55 camera to use Anton Bauer Goldmount batteries. Also compatible with the AXS-R5 recorder. Includes four P-tap connectors (10 amp draw max) and passes battery information through to camera viewfinder.

Clean cosmetic condition overall with only superficial wear. Good working order, tested on a PMW-F55.

(In Stock)
Price: $1,195

The Arri EVF-1 electronic viewfinder (model K2.72008.0) is a state of the art F-LCOS (ferroelectric liquid crystal on silicon) display with 1280x768 resolution, high refresh rate, and ARRI optical design. Offers extremely fast display, high image quality, accurate color reproduction, low distortion, evenly illuminated viewing area, auto-calibration, ergonomic design, and quick access buttons for camera control. Displays camera or EVF menus, customizable frame lines, surround view, camera status, Lens Data System info and clip/reel numbers. Compatible with Alexa Classic, Alexa Classic with the XR Module upgrade, Alexa Plus, Alexa Plus 4:3, ALEXA XT, and ALEXA SXT cameras. ALEXA Studio models are not compatible, unless you install the Electronic Viewfinder Adapter EVA-1 (K2.72063.0).

Includes genuine Arri KC 151-S (K2.72013.0) short viewfinder cable (2.1' length). Does not include viewfinder mounting bracket (such as VMB-1, VMB-2, VMB-3). Good cosmetic condition with some superficial paint wear and touchups. Brand new eyecup installed. Tested on camera in good working order.

(In Stock)
Price: $795

The Cmotion Cfinder is an optical range finder distance measurement tool with an invisible class 1 laser beam. Measures from 0.3m to 300mm with readings updated up to 50 times a second and an accuracy range of of +/- 0,05m at maximum distance. For invisible laser sharp reference while filming, a telescopic sight can be easily mounted to the cfinder by means of a quick fastener. The operator can either mount the cfinder with brackets to various cameras or operate as a stand alone unit on a separate tripod beside the camera. Using the CBUS interface cable, two way communication can be established between the Cfinder and Camin (also the source of power). Camin will then send wireless measurement information to the cDisplay. This can also be powered with 3-pin RS power such as found on the Arri Alexa camera. This information can be used to identify depth of field, enable auto focusing and preset distance limits where all other distance values are ignored. This is like a more advanced CineTape.

This is the original Cmotion Cfinder. Cosmetically has some scratches and paint wear, but no damage or signs of rough usage. This is fitted with a BSA Air Rifle 2-7X32 telescopic sight / scope. This is an incomplete system. It does not include items such as Cdisplay, Camin, or any cables. This includes the Cfinder and scope only. Because this is incomplete system, it has not been fully tested here. It is presumed in good working order, but is sold "as is" to a buyer who can obtain the rest of the equipment to acheive a complete working system.

(In Stock)
Price: $50

The Denecke Dcode Syncbox SB-2A (SB-2) is a time code generator / jam sync box. Can generate timecode at world-wide rates such as 23.976, 24, 25, 29.97, 30, 29.97. Can also be jammed from an external source if not internally set. Sync pulses generate at: 50, 59.94, and 60 Hz square wave

Some cosmetic wear and scratches on body. Velcro attached to back, which is difficult to remove, but useful for attachment. Cables not included. Tested in good working order. Multiple units are available.

(In Stock)
Price: $375

The Red DSMC 1.8" SSD Side Module (model 720-0013) attaches to your Red Epic Dragon, Scarlet Dragon, Epic-X, and Scarlet-X. Allows use of 1.8" Redmag SSD media plus adds 2 user defined keys, record button, and EVF/LCD port. Ideal for those that bought brain without side module, are replacing a broken one, or wish to swap out a Mini Mag module for this 1.8" full-size Redmag version.

This does not have Dragon labelling on it, but works exactly the same as the ones with the Dragon label (meaning can work on any DSMC Epic or Scarlet camera whether Dragon or MX sensor). Cosmetically clean overall with only minor paint wear (most noticeably on the grey/silver Red badge on the side). Good working order.

(In Stock)
Price: $165

The Redmag 128GB is a 1.8" SSD drive designed for use in the DSMC 1.8" SSD side module and the Red Station card reader. Provides a fast and reliable recording medium in a durable casing. Compatible with Scarlet-X, Epic-X, Scarlet Dragon, Epic Dragon, and Red One (w/ appropriate 1.8" side module). 128GB size.

This shows heavy paint wear, mostly on the edges. Also, the rear label is partially removed. But there is no damage (these are very durable). The previous owner did permanently stencil their name and an identification number carefully on the front, which is not removable. Fully tested in excellent working order. Multiple units available.

(In Stock)
Price: $625

The Sony AXS-512S24 is a high-speed 512GB flash memory card for recording high frame rate 4K and 2K 16-bit video onto the Sony AXS-R5 RAW recorder. The AXS-R5 docks directly to the PMW-F5 and PMW-F55 and via the HXR-IFR5 on the NEX-FS700, NEX-FS700R and PXW-FS7. This card has a guaranteed write speed of 2.4 Gbps and is compatible with the AXS-CR1 card reader.

Includes case. Has light to medium cosmetic wear, but overall presentable. Tested in excellent working order on a AXS-R5 recorder.

(In Stock)
Price: $825

The Sony AXS-R5 enables 4K and 2K 16-bit RAW video recording on the PMW-F55 and PMW-F5 Cinealta camera. Also can be used with the HXR-IFR5 on the NEX-FS700 and NEX-FS7. Attaches to the rear of the camera for a sleek integrated form factor. Can simultaneously record RAW files and proxy HD on the camera's SxS card. Matching time code, start frame, stop frame, file names, and other metadata for seamless confirming in post. Unlocks high frame rates up to 240fps in 2K RAW and 60fps in 4K. RAW recording preserves the greatest latitude for color correction and post. 16 times as many RGB gradations as 12-bit RAW nad 64 times as many tones per channel as 10-bit. Uses AXSM memory cards such as the AXS-512S24 and AXS-A1TS24 / AXS-A1TS48 / AXS-A512S24 with adapter (adapter not included).

Fully tested in good working order on a PMW-F55 and FS700, unlike some sellers who are unable to test this or even gather the hour meter reading. Latest firmware V4.10 installed. Has a moderate 657 hours of use. Sony badge/logo is missing from one area. Clean cosmetic condition overall, with only minor superficial scuffs and paint wear if looking carefully.

(In Stock)
Price: $1,325

The Sony DVF-EL100 is a OLED viewfinder for the PMW-F5, PMW-F55, and F65 (with version 3 upgrade). Features high resolution of 1280x720, 10,000:1 contrast ratio for deep black tonal gradations, nearly 14 stop range, no smear or blur, widely adjustable mounting arm for optimum positioning, 26-pin digital interface, and buttons for focus magnification and display on/off. This is an incredibly high-end top quality viewfinder.

Includes connecting cable, rubber eyecup, and original box. Has very few signs of cosmetic wear or use; it is in excellent physical condition. Tested in good working order on a PMW-F55 camera.

(In Stock)
Price: $775

The Sony HDVF-C35W is a 3.5" HD TFT LCD color viewfinder. Compatible with high end broadcast camcorders such as PMW-500, PDW-F800, PDW-700, HDW-F900R, F23, F35, SRW-9000, HSC-300, PDW-680, HDC1500R, HDC1400, HDW-790, HDW-790S, PDW-850, and more. Has a unique detachable eypiece construction, allowing viewing from various positions and angles. Use as traditional viewfinder with loupe or directly view the LCD. Spherical lens in eye piece reduces abberation at each corner for easy focusing. Can be switched between color or monochrome. Accomadates multiple NTSC and PAL frame rates. Also features 3x magnification function, gray scale signals (for expsoure adjustment), peaking, zebra, tally, 2 assignable preset buttons, and more.

Includes removable eyepiece and eyecup. Cosmetically clean with some minor nicks and paint wear when looking carefully. Tested in good working order on a PMW-500 camcorder.

(In Stock)
Price: $875

The Sony RM-IP10 is a remote controller for the newest generation PTZ robotic camera. Can control up to 112 separate cameras over IP (LAN) such as BRC-X400, BRC-X1000, BRC-X1000/1, BRC-H800, BRC-H800/1, SRG-X120, SRG-X400, SRG-300SE, SRG-300H, SRG-120DH, SRG-120DS, SRG-120DU, and SRG-360SHE. Can also work with the BRC-H900 and BRC-Z330 when the BRBK-IP10 card is added. Or the BRC-Z700 when the BRBK-IP7Z card is added. Can even locally control up to 7 cameras over VISCA RS-422 (8-pin mini DIN RS-232C cable or wired RS-422 for longer cable runs via the terminal block) just like the RM-BR300 remote can, compatible with cameras such as BRC-300, BRC-H700, BRC-H900, BRC-Z330, BRC-Z700, SRG-120DH/DS/DU, SRG-300H, SRG-300SE, SRG-360HE, EVI-D70, EVI-D80, EVI-D90, EVI-D100, EVI-H1000S, EVI-H100V, EVI-HD1, EVI-HD3V, EVI-HD7V.

This compact unit incorporates a joystick for pan, tilt, and zoom control and dedicated knobs and control buttons that allow you to bypass the camera's menu systems to access frequently used functions. Control white balance, iris, gain, shutter color adjustment, auto/manual focus, backlight compensation, preset positions, and more. Joystick controller gives precision camera moves and focus adjustments. Features 16 presets. Up to 5 controllers can operate on a single network.

Includes power supply. Overall in good clean cosmetic condition, though does have a couple of areas on it with scratches/chips in the finish. Good working order.

(In Stock)
Price: $179

The SBP-64A is a 64GB SxS Pro memory card, ideal for Sony XDCAM HD / XDCAM EX camcorder, as well as the Arri Alexa Classic / Plus / XT (with SxS module). This is ideal for Sony models such as PMW-500, PMW-300, PMW-320, PMW-400, PMW-200, PMW-100, PMW-160, PMW-EX1R, PMW-EX3, PXW-X200, PXW-X180, PXW-X160, PXW-X400, PXW-X500, PXW-X320, PMW-RX50, PMW-PZ1, PMW-50, and more. Not ideally suitable for 4K recording on PMW-F55 or other examples of extremely high data rates. Features a maximum speed of 1.2Gbps. Example recording times: 60 minutes HD XAVC Intra 4:2:2, 120 minutes in HD MPEG2 4:2:2 30P at 50Mbps. Maximum recording time possible is 200 minutes at 35Mbps HQ or 280 minutes SP.

Includes case. Front label has minor wear at bottom. Overall in very good cosmetic condition. Tested in excellent working order. Multiple units are available.

(In Stock)
Price: $75

The Swit S-8BG6 is a replacement battery for cameras that use the CGA-E/625 or VW-VBG6 batteries such as the AG-AC130A, AG-AC160A, AG-AC7, AG-HMC40, AG-HMC70, AG-HMC150, AG-AF101, AG-HMC71, AG-HMC81, AG-HMC151, AG-AC130, AG-AC160 and many more models. Nominal voltage: 7.2V. Capacity: 36Wh / 5.1Ah. Has a 4-level LED indicator on battery and a 7.2V pole-tap DC output. Can be charged by the Swit S-3602B or S-3010D chargers or factory charger with your compatible camera such as Panasonic VW-AD20.

This is for a lot of 3 batteries. They have minor cosmetic wear (nicks and scuffs), but are overall clean looking. They hold a normal charge and are tested in good working order. Multiple lots are available if you need more than three.

(In Stock)
Price: $75

The Wooden Camera D-Tap to Canon C200, C200B, C300 mark II Braided Flex Cable (model 212100) allows you to power your C300 mark II, C200, or C200B camera camera from a V-mount or Gold Mount battery that has a D-tap output. Features a lemo type connector and a flexible design with insulated wires wrapped inside of a braided nylon sheath. It is about 24" in length custom length instead of the typical 36".

Clean cosmetic condition and good working order.

Production Equipment / Studio / Support

(In Stock)
Price: $150

This is an Arri Adapter Plate (K2.66246.0) is a lightweight bottom support plate designed for the Sony PMW-F55 or PMW-F55 camera. The Adapter Plate is in the form of an integrated Sachtler Touch and Go plate, for easy mounting to a tripod head or other support with a standard quick release plate. If you don't have a Touch and Go system, it has screw holes on bottom to attach a traditional tripod plate. Also has 15mm rod mounts for things like follow focus and matte box, as well as Arri rosettes on both sides for attachment of handgrips. Is a good choice for pairing with the Arri Shoulder Pad (K2.66249.0), which is not included. For studio configuration, the adapter plate accepts studio bridge plates such as the ARRI BP-8 or BP-9.

Overall in good cosmetic condition with minor paint wear in typical areas such as sharp edges, rosettes, and rod mounts. Good working condition.

(In Stock)
Price: $325

The Chrosziel C-401-457KIT3 consists of a 401-457 LWS 15mm light weight support, 401-BP15B mounting plate, 3050-02 MultiPad straight shoulder pad, 401-83-190 15mm extension rods, 403-31 190mm bar with rosettes for handles, and a 403-30 leather handle / grip. This package is ideal if you are using the 4K RAW upgraded NEX-FS700 / NEX-FS700R with HXR-IFR5 and AXS-R5. Though it is also ideal for a third party recorder or a NEX-FS700 with battery plate at rear for large battery (such as Anton Bauer gold mount, IDX v-mount, and PagLok). The shoulder pad consists of a rod bracket which the pad slides onto, with ability to adjust pad behind or directly underneath camera to your liking. With the lower rods and shoulder pad removed, this kit can be attached to tripod or other support. The front rods are ideal for mattebox, follow focus, and more. Handles can be attached via industry standard rosettes.

Includes one leather handle, not two. It is in mint "like new" condition with almost no signs of use.

Still Photography

(In Stock)
Price: sold

The Sony A7s (ICLE-7S) is a full-frame 12.2MP Exmor CMOS sensor mirrorless camera with expansive dynamic range, low noise, extended sensitivity, and professional video recording. This is a highly professional tool with an extensive feature set normally found on much larger cameras / camcorders. Native sensitivity of 100-102400 (expandable to 50-409600) and large individual pixel size, making this ideal for low-light / native-light situations. Continuous shooting rate of 5fps and a fast 25-point contrast detection autofocus systems with sensitivity to -4 EV. A tilting LCD monitor and OLED viewfinder are available for monitoring and review. Other features include: built-in Wi-FI with NFC, face detection, auto object framing, 2x clear image zoom, various picture effects modes and style settings, and a compact body design.

Where this camera really shines is video recording. It records internally to 50Mbps XAVC S codec and can output 4K UHD at 4:2:2 over HDMI to third party external recorders. Can record 24P, 30P, 60i, and 60P using the entire sensor. Up to 120fps is possible at APS-C sized center crop at 720P. S-log2 gamma curve and customization of gamma, black level, knee, color level, and more allow an extensive dynamic range with generous latitude in post-production. Professional time code capabilities such as record run, free run, drop/non-drop modes, and output over HDMI. Features such as focus peaking, zebra, audio levels, focus magnification, and various overlays to acheieve the perfect shot. Sound can be recorded via the internal stereo microphone or 3.5mm external microphone jack. Use of the optional XLR-K1M adapter allows XLR audio with phantom power and adjustable mic/line inputs. Built-in headphone jack rounds out the audio features.

This includes original battery, 2x generic battery, generic charger, and lens cap. There is some paint wear, nick, and touchups around the body, mostly on the underside. Though has some cosmetic wear, is overall presentable. This just had the screen protector replaced so it has a nice clean screen unlike many. The exposure count is 16185 which is quite reasonable / low. Clean sensor. Tested in excellent working order.



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