For Sale - Cameras, Lenses, Tripods, Production Gear, Lighting & Accessories

Cameras, Lenses, Cinema / Production

ALL ITEMS SOLD INCLUDE A
30 DAY WARRANTY!

Camcorders / Cameras

(In Stock)
Price: $4,750

The Arri Alexa Classic EV (K1.71000.0) is a Super 35 16:9 sensor cinema camera. This has the exceptional film-like organic image the Alexas are known for with extended clean highlights, low noise floor, natural skin tones, excellent color separation, and cinematic depth. Extremely rugged and reliable build with ergonomics and easy usability well considered. Form factor ideal for balanced shoulder use and on tripod.

Can record in HD / 2K ProRes up to 4444. It records onto affordable SxS Pro and Pro+ cards. 64GB cards allow up to 60fps ProRes 444. 120fps at HD resolution is possible with highspeed license (up to ProRes 422 HQ). This can also record 2.8K ARRIRAW if you add a compatible external recorder (via a special protocol called T-Link to output ARRIRAW via HD-SDI to an Arri certified recorder).

Additional features include: 14 stop dynamic range, EI 800 base sensitivity (160-3200 range), Log C / Rec 709 / DCI P3, audio recording over 5-pin XLR line level input, 3-pin RS power for accessories, 2x HD-SDI out and 1x monitor out, surround view, false color exposure check, peaking focus, color bars/tone, and much more.

Comes with the highspeed (120fps) license. This has a reasonable 3340 hours of use. Also includes: EVF-1 viewfinder with eyecup and connecting cable, viewfinder mounting bracket, Anton Bauer gold mount battery adapter back, CCH-1 center top handle with extension, shoulder pad, and BP-12 bridge plate. Dovetail plate or tripod head compatible with Arri bridge plates required for tripod mounting (or you can use a cheap WA-1 wedge adapter to use with VCT-14 / VCT-U14 style plates). This will ship in a Portabrace case (not pictured). The case isn't neccessarily from this specific camera and might have older foam and show significant wear - so consider the Portabrace a bonus extra. There is some typical paint wear and touchups around the body and accessories - but overall in better cosmetic condition than most examples on the market - it is very presentable for a professionally used Alexa with reasonable hours. Newest Sup 11.1.1 installed. All features, functions, connections, sensor and included accessories are fully tested to be in excellent working order.

(In Stock)
Price: $6,950

The Arri Alexa Plus 4:3 (K1.71150.0) is like the standard Alexa Plus, but has a 4:3 Super 35 sensor ideal for using anamorphic lenses. The full area of the sensor is used and a much higher image quality retained - the magic that anamorphic lenses provide is rendered faithfully and fully in the digital image. This can also be used in 16:9 mode just like any Alexa, so it's versatile even if you're not using anamorphic. This has the exceptional film-like organic image the Alexas are known for with extended clean highlights, low noise floor, natural skin tones, excellent color separation, and cinematic depth. Extremely rugged and reliable build with ergonomics and easy usability well considered. Form factor ideal for balanced shoulder use and on tripod.

The newer Alexa Plus models have all the features of the Alexa Classic EV, but adds features such as: Arri wireless lens control system compatibility, electronic horizon, lens mount has LDS contacts (lens data system), extra monitor BNC out (1.5G HD-SDI), GPS function, lens synchronisation for 3D, a third RS accessory power output, built-in position and motion sensors, and quick switch BNC connectors.

These come with the Alexa Plus 4:3 license bundle - which includes high-speed (120fps), DNxHD recording, and anamorphic de-squeeze standard.

Can record in HD / 2K ProRes up to 4444. It records onto affordable SxS Pro and Pro+ cards. If you were to swap the SxS module with XR module, it could then use Codex CDX-3730 drives and unlock 3.2K ProRes and internal ARRIRAW recording just like the XT models have. This can also record 2.8K ARRIRAW if you add a compatible external recorder (via a special protocol called T-Link to output ARRIRAW via HD-SDI to an Arri certified recorder).

Additional features include: 14 stop dynamic range, EI 800 base sensitivity (160-3200 range), Log C / Rec 709 / DCI P3, audio recording over 5-pin XLR line level input, surround view, false color exposure check, peaking focus, color bars/tone, and much more.

Includes: EVF-1 viewfinder, KC 150-S short viewfinder cable, VMB-3 viewfinder mounting bracket, Anton Bauer goldmount t battery plate, CCH-1 center top handle, BPA-2 bridge plate adapter, bridge plate, and sliding dovetail plate. So this is tricked out with many valuable accessories. Cosmetically in acceptable condition for a professionally used Alexa - with just some typical paint wear, scratches, and touchups all around body - but no damage or indications of rough usage - overall presentable. Newest Sup 11.1.1 installed. This has 4350 hours of use, which is reasonable for a professionally used Alexa - these are built rugged and reliable as you already know. All features, functions, sensor, buttons connections and included accessories are tested in excellent working order.

(In Stock)
Price: $925

The Blackmagic Studio Camera 4K Plus is a powerful studio camera for live production, ideal for use with ATEM Mini video switchers. UHD 3840x2160 resolutions available in worldwide frame rates up to 60P (HD resolutions also available). Same imaging technology found as in Blackmagic cinema cameras, for cinematic images in a live production environment. Blackmagic RAW with 3D LUTs allow viewing graded-looking image on LCD or output while preserving RAW data, film camera, and full dynamic range. Ideal for usage with Davinci Resolve. Recording is external over USB-C connection. Upgrades over previous models include: lighter carbon fiber body, up to 25,600 ISO for low light performance, 13 stops of dynamic range, a large tally light, HDMI output, two USB Type-C ports for recording and control, built-in dual microphones, a 7" HDR LCD touchscreen with 1920x1200 resolution, and a redesigned sun hood. Utilizes a Micro Four Thirds (MFT) lens mount. Controls for brightness, contrast, iris, and peaking are on one side of screen and F1-F3 programmable buttons on the other. Includes a tripod mount with 15mm LWS rod ports and sliding mounting plate. Also can be used with option focus and zoom demands for more complete studio functionality.

Includes hood, dust cap, power supply, 15mm LWS tripod mount. Clean cosmetic condition with only very minor signs of wear and usage. Tested in excellent working condition.

(In Stock)
Price: $2,750

The Panasonic AJ-HPX3100 P2 HD camcorder is a 2/3" 1920x1080 10-bit 4:2:2 master quality ENG style shoulder camcorder. Newly designed smaller/lighter and less power consumption than the AJ-HPX3000 / AJ-HPX3700. Records in AVC Intra and DVCPROHD. Worldwide framerate capability of 24P, 25P, 30P, 50i, and 60i. High sensitivity and excellent s/n ratio. Power is via Anton Bauer goldmount battery plate or any quality 4-pin XLR power supply. It can also use v-mount / v-lock batteries by installing a simple goldmount to v-mount adapter plate. Features include: advanced gamma settings, film-like shutter controls, HD-SDI output, wireless metadata input, chromatic aberration compensation (CAC), three level dynamic range stretch (DRS), advanced 14-bit digital signal processing (DSP), digital zoom/super gain, one clip REC function, 2 disc/4 position ND/CC optical filter wheel, 3.5" color LCD monitor, and full customization of image you'd expect in a high end broadcast camcorder.

This includes the Panasonic AJ-HVF21G 2" black & white viewfinder. Provides ample resolution for easy focusing. Useful functions for focus peaking, contrast, brightness, zebra, and front/rear tally. Includes microphone holder and eyecup.

This comes with the AJ-HVF21G viewfinder, Panasonic VSQ1121 5-pin XLR front microphone, and a Portabrace soft case. Lens, batteries, tripod plate and power supply not included - as is typical with broadcast camcorders. This has some cosmetic paint wear and mild scratches, but overall gives a clean and presentable physical appearance. The flip-out LCD has a patch of coating wear, which is not very noticeable when in use. The LCD is for basic composition and menu operation anyway, not for the most critical viewing like the viewfinder and HD-SDI output. This has already been upgraded to the latest firmware. Reasonable hours of use: operation 213x10, power on 3700. This is tested in excellent working order, good sensor with properly masked pixels, with all functions/features operating correctly.

(In Stock)
Price: $1,925

The Panasonic AJ-PX270 is an AVC-Ultra HD camcorder, with the features of a full-size shoulder broadcast camera in a compact handheld design. Records 1920x1080 at up to 30p in AVC-Intra 200 Mb/s or 60P in AVC-Intra 100 Mb/s. 24P, 25P, 50P, 60i, and 50i are also available. Records onto full-size or microP2 cards. F series cards are required for AVC-Intra 200 or AVC-Intra 100 at 50P/60P recording. Can also record proxy files onto SDHC/SDXC cards.

The 22x optical zoom lens has manual rings for focus, zoom, and iris (as well as servo zoom, autofocus, and autoiris). Zoom range of 3.9-86mm which is the equivalent of 28-616mm at 35mm, so it has wide angle to extreme teleophoto covered. Also has optical image stabilization, macro, and a minimum aperture of f/1.6-3.2.

Professional connections include: 3G-SDI, HDMI, XLR microphones with manual control and phantom power (as well as internal mic), timecode in/out, genlock, USB 3.0, 2.5mm zoom s/s control, 3.5mm focus/iris control, LAN, and headphones.

The 1/3" MOS imager can operate in standard or high-sensitivity mode (gain boost with noise reduction). Has both an OLED viewfinder and a 3.5" IPS LCD view screen. Signal processing features include dynamic range stretch (DRS), advanced flash band compensation (FBC), 12-axis matrix control, 3 skin tone control, and seven gamma modes (HD, SD, FILMLIKE1, FILMLIKE 2, FILMLIKE 3, FILM-REC, and VIDEO-REC).

Recording modes include: simultaneous, relay, loop, dual-codec, one-clip, and background. Additional features include: ND filters, zebra, waveform, focus assist, and all the ergonomic manual customization and features you'd expect from a larger broadcast quality camcorder.

Includes 2x batteries (one Panasonic & one generic), battery charger, AC adapter, hood, mic holder, and eyecup. Has only 696 operation hours of use. Cosmetically in good shape with only sporadic scuffs on the body if looking carefully. There is a couple scratches on the LCD screen, which don't create a major problem when in use. The lens glass is clear without defects. All function, features, connections, and sensor are tested to be in excellent working order.

(In Stock)
Price: $14,295

The Panasonic AK-UB300 is a 4K Multi-Purpose compact box style camera head - ideal for sports, live events, broadcast, aerial shooting from helicopter, pan/tilt systems, POV, dolly/crane, and more. 2/3" lenses are used on this 4K large-format camera with the need for an adapter, with a clear/crisp image quality, maximum use of incident light, and wide dynamic range.

HD-SDI outputs and Quad-Link 4K output (3G-SDI x4) are standard. An optional AK-UHD12G boardis available if you need 12G-SDI 4K output. Or you can use a converter such as the AJA 12GM, Blackmagic Teranex Mini Quad SDI to 12G-SDI, Blackmagic SDI Multiplex 4K (for 6G-SDI output), and other converter models on the market.

Worldwide frame rates available such as 60P, 59.94P, 29.97p, 23.98p, 29.97PsF, 23.98PsF, 50P, 25P, 25Psf. Streaming video output is available in up to four simultaneous H.264 streams, at a wide range of data rates. Camera IP control can be performed by connecting an AK-HRP250G, AK-HRP1010G, or AK-HRP1015G Remote Operation Panel (ROP).

HDR (High Dynamic Range) function standard with knee and black gamma adjustment. It not only has automatic iris control, but it also comes with a reduced shock, contiguous automatic variable gain control with a range of -6 dB to +36 dB. Moreover, the AGC allows you to choose between the normal mode, favor movement, and favor clarity.The digital haze clear function helps watch traffic of road or harbor. Menu button and jog/wheel on rear to control most functions.

Connections include: 4-pin XLR for power, 100BASE-TX/10BASE-T LAN, tally out, I/F D-SUB 15-pin, Genlock, 12-pin lens iris, 12-pin lens zoom/focus.

Additional features include: two sensitivity modes, auto tracing white balance, 4-position ND filter wheel, HD cropping function, Dynamic Range Stretch (DRS) function, flash band compensation, wide range of color correction functions, scan reverse shooting, and a host of high-end features you'd expect from larger size Panasonic studio cameras.

Cosmetically in very good condition, with only a few cosmetic scratches on one side and a little on the bottom where it was mounted. Overall very clean condition. Only has 789 hours of use. Tested in excellent working condition.

(In Stock)
Price: $2,250

This is the Panasonic AW-UE70 4K Integrated Day/Night PTZ Pan / Tilt / Zoom camera (designed for indoor use). Suitable for remote video production, live events, videoconferencing, broadcast, and more. This is the white color, also known as the AW-UE70W (specifically this is originated in Europe so it is the AW-UE70WE which is the same functionality as the AW-UE70WP and AW-UE70WPJ). Delivers 4K UHD (3840 x 2160) resolution at 29.97P/25P over HDMI. The 3G-SDI output is capable of 1080 Full HD at 59.94P, 60P, 29.97P, 25P, 25PsF, 50i, 59.94i. The optical zoom is 20x with a wide 65.1 degree horizontal angle of view, with digital zoom and iA zoom available. Sensor is a 1/2.3" Type MOS.

Supports PoE+ so the camera only needs one LAN cable for its power supply, control, and video output with embedded audio. Up to 100 cameras can be controlled via IP connection using a network hub. This can be controlled via: web browser, AW-RM50G wireless remote, AW-RP60 / AW-RP120 / AW-RP50 / AK-HRP200 camera controllers. Compatible with FEC-40WMK / FEC-40WMW wall mount, and WV-Q105A ceiling mount bracket.

Additional features include: HDR (High Dynamic Range function) for backlit conditions, optical image stabilization (OIS), ND filters, night mode, genlock, audio (mic/line), RS422, RS232C, and microSD card recording functionality.

With mounting bracket with screws, drop-prevention wire, and AC adapter. Very good cosmetic shape with only minor wear. This does not have an hour meter, but appears to be of reasonable usage. Lens functions normally and has no optical problems. PTZ function is smooth and repeatable. All connections and functions/features tested in excellent working order. Multiple units are available.

(In Stock)
Price: sold

The HVR-A1U fits many professional features in an small "handycam" form factor. 1080i switchable between 60i and cineframe 30P / 24P with 2:3 pulldown. This is NTSC, not PAL. Features include: C-MOS imager, HD to SD downconversion, cinematone gamma and cineframe functions, switchable hdv/dvcam/dv recording (onto mini DV tape), high quality 10x Carl Zeiss lens, lens hood with integrated cap, stabilization system, manual focus ring, 2.7" 16:9 LCD screen with touch screen menus, viewfinder at rear, built-in mic, color bars, nightshot (green low light capability), XLR inputs with phantom power, i.LINK (IEEE 1394), expanded focus, 3 mega pixel still images onto memory stick, and much more. Output connections for monitoring or live output include: HDV/DV firewire / i.link IEEE 1394, component HD / SD, composite. This doesn't have HDMI, but one can always gets a component to HDMI converter for example if they need that. Many use this as an affordable studio / live / streaming camera into a mixer, if they do not want to record onto HDV tape. It is extremely compact which makes it useful in a variety of situations where larger cameras are impossible.

This includes XLR adapter, remote, ac adapter / charger, long-life battery, component/av cables, manual (not pictured), lens hood w/ integrated cap. This does not include external mic. Good cosmetic condition with some exterior scratches from transportation, not from usage because this has low hour meter readings. The hood shows a bit of extra wear because it came from a different camera with more usage. The previous owner did etch the serial number into the bottom of the camera. Clean LCD screen. Good lens optics. Hours of use: drum 0x10, tape 0x10, threading 5x10, operation 1x10. So this has had under 10 hours of actual usage, which is quite rare indeed. All functions, features, connections, tape transport are tested in good working order.

(In Stock)
Price: sold

The HVR-V1U 3CMOS HDV camcorder packs a lot of big features in a small package. Captures video at 24P, 30P, and 60i - processed at 1920x1080/60p in full 4:2:2 and recorded as 1080/60i (24P recorded with 2:3 pulldown). This is NTSC only, not PAL. Records onto miniDV / HDV tape. Many professional features include: DVCAM/DV recording, 20x Carl Zeiss Vario-Sonnar T* optical zoom lens, downconversion, 3.5" LCD, rear color viewfinder, manual or automatic control of iris/shutter/focus/zoom/gain, HDMI and i.link interfaces, XLR audio, ClearVid for clear diagonal lines, integrated ND filters, picture profiles, focus peaking / zebra functions, SteadyShot, color bars, gamma settings including Cinematone Gamma, black stretch/compress, knee correction, versatile ergonomic design for handheld or tripod use, and much more. Many use this as an affordable studio / live / streaming camera into a mixer, if they do not want to record onto HDV tape.

Low hours of use: Operation 50x10, Drum 15x10, Tape 11x10, Thread 37x10. 150 drum hours is very low usage. Includes ac adapter/charger, small eyecup, av/component cables, and mic holder. This includes battery, but note it is a generic model, not genuine Sony battery (it does still work but full life not guaranteed). Cosmetically this camera has some scratches and scuffs in various places on the body. There is also some cleaning scratches on LCD, which are only lightly visible when in use. It's not perfect looking, but it is overall presentable and clean. Optics are clear and without scratches. All functions, features, connections, tape transport are tested in good working order.

(In Stock)
Price: sold

The Sony PDW-700 is a XDCAM HD422 2/3" broadcast ENG camcorder. Features Power HAD FX (three 2/3" CCD), 14-bit A/D converter, 50Mbps data rate, 1080P recording at international PAL/NTSC framerates to MXF format, HD/SD conversion and cross conversiion between 1080i / 720P, recording to single and dual layer XDCAM optical discs, ND wheel, thumbnail scene selection, 2x HD-SDI output, i.LINK, ethernet, proxy data, metadata, interval recording, 3.5" LCD, 5-pin XLR stereo front audio and 3-pin XLR rear audio inputs, picture cache recording (up to 30 seconds), slow shutter, smooth gain control, focus magnification, and more. Records in 1080/50i, 1080/59.94i (60i), 1080/25P, 1080/29.97P, 720/50P, and 750/59.94P (60P). With the 24P option installed, this can also do 1080/24P (23.98P) just like the PDW-F800. The XDCAM HD422 discs are reliable, durable, and long lasting - ideal for archiving. All of this is in a ENG shoulder mount form factor with precise audio/video customization, and ergonomic capabilities you'd expect from a high end broadcast camera.

Includes the 24P record and playback option, giving this 24P (23.98P) capability which is not factory standard with the PDW-700 like it is with the PDW-F800.

Includes the valuable HDVF-20A viewfinder. This has noticeable patches of missing paint - mostly on the left side, underside, and handle. Paint failure is typical on this model and is not representative of harsh usage. There is cosmetic wear, but no damage and it still is reasonably presentable. Has minor LCD scratches, which don't show up when in use (plus the LCD on this is not for critical viewing anyway like the viewfinder is). Running current updated firmware. Hours: Operation 5890, Laser 2033, spindle 4624, loading 8035. These are rated at 6,000+ laser hours, so at only 2033 laser hours there is tons of life left. Good optical block, pixels masked well and no lit pixels show at 0db with camera warmed up. All functions, features, and connections are tested in good working order.

(In Stock)
Price: $2,200

The Sony PMW-F5 Cinealta Digital Cinema features a 8.9MP Super 35mm sensor capable of capturing 2K and HD internally in XAVC codec onto SxS Pro+ memory cards - as well as 4K and 2K RAW to AXS-R5 external recorder. Also can record internal 4K XAVC QFHD / 4K (at 300 or 480 Mbps) and engage 4K quad SDI and 4K HDMI output if you purchase the CBKZ-55FX 4K upgrade license. Framerate range, 1-60fps at 4K Raw, 1-240fps at 2K RAW, and 1-180fps at 1080P 4:2:2 internally. Can also record SStP SR at 4:4:4 internally when you select RGB mode. Features 14 stops of dynamic range when S-log is on, for film-like rendering of highlights and shadows. Native FZ lens mount with include PL mount adapter. Uses Sony BC-L90 Olivine li-ion batteries (along with BC-L90 charger) - batteries/charger not included or can be powered with nearly any 4-pin XLR power supply or any battery adaptor you might use (such as v-mount or Anton Bauer). Direct one touch access to many shooting parameters and assignable buttons means your most crucial adjustments are right at your fingertips. Additonal features include: four HD-SDI jacks, HDMI output, XLR audio input with phantom power, user gamma, waveform/historgram, center scan mode, user monitor LUT created by RAW viewer, interval recording, and a limitless amount of manual customization to acheive the cinematic look you need. This is an extremely high end film camera.

The Sony DVF-L350 is a 3.5" TFT LCD viewfinder for the PMW-F5 and PMW-F55. Features 960x540 resolution, 1000:1 contrast ratio, 270 nit brightness, contrast / image reverse / focus magnification controls, 26-pin interface, and adjustable mounting arm. This can be used like a traditional optical viewfinder or flipped up to view LCD screen directly. It is very configurable and adjustable to any need you might have.

This includes the CBKZ-55FX upgrade license, allowing internal recording of XAVC 4K / QFHD at 300 or 400 Mbps, plus unlocking 4K quad SDI and 4K HDMI output. This gives it the same functionality as the PMW-F55 (except without global shutter). Also includes the DVF-L350 viewfinder, PL mount, top handle, v-mount battery back, and XLR audio module. Cosmetically has some paint wear, scratches, and touchups - but overall is presentable and gives a clean appearance, without signs of any rough use or damage. The PL mount has good working contact pins. Firmware is updated to latest version. Has a reasonable 1811 hours of use on the meter. The viewfinder's bracket is missing the safety locking tab, which doesn't affect ability to lock up the viewfinder tight. The viewfinder LCD has a lit / stuck pixel, which is on the viewfinder screen only (not in the recorded or output image). All functions, features, sensor, and connections are tested in excellent working condition.

(In Stock)
Price: sold

This is for a Chrosziel CLWAH-F4,5 mattebox system, also known as the 415-02F110 or MB 415. Designed for any Canon, Fujinon, or other brand of lenses, even wide angle lenses with focal length up to 4.5mm. Dual stage filter stages - 1 fixed and 1 rotating filter stage. This is a clip-on style mattebox for use without rods. This is a robust and professional matte box system, not a chintzy knock off.

This includes the CLWAH-F4.5 sunshade housing, 410-31 4x4/4x5.650 filter holder, 510-01 5x5/4x5.650 filter holder, 130-110mm intermediate ring, 110mm-98mm stepdown ring, 110mm-95mm stepdown ring, and foldable top french flag. So this can accomodate 130mm, 110mm, 98mm, and 95mm diameter lenses (though you can obtain other stepdown rings if your needs differ). Even includes a hard case to carry it, model Pelican 1500. Shows noticeable cosmetic wear and paint touchups, but no damage. In very good working order. Multiple units available.

(In Stock)
Price: $1,495

The Chrosziel MB 602 is a 6.6x6.6" four stage matte box designed for high end film and digital cinema production. The swing-away design attaches to 19mm rod support systems for ease of lens changes. There is four filter stages. The first is not detachable. The other three can rotate. Two of them are geared and can be precisely moved up and down via the including flexible shaft / whip. This also has a top french flag and two adjustable side flags for perfect control of light. All areas of this mattebox have precise adjustments available to suit your particular system and needs. This is native 165mm diameter with a 142.5mm intermediate ring standard. Further stepdowns are available via optional rings to fit your precise lens/lenses.

This includes the top french flag, 2x side flags, 4x 6.6x6.6" filter holders (2 of which are geared), shaft/whip for adjusting geared holders, 165-142.5mm intermediate ring, 142.5mm-136mm (410-58) stepdown ring, 142.5mm-114mm (410-12A) stepdown ring, and a Pelican 1550 case. Mask inserts not included. Cosmetically has some paint wear and scratches, but overall is clean and undamaged. Excellent working condition.

(In Stock)
Price: $3,250

The Fujinon ZA17x7.6BZD is a high quality 2/3" HD ENG style lens with digital servo focus & zoom with Quickframe technology. Ideal for any 2/3" mount broadcast camcorder or studio camera, especially ideal for box-style, robotic, virtual reality, pan/tilt type applications. Features a wide to long telephoto 7.6-102mm zoom range at f/1.8 (up to 130mm at f/2.3). The digital servo allows for focus / zoom control over RS-232. Quickframe function allows manual zoom without disengaging the servo zoom via the mechanical clutch (the accurate and repeatable zooms are especially ideal for robotic and virtual reality applications). Quick Zoom provides rapid zoom movement to telephoto for focus verification. Also features: Zoom speed control, Zoom Limit function, macro dial for close focus, and Inner Focus design to alleviate breathing.

Includes hood and front/rear caps. Excellent cosmetic condition with only minor signs of wear and usage. Came along with a low hour camera. Clean internal/external optics, smooth and accurate movement of manual rings, servos all function normally. This is an excellent exampe of this lens in good working order.

(In Stock)
Price: $150

The Metabones MB-EF-E-BT4 T Smart Adadpter Mark IV allows allows use of Canon EF mount lens on Sony full frame E-mount camera and camcorder. This is the same as the MB_EF-E-BM4, but is internally lined with flocking material for greater internal reflection reduction. Also compatible with "APS-C size capture" with EF-S lenses. Vignetting at corners may occur for certain EF-S lenses because they are designed to cover a 1.6x crop image circle but Sony NEX has a 1.5x crop sensor. Electronic communication allows function of autofocus, image stabilization, aperture functions, and EXIF metadata with compatible lenses and cameras. A matte black internal coating minimizes reflections within adapter barrel. Wide internal diamter supports tilt-shift lenses. A detachable tripod foot is included that features 3/8" threads as well as compatibility with Arca-Swiss tripod heads.

Includes hard case and front/rear caps. Minor cosmetic wear, but overall in good presentable condition. Working order.

(In Stock)
Price: $295

The Optitek ProLock Mark II (CPLII-Sony-F3) is a FZ to EF lens adapter that allows Canon EF mount lenses to be used on the Sony PMW-F3, PMW-F5, or PMW-F55 camera. Unlike previous version, the mk II has electrical contacts (Birger Engineering RD-X-X-FZ2) to allow powered control over the iris in 1/3rd stop increments via buttons on the mount. The adaptor also provides power to IS stabilization and internal focus servos. Draws power directly from camera mount, so no additional cable required like previous versions. Features a PL style clamping lock ring on the Canon EF mount to secure lenses. When used with the Optitek Optitron Lens Controller, precision repeatable remote focus control is also available.

This has mild cosmetic wear from light usage, but overall very clean. Front cap included. Good working order. Second unit is available.

(In Stock)
Price: $875

The Rokinon Xeen 24mm T1.5 lens for Canon EF mount (model XN24-C) is a high quality wide angle prime cinema lens with close focusing capability.. Full-frame coverage. Internal focus design to minimize breathing when changing focus. Multi-coated for contrast, glare preventation, and color matching to other Xeen lenses. The 11-bladed aperture and fast T1.5 design allow for excellent looking highlights and bokeh and low light usage. Cinema standard focus and iris gears for use with follow focus. 114mm front diameter across all Xeen lenses. The focus rotates 200 degrees for high degree of precision. Minimum focus of only 10" (25cm). Dual sided focus and iris scales (with imperial feet markings). Clickless aperture for smooth iris pulls.

This is a fully manual cine-style lens and does not have auto focus or auto iris capability or electronic contacts. Includes original factory box and front/rear caps (not factory caps but work just as well). It is missing the little support foot near the base, though few users would need this. Cosmetically has some nicks and paint wear on the finish and some "brassing" on the focus/iris gears from follow focus usage. All of this is just superficially cosmetic and does not affect usage. The glass is clean inside and out without any problems. The rings turn smoothly and consistently. Good normal working condition.

(In Stock)
Price: $1,995

The Service Vision Scorpio Focus is an ultra high quality wireless digital cinema lens control system for Focus, Iris, and Zoom - i.e. FIZ. The hand unit can be connected to the motor driver box wirelessly (most common application) or wired. The motor driver box then is wired to the motors to control the lens. The hand unit has a focus wheel that can accept marking discs, iris slider with marking strip, and zoom potentiometer micro knob for iris - though any control can be assigned to focus, iris, or zoom as desired. The information display shows menu items, speed, total meters/feet counter, last take counter, signal coverage indicator, low battery indicator, camera status, and zoom position scales. Motor drive box can accept power between 11-30VDC. The hand unit is powered with NP-FM50 style batteries. Lenses are automatically calibrated either by connecting motor cable to motor or from the hand unit menu - this can be saved on memory when disconnecting the equipment. It is possible to add a second hand unit in master-slave mode. Two motors can also be synchronized or even six motors two-by-two when adding a second motor driver box, plus one can rescale mark by mark the second focus in regards to the first - so this is ideal for 3D applicaitons. One can set limits for any FIZ movements. Can also run camera start/stop control from the hand unit. This system is very versatile, with brackets, gears, driver cables, and power cables available for nearly any camera/lens configuration you can imagine.

This includes 3x motors - 1x SB 92 (5101) digital motor and 2x standard S.C.O.R.P.I.O motor. One of the motors is a "clunker" and requires repair to work normally. The other two motors work very well with no problems or backlash, though note that they have re-glued cable connectors (which is cosmetic only in nature). So consider this a 2 motor kit, with a bonus motor which could be hypothetically be repaired if desired.

This is a fully loaded package which includes: hard carrying case with custom foam, 3x blue Arri bushings, 2x gold Panavision bushings, 2x rod brackets for motors, bracket/shield and handle for hand unit, 3x genuine batteries, 2x generic chargers, a large collection of markings discs (all have marker on them which needs to be cleaned), a wide assortment of gears for many lens types, 4x motor cables, Arri run/stop cable, Arri power cable, zoom-iris command 6-pin cable, and misc parts/screws/antennas.

This is a well-used system that has seen some time on set. It has heavy paint wear and brassing. There is velcro and electrical tape affixed in many areas. Some connectors are re-glued securely. Though there is no damages and it is mostly in good clean presentable shape if one gets past the mentioned cosmetic wear. This is fully tested to be in good working order. Reset to factory settings and calibrated. The only functional issue is one of the three motors is for parts/repair. Otherwise, this is a good working 2 motor system. Buyer is responsible to add any brackets, gears, cables, or other accessories as needed for their specific configuration if not included or pictured here.

Camera Accessories

(In Stock)
Price: $25

This is a time code adapter cable for Red DSMC and DSMC2 cameras (with module such as base expander or v-lock i/o expander). The side which connects to camera is 4-pin male. The other side is BNC. Length is 50cm.

Clean cosmetic condition and working order.

(In Stock)
Price: $125

The Anton Bauer QRC-4K-S is a battery adapter plate to convert the V-mount of the Sony PMW-F5 or PMW-F55 camera to use Anton Bauer Goldmount batteries. Also compatible with the AXS-R5 recorder. Includes four P-tap connectors (10 amp draw max) and passes battery information through to camera viewfinder.

This includes a wireless receiver mounting bracket. This has only minor cosmetic wear (with the only noticeable paint wear on one corner of the wireless receiver mounting bracket). Tested in good working order on a PMW-F55 camera.

(In Stock)
Price: sold

The Arri KC151-S (K2.72013.0) is a 2.1' long medium viewfinder cable, designed for connecting the EVF-1 to Alexa Classic, Alexa Plus, Alexa Plus XR, Alexa XT, and Alexa SXT / SXR cameras. The longer length is ideal for using on camera right or left side or when using a VEB-1 or VEB-3 viewfinder extension bracket.

Clean cosmetic with only minor signs of wear. Good working order. Multiple units available.

(In Stock)
Price: $2,125

The C.E. CineTape is a ultrasonic measuring system range finder that continuously calculates the distance between the subject and the camera's film plane. Focusing is simplified, saving time and reducing production costs. Compatible with all lenses and cameras (with appropriate power cable). The sensor assembly has two horns that are connected to the measure control to calculate distance in either imperial or metric. A laser pen can be attached to the sensor assembly to help aim during calibration. The sensor has a threaded pan/tilt mount to attach to your rig. A simple offset adjustment programs the relationship between the film plane and where the sensor is mounted, so distance is calculated accurately. Sensitivity and Close Focus adjustments fine-tune it to your situation.

Includes Cine Tape itself, sensor/horns, sensor cable, 3-pin fischer RS cable (to power from an Arri Alexa or similar), 3-pin Fischer to 2-pin Lemo cable (to power from Panavision), and remote cable (6-pin to 4-pin for Preston MDR-3 / MDR-4). Cosmetic wear includes paint wear on edges of Cine Tape and "whitening" of color on the horns - but there is no damage and all cosmetic wear is superficial in nature and does not affect proper function. Tested on an Arri Alexa setup to ensure all functions and features work normally. Senses subject accurately after film-plane calibration procedure and sensitivity adjusts normally.

(In Stock)
Price: $795

The Cmotion Cfinder is an optical range finder distance measurement tool with an invisible class 1 laser beam. Measures from 0.3m to 300mm with readings updated up to 50 times a second and an accuracy range of of +/- 0,05m at maximum distance. For invisible laser sharp reference while filming, a telescopic sight can be easily mounted to the cfinder by means of a quick fastener. The operator can either mount the cfinder with brackets to various cameras or operate as a stand alone unit on a separate tripod beside the camera. Using the CBUS interface cable, two way communication can be established between the Cfinder and Camin (also the source of power). Camin will then send wireless measurement information to the cDisplay. This can also be powered with 3-pin RS power such as found on the Arri Alexa camera. This information can be used to identify depth of field, enable auto focusing and preset distance limits where all other distance values are ignored. This is like a more advanced CineTape.

This is the original Cmotion Cfinder. Cosmetically has some scratches and paint wear, but no damage or signs of rough usage. This is fitted with a BSA Air Rifle 2-7X32 telescopic sight / scope. This is an incomplete system. It does not include items such as Cdisplay, Camin, or any cables. This includes the Cfinder and scope only. Because this is incomplete system, it has not been fully tested here. It is presumed in good working order, but is sold "as is" to a buyer who can obtain the rest of the equipment to acheive a complete working system.

(In Stock)
Price: $1,225

The Codex CDX-3730 capture drive provides 512GB (480GB usable) of solid-state storage for your Arri Alexa XT, Alexa XT Plus, Alexa Plus 4:3 XR, or Alexa SXT (XR versions). Use of the Codex drive media instead of a Cfast / SxS adapter allows internal ARRIRAW and Open Gate as well as unlocks maximum frame rates, resolutions, and recording times available for the camera (such as Prores 3.2K).

This his yellow ring version, not the slower orange ring. This has cosmetic paint wear and scratches, but only superficially - no damage or signs of abuse - overall presentable. Tested in good working order on an Arri Alexa XT camera with ARRIRAW and Prores 3.2K. Tested on camera and working well.

(In Stock)
Price: $475

The Denz C0100133 is shut-eye style heated viewfinder eyecup. It is designed for was used with the Panasonic Varicam 35 camera with the AU-VCVF1G or AU-VCVF2G viewfinder - though it might work on other models of Panasonic viewfinders on ENG camcorders such as AJ-CVF100G and AJ-HVF21G. It allows more comfortable operating and/or to eliminate eyepiece fog in cold or humid conditions. Eyepiece features include an auto-closing eyepiece iris, an LED status indicator, and two temperature settings to suit a range of environmental conditions. The included coiled cable stretches when the eyepiece is tilted without adding a lot of bulk.

Includes coiled connection cable. Good cosmetic condition with little wear. Working order. Multiple units are available.

(In Stock)
Price: $125

This is the EVF mount assembly for attaching the AU-VCVF1G or AU-VCVF2G viewfinder to the Panasonic Varicam 35 (AU-V35C1 / AU-V35C1G) camera. This might also work with the AU-VCVF10G / AU-VCVF20G viewfinders on the Varicam LT (AU-V35LT1G) but that has not been confirmed here.

This consists of two parts, the slider unit (VYQ9064-S) and the hinge unit (VYQ9066-S).

Some cosmetic paint wear, but overall looks clean. Attachment screws not included. Good working order.

(In Stock)
Price: $115

The Panasonic VARICAM-VFC155 is a 15.5" long EVF viewfinder connection cable for the Varicam 35 or Varicam Pure camera with the AU-VCVF1G or AU-VCVF2G attached. Both sides are a right-angle connector with 14-pins. Retails for over $300 if purchased new.

Good cosmetic condition with very few signs of use. Good working order. Multiple units are available in the same condition.

(In Stock)
Price: $100

The Portabrace RS-PMWF55 is a rain slicker (raincover) designed for the PMW-F55 or PMW-F5 cinema camera, to protect it from the elements. Waterproof nylon taslan to keep camera dry without overheating. The soft tricot interior protects the camera. The back end of the slicker adjusts to accommodate different battery and recorder configurations. The RS-PMWF55's unique expandable design covers a variety of rails and mounts. Multiple input / output access points, including on top, make the rain slicker adaptable to add-ons like monitors, recorders and microphones. Also a cover that accommodates different viewfinder types and positions.

This includes one front-end lens attachment (not the complete set), suitable for medium/longer lenses and mattebox. This appears to have had very little usage or wear.

(In Stock)
Price: $45

This is a custom-made 4-pin XLR power cable (long 12 foot length) that allows you to power your Red DSMC Epic / Scarlet or DSMC2 camera (with appropriate expander module) via the standard 4-pin LEMO connector. Requires a high quality 4-pin XLR power supply (11.5-17 VDC) or battery. Recommended your power supply is capable of at least 150W.

Custom-made, not sure of brand. 12 feet in length. Clean cosmetic and good working order.

(In Stock)
Price: $400

The Red Komodo Expander Module (720-0058) attaches to the underside of the Komodo cinema camera body - providing timecode in, genlock, GPI BNC, and a 4-pin control interface. This also has multiple 1/4"-20, 3/8"-16, and Arri-style anti-twist accessory threads. This also acts as a durable aluminum baseplate with built-in quick release plate. This accessory expands your Komodo to suit many professional shooting configurations.

New, still sealed in plastic.

(In Stock)
Price: $75

The Red LCD / EVF cable (model 790-0645) is a 12" braided cable with two 90 degree connectors that provides video feed to your Red LCD or EVF display.

Genuine Red part, not a generic third party knockoff. Clean condition with only minor wear. Good working order. Multiple units are available.

(In Stock)
Price: $599

The Red Mini Mag 240GB (model 750-0082) is the smallest and fastest Red media option with read/write speed up to 300 Mb/s to support higher frame rates and resolutions with minimal compression. Ideal for DSMC2 camera like Weapon 8K / 6K, Epic-W, Scarlet-W, Raven, Monstro, Helium, Gemini, Dragon-X, etc. Also works with Epic / Scarlet Dragon and MX with mini-mag side SSD module installed (transfer speeds 50% faster on Weapon than Epic Dragon). Capable of supporting simultaneous R3D and Apple ProRes or Avid DNx recording on DSMC2 camera systems.

Shows only minor cosmetic paint wear, but no signs of damage or harsh use - overall presentable and in above average condition. Tested in good working order. Multiple units are available.

(In Stock)
Price: $50

The Red LEMO 2B-to-1B Power Adapter Cable (model 790-0138) allows you to use Red One accessories (such as Red Quickplate or Red battery plate) to power your Red DSMC or DSMC2 style camera body. The 2B end is for Red One power accessory and the 1B end goes into your DSMC or DSMC2 camera.

Genuine Red brand cable. There is some typical fraying on cable sheath, but not damage. Good working order.

(In Stock)
Price: $50

The Red 3BNC-TO-00 sync cable (model 790-0154) is a breakout cable which provides timecode, genlock, trigger functionality via the Sync port of your Red Weapon, Epic / Scarlet Dragon, and Epic / Scarlet MX or with compatible module used with DSMC2. The white BNC is for start/stop trigger, yellow BNC timecode, and green BNC genlock.

In good cosmetic shape, with the exception that the rubber "over sheath" at Red side of cable is half missing. This is just decorative and doesn't affect functionality of the cable. It is in normal working order.

(In Stock)
Price: $875

The Sony AXS-A512S48 is an ultra high speed 512GB flash memory AXS memory AXSM media card in the A series S48 line (small form factor). Write speeds up to 4.8 Gb/s. Works with the AXS-R7 or AXS-R5 recorder, used in tandem with cameras like the Sony Venice, PMW-F55, PMW-F5, PXW-FS7. This works with readers like the AXS-AR1, AXS-AR3, and AXS-CR1 (with AXS card adapter).

Records in X-OCN (XT, ST, LT) when using Sony Venice - recording time varies depending on resolution, frame rate, and codec. When using other cameras, can record up to 60 minutes of 4K raw and 235 minutes of 2K raw video at 23.98 fps, up to 48 minutes of 4K raw and 189 minutes of 2K raw video at 29.97 fps, and up to 23 minutes of 4K raw and 94 minutes of 2K raw video at 60 fps. Records High Frame Rate (HFR) video with up to 48 minutes of 2K raw at 120 fps, up to 31 min at 180 fps, up to 24 min at 240 fps, and up to 22 min of 4K raw at 120 fps.

Includes case. Mint condition. Working order.

(In Stock)
Price: $500

This is the Sony Battery Adaptor Assembly (model A-1922-131) for the PMW-F5 or PMW-F55 camera. This battery back allows power from a 4-pin XLR power supply or Gold Mount Anton Bauer style battery. Also has 4-pin (12V 1.8A) accessory outputs. You can also output the REC Tally signal and input the REC Trigger signal through the DC OUT connector. This is something around $1,500 to order new, so this is a significant savings if you need this part for your F55 / F5.

This is modified to accept Anton Bauer Gold Mount style batteries instead of the typical v-mount. Clean cosmetic condition with only superficial wear if looking for it. Tested on camera to be in good working order.

(In Stock)
Price: $750

The Sony CBK-HD02 is a multi-function option board for the PMW-500 camcorder. Once installed, it activates: SDI/composite input, digital extender, pool feed input, and adds a 50-pin interface. The 50-pin interface adds support for the XDCA-55 camera adaptor for the Camera Signal Extender Unit, CA-FB70 Fiber Adapter, CA-TX70 Triax Adapter, and HDCA-702 MPEG TS adaptor to provide a MPEG Transport Stream output over DVB-ASI connection).

This is un-used in original box. The original box has some wear and writing on it, but the option itself was never removed from box or installed. Includes all the factory parts and instructions. Note you must have ver 1.1 firmware or higher installed on your PMW-500 camera to ensure compatibility of this option.

(In Stock)
Price: $150

This is the EVF monitor connection cable (model 130102Y / part A1970764A) for the PMW-F55 / PMW-F5 camera. Works with viewfinders such as the DVF-EL100, DVF-L350, and DVF-L700.

Good cosmetic and functional condition. Working order. Multiple units are available.

(In Stock)
Price: $160

The SBP-64B is a 64GB SxS Pro+ memory card, designed for high-speed video recording with XDCAM / XDCAM EX camcorder. This is ideal for 4K and high data rates on the PMW-F5 and PMW-F55 cinealta camera (unlike the previous SBP-64 / SBP-64A card which is not suitable). This is also popular for use with the Arri Alexa. Of course, this can also be used with any model that takes an SxS / ExpressCard such as PMW-500, PMW-300, PMW-320, PMW-400, PMW-200, PMW-100, PMW-160, PMW-EX1R, PMW-EX3, PXW-X200, PXW-X180, PXW-X160, PXW-X400, PXW-X500, PXW-X320, PMW-RX50, PMW-PZ1, PMW-50, and more. Features a maximum read speed of 1.6Gbps and write speed of 1.5Gbps (minimum read speed of 1.3Gbps).

Case not included. Good cosmetic condition overall, with one area of bezel near write protect switch that is missing (does not affect functional performance). Tested in good working order. Multiple units are available.

(In Stock)
Price: $185

The SBP-64C is a 64GB SxS Pro+ memory card, designed for high-speed video recording with XDCAM / XDCAM EX camcorder. This is ideal for 4K and high data rates on the PMW-F5 and PMW-F55 cinealta camera (unlike the previous SBP-64 / SBP-64A card which is not suitable). Of course, this can also be used with any model that takes an SxS / ExpressCard such as PMW-500, PMW-300, PMW-320, PMW-400, PMW-200, PMW-100, PMW-160, PMW-EX1R, PMW-EX3, PXW-X200, PXW-X180, PXW-X160, PXW-X400, PXW-X500, PXW-X320, PMW-RX50, PMW-PZ1, PMW-50, and more.

This features around double the read/write speed of the previous generation SBP-64B. Maximum read speed of 3.5Gbps and write speed of 2.8Gbps (minimum read speed of 1.3Gbps). This faster speed is useful for ensuring stable high frame rate recordings in formats such as XAVC 4K 60P or XAVC 4K 180P.

Also has improved safety features such as data refreshing, error correct, and power failure management.

Example recording times: 20 minutes 4K XAVC Intra 4:2:2, 10 minutes in 4K XAVC 4:2:2 60P at 600Mbps, 60 minutes HD XAVC Intra 4:2:2, and 120 minutes in HD MPEG2 4:2:2 30P at 50Mbps. Maximum recording time possible is 200 minutes at 35Mbps. This SxS Pro plus card is the ultimate memory card that can support any codec or camera model out there.

Includes case. Good cosmetic condition with only minor wear; very presentable. Tested in good working order. Multiple units are available, so ask if you need more than one!

(In Stock)
Price: $195

The SBP-64D is a 64GB SxS Pro+ memory card, designed for high-speed video recording with XDCAM / XDCAM EX camcorder. This is ideal for 4K and high data rates on the PMW-F5 and PMW-F55 cinealta camera (unlike the previous SBP-64 / SBP-64A card which is not suitable). Of course, this can also be used with any model that takes an SxS / ExpressCard such as PMW-500, PMW-300, PMW-320, PMW-400, PMW-200, PMW-160, PMW-EX1R, PMW-EX3, PXW-X200, PXW-X180, PXW-X160, PXW-X400, PXW-X500, PXW-X320, PMW-RX50, PMW-PZ1, PMW-50, PMW-100, Arri Alexa Classic / XT / SXT, and more.

This features around double the read/write speed of the previous generation SBP-64B and is the most current model (newer than the SBP-64C). Maximum read speed of 3.5Gbps and write speed of 2.8Gbps (minimum read speed of 1.3Gbps). This faster speed is useful for ensuring stable high frame rate recordings in formats such as XAVC 4K 60P or XAVC 4K 180P.

Also has improved safety features such as data refreshing, error correct, and power failure management. Supports EB Streaming between the card and Sony camcorders, enabling constant 2-way communication and insuring stable recording while avoiding speed degradation. Example recording times: 20 minutes 4K XAVC Intra 4:2:2, 10 minutes in 4K XAVC 4:2:2 60P at 600Mbps, 60 minutes HD XAVC Intra 4:2:2, and 120 minutes in HD MPEG2 4:2:2 30P at 50Mbps. Maximum recording time possible is 200 minutes at 35Mbps. This SxS Pro plus card is the ultimate memory card that can support any codec or camera model out there.

Includes case. Good cosmetic condition with only minor signs of wear. Tested in good working order. Multiple units are available, so ask if you need more than one!

(In Stock)
Price: $45

The Sony SBS-32G1A is a 32GB SXS-1 solid state memory card using ExpressCard technology, for use with camcorders such as PMW-500, PMW-300, PMW-320, PMW-400, PMW-200, PMW-160, PMW-EX1R, PMW-EX3, PXW-X200, PXW-X180, PXW-X160, PXW-X400, PXW-X500, PXW-X320, PMW-RX50, PMW-PZ1, PMW-50, PMW-100, and more. Certain older cameras could require firmware update for use. Features 32GB storage capacity and high speed transfer up to 1.2 Gbps (unlike the SBS-32G1 card which goes to 800 Mb/s). Although the SXS-1 have less life/cycles than SxS pro cards such as SBP-32, they still have a life of approximately 5 years with very heavy daily use, so essentially still will last forever. And they are faster cards to boot.

Example recording times: 30 minutes HD XAVC Intra 4:2:2, 60 minutes in HD MPEG2 4:2:2 30P at 50Mbps. Maximum recording time possible is 100 minutes at HQ 35Mbps.

Includes case. Excellent cosmetic condition. Low usage. Tested in good working order. Multiple units are available.

(In Stock)
Price: $75

The Sony SBS-32G1B is a 32GB SXS-1 solid state memory card designed for high-speed video recording with XDCAM / XDCAM EX camcorder. This is ideal for 4K and high data rates on the PMW-F5 and PMW-F55 cinealta camera (unlike the previous SBP-128 / SBP-128A card which is not suitable). Of course, this can also be used with any model that takes an SxS / ExpressCard such as PMW-500, PMW-300, PMW-320, PMW-400, PMW-200, PMW-160, PMW-EX1R, PMW-EX3, PXW-X200, PXW-X180, PXW-X160, PXW-X400, PXW-X500, PXW-X320, PMW-RX50, PMW-PZ1, PMW-50, PMW-100, and more.

This is faster than the previous generation SBS-32G1A with maximum read speed of 3.5Gbps and write speed of 2.8Gbps (minimum read speed of 1.3Gbps). This is the same speed available with Pro+ cards. This faster speed is useful for ensuring stable high frame rate recordings in formats such as XAVC 4K 60P or XAVC 4K 180P. Certain older cameras could require firmware update for use. Although the SXS-1 have less life/cycles than SxS pro / pro+ cards, they still have a life of approximately 5 years with very heavy daily use, so essentially still will last forever.

Example recording times: 10 minutes 4K XAVC Intra 4:2:2, 5 minutes in 4K XAVC 4:2:2 60P at 600Mbps, 30 minutes HD XAVC Intra 4:2:2, and 60 minutes in HD MPEG2 4:2:2 30P at 50Mbps. Maximum recording time possible is 100 minutes at 35Mbps.

Includes case. Excellent cosmetic condition. Low usage. Tested in good working order. Multiple units are available.

(In Stock)
Price: $1,200

The Sony SR-1TS55 is a S55 series 1TB high-capacity ultra high speed SRMemory card. Twice the capacity of the SR-512S55 512GB card. Designed for SRMaster series product line: F65 camera with SR-R4 dockable memory recorder combination, SR-PC4 data transfer unit, SRPC-5 data transfer unit, SR-D1 memory drive unit, SR-R1 portable memory recorder, SR-R1000 SR memory storage unit system. Ideal for 3D production, high frame rate recording, and high resolution cinematography up to 4K (YPbPr422, RGB444, 1080 59.94p, 3D, 4K, and uncompressed). Sustainable read / write speed of 5.5 Gbps. Sony's original data redundancy method lends itself to high data reliability, and high data security such as card/file password protection and device authentication.

Includes case. Good cosmetic condition with only a couple minor scratches on case. Appears to be clean and low usage. Working order. The MSRP for this model is an astounding $9,919 so it is imperative to buy used to save a lot of money if you need this card. Second unit is available.

(In Stock)
Price: $675

Teradek RT Latitude MDR-SK Sidekick interface (3 Axis) for Red DSMC2 cameras (model 15-0012) is a RTMotion receiver module designed for any DSMC2 camera body / brain. Sandwiches between a Sidekick, cheeseplate, or blank plate. Simultaneous use of DSMC2 side handle is not supported / reccomended. Provides an array of input / output ports for various control devices. Use the MDR-SK with the RT MK3.1 wireless controller to drive up to three RT MK3.1 lens motors. Or attach up to two Slave Controllers like the RT Thumbwheel, Zoomrocker, or Smartknob to the MDR-SK's two accessory inputs. Powered via the external power port and control cables.

This is un-used in open box condition. Only opened to ensure contents, still sealed in factory plastic. Includes factory accessories. Second unit is available.

Production Equipment / Studio / Support

(In Stock)
Price: $225

The Arri CCH-1 (K2.72007.0) is a center camera handle for the full-sized Alexas - Alexa Classic EV, Alexa Plus, Alexa XT, Alexa SXT, Alexa Studio, Alexa M, etc. Various 3/8"-16 threaded holes are provided for accessories.

The Arri HEB-2 handle extension block elongates the CCH-1 and adds additional 3/8"-16 threaded accessory holes.

Some paint wear, but no damage. In good working order.

(In Stock)
Price: $65

The Benro A48TB / A48T is an aluminum monopod with 3-leg folding base for extra tripod-like stability. Similar to the A48TD and also the A48FD but with twist locks instead of flip locks. 4-section design with maximum height of 68.5" and closes down to 22" (measurements without a head attached). Twist lock legs make operation secure and easy in any weather as does the foam grip and wrist strap. The system's most striking feature is the folding 3 feet at the bottom of the first section; they're indispensible in slippery conditions or with longer lenses. The base of the feet allows tilting for accurate leveling. This is compatible with flat base style tripod heads. This is for the monopod only.

Tripod head is not included (works with flat base style heads). Some cosmetic scratches and minor tears in the foam grip, but overall presentable and without excessive usage. Good working order.

(In Stock)
Price: $175

The Digital Juice Flag Kit Pro is a 24 x 36" flag kit, designed for portability. The kit comes with five 3-sided collapsible 24 x 36" frames that expand and lock into place in seconds. 5 fabrics are included: black single net scrim, black double-net scrim, solid black block, one stop silk and 2 stop white silk. Each cuts the output of a light by a different percentage and offers a different look or function. A 6.0" solid black dot and a single net black dot are included, as well as a 4.0 x 14" solid black finger and a single net finger to shape the light when working with smaller subjects.

Constructed from durable steel, these three-sided collapsible frames have 2 arms that fold out at 90-degree angles from the center bar and lock into place. In combination with the easily interchangeable fabric covers, these flag frames can be easily mounted to any standard grip head. The stylish Carry Bag for each flag kit protects your flags, frames and scrims as well as keeping everything organized.

This is un-used in open box condition. Wasn't put into the field, just opened to ensure contents.

(In Stock)
Price: $1,500

The K5600 Joker-Bug 400W has an output comparable to 1500/2000 watt quartz fixture, but with a power draw of only 5.5 amps. Powerful enough to make a difference in daylight interiors even through diffusion materials and light banks. Industry standard for fine daylight interiors, car shots, two camera interviews, and many other applications. Operates in 110/220V environments. Each fixture throws a beam of light 3860 footcandles 1' in diameter from 20 feet, with no lens mounted. The PAR design is preferred for its spot to flood ratio, compactness, ease of use, and efficiency. Set of four lenses and barndoors help control the beam pattern from 5 degrees to 65 degrees. The "Bug-Lite" configuration, once beamer is removed, allows use for lantern or lightbank applications. The power supply is electronic, square wave flicker free and silent due to convection cooling.

This is a well-outfitted kit, including: Joker-Bug 400 fixture, flicker free power supply / ballast, beamer, extension cable, frosted fresnel lens, super side lens, wide flood lens, medium flood lens, 4-leaf barndoor, 5x scrims, clear beaker, speed ring adapter for Chimera, and three Philips MSR 400 HR bulbs (one is installed and 2x spares are included). Case and stand are not included.

This shows some cosmetic wear, but is actually above average cosmetically compared to many used Joker lighting fixtures. There is a bend and some touchups on one of the fins of the power supply, which is only cosmetic in nature. Tested in excellent working condition, all functions performed correctly, strikes up quickly and with quiet operation.

(In Stock)
Price: $1,000

The Osram 9000W/SE model 54464 is a 9000W single-ended GX38 base T-75 type HMI Metal Halide Director Series lamp / bulb. Applications include studio, TV, film, professional photography, and solar simulation. Used with fixtures such as the Arri M90. Offer consistent 6000K color and >90 CRI. Rated at 875000 lumens. Unique round moly-foil design for even heat distribution and longer life. High color stability. Mechanically robust with eXtreme Seal (XS) technology. Consistent color and brightness.

This is in the original box. Wasn't installed or used, so has full life ahead of it.

(In Stock)
Price: $675

The Sony RM-B750 is a remote control unit "paint box" for studio use. It controls basic camera functions in addition to the camcorder's VTR functions. It also controls all aspects of the electronic shutter (ExtendedClearScan, Super EVS), and can be used to select the filter on the camera. Standard paintbox features available via buttons such as Master Iris and pedestal controls, knee gamma and detail, gain, bars/test, and white and black balance are all present. This also has a LCD touchscreen to access deeper functions and menus than the smaller RM-B150 doesn't allow - plus allow for a more accurate adjustment of parameters. Video monitor output available (more for rough image confirmation not a high quality output meant as a replacement for camera output). Memory stick slot to save setup paramaters. Compatible with cameras with 8-pin remote port such as PDW-F800, PDW-700, PDW-850, F23, HDW-F900, HDW-650, PMW-300, PMW-320, PMW-400, PMW-500, PXW-X320, PXW-X400, PXW-X500, PDW-F350, PDW-F355, PMW-TD300, BVP-950A, BVP-750A, DSR-450, HDC-950, HDC-930, HDC-2400, HDC-2500, HDW-750, HDW-250, and more.

This includes a very long (about 30M / 98 feet) 8-pin hirose RCU / RCP cable model CCA-5-30 (CCA5/30US). The cable and RM-B750 are packed in a customized red color Pelican case, allowing for protection and easy cable management. Some superficial cosmetic wear on body and screen, but nothing harsh. Overall it is very presentable. Previous owner did stencil their name on underside. This is tested with a camera to confirm it is in good working order.

(In Stock)
Price: $125

The Triad / Alphatron VPA-10 KIT (VPA-10KIT) consists of the VPA-10 camera plate with VTA-7 tripod adapter. This is a mini v-mount wedge plate style quick-release system, ideal for compact handheld style (small to medium sized) cameras / camcorders. Offers a fast way to switch from tripod or other mount to handheld use. You can fit your camcorder in a number of different positions due to the multiple locations for the thread and locator pin in the plate. 1/4"-20 and 3/8"-16 mounting holes at base to attach to your tripod or other support. With the 1/4" screw with metal griphandle you can attach the plate to the video camera without using any tools.

Mint condition with no real signs of use. Good working order.

(In Stock)
Price: $275

The Zacuto Marauder is a foldable camera rig for DSLR / mirrorless camera and small camcorders. Similar to the Zacuto Striker, but with an extremely compactable fold-away design perfect for run-and-gun and guerilla-style shooting. Features a gunstock with rubber pad, articulating handgrip, and Gorilla Plate V2 on an adjustable support arm. The support arm has an ideal position for either use with Z-finder or with your camera LCD screen. The gunstock is pressed under your shoulder for stability and is adjustable for a personalized fit. The grip can be adjusted to five different positions as well as articulated for custom fit. Camera is mounted to the plate via a 1/4"-20 captive screw.

This is in excellent clean condition with very few signs of use. In good working order.

(In Stock)
Price: $65

The Zhiyun TransMount Crane 3S servo focus / zoom motor kit includes two rod-mounted motors (the CMF-03 Lite and CMF-04 Max) and accessories to connect to your Crane 3S gimbal stabilizer. The CMF-03 is also usable on the Crane 3 LAB, while the CMF-04 is also usable on the Crane 3 LAB, Crane 2S, WEEBILL LAB, and WEEBILL-S. The CMF-03 Lite is for focus and the CMF-04 can handle focus or zoom due to higher available torque. They connect via USB-C and are controlled via the gimbal focus wheel and zoom rocker (or the Zhiyun Mastereye VC100 or compatible smartphone app).

This is compatible with the Crane 3S. Includes the CMF-03 Lite (focus), CMF-04 Max (zoom/focus), 4x mounting rods, 4x support brackets, and integrated rod mounts. USB-C cables and gear rings are not included. Clean cosmetic with only minor superficial wear. Tested in good working order on a Crane 3S gimbal.

(In Stock)
Price: $400

The Zhiyun Crane 3S handheld stabilizer is a powerful yet compact gimbal, capable of holding up to 14.3 lbs. Can handle typical DSLR / mirrorless setups, but also larger and longer cinema cameras when the extension arm is installed. The handle allows for two-handed operation, with one part being detachable. The SmartSling handle has an integrated joystick and control buttons to control most important parameters, while one can also use the EasySling Handle for simplicity. Focus wheel and zoom controls are also on the gimbal for use with optional zoom/focus motors. Joystick helps you control gimbal direction if you are not wanting ti to follow motion. Seamlessly switch to underslung mode, whether with one or two hands, and achieve creative shots such as 330° roll shots as you move closer toward a subject.

Via cables, you can control camera record, stop, shutter, aperture, and more (with compatible bodies / lenses). Three 18650 batteries can power for up to 12 hours. DC port available for optional external batteries for increased run-time. Nine accessory mounting threads are available around gimbal. Each axis can be locked separately for ease in balancing and setup.

Compatible with optional Transmount Image Transmission System for wireless video. Free ZY Play app for iOS / Android is available to control all camera functions you can on the gimbal itself plus adds features such as panorama, time-lapse modes, detailed camera settings, and more. Also can be used with ViaTouch 2.0 for more advanced control of gimbal movements and SyncMotion (i.e. movement of smartphone controls gimbal movement).

This includes the Crane 3S, SmartSling Handle, quick release plate, camera backing base, lens support tubes, 3x battery, battery charger, tripod, extension arm (currently attached to gimbal), camera control cables, sling handle adapter, and storage case. Camera and lens are shown for demonstrative purposes and is obviously not included. This also has a bonus EasySling Handle included if you don't want to use the SmartSling Handle. Note this is missing the lens support bracket on the quick release plate (though this is usually not needed).

Cosmetically in good shape with only wear in normal areas like dovetailed balance adjustment areas. The bonus EasySling handle has noticeable paint wear at top. All is tested in good working order, including ability to balance camera, operation of all axis, zoom/focus controls, camera control, and ZY Play compatibility. This is all in good normal working order (once properly balanced for your rig).

Still Photography

(In Stock)
Price: $435

The Panasonic H-ES12060 is a Leica DG Vario-Elmarit 12-60mm f/2.8-4 ASPH Micro Four-Thirds MFT lens. This has a useful 12-60mm wide-angle to short telephoto range (24-120mm equivalent). esigned in collaboration with Leica, this versatile lens utilizes four aspherical elements and two extra-low dispersion elements to deliver well-corrected, sharp image quality that is void of color fringing and distortions. The linear motor gives fast, quiet, and precise autofocus performance (smooth manual focus also available). The Power optical image stabilizer O.I.S. minimizes the appearance of camera shake for sharper handheld shooting, and also supports the Dual I.S. function for increased stabilization performance. Rounded nine-blade diaphragm contributes to pleasing bokeh. 62mm filter size. This is all housed in a splash, dust, and freezeproof durable metal body.

Includes front/rear lens caps. Does not include hood. Excellent cosmetic condition. Clear optics without any issues. Mechanically, electronically, and optically in good normal working order.



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