The newer Alexa Plus models have all the features of the Alexa Classic EV, but adds features such as: Arri wireless lens control system compatibility, electronic horizon, lens mount has LDS contacts (lens data system), extra monitor BNC out (1.5G HD-SDI), GPS function, lens synchronisation for 3D, a third RS accessory power output, built-in position and motion sensors, and quick switch BNC connectors.

This comes with the highspeed (120fps) and anamorphic de-squeeze licenses.

Can record in HD / 2K ProRes up to 4444. It records onto affordable SxS Pro and Pro+ cards. If you were to swap the SxS module with XR module, it could then use Codex CDX-3730 drives and unlock 3.2K ProRes and internal ARRIRAW recording just like the XT models have. This can also record ARRIRAW if you add a compatible external recorder (via a special protocol called T-Link to output ARRIRAW via HD-SDI to an Arri certified recorder).

Additional features include: 14 stop dynamic range, EI 800 base sensitivity (160-3200 range), Log C / Rec 709 / DCI P3, audio recording over 5-pin XLR line level input, surround view, false color exposure check, peaking focus, color bars/tone, and much more.

The newer Alexa Plus models have all the features of the Alexa Classic EV, but adds features such as: Arri wireless lens control system compatibility, electronic horizon, lens mount has LDS contacts (lens data system), extra monitor BNC out (1.5G HD-SDI), GPS function, lens synchronisation for 3D, a third RS accessory power output, built-in position and motion sensors, and quick switch BNC connectors.

These come with the Alexa Plus 4:3 license bundle - which includes high-speed (120fps), DNxHD recording, and anamorphic de-squeeze standard.

Can record in HD / 2K ProRes up to 4444 and HD DNxHD. This has the newest SUP 11.1.1 which allows 3.2K Pro Res (which is easily upscaled to 4K / 3.8K UHD). Also has the XR module upgrade just like the XT models have, so also can do internal ARRIRAW as well. This module uses capture card drive such as Codex CDX-3730, but can also use SxS Pro cards if a adapter such as CDX-3790 is installed.

Additional features include: 14 stop dynamic range, EI 800 base sensitivity (160-3200 range), Log C / Rec 709 / DCI P3, audio recording over 5-pin XLR line level input, surround view, false color exposure check, peaking focus, color bars/tone, and much more.

This includes the Panasonic AJ-HVF21G 2" black & white viewfinder. Provides ample resolution for easy focusing. Useful functions for focus peaking, contrast, brightness, zebra, and front/rear tally. Includes microphone holder and eyecup.

This includes the CBK-HD02 option which adds SDI/composite video input, digital extender, pool feed input, 50-pin interface, and support for the XDCA-55 camera adapter and HDCA-702 MPEG TS adapter.

Includes the HDVF-20A viewfinder, a high quality 2" HD viewfinder. Has extra resolution to provide ample detail for discerning focus over cheaper viewfinders. Features controls for zebra, tally, display/aspect, focus peaking, contrast and brightness.

The Sony PMW-F55 Cinealta 4K digital cinema camera features a 8.9MP Super 35mm image sensor capable of capturing 4K, 2K, and HD internally in a variety of worldwide formats onto SxS Pro+ memory cards. Choice of 8-bit MPEG-2 HD422 at 50 Mbps, 10-bit XAVC 2K/HD at 100 Mbps, SR Codec 10-bit MPEG4 SStP at 220/440/880 Mbps, and XAVC 4K/QFHD at 300 / 480 Mbps. This has an incredible exposure latitude of 14 stops of dynamic range, for film-like rendering of highlights and shadows. Incorporates the same color filter array technology as the F65, for a color gamut wider than motion picture film. Also has a global shutter to eliminate motion skew and other rolling shutter distortions. The optional AXS-R5 recorder enables 16-bit RAW with frame rates up to 240 fps in 2K and 60 fps in 4K. The AXS-R7 allows 120 fps RAW in 4K. The F55 supports real-time 4K output via four 3G-SDI connectors. Can output HD-SDI and HDMI. XLR inputs with phantom power via the included module. V-mount back for BP-FL75 Olivine battery, BP-GL95A, GL64A, L80S, L60S, and most high quality third party v-mount batteries. Also takes standard 4-pin XLR power. Native FZ mount and included PL mount adapter to use PL lenses. Can also be adapted to Canon, Nikon, Leica with optional adapters. This is one of the highest end cinema cameras you can buy!

Includes the DVF-EL100 OLED color viewfinder. Reproduces nearly a 14 stop range, no smear/blur, adjustable mounting arm, contrast ratio of 10,000:1 with deep black tonal gradiations, and 1280x720 resolution for faithful reproduction of sharp images and critical focusing applications.

Perfect for any 2/3" camcorder such as the F23, AG-HPX500, AG-HPX600, AJ-HPX2000, AJ-HPX2700, AJ-HPX3000, AJ-HPX3100, AJ-HPX3700, HDC-930, HDC-950, HDC-1500R, HDC-1700, HDC-2400, HDC-2500, HDC-2550, HDC-2570, HDC-3100, HDC-3170, HDC-3300R, HDC-3500, HDC-4300, HDC-P1, HDW-F900R, HSC-100R, HSC-300R, HXC-FB75, HXC-FB80, PDW-700, PDW-F800, PMW-350, PMW-500, PXW-X400, PXW-X500, PXW-Z450, and many more. This could be a good choice for adapting to Panasonic GH4/GH5, Sony a7S / a7R II, PXW-FS5, PXW-FS7, PMW-F5/F55, Canon C300 mark II, Blackmagic URSA Broadcast / Mini 4.6K / Pro, etc. Please research the technical limitations of adapting a 2/3" B4 lens on your specific camera if it is not natively designed for 2/3" B4 lenses, to make sure you will find the trade-offs acceptable compared to the benefits.

The DSMC Titanium TI PL Mount (725-0022) enables the use of high quality PL mount cinema lenses on your Red DSMC and DSMC2 camera such as Epic Dragon, Scarlet Dragon, Scarlet-X, Epic-X, Weapon, Epic-W, Scarlet-W, Monstro, Helium, Gemini. Has a robust titanium construction and solid locking mechanism for lightweight, but durable support for even the longest/heaviest lens. Features electronic pins contact for lens communication.

The Red Motion Ti PL mount (model 725-0012) is compatible with the Epic/Scarlet Dragon and MX as well as DSMC2 cameras such as Weapon 6K, Epic-W, Scarlet-W, Dragon-X, Helium, or Gemini. This titanium lens mount pushes the limit of what's possible under any motion capture scenario. It's a finely tunable neutral density filter up to 2.4 ND - allowing you to acheive more precision than glass filters and to work faster/lighter. It acts as a global shutter that prevents partial illumination with strobes and shearing with fast subjects - reduces partial exposure and provides more constant illumination. Time filter renders sharper but smoother pans, artifact-free cyclical motion, natural motion blur, and reduced flicker with lights and electronic displays - thus bringing your image closer to human eyesight. Note that when soft or square shutter is enabled, the maximum frame rate is limited to ensure highest quality capture. Also, the ND filter minimally cuts out 1.5 stops of light at all times. This is more than a simple lens mount, it fundamentally changes the way your camera captures light and functions, especially for motion capture applications.

The Zeiss CP.3 XD 15mm T2.9 (model 2189-367) is a compact prime full-frame sensor coverage lens in PL mount, with marking in meters. This is the newer upgrade to the CP.2 with an updated form factor to be more similar to Ultra Prime lenses, improved mechanics, better T* lens coatings, even weight distribution. Increased anti-reflection masking for increased contrast and reduced flare. Has the signature Zeiss look, to match up well with other CP.3 lenses as well as any types of high-end Zeiss cinema lens. Features Zeiss eXtended Data (XD) technology combined with Cooke's /i lens metadata protocol. All information is transmitted in real-time via the 12 o' clock position on the PL mount or the 4-pin LEMO port. This technology allows for accurate focus pulling when combined with a rangefinder or recording alongside footage and applied in post. In particular, the recording of ZEISS-specific datasets enable DITs using Pomfort or DaVinci Resolve software to analyze recorded footage to remove distortion and shading in post-production (saves time especially for productions than plan on using VFX). Has the standard 95mm front diameter to be compatible easily with matte boxes, follow focus, and lens supports. 14-blade iris for pleasing round bokeh. Clickless iris ring and geared focus and iris control round out this very impressive lens.

The Ambient Recording ACL-202CT Lockit is a time code generator for video and audio equipment. It has the ability to generate time code or jam sync to an external source. Useful for syncing multiple cameras or other equipment. Tri-level Sync works with component video; allowing for reference in component and HD applications. Portable and operates on AA batteries. Works in worldwide framerates.

This is for 2x (pair) of 16GB Red CF compact flash card used in the Red One CF module on the Red One / Red One MX digital cinema camera. This is a very fast memory card, designed to work reliably with your Red One camera with the CF module installed. This is for one pair of 16GB cards (32GB total storage per set).

This is a genuine Red brand time code cable. 10' length and is 5-pin lemo on each end. This is originally designed for the Red One / Red One MX camera, but can also be used with items such as the Sound Devices 788T / 702T / 744T / 664 / 663, Arri Alexa, Ambient Clockit ACL 202CT, and anything else with a 5-pin lemo timecode connection.

The AC-DN10 directly attaches to the V-mount shoe of broadcast camcorders. It provides 100W AC adapter functionality as well as high speed charging of Sony V-mount batteries such as BP-GL65, BP-GL95, BP-L60A/S, BP-FL75, etc. Should also charge many third party / generic v-mount batteries, but compatibility for non-Sony batteries is not guaranteed. Also includes 4-pin XLR output for powering other equipment besides the camcorder. Can charge batteries while supply AC power to other equipment. Battery will automatically take over if AC power is removed.

The Sony BC-L90 dual battery charger is compatible with Sony's BP series of "Olivine" V-mount lithium-ion batteries such as the BP-FL75. This system is most commonly used with the Sony PMW-F55 / PMW-F5 / AXS-R5, though can be used with any other v-mount camera. Charges Long-life Olivine battery in half the time of conventional lithium-ion batteries. This also can act as a DC power supply with camera / camcorder that takes 4-pin XLR power supply (with the addition of a 4-pin XLR power cable).

The Sony BP-FL75 is a 76Wh 12.8V Olivine lithium ion v-mount battery. Designed with the Sony PMW-F5 and PMW-F55 in mind, though would be compatible with nearly any camera, camcorder, AXS-R5, or any gear you have with a v-mount battery plate. Compatible chargers include BC-L90, BC-L70A, BC-L70, BC-L160, AC-DN10. Very likely can be charged on third party v-mount chargers as well, but compatibility only guaranteed with Sony chargers. Built-in sensors to protect from voltage and temperature fluctuations. 4-LED push button gauge conveniently displays remaining battery power.

The SBP-64B is a 64GB SxS Pro+ memory card, designed for high-speed video recording with XDCAM / XDCAM EX camcorder. This is ideal for 4K and high data rates on the PMW-F5 and PMW-F55 cinealta camera (unlike the previous SBP-64 / SBP-64A card which is not suitable). This is also popular for use with the Arri Alexa. Of course, this can also be used with any model that takes an SxS / ExpressCard such as PMW-500, PMW-300, PMW-320, PMW-400, PMW-200, PMW-100, PMW-160, PMW-EX1R, PMW-EX3, PXW-X200, PXW-X180, PXW-X160, PXW-X400, PXW-X500, PXW-X320, PMW-RX50, PMW-PZ1, PMW-50, and more. Features a maximum read speed of 1.6Gbps and write speed of 1.5Gbps (minimum read speed of 1.3Gbps). Example recording times: 20 minutes 4K XAVC Intra 4:2:2, 10 minutes in 4K XAVC 4:2:2 60P at 600Mbps, 60 minutes HD XAVC Intra 4:2:2, and 120 minutes in HD MPEG2 4:2:2 30P at 50Mbps. Maximum recording time possible is 200 minutes at 35Mbps. This SxS Pro plus card is the ultimate memory card that can support any codec or camera model out there.

This is for a lot of 5 Sony 64GB UHS-I SDXC U3 Class 10 memory card, model SF-64UX2. These are ideal for 4K video camera and high speed burst shooting. Maximum data read speed of 94 MB/s and write of 70 MB/s for quick file transfer and fast operation. Waterproof, dust-proof, temperature proof, and guards against both UV and static allowing you to shoot with ease and reliability.

The Swit S-8BG6 is a replacement battery for cameras that use the CGA-E/625 or VW-VBG6 batteries such as the AG-AC130A, AG-AC160A, AG-AC7, AG-HMC40, AG-HMC70, AG-HMC150, AG-AF101, AG-HMC71, AG-HMC81, AG-HMC151, AG-AC130, AG-AC160 and many more models. Nominal voltage: 7.2V. Capacity: 36Wh / 5.1Ah. Has a 4-level LED indicator on battery and a 7.2V pole-tap DC output. Can be charged by the Swit S-3602B or S-3010D chargers or factory charger with your compatible camera such as Panasonic VW-AD20.

The Wooden Camera D-Tap to Canon C200, C200B, C300 mark II Braided Flex Cable (model 212100) allows you to power your C300 mark II, C200, or C200B camera camera from a V-mount or Gold Mount battery that has a D-tap output. Features a lemo type connector and a flexible design with insulated wires wrapped inside of a braided nylon sheath. It is about 24" in length custom length instead of the typical 36".

The Adapter Plate is in the form of an integrated Sachtler Touch and Go plate, for easy mounting to a tripod head or other support with a standard quick release plate. If you don't have a Touch and Go system, it has screw holes on bottom to attach a traditional tripod plate. Also has 15mm rod mounts for things like follow focus and matte box, as well as Arri rosettes on both sides for attachment of handgrips.

The Shoulder Pad attaches to bottom of camera for shoulder use. The thin profile means the pad can remain mounted to the camera in most situations, when switching from tripod to handheld use.

These are precision high-quality Arri parts - this package goes for over $700 when buying the parts separately new.

The Top Plate is a sturdy cheese plate with a wide variety of 3/8"-16 and 1/4"-20 threaded accessory mounting points.

The Arri CCH-2 handle can be attached at three different positions, providing a sturdy top carrying handle as well as additional accessory mounting points. There is a HEB-2 extension screwed onto rear of the top handle.

The viewfinder adapter allows you to mount your DVF-EL100 or DVF-L350 viewfinder. The Viewfinder Plug Protection allows your viewfinder cable to remain secure and undamaged where connected to camera.

The 15mm LWS rod console adds 15mm rod support and is attached at front of top plate.

These are precision high-quality Arri parts - this package goes for over $1,000 when buying the parts separately new.

This has the standard locking disc replaced with the AD5000 Integrated Head Adapter. This low-profile adapter provides better control and allows easy mounting by utilizing a retained 1/4" mal thread and locking disc on a non-slip rubber surface.

The Canon EF 50mm F1.0 L USM lens is an exceedingly rare super lens. It is the most advanced 50mm lens. Not only the fastest, but packed with technology such as two ground aspheric elements, autofocus, electronic focus, focus-by-wire, ultrasonic focus motor, and electronically actuated diaphragm. Ultra low light ability (1/2 to 2/3 stops faster than f/1.2 lenses). If you want to shoot in available light at high enough shutter speed to stop action in very low light, you need this lens. Provides a unique bokeh and extreme subject isolation with shallow depth of field that can't be duplicated by lesser lens - background can virtually disappear if needed. This is designed to be sharp and contrasty even wide open, though you need to focus perfectly for best results at f1.0 due to the extremely shallow depth of field. By design, there is strong falloff (vignetting) in corners at f1.0 especially in lower light conditions, minor at f/1.4, and no more at f/2. Useful for isolating the subject, though can easily be corrected in Photoshop if needed. This has instant manual focus override. Note the focus ring is an encoder that tells the motor what to do, so the manual focus will not operate unless lens is awake and communicating with body. This has a minimum focus distance of .6 meters (2 feet), so understand that you cannot focus on objects extremely close to the lens. It may have been made a long time ago, but has abilities that no other lens today can really match, even with some limitations as a result. This is not only a powerful lens, but a real collector's item.