Small size but rugged construction with limitless mounting possibilities - ideal for tripod, studio, stage, conference room, security, broadcast, cinema, corporate, and any use you can think of. Compatible with NC-UNIHB/1 Outdoor Housing.

Image processor functions include: noise reduction (2D/3D), visibility enhancer ICR (day and night) slow AE, high sensitivity, gamma, character generator, defog, color enhancement picture effect, spherical privacy zone masking, e-flip, and more.

The free RovoControl software (compatible with MacOS, Windows, and Linux) allows you to control multiple RovoCams - with control of things like zoom, iris, focus. You can even treat this like a PTZ camera by moving a HD 1080P box around the UltraHD frame, allowing pan and tilt for HD output. You can also map and control via PTZ controllers or even video game controllers and USB joysticks.

The RovoRX-SDI is a receiver for HDBaseT signal that converts to 4x identical 6G-SDI / 3G-SDI output, functioning as a DA (distribution amplifier). Also has 1x HDMI UHD / HD output. Also communicates and powers the RovoCAM over HDBaseT and via computer of choice with RS-232. It even has a stereo audio output.

This includes the Panasonic AJ-HVF21G 2" black & white viewfinder. Provides ample resolution for easy focusing. Useful functions for focus peaking, contrast, brightness, zebra, and front/rear tally. Includes microphone holder and eyecup.

Includes mini-mag side module (takes the current mini-mags, not the older/larger 1.8" Redmags). Also includes Ti PL mount (titanium construction for the heaviest/longest lenses), DSMC side handle (providing grip, Redvolt usage, and camera control), 2.0 fan upgrade kit installed, and skin tone highlight OLPF filter installed. Also has AC power supply and side handle cover plate for when handle removed. The LCD is not included, only pictured to show the hour readout. As long as you have any HDMI monitor that will display the Red menu overlays, you don't strictly need a Red Touch LCD. The included side handle can access all parts of the menu - with a few features that need to be assigned to keys as desired such as playback controls. No additional accessories included beyond what is pictured.

This version is manufactured with ultra-lightweight carbon fiber. This is all wrapped up in the DSMC2 modular form factor, highly customizable with a variety of I/O expander modules, jetpack, battery plates, monitor, side handle, support/rigs, etc - most of them with cable-less connections. Note that you need a module / expander for a/v connections, DC, or battery power. Records onto Red Mini-Mag SSD media. Designed to accept interchangeable optical low-pass (OLPF) filters for different shooting situations.

Different lenses such as Canon EF, Nikon, PL, or Leica-M can be used by changing the lens mount. Control is acheived via DSMC2 Sidekick or Side Handle. If you wish to use a Touch LCD, the new 4.7" or 7.0" DSMC2 can attach directly. But you can also use a Lemo Adapter A to use legacy DSMC Touch LCD or EVF viewfinder with a cable.

This includes the DSMC2 Sidekick (also in Woven CF). This is a lightweight low-profile interface that provides full access to basic and advanced menus via a 1.7" OLED display. The rotary dial, D-Pad, function buttons, and configurable preset buttons provide an improved method of controlling your camera. Two operating modes, one to control parameters on Sidekick menus and the other to view menus on another screen while controlling with the sidekick.

This also has a Magnesium 6K PL MG mount installed, offering a solid locking mechanism and support for your PL mount lenses.

This includes the CBK-HD02 option which adds SDI/composite video input, digital extender, pool feed input, 50-pin interface, and support for the XDCA-55 camera adapter and HDCA-702 MPEG TS adapter.

Includes the HDVF-20A viewfinder, a high quality 2" HD viewfinder. Has extra resolution to provide ample detail for discerning focus over cheaper viewfinders. Features controls for zebra, tally, display/aspect, focus peaking, contrast and brightness.

The Sony PXW-X320 is a XDCAM EX SxS broadcast ENG shoulder-mount HD camcorder. This is the much more advanced successor to the PMW-320 / PMW- 320. Three 1/2" Exmor CMOS sensors, high sensitivity, low noise, and wide dynamic range. Records onto SxS Pro and SxS-1 media with dual slots. Can record 10-bit video and 24-bit audio with the superior XAVC Intra codec (1080p to 29.97 and 720p to 59.94). Also can do XAVC long (1080i / 1080p up to 59.94), MPEG HD422, MPEG HD, AVCHD, MPEG IMX, and DVCAM. Functions at worldwide frame rates. The 3.5" QHD high color LCD viewfinder is high resolution allowing for easy focus (aided with peaking function). Can act as a traditional optical viewfinder or cover can be flipped open to view LCD directly. Connections include 2x HD-SDI, HDMI, composite, genlock, time code, firewire, front 5-pin XLR, 2x rear 3-pin XLR, and more. This has the ergonomic form factor, customizability, and easy access to functions like gain/shutter speed/white balance that one expects from a professional broadcast camera.

Additional features include: 4-channel audio, ALAC aberration compensation, optical ND filters, electric CC filters, slow shutter, selectable gamma curves, cache recording, scen files, histogram, assignable buttons, auto tracking white balance, digital extender, and 8-pin remote interface for camera control.

The included Fujinon XS16x5.8A-XB8A lens is a HD rated hotshoe type 16x zoom lens. Focal length of 5.8-93mm (31.4-503mm 35mm equivalent). 1:1.9 aperture. Capable of manual/automatic switching between zoom, aperture, and even focus. That's right you can set this to autofocus! The PXW-X320 can also accept other 1/2" bayonet lenses with cable if needed.

The IBE Optics HDx35 Mark II is an optical adapter to use B4 2/3" lenses on a PL mount camera with S35 sensor such as the Arri Alexa, Red models, Sony PMW-F55 / F5 / F3, Varicam, Phantom models, FS700 w/ PL mount, Blackmagic URSA PL models, Canon C100 / C300 / C500 PL versions, and many more. This is an optical converter that magnifies by 2.6x - can get some very long telephoto shots for applications such as sports or wildlife that other PL mount lenses would not be capable of. Light loss is around 2.5 stops. It is reccomended to use HD rated lenses for best results, though SD lenses are possible. Can work with cinema style lenses such as digiprimes or broadcast ENG zoom lenses, or even box lenses. Broadcast lenses would require a D-tap to 12-pin power cable to power the servo zoom. This adapter is designed to cover 4K S35, though many lenses will cover up to 5K realistically.

This optically corrects for the different spectral alignments between three-chip prism block sensors, for which the B4-mount lenses were designed, and the single sensor of the large sensor cameras. They are highly telecentric in design, delivering a bright, sharp image across the entire frame with excellent color and contrast. There is very little or no distortion. There is very little or no softening. Performance is really based of the optical performance of the HD ENG lens you attach to the adapter.

The Service Vision Scorpio Focus is an ultra high quality wireless digital cinema lens control system for Focus, Iris, and Zoom - i.e. FIZ. The hand unit can be connected to the motor driver box wirelessly (most common application) or wired. The motor driver box then is wired to the motors to control the lens. The hand unit has a focus wheel that can accept marking discs, iris slider with marking strip, and zoom potentiometer micro knob for iris - though any control can be assigned to focus, iris, or zoom as desired. The information display shows menu items, speed, total meters/feet counter, last take counter, signal coverage indicator, low battery indicator, camera status, and zoom position scales. Motor drive box can accept power between 11-30VDC. The hand unit is powered with NP-FM50 style batteries. Lenses are automatically calibrated either by connecting motor cable to motor or from the hand unit menu - this can be saved on memory when disconnecting the equipment. It is possible to add a second hand unit in master-slave mode. Two motors can also be synchronized or even six motors two-by-two when adding a second motor driver box, plus one can rescale mark by mark the second focus in regards to the first - so this is ideal for 3D applicaitons. One can set limits for any FIZ movements. Can also run camera start/stop control from the hand unit. This system is very versatile, with brackets, gears, driver cables, and power cables available for nearly any camera/lens configuration you can imagine.

This includes 3x motors - 1x SB 92 (5101) digital motor and 2x standard S.C.O.R.P.I.O motor. One of the motors is a "clunker" and requires repair to work normally. The other two motors work very well with no problems or backlash, though note that they have re-glued cable connectors (which is cosmetic only in nature). So consider this a 2 motor kit, with a bonus motor which could be hypothetically be repaired if desired.

This is a fully loaded package which includes: hard carrying case with custom foam, 3x blue Arri bushings, 2x gold Panavision bushings, 2x rod brackets for motors, bracket/shield and handle for hand unit, 3x genuine batteries, 2x generic chargers, a large collection of markings discs (all have marker on them which needs to be cleaned), a wide assortment of gears for many lens types, 4x motor cables, Arri run/stop cable, Arri power cable, zoom-iris command 6-pin cable, and misc parts/screws/antennas.

The Ambient Recording ACL-202CT Lockit is a time code generator for video and audio equipment. It has the ability to generate time code or jam sync to an external source. Useful for syncing multiple cameras or other equipment. Tri-level Sync works with component video; allowing for reference in component and HD applications. Portable and operates on AA batteries. Works in worldwide framerates.

The SBP-64A is a 64GB SxS Pro memory card, ideal for Sony XDCAM HD / XDCAM EX camcorder, as well as the Arri Alexa Classic / Plus / XT (with SxS module). This is ideal for Sony models such as PMW-500, PMW-300, PMW-320, PMW-400, PMW-200, PMW-100, PMW-160, PMW-EX1R, PMW-EX3, PXW-X200, PXW-X180, PXW-X160, PXW-X400, PXW-X500, PXW-X320, PMW-RX50, PMW-PZ1, PMW-50, and more. Not ideally suitable for 4K recording on PMW-F55 or other examples of extremely high data rates. Features a maximum speed of 1.2Gbps. Example recording times: 60 minutes HD XAVC Intra 4:2:2, 120 minutes in HD MPEG2 4:2:2 30P at 50Mbps. Maximum recording time possible is 200 minutes at 35Mbps HQ or 280 minutes SP.

The SBP-64D is a 64GB SxS Pro+ memory card, designed for high-speed video recording with XDCAM / XDCAM EX camcorder. This is ideal for 4K and high data rates on the PMW-F5 and PMW-F55 cinealta camera (unlike the previous SBP-64 / SBP-64A card which is not suitable). Of course, this can also be used with any model that takes an SxS / ExpressCard such as PMW-500, PMW-300, PMW-320, PMW-400, PMW-200, PMW-160, PMW-EX1R, PMW-EX3, PXW-X200, PXW-X180, PXW-X160, PXW-X400, PXW-X500, PXW-X320, PMW-RX50, PMW-PZ1, PMW-50, PMW-100, Arri Alexa Classic / XT / SXT, and more. This features around double the read/write speed of the previous generation SBP-64B and is the most current model (newer than the SBP-64C). Maximum read speed of 3.5Gbps and write speed of 2.8Gbps (minimum read speed of 1.3Gbps). This faster speed is useful for ensuring stable high frame rate recordings in formats such as XAVC 4K 60P or XAVC 4K 180P. Also has improved safety features such as data refreshing, error correct, and power failure management. Supports EB Streaming between the card and Sony camcorders, enabling constant 2-way communication and insuring stable recording while avoiding speed degradation. Example recording times: 20 minutes 4K XAVC Intra 4:2:2, 10 minutes in 4K XAVC 4:2:2 60P at 600Mbps, 60 minutes HD XAVC Intra 4:2:2, and 120 minutes in HD MPEG2 4:2:2 30P at 50Mbps. Maximum recording time possible is 200 minutes at 35Mbps. This SxS Pro plus card is the ultimate memory card that can support any codec or camera model out there.

The Swit S-8BG6 is a replacement battery for cameras that use the CGA-E/625 or VW-VBG6 batteries such as the AG-AC130A, AG-AC160A, AG-AC7, AG-HMC40, AG-HMC70, AG-HMC150, AG-AF101, AG-HMC71, AG-HMC81, AG-HMC151, AG-AC130, AG-AC160 and many more models. Nominal voltage: 7.2V. Capacity: 36Wh / 5.1Ah. Has a 4-level LED indicator on battery and a 7.2V pole-tap DC output. Can be charged by the Swit S-3602B or S-3010D chargers or factory charger with your compatible camera such as Panasonic VW-AD20.

The Wooden Camera D-Tap to Canon C200, C200B, C300 mark II Braided Flex Cable (model 212100) allows you to power your C300 mark II, C200, or C200B camera camera from a V-mount or Gold Mount battery that has a D-tap output. Features a lemo type connector and a flexible design with insulated wires wrapped inside of a braided nylon sheath. It is about 24" in length custom length instead of the typical 36".

The Vinten Vision 3773-3 are single-stage carbon fiber tripod legs with a 100mm bowl. Carbon fibre construction is sturdy/rigid while simultaneously lightweight. The Pozi-Loc leg clamps ensure reliability, safety, and clear indication of when legs are locked. Spring loaded transport clip keeps the legs together in transport. Maximum height is 57.3" (145.5cm). Minimum height is 25.5" (64.7cm). Maximum load is 55.1 lbs (25kg). Ideal for any high-end 100mm ball base fluid head.

The Vinten Vision 8AS (model V4045-0001) is a tripod fluid head with a sturdy 100mm ball base, intended for medium/larger sized cameras and camcorders - with a payload capacity of 12.1 to 30.8 lb (counterbalances up to 27.6lb). This has perfect balance capability, allowing infinitely adjustable counterbalance to suit your setup perfectly. 9-step LF drag controls are numerically calibrated and feature a smooth professional feel. Bubble level with blue color illumination. This is black in color, unlike traditional Vinten white. Sliding balance plate allows easy balancing. Includes 2x 3/8-16 screws hidden beneath top and 1x 1/4-20 screw with located pin already on tripod plate. Vertical tilt range of +/- 90 degrees. Sideload system for rapid camera attachment. The ideal tool for a wide range of challenging, professional applications. This is a high-end tripod head with an original retail price of around $3,700.

The Unified Baseplate (243800) has 15mm lightweight rod/rail support. Can attach to any tripod plate with the included Lower Quick Dovetail or can be used with Arri standard bridge plates such as the Unified Bridgeplate (19mm or 15mm Studio).

The Baseplate has a Unified Cage (243609) attached to top of it via a quick release system. This cage has a minimalist design leaving the vital camera controls viewable and accessible. Has many 1/4-20 and 3/8-16 mounting points on the top and side. A built lens adapter support system is integrated into the base which is great for attaching to adapters with a 1/4"-20 on the bottom.

This cage does not come with the standard handle, but instead has been upgraded with a Safety NATO rail (70mm) quick release rail with a matching NATO cheese handle - which provides a secure adjustable top grip and many additional mounting points.

The Sony A7s (ILCE-7S) is a full-frame 12.2MP Exmor CMOS sensor mirrorless camera with expansive dynamic range, low noise, extended sensitivity, and professional video recording. This is a highly professional tool with an extensive feature set normally found on much larger cameras / camcorders. Native sensitivity of 100-102400 (expandable to 50-409600) and large individual pixel size, making this ideal for low-light / native-light situations. Continuous shooting rate of 5fps and a fast 25-point contrast detection autofocus systems with sensitivity to -4 EV. A tilting LCD monitor and OLED viewfinder are available for monitoring and review. Other features include: built-in Wi-FI with NFC, face detection, auto object framing, 2x clear image zoom, various picture effects modes and style settings, and a compact body design.

Where this camera really shines is video recording. It records internally to 50Mbps XAVC S codec and can output 4K UHD at 4:2:2 over HDMI to third party external recorders. Can record 24P, 30P, 60i, and 60P using the entire sensor. Up to 120fps is possible at APS-C sized center crop at 720P. S-log2 gamma curve and customization of gamma, black level, knee, color level, and more allow an extensive dynamic range with generous latitude in post-production. Professional time code capabilities such as record run, free run, drop/non-drop modes, and output over HDMI. Features such as focus peaking, zebra, audio levels, focus magnification, and various overlays to acheieve the perfect shot. Sound can be recorded via the internal stereo microphone or 3.5mm external microphone jack. Use of the optional XLR-K1M adapter allows XLR audio with phantom power and adjustable mic/line inputs. Built-in headphone jack rounds out the audio features.