Cameras, Lenses, Cinema / Production

Camcorders / Lenses Accessories Production Photo Gear
 
ALL ITEMS SOLD INCLUDE A
30 DAY WARRANTY!
 
 

 

Camcorders / Cameras

Red Digital Cinema
Epic-M Dragon 6K cinema camera
More Info

S/N: 144
Used. Cosmetic 8.5/10

(In Stock)
Price: $11,449
The Red Epic Dragon is a digital cinema camera capable of 6K (75fps at full frame and 100fps at 2.4:1). Also capable of 5K at 96-120fps, 4K at 120-150fps, 3K at 150-200fps, and 2K at 240-300fps. This has the Dragon sensor, providing improved color science, greater dynamic range up to an amazing 16.5+ stops, better signal-to-noise ratio for clean images from 200-2000 ISO, improved low-light capability over the older Mysterium-X sensor. Redcode RAW files give you the ultimate freedom and control when finished. Capable for professional use for cinematography or still photography. Highly flexible and customizable so you can have just what you need for your production and nothing you don't. And of course features all the professional connections and features one would expect from a high end cinema camera. Different lenses such as Canon EF, Nikon, PL, or Leica-M can be acheived by changing the lens mount. Control is acheived via Red Side Handle, Redmote, and/or Red Pro Touch LCD monitor. This records onto Red Mini-Mag SSD media. Designed to accept interchangeable optical low-pass (OLPF) filters for different shooting situations.

This is the Epic-M Dragon opposed to the Epic-X Dragon, which means it was hand-built to the highest tolerances rather than cast and assembled in a manufacturing plant. Includes original hard case, SSD mini-mag side module, Ti PL mount (titanium construction for the heaviest/longest lenses), DSMC side handle (providing grip, Redvolt usage, and camera control), AC power supply, 2.0 fan upgrade kit installed, and 2x OLPF filters (low light optimized and standard). Cosmetically in very good condition with only very minor wear on exterior if looking for it. Upgraded to the latest firmware version 6.3.106. Hours of use are 2587, so it has seen some professional usage, but this only moderate usage for this well-built and reliable Epic-M Dragon. Factory replaced the internal battery so this will keep date/time correctly upon restart, unlike many of these found on the used market. Tested in excellent working order. Camera is currently registered with us and given clean bill of health at Red. Buyer responsible for any transfer or evaluation fees, if they desire to officially transfer it to their name.




Red Digital Cinema
Scarlet-X 4K cinema camera
More Info

S/N: 2256
Used. Cosmetic 7.5/10

(In Stock)
Price: $4,349

The Red Scarlet Mysterium-X is a digital cinema camera capable of 4K (up to 30fps) or 5K (up to 12 frames). 3K allows 48fps, 2K 60fps, and HD 120fps. Redcode RAW files give you the ultimate freedom and control when finished. Capable for professional use for cinematography or still photography. Highly flexible and customizable so you can have just what you need for your production and nothing you don't. HDRx technology yields up to 18 stops of dynamic range (more than other 35mm and DSLR alternatives). And of course features all the professional connections and features one would expect from a high end cinema camera. Different lenses such as Canon EF, Nikon, PL, or Leica-M can be acheived by changing the lens mount. Control is acheived via Red Side Handle, Redmote, and/or Red Pro Touch LCD monitor.

Includes SSD 1.8" side module, Canon EF lens mount, DSMC side handle (providing grip, Redvolt usage, and camera control), AC power supply, and original box with factory foam. Monitor not included, only pictured to show hours/firmware. Cosmetically shows some nicks and scratches on exterior, but nothing major - overall in good presentable condition. 752 hours of use. Upgraded to the latest firmware version 6.3.106. The internal battery that holds the current date/time code has been replaced. This is dead on most of these sold and often not mentioned). The battery being replaced saves a trip to the factory to do the complicated repair (the battery is located deep inside and is not easily replaced). Tested in excellent working order.




Sony
NEX-FS700R Super 35 camcorder
More Info

S/N: 161661
Used. Cosmetic 8.5/10

(In Stock)
Price: $1,849
The Sony NEX-FS700R is a Super 35 large sensor video camera with native 4K sensor. Records 1080P (up to 60p) internally on SD card or optional HXR-FMU128. Can output 4:2:2 via HDMI or 3G/HD-SDI to an external recorder. Unlike the NEX-FS700 / NEX-FS700U, this comes standard with the 4K hardware/software firmware update, so that you can record 4K raw externally (with the addition of the HXR-IFR5 / AXS-R5, Odyssey 7Q, Atomos Shogun Inferno, etc). The FS700 is notorious for it's super slow motion capability - up to 240fps at full resolution, but can go as high as 480fps or an amazing 960fps at reduced resolution. If using external RAW, it can acheive up to 240fps in 2K RAW and 60fps in 4K RAW (with 4 second bursts up to 120fps in 4K RAW). Takes e-mount lenses standard or can be adapted to take Canon EF, Nikon, PL mount, etc. The sensor size is perfect match for cine-style film lenses. Works in worldwide PAL/NTSC framerates. Other features include: 3.5" LCD with detachable viewfinder loupe, built in ND filter, ISO 500 (0db) to ISO 16000 (30db) sensitivity, four HyperGamma settings, auto/manual iris and focus with compatible lenses, dual XLR inputs, and all the picture profile and manual adjustments you'd expect from a high end professional cinema camera. Truly an incredible bang for the buck.

This includes microphone holder assembly, top handle, LANC hand grip, battery charger, battery, AC power supply, lens/body caps, and SKB i series hard carrying case. Does not include microphone or viewfinder optical eyepiece that converts LCD to viewfinder. Only has 3x10 hours on the meter, so is used very little. Cosmetically overall very clean with just some typical scuffs or paint wear if looking very carefully. Nice clean LCD. The hard case has dividers on bottom, but no foam on top (so needs extra cushioning or bubblewrap on top of gear during serious transport). All functions, features, and connectors of the FS700R are in excellent working order.





 

 

Lenses

Arri / Zeiss
LDS Ultra Prime 14mm T1.9 lens
More Info

S/N: 1052
Used. Cosmetic 8.5/10

(In Stock)
Price: $8,245
The Arri LDS Ultra Prime 14mm T1.9 (K2.52123.0) lens is a PL mount wide angle lens that covers super 35mm format. Creates a sharp image consistent with other Arri lenses such as standard Ultra and Master Primes in color, clarity, and skin tones. Image quality retained across the frame. Features T* XP coating for reduced glare / reflections, Carl Zeiss Distagon optics, close focus of 8.7", fast aperture of T1.9 for shallow depth of field, internal focus design for precise focusing and minimal breathing, minimal aberration, focus marks on both sides of the barrel, industry standard 0.8 mod focus/iris gears, 104mm front barrel diameter, clickless iris ring, and markings in feet. The LDS line specifically features fully floating lens elements that improve performance in close-ups. Also have built-in encoders to communicate with camera via the PL-LDS mount (which is a PL mount with electronic contacts) - providing metadata.

This is in very good condition with only minimal paint wear if looking very closely. Well above average cosmetics. Includes front/rear caps. The aperture ring turns smoothly and accurately. The focus ring, however, is noticeably stiffer and slower moving than most examples. However, it is consistent and accurate - it could be ideal for somebody that values precision moreso than quick movement. But bear in mind, it would require service to focus with a similar feel to other examples. Clean glass, no optical problems. Tested in excellent working order.



Arri / Zeiss
LDS Ultra Prime 40mm T1.9 lens
More Info

S/N: 1025
Used. Cosmetic 8.5/10

(In Stock)
Price: $10,295
The Arri LDS Ultra Prime 40mm T1.9 (K2.52129.0) lens is a PL mount lens that covers super 35mm format. Creates a sharp image consistent with other Arri lenses such as standard Ultra and Master Primes in color, clarity, and skin tones. Image quality retained across the frame. Features T* XP coating for reduced glare / reflections, Carl Zeiss Distagon optics, close focus of 15", fast aperture of T1.9 for shallow depth of field, internal focus design for precise focusing and minimal breathing, minimal aberration, focus marks on both sides of the barrel, industry standard 0.8 mod focus/iris gears, 104mm front barrel diameter, clickless iris ring, and markings in feet. The LDS line specifically features fully floating lens elements that improve performance in close-ups. Also have built-in encoders to communicate with camera via the PL-LDS mount (which is a PL mount with electronic contacts) - providing metadata.

This is in very good condition with only minimal paint wear if looking very closely. Well above average cosmetics. Includes front/rear caps. Rings turn smoothly, consistently, and accurately. Clean glass, no optical problems. Tested in excellent working order.



Arri / Zeiss
LDS Ultra Prime 100mm T1.9 lens
More Info

S/N: 1048
Used. Cosmetic 8.5/10

(In Stock)
Price: $9,345
The Arri LDS Ultra Prime 100mm T1.9 (K2.52132.0) lens is a PL mount lens that covers super 35mm format. Creates a sharp image consistent with other Arri lenses such as standard Ultra and Master Primes in color, clarity, and skin tones. Image quality retained across the frame. Features T* XP coating for reduced glare / reflections, Carl Zeiss Sonnar optics, minimum focus distance of 39.4", fast aperture of T1.9 for shallow depth of field, internal focus design for precise focusing and minimal breathing, minimal aberration, focus marks on both sides of the barrel, industry standard 0.8 mod focus/iris gears, 104mm front barrel diameter, clickless iris ring, and markings in feet. The LDS line specifically features fully floating lens elements that improve performance in close-ups. Also have built-in encoders to communicate with camera via the PL-LDS mount (which is a PL mount with electronic contacts) - providing metadata.

Very good condition with only minimal paint wear if looking closely. Well above average cosmetics. Includes front/rear caps. Aperture and focus rings turn smoothly, accurately, and freely. There is a slight inconsistency in tension in the focus ring, which could cause marks to be missed with very fast movement, but overall would not be noticeable or cause problems for most users - it has a typical feel similar to most examples of this lens. Clean glass, no optical problems. Tested in excellent working order.



Arri / Zeiss
Ultra Prime 20mm T1.9 lens
More Info

S/N: 8939335
Used. Cosmetic 8/10

(In Stock)
Price: $9,995
The Arri Ultra Prime 20mm T1.9 (K2.47325.0) is a PL mount wide angle prime lens that covers super 35mm format. Compact, lightweight, and optically matched to the Master Prime series. Provides the optimal image quality, vivid colors, clarity, sharpness, and skin tones which Arri / Zeiss is famous for. Image quality retained across the frame. Features T* XP coating for reduced glare / reflections, Carl Zeiss Distagon optics, close focus of 11", fast aperture of T1.9 for shallow depth of field, minimal focus breathing and aberration, focus marks on both sides of barrel, industry standard 0.8 mod focus/iris gears, 95mm front barrel diameter, clickless iris ring, markings in feet.

This is in very good condition with only minimal paint wear on exterior one would expect. Includes front/rear caps. Rings turn smoothly and consistently. Clean glass, no optical problems. In excellent working order.


Arri / Zeiss
Ultra Prime 85mm T1.9 lens
More Info

S/N: 8940645
Used. Cosmetic 8/10

(In Stock)
Price: $9,595
The Arri Ultra Prime 85mm T1.9 (K2.47331.0) is a PL mount prime lens that covers super 35mm format. Compact, lightweight, and optically matched to the Master Prime series. Provides the optimal image quality, vivid colors, clarity, sharpness, and skin tones which Arri / Zeiss is famous for. Image quality retained across the frame. Features T* XP coating for reduced glare / reflections, Carl Zeiss Planar optics, MOD of 3' (0.9m), fast aperture of T1.9 for shallow depth of field, minimal focus breathing and aberration, focus marks on both sides of barrel, industry standard 0.8 mod focus/iris gears, 95mm front barrel diameter, clickless iris ring, markings in feet.

This is in very good condition with only minimal paint wear on exterior one would expect. Includes front/rear caps. Rings turn smoothly and consistently. Clean glass, no optical problems. In excellent working order.



Barco
TLD+ projector lens
More Info

S/N: 3668751A01764
Used. Cosmetic 8/10

(In Stock)
Price: $2,895

The Barco HB TLD+ (0.67:1 WUXGA) (0.73:1 SXGA+) is a high quality fixed projector lens. Compatible with: HDX-W12, HDX-W14, HDX-W18, HDX-W20 FLEX, HDF-W22, HDF-W26, HDF-W30 FLEX, HDF-W30LP FLEX, Galaxy NW-12, Galaxy NW-7 EX, Galaxy NW-7, Galaxy NW-12 EX, Galaxy NW-7 MK I, NH-12, RLM R6+ Performer, NW-12, SLM R12+ Performer, Galaxy NW-12 MK I, RLM-W14, FLM-HD20, FLM HD14, RLM-W12, FLM R20+, SLM R9+ Performer, SLM G10 Performer, SLM R10 Performer, FLM-R22+, FLM HD18, SLM R8 Performer, SLM R6 Performer, SLM G5 Performer, SLM G8 Performer.

Very good cosmetic condition, with very little wear except for one divet in material in middle. Includes front lens cap, no rear cap (though of course will be protected well in shipping). Optics are clear without any noticeable defects.



Chrosziel
CLWAH-F4.5 matte box system
More Info

S/N:
Used. Cosmetic 7/10

(In Stock)
Price: $244
This is for a Chrosziel CLWAH-F4,5 mattebox system, also known as the 415-02F110 or MB 415. Designed for any Canon, Fujinon, or other brand of lenses, even wide angle lenses with focal length up to 4.5mm. Dual stage filter stages - 1 fixed and 1 rotating filter stage. This is a clip-on style mattebox for use without rods. This is a robust and professional matte box system, not a chintzy knock off.

This includes the CLWAH-F4.5 sunshade housing, 410-31 4x4/4x5.650 filter holder, 510-01 5x5/4x5.650 filter holder, 130-110mm intermediate ring, 110mm-98mm stepdown ring, 110mm-95mm stepdown ring, and foldable top french flag. So this can accomodate 130mm, 110mm, 98mm, and 95mm diameter lenses (though you can obtain other stepdown rings if your needs differ). Even includes a hard case to carry it, model Pelican 1500. Shows noticeable cosmetic wear and paint touchups, but no damage. In very good working order. Multiple units available.




Red Digital Cinema
Pro Prime 100mm T1.8 PL lens
More Info

S/N: PL1000434
Used. Cosmetic 9/10

(In Stock)
Price: $1,425
The 100mm Red Pro Prime T1.8 is a high quality telephoto PL mount lens, comparable in optical quality to Zeiss ultra primes, at a fraction of the cost. Features a long focus throw, allowing more accurate precision in pulling adjustment. Imperial (feet) focus marks. Opens up to T1.8, wider than Cooke S4 and Ultra Primes. Front diameter of 110mm. Minimum object distance of 24". Ideal for your Red One / Scarlet / Epic (covers 6K on Epic Dragon), Arri, PMW-F3, PMW-F5, PMW-F55, Blackmagic URSA, Blackmagic Production 4K PL, PXW-FS7 w/ PL adapter, or most any camera with a PL mount!

Imperial scale (in feet). With front and rear caps. Excellent cosmetic condition with only minor exterior wear if looking carefully for it. Clean glass inside and out. Optically correct. Focus and aperture rings turn smoothly, consistently, and accurately. A very good example of this lens.


Sony
SELP18200 E PZ 18-200mm lens
More Info

S/N: 1857923
Used. Cosmetic 8.5/10

(In Stock)
Price: $649

The Sony SELP-18200 (newer verision of SEL18200) E PZ 18-200mm f/3.5-6.3 OSS lens is a powerful compact zoom for APS-C format E-mount mirrorless cameras from Sony and NEX camcorders such as NEX-FS100, NEX-FS100R, NEX-FS700, PXW-FS5, PXW-FS7, NEX-VG30, NEX-EA50U / NEX-EA50UH, NEX-EA50M, NEX-5, NEX-7, NEX-6, NEX-VG900, A5100, A7s, and more. Ideal for use in video applications. Zoom range of 18-200mm (equivalent to 27-300mm in the 35mm format) thus being versatile from wide angle to super telephoto. Aperture range of f/3.5-6.3. Internal linear stepping motor for quiet and smooth focusing, ideal for use in video. Power zoom function with three variable zoom speeds and constant speed zooming for slow/smooth zoom. Zoom can be controlled from camcorders that feature built-in zoom levers or by the zoom control on the lens barrel. Features Optical Image Stabilization (OSS), five aspherical lens elements and extra low dispersion glass for sharp images without abberation or distortion, 7 blade circular aperature for attractive bokeh, durable metal exterior, and choice of manual/auto control over zoom/focus.

Includes hood and front/rear caps. Cosmetically has a few spots of paint wear on exterior, but overall clean looking. Optics are sharp and glass is scratch free. Even internal optics are cleaner than average with less internal dust than normal. This was fully tested on a FS700 camcorder. Autofocus, manual focus/zoom, and OSS are functioning normally.



Wooden Camera
PL mount for Red DSMC / DSMC2
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $295

The Wooden Camera PL mount (part 175900) is a simple non-electronic PL mount suitable for RED camera such as DSMC (Epic / Scarlet) and DSMC2 (Monstro / Helium / Gemini / Epic-W / Scarlet-W). Though doesn't pass lens data, does features a recessed area to protect Red data pins. Very high quality, machined from sturdy aircraft aluminum.

Includes original lens cap and attachment screws. Clean cosmetic and good working order.

Zeiss / Carl Zeiss
CP.3 XD 15mm T2.9 PL lens
More Info

S/N: 50077236
Used. Cosmetic 9/10

(In Stock)
Price: $4,945

The Zeiss CP.3 XD 15mm T2.9 (model 2189-367) is a compact prime full-frame sensor coverage lens in PL mount, with marking in meters. This is the newer upgrade to the CP.2 with an updated form factor to be more similar to Ultra Prime lenses, improved mechanics, better T* lens coatings, even weight distribution. Increased anti-reflection masking for increased contrast and reduced flare. Has the signature Zeiss look, to match up well with other CP.3 lenses as well as any types of high-end Zeiss cinema lens. Features Zeiss eXtended Data (XD) technology combined with Cooke's /i lens metadata protocol. All information is transmitted in real-time via the 12 o' clock position on the PL mount or the 4-pin LEMO port. This technology allows for accurate focus pulling when combined with a rangefinder or recording alongside footage and applied in post. In particular, the recording of ZEISS-specific datasets enable DITs using Pomfort or DaVinci Resolve software to analyze recorded footage to remove distortion and shading in post-production (saves time especially for productions than plan on using VFX). Has the standard 95mm front diameter to be compatible easily with matte boxes, follow focus, and lens supports. 14-blade iris for pleasing round bokeh. Clickless iris ring and geared focus and iris control round out this very impressive lens.

Includes front/rear caps. This is the version with markings in meters, not feet. Cosmetically in mint condition with extremely little wear or use, imperfections only noticed if looking carefully. Clean optics inside and out. Rings turn smoothly, accurately, and consistently. Tested in excellent working order.



 

 

Camera Accessories

Anton Bauer / Vitec Videocom
V190 Digital 190 v-mount battery
More Info

S/N: 8C27151306
New / other. Cosmetic 9.5/10

(In Stock)
Price: $425
The Anton Bauer Digital 190 is a 190wh 14.4V lithium ion battery. This is the V190 in V-mount (not Goldmount). These are so well-made they are rated for 1000 charge/discharge cycles! This is a major redesign for Anton Bauer with ergonomic/modern shape, rubber cushion grip, high impact polymer, advanced temperature sensors, algorithm which smoothes out power draw, and honeycomb interior (for additional airflow, better heat dissipation, and greater cell seperation). Reports run time in hours and minutes with power or as percentage without power. P-tap port to power accessories. Compatible with performance series chargers such as Dual V-mount, Quad V-mount, LP2, and LP4. Possibly compatible with other manufacturer v-mount charger, but peformance and reliability not guaranteed with third party chargers.

This is un-used in factory refurbished condition. Might have extremely minor case wear if looking very carefully, but overall appears to look like new. The factory sticker that covers the display is still intact. Includes original retail box.



JVC
KA-MR100G SxS module
More Info

S/N: 074G0295
New / old stock. Cosmetic 9.5/10

(In Stock)
Price: $275
The JVC KA-MR100G is a SxS memory card media docking recorder module designed to attach direclty to the GY-HM700 or with KA-UM100 adapter for the GY-HD200 / GY-HD250. Allows recording onto SxS cards (ExpressCard 34) and facilitates ultra-fast transfer to server or NLE. Records native XDCAM EX or MP4 files for versatile workflow options. Simultaneous recording to SDHC / tape is possible. Acheive higher workflow capability and speed.

This came along with a GY-HM700 package, but itself was never used. Components sealed up in plastic. This is new / un-used, though is old stock.



Red Digital Cinema
CF card 16GB compact flash
More Info

S/N:
Used. Cosmetic 8/10

(In Stock)
Price: $40

The 16GB Red compact flash card is used in the Red One CF module on the Red One digital cinema camera. This is one of the fastest memory cards in existence and can also be used in most DSLR cameras with great results.

Clean cosmetic condition overall with some minor wear. The front label is replaced with a generic label, but the rear label is normal. Working order.

Red Digital Cinema
CF card 16GB compact flash - pair
More Info

S/N:
Used. Cosmetic 8/10

(In Stock)
Price: $80

The 16GB Red compact flash card is used in the Red One CF module on the Red One digital cinema camera. This is one of the fastest memory cards in existence and can also be used in most DSLR cameras with great results.

This is for a pair of cards. Clean cosmetic condition overall with some minor label wear. Good working order. Multiple pairs available.

Red Digital Cinema
Quad Charger Redvolt / Redvolt XL
More Info

S/N: 7501024B6FA91
Used. Cosmetic 7/10

(In Stock)
Price: $165
The Redvolt Quad Charger (model 740-0015) is the most powerful way to charge up to 4x Redvolt or 2x Redvolt XL batteries for your Red camera. Much more heavy duty and useful than the travel charger or multiple travel chargers. All batteries are charged simultaneously. Charge time of under two hours per battery.

Good cosmetic condition with only minor wear in a couple spots if looking carefully. Tested with batteries in good working order


Red Digital Cinema
Redmag 1.8" 64GB SSD drive
More Info

S/N: 7501024B6AE32
Used. Cosmetic 8/10

(In Stock)
Price: $144
The Redmag 64GB is a 1.8" SSD drive designed for use in the DSMC 1.8" SSD side module and the Red Station card reader. Provides a fast and reliable recording medium in a durable casing. Compatible with Scarlet-X, Epic-X, Scarlet Dragon, Epic Dragon, and Red One (w/ appropriate 1.8" side module). 64GB size.

Shows some paint and label wear, but overall in good cosmetic condition with no major wear or damage. Tested in excellent working order. Multiple units are available.


Red Digital Cinema
Redmag 1.8" 240GB SSD drive
More Info

S/N: 750102B5C39E
Used. Cosmetic 8/10

(In Stock)
Price: $595
The Redmag 240GB (part 750-0061) is a 1.8" SSD drive designed for use in the DSMC 1.8" SSD side module and the Red Station card reader. Provides a fast and reliable recording medium in a durable casing. Compatible with Scarlet-X, Epic-X, Scarlet Dragon, and Epic Dragon (not Red One). 240GB size, this is newer release than the 256GB version (current item on Red website).

Shows minor paint and label wear, but overall in above average cosmetic condition compared to most. Tested in excellent working order. Multiple units are available.


Red Digital Cinema
Redmag 1.8" 256GB SSD drive
More Info

S/N: 7501029CF3B42
Used. Cosmetic 8/10

(In Stock)
Price: $625
The Redmag 256GB is a 1.8" SSD drive designed for use in the DSMC 1.8" SSD side module and the Red Station card reader. Provides a fast and reliable recording medium in a durable casing. Compatible with Scarlet-X, Epic-X, Scarlet Dragon, Epic Dragon, and Red One (w/ appropriate 1.8" side module). 256GB size.

Shows some paint wear and touchups, plus minor marker residue on rear label, but overall in presentable condition with nothing that indicates rough usage. Tested in excellent working order. Multiple units are available.


Red Digital Cinema
Red One CF Side Module
More Info

S/N:
Used. Cosmetic 8.5/10

(In Stock)
Price: $175
The Red One CF Side Module (model 750-0011) attaches to your Red One / Red One MX 4K cinema camera to allow use of Red 16GB or 8GB CF (CompactFlash). Attaches to left side of Red One if you don't have module or replaces the 1.8" SSD module.

Clean cosmetic shape with just superficial wear if looking for it. Including original box and attachment screws. Good working order.


Red Digital Cinema
Redvolt battery for Epic / Scarlet
More Info

S/N: 74010253F7C6
Used. Cosmetic 8/10

(In Stock)
Price: $75
The Redvolt battery (model 740-0020) is compatible with Red Epic and Scarlet cinema camera. The Redvolt lithium ion battery provides 37 Wh of power to your DSMC brain. This equates to a 20-35 minute range per battery depending on configuration. Can be hot swapped when camera connected to external power supply or when using Redvolt equipped DSMC Side Handle. May be used with battery module or inserted into a DSMC side handle for compact configurations.

Minor cosmetic paint wear, but overall presentable. This was tested to power Red camera in various configurations for 25-30 minutes, so it has full or nearly full life. Multiple units available.

Red Digital Cinema
Redvolt battery package - 3x units
More Info

S/N: varies
Used. Cosmetic 8/10

(In Stock)
Price: $95
The Redvolt battery (model 740-0020) is compatible with Red Epic and Scarlet cinema camera. The Redvolt lithium ion battery provides 37 Wh of power to your DSMC brain. This equates to a 20-35 minute range per battery depending on configuration. Can be hot swapped when camera connected to external power supply or when using Redvolt equipped DSMC Side Handle. May be used with battery module or inserted into a DSMC side handle for compact configurations.

Lot of 3 Redvolts. Minor cosmetic paint wear, but overall presentable. Each was tested to power Red camera in various configurations for 15-20 minutes, so have something like 50% to 75% life on them.


Red Digital Cinema
Redvolt XL battery
More Info

S/N: 74010263DBEA
Used. Cosmetic 8.5/10

(In Stock)
Price: $165
The Redvolt XL (model 740-0021) is a lithium ion battery, providing 2-3 times the charge of the single redvolt batteries. Compatible with the DSMC or DSMC2 Redvolt XL module. Provides 89 Wh of power to your DSMC brain, which equates to something like 45-90 minutes depending on exact configuration and model camera used. Can be hot swapped when camera connected to external power supply. Use the Redvolt XL Module to maximize the power available for your camera.

Cosmetically clean with only very minor wear. When tested, this was able to power a pretty power hungry setup for over an hour. It is used so full capacity not guaranteed, but it surely has at least 75% of normal capacity and is in solid reliable working order.

Red Digital Cinema
Redvolt XL battery - pair
More Info

S/N: 740102635FA9, 74010263D847
Used. Cosmetic 8.5/10

(In Stock)
Price: $325
The Redvolt XL (model 740-0021) is a lithium ion battery, providing 2-3 times the charge of the single redvolt batteries. Compatible with the DSMC or DSMC2 Redvolt XL module. Provides 89 Wh of power to your DSMC brain, which equates to something like 45-90 minutes depending on exact configuration and model camera used. Can be hot swapped when camera connected to external power supply. Use the Redvolt XL Module to maximize the power available for your camera.

This is for a pair of Redvolt XL, packaged in a Revolt XL 2-pack hard carrying case. Cosmetically clean with only very minor wear. When tested, each was able to power a pretty power hungry setup for over an hour. They are used so full capacity not guaranteed, but they surely has at least 75% of normal capacity and are in solid reliable working order.


Red Digital Cinema
DSMC2 Redvolt XL Module
More Info

S/N: 74013027C6D8
Used. Cosmetic 8.5/10

(In Stock)
Price: $275
The DSMC2 Redvolt XL Module (part 740-0034) is designed to mount seamlessly to the back of your camera such as Scarlet-W, Raven, and Weapon brain. Provides support for long lasting Redvolt XL battery. The DC in connector can be used to power the system when module is attached. Can be used as a stand-alone portable charger, simply plug your DSMC AC power adaptor to the DC in connector (can also charge when attached when camera is off). Two auxiliary ports provide power for accessories. This is also a cost effective way to run power in a simple setup without requiring a I/O expander module.

Very good cosmetic condition. Does not have protective cover. Tested on camera with Redvolt XL and DC power, all in good working order.


Red Digital Cinema
DSMC Travel Charger for Redvolt
More Info

S/N: 7401025DB69C
Used. Cosmetic 8/10

(In Stock)
Price: $40

The DSMC Travel Charger (model 790-0134) is a compact and lightweight charger for Redvolt batteries. Convenient and easy way to charge a single Redvolt battery.

Good cosmetic condition with only minor wear. Includes power cable. Tested in good working order. Second unit available as well as Redvolts.


Sony
AXS-512S24 AXSM memory card
More Info

S/N: 101120
Used. Cosmetic 8/10

(In Stock)
Price: $595

The Sony AXS-512S24 is a high-speed 512GB flash memory card for recording high frame rate 4K and 2K 16-bit video onto the Sony AXS-R5 RAW recorder. The AXS-R5 docks directly to the PMW-F5 and PMW-F55 and via the HXR-IFR5 on the NEX-FS700, NEX-FS700R and PXW-FS7. This card has a guaranteed write speed of 2.4 Gbps and is compatible with the AXS-CR1 card reader.

Includes case. Minor cosmetic wear in the form of thin scratches on front, but overall looks clean and presentable. Tested in good working order on AXS-R5. Multiple units available.


Sony
AXS-R5 4K / 2K Raw Recorder
More Info

S/N: 10161
Used. Cosmetic 8.5/10

(In Stock)
Price: $1,325
The Sony AXS-R5 enables 4K and 2K 16-bit RAW video recording on the PMW-F55 and PMW-F5 Cinealta camera. Also can be used with the HXR-IFR5 on the NEX-FS700 and NEX-FS7. Attaches to the rear of the camera for a sleek integrated form factor. Can simultaneously record RAW files and proxy HD on the camera's SxS card. Matching time code, start frame, stop frame, file names, and other metadata for seamless confirming in post. Unlocks high frame rates up to 240fps in 2K RAW and 60fps in 4K. RAW recording preserves the greatest latitude for color correction and post. 16 times as many RGB gradations as 12-bit RAW nad 64 times as many tones per channel as 10-bit. Uses AXSM memory cards such as the AXS-512S24 and AXS-A1TS24 / AXS-A1TS48 / AXS-A512S24 with adapter (adapter not included).

Latest firmware installed. Moderate usage of 897H hour on meter. Fully tested on a PMW-F55 and FS700, unlike some sellers who are unable to test this or even gather the hour meter reading. Clean cosmetic condition overall, with only minor wear. Second unit available.


Sony
BC-L90 battery charging station
More Info

S/N: 13053000139
Used. Cosmetic 9/10

(In Stock)
Price: $265

The Sony BC-L90 dual battery charger is compatible with Sony's BP series of "Olivine" V-mount lithium-ion batteries such as the BP-FL75. Charges Long-life Olivine battery in half the time of conventional lithium-ion batteries. This also can act as a DC power supply.

Pristine cosmetic condition, low usage, and tested in excellent working condition.


Sony
HXR-IFR5 interface unit for FS700
More Info

S/N: 10102
Used. Cosmetic 8.5/10

(In Stock)
Price: $369
The Sony HXR-IFR5 interface unit connects your 4K ready NEX-FS700, NEX-FS700R, or NEX-FS7 camera (with XDCA-FS7 extension) to the AXS-R5 RAW recorder. It enables camera's 2K and 4K RAW files to take advantage of the RAW workflow of Sony PMW-F55 and F5 cinealta cameras. Receives the uncompressed bistream carrying RAW sensor data, metadata, timecode, and start/stop commands via 3G-SDI. Allows simultaneous recording (4K on AXS-R5 with HD on the FS700). Features built-in LCD status panel and large tactile control buttons.

This includes an Ikan mount that allows attachment to 15mm rod / rails. Cosmetically very good with little signs of wear except some on the Ikan mount. Tested with a FS700 and AXS-R5 combo to be in good working order.




Sony
SBP-64C SxS Pro+ memory card
More Info

S/N: QJAG1047
Used. Cosmetic 9/10

(In Stock)
Price: $269
The SBP-64C is a 64GB SxS Pro+ memory card, designed for high-speed video recording with XDCAM / XDCAM EX camcorder. This is ideal for 4K and high data rates on the PMW-F5 and PMW-F55 cinealta camera (unlike the previous SBP-64 / SBP-64A card which is not suitable). Of course, this can also be used with any model that takes an SxS / ExpressCard such as PMW-500, PMW-300, PMW-320, PMW-400, PMW-200, PMW-100, PMW-160, PMW-EX1R, PMW-EX3, PXW-X200, PXW-X180, PXW-X160, PXW-X400, PXW-X500, PXW-X320, PMW-RX50, PMW-PZ1, PMW-50, PMW-F3 and more. This features around double the read/write speed of the previous generation SBP-64B. Maximum read speed of 3.5Gbps and write speed of 2.8Gbps (minimum read speed of 1.3Gbps). This faster speed is useful for ensuring stable high frame rate recordings in formats such as XAVC 4K 60P or XAVC 4K 180P. Also has improved safety features such as data refreshing, error correct, and power failure management. Example recording times: 20-32 minutes in 4K XAVC, 10 minutes in 4K XAVC 4:2:2 60P at 600Mbps, 60 minutes HD XAVC Intra 4:2:2, and 120 minutes in HD MPEG2 4:2:2 30P at 50Mbps. Maximum recording time possible is 200 minutes at 35Mbps. This SxS Pro plus card is the ultimate memory card that can support any codec or camera model out there.

Mint cosmetic condition and excellent working order. Includes case. Multiple units available.


Sony
SBS-128G1B SxS-1 memory card
More Info

S/N: SKKHB018
Used. Cosmetic 9/10

(In Stock)
Price: $344
The Sony SBS-128G1B is a 128GB SxS-1 memory card designed for XDCAM / XDCAM EX camcorder at 4K, 2K, or HD. Ideal for use with PMW-500, PMW-300, PMW-320, PMW-400, PMW-200, PMW-100, PMW-160, PMW-EX1R, PMW-EX3, PXW-X200, PXW-X180, PXW-X160, PXW-X400, PXW-X500, PXW-X320, PMW-RX50, PMW-PZ1, PMW-50, PMW-F3, and more. Features around double the speed of the previous generation G1A cards - maximum read speed of 3.5Gbps and write speed of 2.8Gbps. Supports EB Streaming between card and Sony camcorders, enabling constant 2-way communication and insuring stable recording while avoiding speed degradation. Also has improved safety features such as data refreshing, error correct, and power failure management. Example recording times: 120 minutes in HD XAVC Intra 4:2:2, 240 minutes in HD MPEG 4:2:2 30P at 50Mbps, 400 minutes at HQ 35Mbps.

Mint cosmetic condition and excellent working order. Includes case. Multiple units available.


Sony
SNCA-ZX104 camera receiver
More Info

S/N: 1000427
New. Cosmetic 10/10

(In Stock)
Price: $89
The Sony SNCA-ZX104 is a hybrid 4-channel receiver, allowing you to seamlessly integrate images from 4 different hybrid cameras - enabling their easy and cost-effective migration towards HD IP video surveillance / security systems. Offers 4x BNC camera input and 4x BNC analog video output, as well as LAN and remote RS-485 connection.

This is new in the box with all the accessories from the factory. First two pictures are stock photo. Multiple units available.


Sony
SR-256S55 256GB memory card
More Info

S/N: 1400015
Used. Cosmetic 8.5/10

(In Stock)
Price: $265
The Sony SR-256S55 SRMemory Card is a 256GB ultra high-speed reliable flash memory media for SRMaster series products. Compatible with F65 camera (with SR-R4), SR-R1000 memory storage unit, SR-R1 portable memory recorder, SR-PC5 / SR-PC4 data transfer units. Transfer speeds up to 5.5 Gbps in order to record and replay multiple streams simultaneously, high frame rate (HFR), and support data rates that can handle HD up to 4K (YPbPr422, RGB444, 1080 59.94p, 3D, 4K, and uncompressed). With 256GB capacity, can record over an hour at 1080/25P, for example. If you see the original MSRSP of these, you'll see this is an insanely deep discount!

Excellent cosmetic condition, with only a scratch on the front. Good working order.


Sony
SR-512S55 512GB memory card
More Info

S/N: 1500459
Used. Cosmetic 8.5/10

(In Stock)
Price: $449
The Sony SR-512S55 SRMemory Card is a 512GB ultra high-speed reliable flash memory media for SRMaster series products. Compatible with F65 camera (with SR-R4), SR-R1000 memory storage unit, SR-R1 portable memory recorder, SR-PC5 / SR-PC4 data transfer units. Transfer speeds up to 5.5 Gbps in order to record and replay multiple streams simultaneously, high frame rate (HFR), and support data rates that can handle HD up to 4K (YPbPr422, RGB444, 1080 59.94p, 3D, 4K, and uncompressed). With 512GB capacity, can record up to 2.5 hours at 1080/25P, for example. If you see the original MSRSP of these, you'll see this is an insanely deep discount!

Excellent cosmetic condition, with only a scratch on the front. Case has small crack, but still closes fine. Good working order.


Unknown
D-tap to Red 1B Power cable 40"
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $35

This is an approximately 40" (100cm) male D-tap / P-tap to 6-pin 1B Red female Lemo type power connector. This lets you power your Red Epic / Scarlet DSMC camera or DSMC2 cameras from any suitably powered v-mount or gold mount battery with a D-tap output. Ideal for uses such as gimbal. Very generous length of around 40" (100cm). Manufacturer is unknown.

Clean cosmetic condition and good working order.

Viewfactor by Brook
APU-AB Anton Bauer Plate for Red
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $195

The Viewfactor by Brook APU-AB battery plate allows use of Anton Bauer Gold mount batteries on your Red DSMC Epic or Scarlet camera. This is extremely solidly built and communicates battery information to camera. Lemo cable emerges from bottom instead of side, which is very desirable. Locks on via 4 shoulder screws to rear of camera or to a cheeseplate. Solidly locks on.

Includes the necessary screws and washers. Very good cosmetic condition, tested in working order.


 

 

Production Equipment / Studio / Support

American DJ / ADJ
WiFLY Par QA5 LED fixture
More Info

S/N: 2746225
Used. Cosmetic 7/10

(In Stock)
Price: $169

The ADJ (American DJ) WiFly Par QA5 is a rechargeable battery powered compact LED wash light fixture with WiFLY wireless technology. 5x 5W RGBA quad LEDs create rich hues and smooth color mixing with a seemingly unlimited color palette to suit your needs. Designed for stage and wall washing. 6 operation modes: manual color, color change, color fade, auto programs, sound active, and DMX-512. Although this can be used with AC power and wired DMX, you can also go completely wireless with battery power and wireless to place it virtually anywhere. Dual bracket yoke allows to be hung or set on ground. Battery lasts for up to 6 hours of full-on and transceiver communicates up to 400' with open line of sight. The LED are rated at 50,000 hours. Can be controlled on unit itself, via sound when in sound active mode, with most wired DMX controllers, ADJ RFC wireless remote, WiFLY transceiver, WiFLY RGBW8C, WiFLY WLC16, etc. This are linkable via XLR or wireless to control many units simultaneously from a master unit (i.e. master and multiple slave configuration). Additional specs include: 25 degree beam angle, 0-100 percent electronic dimming, sit flat design, low profile, smooth RGBA color mixing (for fast or slow color change operation), 15 built-in color macros, LED pulse and strobe effect, flicker-free operation, and 100-240V power compatibility.

This includes power cable. Manual is available in PDF format. Does not include the gel / diffusion filter frame and brackets on front, which have been removed. This shows noticeable cosmetic paint wear, but no damage. The battery charges up well and keeps a normal charge. Unit has been tested in various standalone modes (manual, auto, sound active), with wired DMX, with wireless, and in master/slave configurations. It all works normally. Multiple units are available in similar condition.



Arri
Plate & Shoulder Pad for F5/F55
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $344

This is a set consisting of the Arri Adapter bottom plate (K2.66246.0) and Shouler Pad (K2.66249.0) for the Sony PMW-F5 and PMW-F55. This plate makes the F5/F55 compatible with lightweight support standards, including a built-in Sachtler "Touch and Go" plate. With this, the camera can be mounted to a head or anything else with a standard quick release plate. Two steel rosettes on side allow accessories such as handles for handheld camera operation. For studio configuration, the adapter plate accepts studio bridge plates such as the ARRI BP-8 or BP-9. Front accepts 15mm rods for accessories such as matte box and follow focus. The Shoulder Pad attaches to bottom of camera or to an Arri baseplate. Increases comfort in handheld mode.

In acceptable good cosmetic condition with only minor paint wear, mostly on typical areas such as sharp edges, screw heads, and bottom. Includes screws to mount to camera (missing pins near mounting screws which aren't needed for secure use). Good working order.



Chrosziel
401-FS5 LWS for Sony PXW-FS5
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $375

The Chrosziel 401-FS5 is a Lightweight Support for the Sony PXW-FS5, featuring a sliding ergonomic shoulder pad that turns your FS5 into a balanced shoulder camera. Has 2 Hirth rosettes for adding hand grip / handles and 15mm front rod clamps.



Chrosziel
C-401-457KIT3 FS700 kit
More Info

S/N: E2848011
Used. Cosmetic 9.5/10

(In Stock)
Price: sold
The Chrosziel C-401-457KIT3 consists of a 401-457 LWS 15mm light weight support, 401-BP15B mounting plate, 3050-02 MultiPad straight shoulder pad, 401-83-190 15mm extension rods, 403-31 190mm bar with rosettes for handles, and a 403-30 leather handle / grip. This package is ideal if you are using the 4K RAW upgraded NEX-FS700 / NEX-FS700R with HXR-IFR5 and AXS-R5. Though it is also ideal for a third party recorder or a NEX-FS700 with battery plate at rear for large battery (such as Anton Bauer gold mount, IDX v-mount, and PagLok). The shoulder pad consists of a rod bracket which the pad slides onto, with ability to adjust pad behind or directly underneath camera to your liking. With the lower rods and shoulder pad removed, this kit can be attached to tripod or other support. The front rods are ideal for mattebox, follow focus, and more. Handles can be attached via industry standard rosettes.

Includes one leather handle, not two. It is in mint "like new" condition with almost no signs of use.




Jands
Stage CL DMX Lighting Controller
More Info

S/N: N13156
Used. Cosmetic 8/10

(In Stock)
Price: $945
Designed specifically for LED fixtures, the Jands Stage CL DMX lighting controller is loaded with high quality 60mm faders, push button encoders, responsive tactile buttons, multicolor LED indicators. Features 12 channels, each with saturation and hue encoders for tweaking and setting your color. Traditional faders and flash buttons to hone in desired intensity. Use manual control or automation for sophisticated light shows. Can group channels together to adjust with single set of controls. Set up a chase by saving each step, or create a pattern and generate the chase automatically. Save multiple cues and organize them using a touchscreen interface, then back them up on a flash drive. Make on-the-fly changes with a quick tap of the Snapshot button. DMX output is DMX512 (5-pin XLR), though can be converted to 3-pin easily.

Includes power supply. There is mild cosmetic wear on surface and underside of unit, but overall it looks very presentable. Good working order.




Panasonic
AG-BS300P Base Station
More Info

S/N: A0TRA0036
Used. Cosmetic 8.5/10

(In Stock)
Price: $995

The AG-BS300 (AG-BS300P / AG-BS300PJ) Digital Base Station is the core of the Panasonic P2Studio and 300Studio camcorder systems. Connects to the AG-CA300G / AG-CA300 (not included) camera adapter via 2 BNC cables and power cable to allow transmission of HD images, return images, tally, mic genlock distances of up to 100 meters (328 feet). One might also wish to add AJ-RC10G remote controller or AG-EC4G to complete the studio package. Supported camcorders include AJ-PX380, AG-HPX300, AG-HPX500, AJ-HPX3700, AJ-HPX2700, AJ-HPX3000, AJ-HPX2000, AJ-HDX900, and more. Studio300 cables (not included) are available in 25, 50, and 100 meter lengths. Digital signal transmission ensures high-quality, degradation-free images. Up to 70 watts of power can be supplied to the camcorder,* and a compact monitor and servo zoom can also be driven. Supports both AC (100 to 240 V) and DC (12V) power supplies. Features two HD-SDI / SD-SDI outputs and composite output. Menu, intercom, and tally/call functionality on front. Rackmountable configuration.

Cosmetically clean with only minor scratches on top. This does not include any other parts of the studio system or any cabling. This is only for the AG-BS300 base station as pictured. We were unable to test this ourselves with full system because we don't have all the parts, but this did come from working environment and will still be guaranteed as fully functional with our 30 day warranty. Second unit is available.



Sony
CBK-55BK dock for PMW-F55 / F5
More Info

S/N: 10062
Used. Cosmetic 8/10

(In Stock)
Price: $3,295

The Sony CBK-55BK Documentary Dock build-up kit is a powerful accessory that converts your PMW-F55 or PMW-F5 into a ENG style broadcast shoulder camcorder. Features front 5-pin stereo and rear 3-pin XLR audio with auto/manual level controls and headphone monitoring, as well as support for wireless slot-in audio. Familiar ergonomic tactical controls available you'd find on any broadcast camcorder such as gain, white/black balance, assign buttons, shutter, rec start, assign buttons, etc. Also has 15mm front rod support and compatibility with VCT-14 / VCT-U14 style tripod plate. Easy to change from shoulder to tripod or attach/detach to go from build-up kit to original style. Can use the same v-mount batteries, XLR power supply, and AXS-R5 RAW recorder as before. Shoulder pad and front block are adjustable for good weight balance. You can use PL mount lenses or 2/3" broadcast lenses by adding an LA-FZB1 or LA-FZB2 if you want to complement it with true ENG style lens. Has a convenient sturdy extended top handle with accessory mounting points. You can use hand grip on lens or add handgrips/handles via the Arri rosettes.

This includes dock itself, top handle, slide plate, battery adaptor, and VF connector protector. It does not include the factory microphone holder. And obviously the PMW-F55, viewfinder, and lens shown are for demonstration purposes and not included. This unit is in very good cosmetic shape with only paint wear in normal areas such as attachment points. This was just overhauled by Sony with new parts in the camera lock mechanism and audio locking spring upgraded, to ensure that everything locks up tight, stays put, and is reliable. All electronics are tested in great working order.






 

 

Still Photography

Canon
50mm f/1.0L EF lens
More Info

S/N: 12459
Used. Cosmetic 7.5/10

(In Stock)
Price: $3,249

The Canon EF 50mm F1.0 L USM lens is an exceedingly rare super lens. It is the most advanced 50mm lens. Not only the fastest, but packed with technology such as two ground aspheric elements, autofocus, electronic focus, focus-by-wire, ultrasonic focus motor, and electronically actuated diaphragm. Ultra low light ability (1/2 to 2/3 stops faster than f/1.2 lenses). If you want to shoot in available light at high enough shutter speed to stop action in very low light, you need this lens. Provides a unique bokeh and extreme subject isolation with shallow depth of field that can't be duplicated by lesser lens - background can virtually disappear if needed. This is designed to be sharp and contrasty even wide open, though you need to focus perfectly for best results at f1.0 due to the extremely shallow depth of field. By design, there is strong falloff (vignetting) in corners at f1.0 especially in lower light conditions, minor at f/1.4, and no more at f/2. Useful for isolating the subject, though can easily be corrected in Photoshop if needed. This has instant manual focus override. Note the focus ring is an encoder that tells the motor what to do, so the manual focus will not operate unless lens is awake and communicating with body. This has a minimum focus distance of .6 meters (2 feet), so understand that you cannot focus on objects extremely close to the lens. It may have been made a long time ago, but has abilities that no other lens today can really match, even with some limitations as a result. This is not only a powerful lens, but a real collector's item.

Includes hood and lens caps. Cosmetically this has some paint wear and scratches on body and brassing on mount - but overall presentable and nothing that exceeds what a professionally used lens with some years on it would exhibit. No scratches or marks on front and rear glass. There is some internal dust, most noticeable underneath the rear element - which does not affect optical quality and is rather typical (it is almost impossible for internal dust to cause any issues except if unusually abundant or shooting in unusual conditions). There is one anomaly in manual focus, when one moves ring past infinity limit quickly it can make a squealing/squeaking noise, presumably from the motor, though this is not consistent. One really wouldn't do this under normal circumstances, but just wanted to point everything out. Overall this functions extremely well in terms of sharpness, optical quality, autofocus, manual focus, aperture function, etc.



Panasonic
H-H020A 20mm f/1.7 II lens
More Info

S/N: BR7FB107469
Used. Cosmetic 9/10

(In Stock)
Price: $212
The Panasonic H-H020A / H-H020AK Lumix G 20mm f/1.7 II ASPH. (black color) is a compact 1" thick pancake lens for Micro Four Thirds (MFT) camera or camcorder. The f/1.7 maximum aperture provides shallow depth of field and low light ability. he optical design incorporates a pair of aspherical elements to suppress spherical aberrations and distortion for high sharpness and accurate rendering, and individual elements have also been multi-coated to control surface reflections and flare for improved contrast in strong lighting conditions. Rounded seven-blade diaphragm for pleasing bokeh. Autofocus motor supports camera's contrast detection for precise focusing performance and can be manually overridden.

Mint condition with very little signs of wear. Includes front/rear cap. Excellent working order.