Cameras, Lenses, Cinema / Production

Camcorders / Lenses Accessories Production Photo Gear
 
ALL ITEMS SOLD INCLUDE A
30 DAY WARRANTY!
 
 

 

Camcorders / Cameras

Arri
Alexa Classic cinema camera
More Info

S/N: 2104 (K1.71000.0)
Used. Cosmetic 8/10

(In Stock)
Price: $4,750
The Arri Alexa Classic EV (K1.71000.0) is a Super 35 16:9 sensor cinema camera. This has the exceptional film-like organic image the Alexas are known for with extended clean highlights, low noise floor, natural skin tones, excellent color separation, and cinematic depth. Extremely rugged and reliable build with ergonomics and easy usability well considered. Form factor ideal for balanced shoulder use and on tripod.

Can record in HD / 2K ProRes up to 4444. It records onto affordable SxS Pro and Pro+ cards. 64GB cards allow up to 60fps ProRes 444. 120fps at HD resolution is possible with highspeed license (up to ProRes 422 HQ). This can also record 2.8K ARRIRAW if you add a compatible external recorder (via a special protocol called T-Link to output ARRIRAW via HD-SDI to an Arri certified recorder).

Additional features include: 14 stop dynamic range, EI 800 base sensitivity (160-3200 range), Log C / Rec 709 / DCI P3, audio recording over 5-pin XLR line level input, 3-pin RS power for accessories, 2x HD-SDI out and 1x monitor out, surround view, false color exposure check, peaking focus, color bars/tone, and much more.

Comes with the highspeed (120fps) license. This has a very low 1534 hours of use. Also includes: EVF-1 viewfinder with eyecup and connecting cable, viewfinder mounting bracket, Anton Bauer gold mount battery adapter back, CCH-1 center top handle, and BP-12 bridge plate. Dovetail plate or tripod head compatible with Arri bridge plates required for tripod mounting (or you can use a cheap WA-1 wedge adapter to use with VCT-14 / VCT-U14 style plates). Shoulder pad not included, but velcro for attaching one is intact. This will ship in a Portabrace case (not pictured). The case isn't from this specific camera and might have older foam and show significant wear - so consider the Portabrace a bonus extra to aid in shipping protection. There is some typical paint wear and touchups around the body and accessories - but overall in better cosmetic condition than most examples on the market - it is very presentable for a professionally used Alexa with low hours. Newest Sup 11.1.1 installed. All features, functions, connections, sensor and included accessories are fully tested to be in excellent working order to factory spec.







Arri
Alexa Plus 4:3 cinema camera
More Info

S/N: 1034 (K1.71150.0)
Used. Cosmetic 8/10

(In Stock)
Price: $6,500
The Arri Alexa Plus 4:3 (K1.71150.0) is like the standard Alexa Plus, but has a 4:3 Super 35 sensor ideal for using anamorphic lenses. The full area of the sensor is used and a much higher image quality retained - the magic that anamorphic lenses provide is rendered faithfully and fully in the digital image. This can also be used in 16:9 mode just like any Alexa, so it's versatile even if you're not using anamorphic. This has the exceptional film-like organic image the Alexas are known for with extended clean highlights, low noise floor, natural skin tones, excellent color separation, and cinematic depth. Extremely rugged and reliable build with ergonomics and easy usability well considered. Form factor ideal for balanced shoulder use and on tripod.

The newer Alexa Plus models have all the features of the Alexa Classic EV, but adds features such as: Arri wireless lens control system compatibility, electronic horizon, lens mount has LDS contacts (lens data system), extra monitor BNC out (1.5G HD-SDI), GPS function, lens synchronisation for 3D, a third RS accessory power output, built-in position and motion sensors, and quick switch BNC connectors.

These come with the Alexa Plus 4:3 license bundle - which includes high-speed (120fps), DNxHD recording, and anamorphic de-squeeze standard.

Can record in HD / 2K ProRes up to 4444. It records onto affordable SxS Pro and Pro+ cards. If you were to swap the SxS module with XR module, it could then use Codex CDX-3730 drives and unlock 3.2K ProRes and internal ARRIRAW recording just like the XT models have. This can also record 2.8K ARRIRAW if you add a compatible external recorder (via a special protocol called T-Link to output ARRIRAW via HD-SDI to an Arri certified recorder).

Additional features include: 14 stop dynamic range, EI 800 base sensitivity (160-3200 range), Log C / Rec 709 / DCI P3, audio recording over 5-pin XLR line level input, surround view, false color exposure check, peaking focus, color bars/tone, and much more.

Includes: EVF-1 viewfinder, KC 150-S short viewfinder cable, viewfinder mounting bracket, Anton Bauer battery plate, CCH-1 center top handle, WA-1 wedge adapter, SHAN-TM700 tripod plate. Does not include shoulder pad, but does have the velcro to attach one. Cosmetically in acceptable condition for a professionally used Alexa - with just some paint wear, scratches, and touchups - but no damage or indications of rough usage - overall presentable. Newest Sup 11.1.1 installed. This has 2925 hours of use, which is reasonable for a professionally used Alexa - these are built rugged and reliable as you already know. All features, functions, sensor, buttons connections and included accessories are tested in excellent working order.







Panasonic
AJ-HPX3100G P2 HD camcorder
More Info

S/N: I1TAA0114
Used. Cosmetic 7.5/10

(In Stock)
Price: $2,495
The Panasonic AJ-HPX3100 P2 HD camcorder is a 2/3" 1920x1080 10-bit 4:2:2 master quality ENG style shoulder camcorder. Newly designed smaller/lighter and less power consumption than the AJ-HPX3000 / AJ-HPX3700. Records in AVC Intra and DVCPROHD. Worldwide framerate capability of 24P, 25P, 30P, 50i, and 60i. High sensitivity and excellent s/n ratio. Power is via Anton Bauer goldmount battery plate or any quality 4-pin XLR power supply. It can also use v-mount / v-lock batteries by installing a simple goldmount to v-mount adapter plate. Features include: advanced gamma settings, film-like shutter controls, HD-SDI output, wireless metadata input, chromatic aberration compensation (CAC), three level dynamic range stretch (DRS), advanced 14-bit digital signal processing (DSP), digital zoom/super gain, one clip REC function, 2 disc/4 position ND/CC optical filter wheel, 3.5" color LCD monitor, and full customization of image you'd expect in a high end broadcast camcorder.

This includes the Panasonic AJ-HVF21KG 2" black & white viewfinder. Provides ample resolution for easy focusing. Useful functions for focus peaking, contrast, brightness, zebra, and front/rear tally. Includes microphone holder and eyecup.

This comes with the AJ-HVF21KG viewfinder and a Pelican 1650 hard case. The camera has some cosmetic paint wear, touchups, and mild scratches - but overall gives a presentable and clean physical appearance. The flip-out LCD has some wear on it's screen protector, but nothing that is noticeable when in use. The LCD is for basic composition and menu operation anyway, not for the most critical viewing like the viewfinder and HD-SDI output. The Pelican case has heavier wear than the camcorder itself, including sticker residue, dust, interior foam wear, and some cracks in the underside. So the case is not pretty, but does function to protect it in transport (so consider the case a bonus extra). This has already been upgraded to the latest firmware. Reasonable hours of use for a solid state camcorder: operation 298x10, power on 11179. This is tested in excellent working order, good sensor with properly masked pixels, with all functions, features, and connections operating correctly. The ND filter wheel is a little finicky in one direction, but still works well enough to use properly. Overall this is a professionally field-used, but reliably working, example of a HPX3100.








Red Digital Cinema
Helium 8K S35 WPN-W DSMC2
More Info

S/N: 3003
Used. Cosmetic 8/10

(In Stock)
Price: $4,000
The Red Weapon 8K (Helium) is a DSMC2 camera body with Helium 8K S35 sensor, allowing extra high resolution while using cinema lenses designed for super 35 format, delivering 16.5 stops dynamic range. Capture up to 60 fps in full-format 8K 8192x4320, or overcrank up to 75 fps in the 2.4:1 aspect ratio. Additional frame rate examples when using 300 MB/s data speed include 75fps in 6K, 96fps in 5K, 120 fps in 4K, and up to 240 fps in 2K full format.

Can record Redcode RAW, giving you the ultimate freedom and control. But also is capable with Apple ProRes and Avid DNxHR/HD recording and 3D LUT support. Interchangeable lens mounts, many RAW compression options, interchangeable OLPF filters, integrated internal scratch mic, and much more.

This is all wrapped up in the DSMC2 modular form factor with carbon fiber body construction, highly customizable with a variety of Red and third party brand I/O expander modules, jetpack, battery plates, monitor, side handle, support/rigs, etc - most of them with cable-less connections. Note that you need a module / expander for a/v connections, DC, or battery power. Records onto Red Mini-Mag SSD media. Designed to accept interchangeable optical low-pass (OLPF) filters for different situations.

Different lenses such as Canon EF, Nikon, PL, or Leica-M can be used by changing the lens mount. Control is acheived via DSMC2 Sidekick or Side Handle. If you wish to use a Touch LCD, the new 4.7" or 7.0" DSMC2 can attach directly. But you can also use a Lemo Adapter A to use legacy DSMC Touch LCD or EVF viewfinder with a cable.

This includes the Weapon 8K S35 DSMC2 body/brain only along with the Sidekick interface, allowing control and menu access. Buyer must provide accessories to complete the package, such as lens mount, lens, expander module, battery / ac adapter to power, touch LCD / EVF if desired, mini-mag media, etc. The LCD is shown only to show hour meter information and is not included. Hours of use are 4134. Firmware is the latest 7.4.1. Standard OLPF is installed. Cosmetically clean, There is velcro attached to mini-mag module side to cover damage to the finish there, but otherwise this looks very clean. Fully tested with accessories to ensure it is in good working order.




Sony
HVR-A1U HDV camcorder
More Info

S/N: 117604
Used. Cosmetic 8/10

(In Stock)
Price: sold
The HVR-A1U fits many professional features in an small "handycam" form factor. 1080i switchable between 60i and cineframe 30P / 24P with 2:3 pulldown. This is NTSC, not PAL. Features include: C-MOS imager, HD to SD downconversion, cinematone gamma and cineframe functions, switchable hdv/dvcam/dv recording (onto mini DV tape), high quality 10x Carl Zeiss lens, lens hood with integrated cap, stabilization system, manual focus ring, 2.7" 16:9 LCD screen with touch screen menus, viewfinder at rear, built-in mic, color bars, nightshot (green low light capability), XLR inputs with phantom power, i.LINK (IEEE 1394), expanded focus, 3 mega pixel still images onto memory stick, and much more. Output connections for monitoring or live output include: HDV/DV firewire / i.link IEEE 1394, component HD / SD, composite. This doesn't have HDMI, but one can always gets a component to HDMI converter for example if they need that. Many use this as an affordable studio / live / streaming camera into a mixer, if they do not want to record onto HDV tape. It is extremely compact which makes it useful in a variety of situations where larger cameras are impossible.

This includes XLR adapter, remote, ac adapter / charger, long-life battery, component/av cables, manual (not pictured), lens hood w/ integrated cap. This does not include external mic. Good cosmetic condition with some exterior scratches from transportation, not from usage because this has low hour meter readings. The hood shows a bit of extra wear because it came from a different camera with more usage. The previous owner did etch the serial number into the bottom of the camera. Clean LCD screen. Good lens optics. Hours of use: drum 0x10, tape 0x10, threading 5x10, operation 1x10. So this has had under 10 hours of actual usage, which is quite rare indeed. All functions, features, connections, tape transport are tested in good working order.





Sony
HVR-V1U 1080P HDV camcorder
More Info

S/N: 4111428
Used. Cosmetic 7/10

(In Stock)
Price: sold
The HVR-V1U 3CMOS HDV camcorder packs a lot of big features in a small package. Captures video at 24P, 30P, and 60i - processed at 1920x1080/60p in full 4:2:2 and recorded as 1080/60i (24P recorded with 2:3 pulldown). This is NTSC only, not PAL. Records onto miniDV / HDV tape. Many professional features include: DVCAM/DV recording, 20x Carl Zeiss Vario-Sonnar T* optical zoom lens, downconversion, 3.5" LCD, rear color viewfinder, manual or automatic control of iris/shutter/focus/zoom/gain, HDMI and i.link interfaces, XLR audio, ClearVid for clear diagonal lines, integrated ND filters, picture profiles, focus peaking / zebra functions, SteadyShot, color bars, gamma settings including Cinematone Gamma, black stretch/compress, knee correction, versatile ergonomic design for handheld or tripod use, and much more. Many use this as an affordable studio / live / streaming camera into a mixer, if they do not want to record onto HDV tape.

Low hours of use: Operation 50x10, Drum 15x10, Tape 11x10, Thread 37x10. 150 drum hours is very low usage. Includes ac adapter/charger, small eyecup, av/component cables, and mic holder. This includes battery, but note it is a generic model, not genuine Sony battery (it does still work but full life not guaranteed). Cosmetically this camera has some scratches and scuffs in various places on the body. There is also some cleaning scratches on LCD, which are only lightly visible when in use. It's not perfect looking, but it is overall presentable and clean. Optics are clear and without scratches. All functions, features, connections, tape transport are tested in good working order.





Sony
PDW-700 2/3" XDCAM camcorder
More Info

S/N: 12372
Used. Cosmetic 7/10

(In Stock)
Price: sold
The Sony PDW-700 is a XDCAM HD422 2/3" broadcast ENG camcorder. Features Power HAD FX (three 2/3" CCD), 14-bit A/D converter, 50Mbps data rate, 1080P recording at international PAL/NTSC framerates to MXF format, HD/SD conversion and cross conversiion between 1080i / 720P, recording to single and dual layer XDCAM optical discs, ND wheel, thumbnail scene selection, 2x HD-SDI output, i.LINK, ethernet, proxy data, metadata, interval recording, 3.5" LCD, 5-pin XLR stereo front audio and 3-pin XLR rear audio inputs, picture cache recording (up to 30 seconds), slow shutter, smooth gain control, focus magnification, and more. Records in 1080/50i, 1080/59.94i (60i), 1080/25P, 1080/29.97P, 720/50P, and 750/59.94P (60P). With the 24P option installed, this can also do 1080/24P (23.98P) just like the PDW-F800. The XDCAM HD422 discs are reliable, durable, and long lasting - ideal for archiving. All of this is in a ENG shoulder mount form factor with precise audio/video customization, and ergonomic capabilities you'd expect from a high end broadcast camera.

Includes the 24P record and playback option, giving this 24P (23.98P) capability which is not factory standard with the PDW-700 like it is with the PDW-F800.

Includes the valuable HDVF-20A viewfinder. This has noticeable patches of missing paint - mostly on the left side, underside, and handle. Paint failure is typical on this model and is not representative of harsh usage. There is cosmetic wear, but no damage and it still is reasonably presentable. Has minor LCD scratches, which don't show up when in use (plus the LCD on this is not for critical viewing anyway like the viewfinder is). Running current updated firmware. Hours: Operation 5890, Laser 2033, spindle 4624, loading 8035. These are rated at 6,000+ laser hours, so at only 2033 laser hours there is tons of life left. Good optical block, pixels masked well and no lit pixels show at 0db with camera warmed up. All functions, features, and connections are tested in good working order.






 

 

Lenses

Arri
EMC-1 Motor Controller w/ cables
More Info

S/N: 8079
Open box. Cosmetic 9/10

(In Stock)
Price: $1,000
The Arri EMC-1 Motor Controller (K2.0001474) is used to remotely control focus, iris, and/or zoom functions on Fujinon Cabrio, Canon, other ENG style zoom lenses, and the Angenieux ASU servo unit. Works with WCU-4 hand unit, SXU-1 single axis unit, Master Grips, and the cmotion pan-bar zoom control. Compatible cameras include Arri Alexa, Amira, and many third party cameras. Can transmit lens data to a WCU-4. Interfaces include ARRI LCS 5-pin (for wired hand unit), CAM 10-pin (REC and tally control), LENS 12-pin Hirose for ENG-type zoom lens, and a Micro SD card slot. Has a 3/8"-16 thread for mounting an L-bracket or V-plate. The 1.2 transflective LCD display shows vital status information and is easily readable in any ambient light conditions. Four soft buttons are located above and below the display.

The Arri SMC/EMC/AMC to RS connector cable (K2.0001606) is a 1.6' cable that connects the motor controller to a Arri RS connector on an Alexa or Amira camera, providing RUN/STOP and tally function.

The Arri EMC-1 to 20-pin Fujinon ZK Cabrio lens cable (K2.0003418) is a 1.6' cable that connects the motor controller to a 20-pin connector on Fujinon ZK series lenses.

This includes cables to connect to Arri Alexa / Amira and Fujinon ZK series Cabrio lenses. Other cameras and lenses can be used with optional cables from Arri. The Arri EMC-1 and 2x cables are in un-used open box condition, never put into service yet. Includes original box and packing. MSRP for these items is $3,600 total, so this is a steep savings!




Canon
J11ax4.5B4 WRSD SX12 2/3" lens
More Info

S/N: 20112449
Used. Cosmetic 7/10

(In Stock)
Price: $1,125
The Canon J11ax4.5B4 WRSDII SX12 2/3" IFxs lens is a 2/3" 21x internal focus wide angle lens in the IFxs line. This model features a rare 0.8x (16:9/4:3 switchable) crossover unit for use with smaller sensors. The crossover preserves image angle when shooting in 4:3 aspect ratio mode on a 16:9 camera. Also the crossover makes this ideal for using on a 1/2" HD camcorder (with lens adapter of course).

Perfect for any 2/3" camcorder such as the F23, AG-HPX500, AG-HPX600, AJ-HPX2000, AJ-HPX2700, AJ-HPX3000, AJ-HPX3100, AJ-HPX3700, HDC-930, HDC-950, HDC-1500R, HDC-1700, HDC-2400, HDC-2500, HDC-2550, HDC-2570, HDC-3100, HDC-3170, HDC-3300R, HDC-3500, HDC-4300, HDC-P1, HDW-F900R, HSC-100R, HSC-300R, HXC-FB75, HXC-FB80, PDW-700, PDW-F800, PMW-350, PMW-500, PXW-X400, PXW-X500, PXW-Z450, and many more. With the 2x extender engaged to prevent vignetting, this could be a good choice for adapting to micro 4/3 (MFT) camera like GH4/GH5, or Sony a7S / a7R II. There is also B4 adapters available for Sony PXW-FS5, PXW-FS7, PMW-F5/F55, Canon C300 mark II and many others. This is also ideal for the Blackmagic URSA Broadcast or Mini 4.6K / Pro with B4 mount installed. Please research the technical limitations of adapting a 2/3" B4 lens on your specific camera if it is not natively designed for 2/3" B4 lenses, to make sure you will find the trade-offs acceptable compared to the benefits.

4.5-50mm focal length range (9-100mm with extender engaged), and 1:1.8 relative aperture for low light capability. Also has a macro capability which you don't see in other types of lenses and can create some unique and powerful shots. Includes a zoom speed control on the underside of the lens. 12 pin lens connector and B4 mount, perfect for any professional or broadcast camcorder whether 4:3 or 16:9 - even high definition camcorders if you don't want to pay a fortune for a HD lens. Even though this is technically an SD lens, this is very high quality glass when it was released and very few people can tell the difference between this and HD glass with the naked eye.

Overall this is a good working lens with a good amount of professional usage. Includes hood, hood cap, and rear cap. This is a well-used lens. Shows noticeable signs of cosmetic wear throughout, mostly on the rubberized grip and extender housing (where the rubber has become slightly sticky as is typical with this model). There is some paint wear and touchups on the barrel as well, but no signs of damage or harsh use, overall this is in presentable physical shape. The exterior glass doesn't have any noticeable imperfections. Interior glass has some minor internal contamination (dust not fungus) typical for lens of this age, that does not affect anything optically. Optically this has above average edge to edge sharpness for this model and performs well, even with 2x extender engaged. The focus ring works and is usable, accurate, and overall smooth - though has a slight inconsistency in tension (which wouldn't be noticed in most situations). Zoom and aperture rings work normally, consistent and smoothly. Zoom and aperture servos all work well. This is a good solid working lens.




Canon
J21ax7.8B4 WRSD SX12 2/3" lens
More Info

S/N: 14017
Used. Cosmetic 7/10

(In Stock)
Price: $700
The Canon J21ax7.8B4 WRSD SX12 2/3" IFxs lens is a 2/3" 21x internal focus telephoto lens in the IFxs line w/ digital drive. This model features a rare 0.8x (16:9/4:3 switchable) crossover unit for use with smaller sensors. The crossover preserves image angle when shooting in 4:3 aspect ratio mode on a 16:9 camera. Also the crossover makes this ideal for using on a 1/2" HD camcorder (with lens adapter of course).

Perfect for any 2/3" camcorder such as the F23, AG-HPX500, AG-HPX600, AJ-HPX2000, AJ-HPX2700, AJ-HPX3000, AJ-HPX3100, AJ-HPX3700, HDC-930, HDC-950, HDC-1500R, HDC-1700, HDC-2400, HDC-2500, HDC-2550, HDC-2570, HDC-3100, HDC-3170, HDC-3300R, HDC-3500, HDC-4300, HDC-P1, HDW-F900R, HSC-100R, HSC-300R, HXC-FB75, HXC-FB80, PDW-700, PDW-F800, PMW-350, PMW-500, PXW-X400, PXW-X500, PXW-Z450, and many more. With the 2x extender engaged to prevent vignetting, this could be a good choice for adapting to micro 4/3 (MFT) camera like GH4/GH5, or Sony a7S / a7R II. There is also B4 adapters available for Sony PXW-FS5, PXW-FS7, PMW-F5/F55, Canon C300 mark II and many others. This is also ideal for the Blackmagic URSA Broadcast or Mini 4.6K / Pro with B4 mount installed. Please research the technical limitations of adapting a 2/3" B4 lens on your specific camera if it is not natively designed for 2/3" B4 lenses, to make sure you will find the trade-offs acceptable compared to the benefits.

7.8-164mm focal length range (15.6-328mm with extender engaged), and 1:1.8 relative aperture for low light capability. Also has a macro capability which you don't see in other types of lenses and can create some unique and powerful shots. Includes a zoom speed control on the underside of the lens. 12 pin lens connector and B4 mount, perfect for any professional or broadcast camcorder whether 4:3 or 16:9 - even high definition camcorders if you don't want to pay a fortune for a HD lens. Even though this is technically an SD lens, this is very high quality glass when it was released and very few people can tell the difference between this and HD glass with the naked eye.

Overall this is a good working lens with a good amount of professional usage. Includes hood, hood cap, and rear cap. This is a well-used lens. Shows noticeable signs of cosmetic wear throughout, mostly on the rubberized grip and extender housing (where the rubber has become slightly sticky as is typical with this model). There is some paint wear and touchups on the barrel as well, but no signs of damage or harsh use, overall this is in presentable physical shape. The exterior glass doesn't have any noticeable imperfections. Interior glass has some minor internal contamination (dust not fungus) typical for lens of this age, that does not affect anything optically. Optically this has above average edge to edge sharpness for this model and performs well, even with 2x extender engaged. Focus, zoom, and aperture rings all works normally, consistent and smoothly. Zoom and aperture servos all work well. This is a good solid working lens.




Canon
J22ex7.6B4 WRSD SX12 2/3" lens
More Info

S/N: 20710591
Used. Cosmetic 7.5/10

(In Stock)
Price: $975
The Canon J22ex7.6B4 WRSD SX12 2/3" eIFxs lens is a 2/3" 22x internal focus telephoto lens in the e-IFxs line w/ digital drive. This model features a rare 0.8x (16:9/4:3 switchable) crossover unit for use with smaller sensors. The crossover preserves image angle when shooting in 4:3 aspect ratio mode on a 16:9 camera. Also the crossover makes this ideal for using on a 1/2" HD camcorder (with lens adapter of course).

Perfect for any 2/3" camcorder such as the F23, AG-HPX500, AG-HPX600, AJ-HPX2000, AJ-HPX2700, AJ-HPX3000, AJ-HPX3100, AJ-HPX3700, HDC-930, HDC-950, HDC-1500R, HDC-1700, HDC-2400, HDC-2500, HDC-2550, HDC-2570, HDC-3100, HDC-3170, HDC-3300R, HDC-3500, HDC-4300, HDC-P1, HDW-F900R, HSC-100R, HSC-300R, HXC-FB75, HXC-FB80, PDW-700, PDW-F800, PMW-350, PMW-500, PXW-X400, PXW-X500, PXW-Z450, and many more. With the 2x extender engaged to prevent vignetting, this could be a good choice for adapting to micro 4/3 (MFT) camera like GH4/GH5, or Sony a7S / a7R II. There is also B4 adapters available for Sony PXW-FS5, PXW-FS7, PMW-F5/F55, Canon C300 mark II and many others. This is also ideal for the Blackmagic URSA Broadcast or Mini 4.6K / Pro with B4 mount installed. Please research the technical limitations of adapting a 2/3" B4 lens on your specific camera if it is not natively designed for 2/3" B4 lenses, to make sure you will find the trade-offs acceptable compared to the benefits.

Features enhanced digital drive with information display and digital function selector. 7.6-168mm focal length range (15.2-336mm with extender engaged), and 1:1.8 relative aperture for low light capability. Also has a macro capability which you don't see in other types of lenses and can create some unique and powerful shots. Includes a zoom speed control on the underside of the lens. 12 pin lens connector and B4 mount, perfect for any professional or broadcast camcorder whether 4:3 or 16:9 - even high definition camcorders if you don't want to pay a fortune for a HD lens. Even though this is technically an SD lens, this is very high quality glass when it was released and very few people can tell the difference between this and HD glass with the naked eye.

Overall this is a good working lens with a good amount of professional usage. Includes hood, front circle cap, and rear cap. This is a well-used lens. Shows noticeable signs of cosmetic wear throughout, mostly on the rubberized grip and extender housing (where the rubber has become sticky as is typical with this model). There is some paint wear and touchups on the barrel as well, but no signs of damage or harsh use, overall this is in presentable physical shape. The exterior glass doesn't have any noticeable imperfections. Interior glass has some minor internal contamination (dust not fungus) typical for lens of this age, that does not affect anything optically. Optically this has above average edge to edge sharpness for this model. The zoom functionality, aperture, and various servos all work normally.




Chrosziel
CLWAH-F4.5 matte box system
More Info

S/N:
Used. Cosmetic 7/10

(In Stock)
Price: sold
This is for a Chrosziel CLWAH-F4,5 mattebox system, also known as the 415-02F110 or MB 415. Designed for any Canon, Fujinon, or other brand of lenses, even wide angle lenses with focal length up to 4.5mm. Dual stage filter stages - 1 fixed and 1 rotating filter stage. This is a clip-on style mattebox for use without rods. This is a robust and professional matte box system, not a chintzy knock off.

This includes the CLWAH-F4.5 sunshade housing, 410-31 4x4/4x5.650 filter holder, 510-01 5x5/4x5.650 filter holder, 130-110mm intermediate ring, 110mm-98mm stepdown ring, 110mm-95mm stepdown ring, and foldable top french flag. So this can accomodate 130mm, 110mm, 98mm, and 95mm diameter lenses (though you can obtain other stepdown rings if your needs differ). Even includes a hard case to carry it, model Pelican 1500. Shows noticeable cosmetic wear and paint touchups, but no damage. In very good working order. Multiple units available.




Chrosziel
MB 602 6.6x6.6" matte box
More Info

S/N:
Used. Cosmetic 8/10

(In Stock)
Price: $1,295
The Chrosziel MB 602 is a 6.6x6.6" four stage matte box designed for high end film and digital cinema production. The swing-away design attaches to 19mm rod support systems for ease of lens changes. There is four filter stages. The first is not detachable. The other three can rotate. Two of them are geared and can be precisely moved up and down via the including flexible shaft / whip. This also has a top french flag and two adjustable side flags for perfect control of light. All areas of this mattebox have precise adjustments available to suit your particular system and needs. This is native 165mm diameter with a 142.5mm intermediate ring standard. Further stepdowns are available via optional rings to fit your precise lens/lenses.

This includes the top french flag, 2x side flags, 4x 6.6x6.6" filter holders (2 of which are geared), shaft/whip for adjusting geared holders, 165-142.5mm intermediate ring, 142.5mm-136mm (410-58) stepdown ring, 142.5mm-114mm (410-12A) stepdown ring, and a Pelican 1550 case. Mask inserts not included. Cosmetically has some paint wear and scratches, but overall is clean and undamaged. Excellent working condition.




NEC
NP18ZL 1.73-2.27:1 zoom lens
More Info

S/N: L10900564
Used. Cosmetic 8/10

(In Stock)
Price: $200
The NEC NP18ZL is a 1.73-2.27:1 zoom lens for projector. Features lens shift and lens memory. It is designed to support a variety of specific installation environments, such as conference rooms, halls, and exhibitions. The lens is easily installed by end users and doesn't require any special tools. f=25.7-33.7mm. F1.6-1.9.

Compatible projectors include: NP-PX700W/PX750U/PX800X, NP-PX700W2/PX750U2/PX800X2, NP-PX803UL-BK/PX803UL-WH, and NP-PX1004UL-BK/PX1004UL-WH, etc.

This is overall in good working order, with zoom / focus operating normally. Glass is in good condition without noticed imperfections. Front cap not included, but this will of course be protected in shipping. Cosmetically has some signs of wear and previous owners etchings in one area. But overall is clean and damage-free. A good usable example of this lens.



Red Digital Cinema
DSMC PL Mount
More Info

S/N: 7251306EC74D
Used. Cosmetic 9/10

(In Stock)
Price: $275
The Red DSMC PL lens mount (725-0047) allows use of cine-style PL mount lenses on your DSMC or DSMC2 camera brain such as Epic Dragon, Scarlet Dragon, Scarlet-X, Epic-X, Weapon, Epic-W, Scarlet-W, Monstro, Helium, Gemini. Made from durable lightweight aluminum alloy. Features electronic contact pins for lens communication, locking ring, and captive mounting screws.

Includes protective cap. Very clean cosmetic condition with few signs of wear. Contact pins and electronics in good working order. Mechanically sound as well. Second unit available.


Red Digital Cinema
Titanium PL lens mount
More Info

S/N:
Used. Cosmetic 8/10

(In Stock)
Price: $350
The DSMC Titanium TI PL lens mount (725-0022) enables the use of high quality PL mount cinema lenses on your Red DSMC and DSMC2 camera such as Epic Dragon, Scarlet Dragon, Scarlet-X, Epic-X, Weapon, Epic-W, Scarlet-W, Monstro, Helium, Gemini. Has a robust titanium construction and solid locking mechanism for lightweight, but durable support for even the longest/heaviest lens. Features electronic pins contact for lens communication.

This includes protective cap. Attachment screws not included. Clean cosmetic condition overall with some superficial wear from normal usage. There is an engraving / etching in one area on front of mount. The contact pins and electronics are in good working order. Mechanically sound as well.


Sachtler
Ace Follow Focus system
More Info

S/N: S215319002094
Used. Cosmetic 9/10

(In Stock)
Price: $250
The Sachtler Ace Follow Focus (S2153-0001) is a backlash-free follow focus system that can support photo or video lenses. Features both a 0.8 Mod (50 tooth) drive gear and a 35mm friction wheel to accommodate lenses whether or not they have gear rings. The direction of the gear mechanism is reversible and it can be mounted on either side of lens. Works with 15mm rod support systems. Also features Interchangeable marking discs, hard stop functionality, and compatability with focus whips.

This is in "like new" condition with no discernible signs of usage. Includes 2x marking discs, drive gear, friction wheel, gear ring, allen key, and manual. Excellent working order.


Service Vision
Scorpio Focus wireless lens control
More Info

S/N: 127
Used. Cosmetic 6.5/10

(In Stock)
Price: $1,000

The Service Vision Scorpio Focus is an ultra high quality wireless digital cinema lens control system for Focus, Iris, and Zoom - i.e. FIZ. The hand unit can be connected to the motor driver box wirelessly (most common application) or wired. The motor driver box then is wired to the motors to control the lens. The hand unit has a follow focus wheel that can accept marking discs, iris slider with marking strip, and zoom potentiometer micro knob for iris - though any control can be assigned to focus, iris, or zoom as desired. The information display shows menu items, speed, total meters/feet counter, last take counter, signal coverage indicator, low battery indicator, camera status, and zoom position scales. Motor drive box can accept power between 11-30VDC. The hand unit is powered with NP-FM50 style batteries. Lenses are automatically calibrated either by connecting motor cable to motor or from the hand unit menu - this can be saved on memory when disconnecting the equipment. It is possible to add a second hand unit in master-slave mode. Two motors can also be synchronized or even six motors two-by-two when adding a second motor driver box, plus one can rescale mark by mark the second focus in regards to the first - so this is ideal for 3D applicaitons. One can set limits for any FIZ movements. Can also run camera start/stop control from the hand unit. This system is very versatile, with brackets, gears, driver cables, and power cables available for nearly any camera/lens configuration you can imagine.

This includes 3x motors - 1x SB 92 (5101) digital motor and 2x standard S.C.O.R.P.I.O motor. One of the motors is a "clunker" and requires repair to work normally. The other two motors work very well with no problems or backlash, though note that they have re-glued cable connectors (which is cosmetic only in nature). So consider this a 2 motor kit, with a bonus motor which could be hypothetically be repaired if desired.

This is a fully loaded package which includes: hard carrying case with custom foam, 3x blue Arri bushings, 2x gold Panavision bushings, 2x rod brackets for motors, bracket/shield and handle for hand unit, 3x genuine batteries, 2x generic chargers, a large collection of markings discs (all have marker on them which needs to be cleaned), a wide assortment of gears for many lens types, 4x motor cables, Arri run/stop cable, Arri power cable, zoom-iris command 6-pin cable, and misc parts/screws/antennas.

This is a well-used system that has seen some time on set. It has heavy paint wear and brassing. There is velcro and electrical tape affixed in many areas. Some connectors are re-glued securely. Though there is no damages and it is mostly in good clean presentable shape if one gets past the mentioned cosmetic wear. This is fully tested to be in good working order. Reset to factory settings and calibrated. The only functional issue is one of the three motors is for parts/repair. Otherwise, this is a good working 2 motor system. Buyer is responsible to add any brackets, gears, cables, or other accessories as needed for their specific configuration if not included or pictured here.








Sony
SCL-P20T20/F PL Mount lens
More Info

S/N: F10477
Used. Cosmetic 8/10

(In Stock)
Price: $1,100
The Sony SCL-P20T20/F is a 20mm T2 PL Mount Cinealta prime wide-angle cinema style lens with markings in feet. This is the new generation MKII / V2 of these lenses with robust metal housing, higher quality construction, smooth focus/aperture rings, and more advanced optics with 4K in mind. Super 35 sensor coverage. Ideal for use on PMW-F55, Arri Alexa, various Blackmagic models, and more. Each lens is certified for 4K capture, while minimizing chromatic aberration, geometric distortion, vignetting, and breathing. Featuring geared lens rings, 9-bladed iris, and 240 degree focus ring rotation. Aperture of T2 for low-light conditions and beautiful bokeh. Color matched and consistent length and gear location across the line of lenses - other focal lengths include 25mm, 35mm, 50mm, 85mm, and 135mm (135mm is longer than rest of set). Markings are readable from both sides of lens. Filter diameter: 95mm. This is an excellent value for a high quality prime lens.

Good external and internal optics. Rings turn smoothly, accurately, and consistently. Includes front/rear caps. There is some paint wear on body and nicks in focus ring gears - but no damage or anything that would affect normal use. Overall a good working example of this lens.



Sony
SCL-P25T20/F PL Mount lens
More Info

S/N: F20470
Used. Cosmetic 8.5/10

(In Stock)
Price: $1,100
The Sony SCL-P25T20/F is a 25mm T2 PL Mount Cinealta prime wide-angle cinema style lens with markings in feet. This is the new generation MKII / V2 of these lenses with robust metal housing, higher quality construction, smooth focus/aperture rings, and more advanced optics with 4K in mind. Super 35 sensor coverage. Ideal for use on PMW-F55, Arri Alexa, various Blackmagic models, and more. Each lens is certified for 4K capture, while minimizing chromatic aberration, geometric distortion, vignetting, and breathing. Featuring geared lens rings, 9-bladed iris, and 240 degree focus ring rotation. Aperture of T2 for low-light conditions and beautiful bokeh. Color matched and consistent length and gear location across the line of lenses - other focal lengths include 20mm, 35mm, 50mm, 85mm, and 135mm (135mm is longer than rest of set). Markings are readable from both sides of lens. Filter diameter: 95mm. This is an excellent value for a high quality prime lens.

Good external optics. Internal optics are good, with a couple debris specks inside which do not affect optical quality. Rings turn smoothly, accurately, and consistently. Includes front/rear caps. There is minimal paint wear on body, overall very clean condition. The front cap has some cosmetic wear. Overall a very good working example of this lens.



Sony
SCL-P50T20A/F PL Mount lens
More Info

S/N: F40429
Used. Cosmetic 8.5/10

(In Stock)
Price: $1,100
The Sony SCL-P50T20A/F is a 50mm T2 PL Mount Cinealta prime cinema style lens with markings in feet. This is the new generation MKII / V2 of these lenses with robust metal housing, higher quality construction, smooth focus/aperture rings, and more advanced optics with 4K in mind. Super 35 sensor coverage. Ideal for use on PMW-F55, Arri Alexa, various Blackmagic models, and more. Each lens is certified for 4K capture, while minimizing chromatic aberration, geometric distortion, vignetting, and breathing. Featuring geared lens rings, 9-bladed iris, and 240 degree focus ring rotation. Aperture of T2 for low-light conditions and beautiful bokeh. Color matched and consistent length and gear location across the line of lenses - other focal lengths include 20mm, 25mm, 35mm, 85mm, and 135mm (135mm is longer than rest of set). Markings are readable from both sides of lens. Filter diameter: 95mm. This is an excellent value for a high quality prime lens.

Good external and internal optics. Rings turn smoothly, accurately, and consistently. Includes front/rear caps. There is very little wear on body (some wear on label/sticker) - overall very clean condition. This is a very good working example of this lens.



Teradek
RT MDR.X lens control receiver
More Info

S/N: 1100257
Used. Cosmetic 9/10

(In Stock)
Price: $650
The Teradek MDR.X 3-channel / 3-axis lens control receiver with bluetooth (part 15-0010) connects to camera lens support motors to drive focus, iris, and zoom. Compatible with all RT motors and controllers (such as MOTR.X, MK3.1, wired controllers, CTRL.1, CTRL.3, TOF.1, and 3rd party rangefinders). Connections include 3 lens motor ports (4-pin), camera control output, 2-pin LEMO power connector, and 2 serial ports (for wired control, Cinetape, and more). Features an OLED screen for configuration / status, external antenna, and maximum line-of-sight range of 5,000 ft with FHSS technology (492' indoors). Using the MDR.Xs integrated Bluetooth, you can remotely control your lens with the Teradek RT app for iOS - allowing lens maps, FIZ configuration settings, basic camera controls, firmware updates, and more. Run/Stop control available for cameras such as Arri Alexa / Mini / Amira, Blackmagic, Canon C100 / C300 MKII / C500, Panasonic Varicam, Phantom, Red DSMC2 / DSMC, Sony F5 / F55 FS7 M2, and more. Camera control available for Red DSMC2 including EF/AF focus/iris, shutter, ISO, 2x magnification, edge, and focus assist.

Includes power cable, going from 2-pin connector on MDR.X to 4-pin XLR (about 36" length). This is in mint condition with almost no signs of wear. Good working order. Multiple units are available.


Teradek
RT MDR.X lens control receiver
More Info

S/N: 1100251
Open Box. Cosmetic 9.9/10

(In Stock)
Price: $600
The Teradek MDR.X 3-channel / 3-axis lens control receiver with bluetooth (part 15-0010) connects to camera lens support motors to drive focus, iris, and zoom. Compatible with all RT motors and controllers (such as MOTR.X, MK3.1, wired controllers, CTRL.1, CTRL.3, TOF.1, and 3rd party rangefinders). Connections include 3 lens motor ports (4-pin), camera control output, 2-pin LEMO power connector, and 2 serial ports (for wired control, Cinetape, and more). Features an OLED screen for configuration / status, external antenna, and maximum line-of-sight range of 5,000 ft with FHSS technology (492' indoors). Using the MDR.Xs integrated Bluetooth, you can remotely control your lens with the Teradek RT app for iOS - allowing lens maps, FIZ configuration settings, basic camera controls, firmware updates, and more. Run/Stop control available for cameras such as Arri Alexa / Mini / Amira, Blackmagic, Canon C100 / C300 MKII / C500, Panasonic Varicam, Phantom, Red DSMC2 / DSMC, Sony F5 / F55 FS7 M2, and more. Camera control available for Red DSMC2 including EF/AF focus/iris, shutter, ISO, 2x magnification, edge, and focus assist.

This is in un-used "open box" condition. The box itself shows some wear from transport, including a patch where sticker was removed. USB cable included. No other cables are included. This is un-used so is thus in perfect condition.



Teradek
RT MOTR.X lens motor
More Info

S/N: 1504400722
Used. Cosmetic 9/10

(In Stock)
Price: $500
The Teradek RT MOTR.X is a super-speed and high-torque brushless lens motor (part 15-0044) is used with Teradek RT series receivers and controllers to control focus, iris, or zoom (FIZ). Comes standard with 0.8 MOD cine gear (which can be swapped out with optional gears if needed). Has loopthrough capability - one input and one output, so can be daisy-chained with other MOTR.X motors. Ultra-quiet, 3Nm torque, and speed up to 6.2 revolutions per second. The built-in rod clamp supports 15mm or 19mm rods. Features an illuminated axis indicator and axis selection with FIZ button. Constructed of durable aluminum. Brushless motors provide 6 times the service life of brushed motors and feature built-in motor drivers.

Includes Teradek RT 24" (0.6m) straight-angle motor cable, with 4-pin connector on each end. This is in mint condition with almost no signs of wear. Good working order. Multiple units are available, if you need to daisy chain together.



Teradek
RT MOTR.X lens motor
More Info

S/N: 1504400662
Open box. Cosmetic 9.9/10

(In Stock)
Price: $450
The Teradek RT MOTR.X is a super-speed and high-torque brushless lens motor (part 15-0044) is used with Teradek RT series receivers and controllers to control focus, iris, or zoom (FIZ). Comes standard with 0.8 MOD cine gear (which can be swapped out with optional gears if needed). Has loopthrough capability - one input and one output, so can be daisy-chained with other MOTR.X motors. Ultra-quiet, 3Nm torque, and speed up to 6.2 revolutions per second. The built-in rod clamp supports 15mm or 19mm rods. Features an illuminated axis indicator and axis selection with FIZ button. Constructed of durable aluminum. Brushless motors provide 6 times the service life of brushed motors and feature built-in motor drivers.

This is in un-used "open box" condition. The motor is still sealed in the original bubble wrapping. The box itself shows some wear from transport, including a patch where sticker was removed. Motor cable is not included. This is un-used so is thus in perfect condition. Multiple units are available, if you need to daisy chain together.



 

 

Camera Accessories

Alvin's Cables
Red time code adapter cable
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $25
This is a time code adapter cable for Red DSMC and DSMC2 cameras (with module such as base expander or v-lock i/o expander). The side which connects to camera is 4-pin male. The other side is BNC. Length is 50cm.

Clean cosmetic condition and working order.

Anton Bauer / Vitec Videocom
Digital 90 G90 li-ion battery
More Info

S/N: 11035
Used. Cosmetic 8.5/10

(In Stock)
Price: $125
The Anton Bauer Digital 90 / G90 lithium ion gold mount battery (model 8675-0092) has a 87Wh / 93Wh capacity and 14.4VDC output voltage. Each battery features a redesigned ergonomic durable exterior, spacious honeycomb interior for for increased cell safety and heat dissipation, multiple temperature sensors, algorithms to smooth out power draw, percentage / run-time indicator on side screen, and a P-tap / D-tap power output for powering accessories.

This battery is barely used with only 30 charge cycles. Includes the original box. Minor cosmetic wear, such as scuffs on the case and screen - but overall clean and undamaged. Excellent working order, fully charges, low use battery with full life ahead of it.



Arri
Bottom Plate F5/F55 K2.66246.0
More Info

S/N:
Used. Cosmetic 8/10

(In Stock)
Price: $100
This is an Arri Adapter Plate (K2.66246.0) is a lightweight bottom support plate designed for the Sony PMW-F55 or PMW-F5 camera. The Adapter Plate is in the form of an integrated Sachtler Touch and Go plate, for easy mounting to a tripod head or other support with a standard quick release plate. If you don't have a Touch and Go system, it has screw holes on bottom to attach a traditional tripod plate. Also has 15mm rod mounts for things like follow focus and matte box, as well as Arri rosettes on both sides for attachment of handgrips. Is a good choice for pairing with the Arri Shoulder Pad (K2.66249.0), which is not included. For studio configuration, the adapter plate accepts studio bridge plates like the ARRI BP-8 or BP-9.

This has some minor cosmetic wear (mainly on the underside). Also two of the 8 rubber strips where the camera sits are missing (which doesn't affect proper use). There is no damage, just superficial wear. With attachment screws. Good solid working condition. Second unit available.


Arri
KC 151-S medium viewfinder cable
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $50
The Arri KC151-S (K2.72013.0) is a 2.1' long medium viewfinder cable, designed for connecting the EVF-1 to Alexa Classic, Alexa Plus, Alexa Plus XR, Alexa XT, and Alexa SXT / SXR cameras. The longer length is ideal for using on camera right or left side or when using a VEB-1 or VEB-3 viewfinder extension bracket.

Clean cosmetic with only minor signs of wear. Good working order. Multiple units available.


Arri
VFA-1 viewfinder adapter
More Info

S/N:
Used. Cosmetic 8/10

(In Stock)
Price: $30
The Arri VFA-1 (K2.66248.0) is a viewfinder adapter for the Sony PMW-F55 and PMW-F5. Designed to mount a F55/F5 viewfinder to any Arri 3/8"-16 interface. Used in combination with Arri top plate and handle, enables you to configure the EVF in a more ergonomic position.

Some noticeable paint wear on tightening wheel, but overall clean and undamaged. Good working order. Second unit available.

Arri
Viewfinder Plug Protection
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $15
The Arri Viewfinder Plug Protector (K2.66251.0) for the Sony PMW-F55 / PMW-F5 is used to protect the EVF port and keep the viewfinder cable secure and undamaged. Works in conjunction with the Arri Top Plate (K2.66247.0), not included.

Good cosmetic condition with very little wear. Working order. Includes attachment screw. Multiple units are available.

Cinematography Electronics
Cine Tape Measure system
More Info

S/N: 31622
Used. Cosmetic 7.5/10

(In Stock)
Price: $1,275
The C.E. CineTape is a ultrasonic measuring system range finder that continuously calculates the distance between the subject and the camera's film plane. Focusing is simplified, saving time and reducing production costs. Compatible with all lenses and cameras (with appropriate power cable). The sensor assembly has two horns that are connected to the measure control to calculate distance in either imperial or metric. A laser pen can be attached to the sensor assembly to help aim during calibration. The sensor has a threaded pan/tilt mount to attach to your rig. A simple offset adjustment programs the relationship between the film plane and where the sensor is mounted, so distance is calculated accurately. Sensitivity and Close Focus adjustments fine-tune it to your situation.

Includes Cine Tape itself, sensor/horns, sensor cable to connect horns and main unit, and 3-pin fischer RS cable (to power from an Arri Alexa or similar). Cosmetic wear includes paint wear / scuffs, typical "whitening" of color on the horns, and missing rubber trim at front of horns. This is all superficial - there is no damage and all cosmetic wear does not affect proper function. Velcro has been added to the rear. Overall it is in presentable condition. Tested on an Arri Alexa setup to ensure all functions and features work normally. Senses subject accurately after film-plane calibration procedure and sensitivity adjusts normally.




Cmotion
Cfinder optical rangefinder
More Info

S/N: 100
Used. Cosmetic 7/10

(In Stock)
Price: $500
The Cmotion Cfinder is an optical range finder distance measurement tool with an invisible class 1 laser beam. Measures from 0.3m to 300mm with readings updated up to 50 times a second and an accuracy range of of +/- 0,05m at maximum distance. For invisible laser sharp reference while filming, a telescopic sight can be easily mounted to the cfinder by means of a quick fastener. The operator can either mount the cfinder with brackets to various cameras or operate as a stand alone unit on a separate tripod beside the camera. Using the CBUS interface cable, two way communication can be established between the Cfinder and Camin (also the source of power). Camin will then send wireless measurement information to the cDisplay. This can also be powered with 3-pin RS power such as found on the Arri Alexa camera. This information can be used to identify depth of field, enable auto focusing and preset distance limits where all other distance values are ignored. This is like a more advanced CineTape.

This is the original Cmotion Cfinder. Cosmetically has some scratches and paint wear, but no damage or signs of rough usage. This is fitted with a BSA Air Rifle 2-7X32 telescopic sight / scope. This is an incomplete system. It does not include items such as Cdisplay, Camin, or any cables. This includes the Cfinder and scope only. Because this is incomplete system, it has not been fully tested here. It is presumed in good working order, but is sold "as is" to a buyer who can obtain the rest of the equipment to acheive a complete working system.




Codex
CDX-37098 SxS Adapter 2
More Info

S/N: 661182
Used. Cosmetic 8.5/10

(In Stock)
Price: $675
The Codex CDX-37098 (K2.0006338) is a SxS Adapter for the Arri Alexa SXT / SXR camera, to allow recording of ProRes to readily available SxS Pro and Pro+ card media.

Some minor cosmetic paint wear, but overall looks in very good condition with low usage. Good working order.


Codex
CDX-3730 XT / XR capture drive
More Info

S/N: 316263
Used. Cosmetic 8/10

(In Stock)
Price: $725
The Codex CDX-3730 capture drive provides 512GB (480GB usable) of solid-state storage for your Arri Alexa XT, Alexa XT Plus, Alexa Plus 4:3 XR, or Alexa SXT (XR versions). Use of the Codex drive media instead of a Cfast / SxS adapter allows internal ARRIRAW and Open Gate as well as unlocks maximum frame rates, resolutions, and recording times available for the camera (such as Prores 3.2K).

Tested in good working order on an Arri Alexa XT camera with ARRIRAW and Prores 3.2K. This his yellow ring version, not the slower orange ring. This has minor cosmetic paint wear and scratches, but only superficially - no damage or signs of abuse - overall very presentable in above average condition. Good working order.


Codex
CDX-3790 SxS Adapter XT / XR
More Info

S/N: 291579
Used. Cosmetic 8/10

(In Stock)
Price: $525
The Codex CDX-3790 (model K2.48838.0) is an adapter that fits into the Arri Alexa XT, Alexa XT Plus, and Alexa Plus 4:3 XR cameras. This allows use of SxS Pro or SxS Pro+ memory cards instead of CDX-3730 XR capture drive. This is meant for recording of ProRes or DNxHD, not for ARRIRAW / Open Gate formats.

Has some cosmetic wear (mainly on sharp edges), but no damage or signs of harsh use. Tested in good working order on an Alexa XT. Multiple units are available.


Denz
Heater Eyecup for Panasonic
More Info

S/N: 100
Used. Cosmetic 7/10

(In Stock)
Price: $475
The Denz C0100133 is shut-eye style heated viewfinder eyecup. It is designed for was used with the Panasonic Varicam 35 camera with the AU-VCVF1G or AU-VCVF2G viewfinder - though it might work on other models of Panasonic viewfinders on ENG camcorders such as AJ-CVF100G and AJ-HVF21G. It allows more comfortable operating and/or to eliminate eyepiece fog in cold or humid conditions. Eyepiece features include an auto-closing eyepiece iris, an LED status indicator, and two temperature settings to suit a range of environmental conditions. The included coiled cable stretches when the eyepiece is tilted without adding a lot of bulk.

Includes coiled connection cable. Good cosmetic condition with little wear. Working order. Multiple units are available.


Panasonic
VARICAM-VFC155 cable
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $115
The Panasonic VARICAM-VFC155 is a 15.5" long EVF viewfinder connection cable for the Varicam 35 or Varicam Pure camera with the AU-VCVF1G or AU-VCVF2G attached. Both sides are a right-angle connector with 14-pins. Retails for over $300 if purchased new.

Good cosmetic condition with very few signs of use. Good working order. Multiple units are available in the same condition.


Red Digital Cinema
4-pin XLR power cable (12')
More Info

S/N: 7911029FB46C
Used. Cosmetic 8.5/10

(In Stock)
Price: $45
This is a custom-made 4-pin XLR power cable (long 12 foot length) that allows you to power your Red DSMC Epic / Scarlet or DSMC2 camera (with appropriate expander module) via the standard 4-pin LEMO connector. Requires a high quality 4-pin XLR power supply (11.5-17 VDC) or battery. Recommended your power supply is capable of at least 150W.

Custom-made, not sure of brand. 12 feet in length. Clean cosmetic and good working order.


Red Digital Cinema
Komodo Expander Module
More Info

S/N:
New. Cosmetic 10/10

(In Stock)
Price: $375
The Red Komodo Expander Module (720-0058) attaches to the underside of the Komodo cinema camera body - providing timecode in, genlock, GPI BNC, and a 4-pin control interface. This also has multiple 1/4"-20, 3/8"-16, and Arri-style anti-twist accessory threads. This also acts as a durable aluminum baseplate with built-in quick release plate. This accessory expands your Komodo to suit many professional shooting configurations.

New, still sealed in plastic.


Red Digital Cinema
Mini-Mag 240GB SSD
More Info

S/N: 750102B6E938
Used. Cosmetic 8/10

(In Stock)
Price: $275
The Red Mini Mag 240GB (model 750-0082) is the smallest and fastest Red media option with read/write speed up to 300 Mb/s to support higher frame rates and resolutions with minimal compression. Ideal for DSMC2 camera like Weapon 8K / 6K, Epic-W, Scarlet-W, Raven, Monstro, Helium, Gemini, Dragon-X, etc. Also works with Epic / Scarlet Dragon and MX with mini-mag side SSD module installed (transfer speeds 50% faster on Weapon than Epic Dragon). Capable of supporting simultaneous R3D and Apple ProRes or Avid DNx recording on DSMC2 camera systems.

Some cosmetic paint wear, mainly on corners / edges and rear label wear, but no signs of damage or harsh use - overall presentable. Tested in good working order. Second unit is available.


Red Digital Cinema
Power Adapter Cable (790-0138)
More Info

S/N:
Used. Cosmetic 8/10

(In Stock)
Price: $50
The Red LEMO 2B-to-1B Power Adapter Cable (model 790-0138) allows you to use Red One accessories (such as Red Quickplate or Red battery plate) to power your Red DSMC or DSMC2 style camera body. The 2B end is for Red One power accessory and the 1B end goes into your DSMC or DSMC2 camera.

Genuine Red brand cable. There is some typical fraying on cable sheath, but not damage. Good working order.

Sony
Battery Adapter for F55 (goldmount)
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $425
This is the Sony Battery Adaptor Assembly (model A-1922-131) for the PMW-F5 or PMW-F55 camera. This battery back allows power from a 4-pin XLR power supply or Gold Mount Anton Bauer style battery. Also has 4-pin (12V 1.8A) accessory outputs. You can also output the REC Tally signal and input the REC Trigger signal through the DC OUT connector. This is something around $1,500 to order new, so this is a significant savings if you need this part for your F55 / F5.

This is modified to accept Anton Bauer Gold Mount style batteries instead of the typical v-mount. Clean cosmetic condition with only superficial wear if looking for it. Tested on camera to be in good working order. Second unit available.


Sony
Battery Adapter for F55 (v-mount)
More Info

S/N:
Used. Cosmetic 8.5/10

(In Stock)
Price: $425
This is the Sony Battery Adaptor Assembly (model A-1922-131) for the PMW-F5 or PMW-F55 camera. This battery back allows power from a 4-pin XLR power supply or V-mount battery. Also has 4-pin (12V 1.8A) accessory outputs. You can also output the REC Tally signal and input the REC Trigger signal through the DC OUT connector. This is something around $1,500 to order new, so this is a significant savings if you need this part for your F55 / F5.

Clean cosmetic condition overall with some superficial paint wear, mainly at attachment points where things naturally rub together. Tested on camera in good working order.



Sony
EVF cable for PMW-F55 viewfinder
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $95
This is the EVF monitor connection cable (part A-1970-764-A / A1970764A) for the PMW-F55 / PMW-F5 camera. Works with viewfinders such as the DVF-EL100 and DVF-L700.

Good cosmetic and functional condition. Working order. Multiple units are available.

Sony
47" cable for PMW-F55 viewfinder
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $125
This is the EVF monitor extension connection cable (part A-1970-765-A / A1970765A). This is a 47" cable for the PMW-F55 / PMW-F5 camera. Works with viewfinders such as the DVF-EL100 and DVF-L700. This is like the A-1970-764-A except is a long length of 47" for applications where extending the viewfinder away from the camera is required.

Good cosmetic and functional condition. Working order. Multiple units are available.

Sony
HDVF-C35W HD color viewfinder
More Info

S/N: 100425
Used. Cosmetic 8/10

(In Stock)
Price: $995
The Sony HDVF-C35W is a 3.5" HD TFT LCD color viewfinder. Compatible with high end broadcast camcorders such as PMW-500, PDW-F800, PDW-700, HDW-F900R, F23, F35, SRW-9000, HSC-300, PDW-680, HDC1500R, HDC1400, HDW-790, HDW-790S, PDW-850, and more. Has a unique detachable eypiece construction, allowing viewing from various positions and angles. Use as traditional viewfinder with loupe or directly view the LCD. Spherical lens in eye piece reduces abberation at each corner for easy focusing. Can be switched between color or monochrome. Accomadates multiple NTSC and PAL frame rates. Features 3x magnification function, gray scale signals (for expsoure adjustment), peaking, zebra, tally, 2 assignable buttons, and more.

Includes removable eyepiece and eyecup. Mic holder not included. Cosmetically clean with some minor nicks and paint wear when looking carefully plus a touchup area where third party microphone holder was removed. The eyepiece mirror has some cleaning scratches on it, which don't cause a problem in normal operation. Tested in good working order on a camcorder. Second unit is available if needed.



Sony
SBP-64C SxS Pro+ memory card
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $135
The SBP-64C is a 64GB SxS Pro+ memory card, designed for high-speed video recording with XDCAM / XDCAM EX camcorder. This is ideal for 4K and high data rates on the PMW-F5 and PMW-F55 cinealta camera (unlike the previous SBP-64 / SBP-64A card which is not suitable). Of course, this can also be used with any model that takes an SxS / ExpressCard such as PMW-500, PMW-300, PMW-320, PMW-400, PMW-200, PMW-160, PMW-EX1R, PMW-EX3, PXW-X200, PXW-X180, PXW-X160, PXW-X400, PXW-X500, PXW-X320, PMW-RX50, PMW-PZ1, PMW-50, PMW-100, Arri Alexa Classic / XT / SXT, and more.

This features around double the read/write speed of the previous generation SBP-64B. Maximum read speed of 3.5Gbps and write speed of 2.8Gbps (minimum read speed of 1.3Gbps). This faster speed is useful for ensuring stable high frame rate recordings in formats such as XAVC 4K 60P or XAVC 4K 180P.

Also has improved safety features such as data refreshing, error correct, and power failure management.

Example recording times: 20 minutes 4K XAVC Intra 4:2:2, 10 minutes in 4K XAVC 4:2:2 60P at 600Mbps, 60 minutes HD XAVC Intra 4:2:2, and 120 minutes in HD MPEG2 4:2:2 30P at 50Mbps. Maximum recording time possible is 200 minutes at 35Mbps. This SxS Pro plus card is the ultimate memory card that can support any codec or camera model out there.

Good cosmetic condition with only minor wear. The front label has tear in corner of label. Overall very presentable. Tested in good working order. Multiple units are available, so ask if you need more than one!


Sony
SBP-64D SxS Pro+ memory card
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $165
The SBP-64D is a 64GB SxS Pro+ memory card, designed for high-speed video recording with XDCAM / XDCAM EX camcorder. This is ideal for 4K and high data rates on the PMW-F5 and PMW-F55 cinealta camera (unlike the previous SBP-64 / SBP-64A card which is not suitable). Of course, this can also be used with any model that takes an SxS / ExpressCard such as PMW-500, PMW-300, PMW-320, PMW-400, PMW-200, PMW-160, PMW-EX1R, PMW-EX3, PXW-X200, PXW-X180, PXW-X160, PXW-X400, PXW-X500, PXW-X320, PMW-RX50, PMW-PZ1, PMW-50, PMW-100, Arri Alexa Classic / XT / SXT, and more.

This features around double the read/write speed of the previous generation SBP-64B and is the most current model (newer than the SBP-64C). Maximum read speed of 3.5Gbps and write speed of 2.8Gbps (minimum read speed of 1.3Gbps). This faster speed is useful for ensuring stable high frame rate recordings in formats such as XAVC 4K 60P or XAVC 4K 180P.

Also has improved safety features such as data refreshing, error correct, and power failure management. Supports EB Streaming between the card and Sony camcorders, enabling constant 2-way communication and insuring stable recording while avoiding speed degradation.

Example recording times: 20 minutes 4K XAVC Intra 4:2:2, 10 minutes in 4K XAVC 4:2:2 60P at 600Mbps, 60 minutes HD XAVC Intra 4:2:2, and 120 minutes in HD MPEG2 4:2:2 30P at 50Mbps. Maximum recording time possible is 200 minutes at 35Mbps. This SxS Pro plus card is the ultimate memory card that can support any codec or camera model out there.

Includes case. Good cosmetic condition with only minor signs of wear. Tested in good working order. Multiple units are available, so ask if you need more than one!


Sony
SBP-64E SxS Pro+ memory card
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $175
The SBP-64E is a 64GB SxS Pro+ memory card, designed for high-speed video recording with XDCAM / XDCAM EX camcorder. This is ideal for 4K and high data rates on the PMW-F5 and PMW-F55 cinealta camera (unlike the previous SBP-64 / SBP-64A card which is not suitable). Of course, this can also be used with any model that takes an SxS / ExpressCard such as PMW-500, PMW-300, PMW-320, PMW-400, PMW-200, PMW-160, PMW-EX1R, PMW-EX3, PXW-X200, PXW-X180, PXW-X160, PXW-X400, PXW-X500, PXW-X320, PMW-RX50, PMW-PZ1, PMW-50, PMW-100, Arri Alexa Classic / XT / SXT, and more.

This features around double the read/write speed of the previous generations and is the most current model (newer than the SBP-64C or SBP-64D). Maximum read speed of 3.5Gbps and write speed of 2.8Gbps (minimum read speed of 1.3Gbps). This faster speed is useful for ensuring stable high frame rate recordings in formats such as XAVC 4K 60P or XAVC 4K 180P.

Also has improved safety features such as data refreshing, error correct, and power failure management. Supports EB Streaming between the card and Sony camcorders, enabling constant 2-way communication and insuring stable recording while avoiding speed degradation. Additionally this has extreme shock resistance and insertion/removal durability rated at over 30,000 times.

Example recording times: 20 minutes 4K XAVC Intra 4:2:2, 10 minutes in 4K XAVC 4:2:2 60P at 600Mbps, 60 minutes HD XAVC Intra 4:2:2, and 120 minutes in HD MPEG2 4:2:2 30P at 50Mbps. Maximum recording time possible is 200 minutes at 35Mbps. This SxS Pro plus card is the ultimate memory card that can support any codec or camera model out there.

Good cosmetic condition with only very minor signs of wear. Tested in good working order. Case not included. Multiple units are available, so ask if you need more than one!

Sony
SBP-128C SxS Pro+ memory card
More Info

S/N: QJAL1166
Used. Cosmetic 9/10

(In Stock)
Price: $245
The SBP-128C is a 128GB SxS Pro+ memory card, designed for high-speed video recording with XDCAM / XDCAM EX camcorder. This is ideal for 4K and high data rates on the PMW-F5 and PMW-F55 cinealta camera (unlike the previous SBP-64 / SBP-64A card which is not suitable). Of course, this can also be used with any model that takes an SxS / ExpressCard such as PMW-500, PMW-300, PMW-320, PMW-400, PMW-200, PMW-160, PMW-EX1R, PMW-EX3, PXW-X200, PXW-X180, PXW-X160, PXW-X400, PXW-X500, PXW-X320, PMW-RX50, PMW-PZ1, PMW-50, PMW-100, Arri Alexa Classic / XT / SXT, and more.

This features around double the read/write speed of the previous generation SBP-64B. Maximum read speed of 3.5Gbps and write speed of 2.8Gbps (minimum read speed of 1.3Gbps). This faster speed is useful for ensuring stable high frame rate recordings in formats such as XAVC 4K 60P or XAVC 4K 180P.

Also has improved safety features such as data refreshing, error correct, and power failure management.

Example recording times: 40 minutes 4K XAVC Intra 4:2:2, 20 minutes in 4K XAVC 4:2:2 60P at 600Mbps, 120 minutes HD XAVC Intra 4:2:2, and 240 minutes in HD MPEG2 4:2:2 30P at 50Mbps. Maximum recording time possible is 400 minutes at 35Mbps. This SxS Pro plus card is the ultimate memory card that can support any codec or camera model out there.

Case not included. Good cosmetic condition with very few signs of wear. Good working order. Multiple units are available, so ask if you need more than one!


Sony
SBP-128D SxS Pro+ memory card
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $275
The SBP-128D is a 128GB SxS Pro+ memory card, designed for high-speed video recording with XDCAM / XDCAM EX camcorder. This is ideal for 4K and high data rates on the PMW-F5 and PMW-F55 cinealta camera (unlike the previous SBP-128 / SBP-128A card which is not suitable). Of course, this can also be used with any model that takes an SxS / ExpressCard such as PMW-500, PMW-300, PMW-320, PMW-400, PMW-200, PMW-160, PMW-EX1R, PMW-EX3, PXW-X200, PXW-X180, PXW-X160, PXW-X400, PXW-X500, PXW-X320, PMW-RX50, PMW-PZ1, PMW-50, PMW-100, Arri Alexa Classic / XT / SXT, and more.

This features around double the read/write speed of the previous generation SBP-128B and is the most current model (newer than the SBP-128C). Maximum read speed of 3.5Gbps and write speed of 2.8Gbps (minimum read speed of 1.3Gbps). This faster speed is useful for ensuring stable high frame rate recordings in formats such as XAVC 4K 60P or XAVC 4K 180P.

Also has improved safety features such as data refreshing, error correct, and power failure management. Supports EB Streaming between the card and Sony camcorders, enabling constant 2-way communication and insuring stable recording while avoiding speed degradation.

Example recording times: 40 minutes 4K XAVC Intra 4:2:2, 20 minutes in 4K XAVC 4:2:2 60P at 600Mbps, 120 minutes HD XAVC Intra 4:2:2, and 240 minutes in HD MPEG2 4:2:2 30P at 50Mbps. Maximum recording time possible is 400 minutes at 35Mbps. This SxS Pro plus card is the ultimate memory card that can support any codec or camera model out there.

Case not included. Good cosmetic condition with very few signs of wear. Good working order. Multiple units are available, so ask if you need more than one!

Sony
SR-1TS55 SRMemory 1TB card
More Info

S/N: 1600043
Used. Cosmetic 8.5/10

(In Stock)
Price: $575
The Sony SR-1TS55 is a S55 series 1TB high-capacity ultra high speed SRMemory card. Twice the capacity of the SR-512S55 512GB card. Designed for SRMaster series product line: F65 camera with SR-R4 dockable memory recorder combination, SR-PC4 data transfer unit, SRPC-5 data transfer unit, SR-D1 memory drive unit, SR-R1 portable memory recorder, SR-R1000 SR memory storage unit system. Ideal for 3D production, high frame rate recording, and high resolution cinematography up to 4K (YPbPr422, RGB444, 1080 59.94p, 3D, 4K, and uncompressed). Sustainable read / write speed of 5.5 Gbps. Sony's original data redundancy method lends itself to high data reliability, and high data security such as card/file password protection and device authentication.

Includes case. Good cosmetic condition with only a couple minor scratches on case. Appears to be clean and low usage. Working order. The MSRP for this model is an astounding $9,919 so it is imperative to buy used to save a lot of money if you need this card. Second unit is available.


Teradek
RT Latitude-SK Receiver Module
More Info

S/N: 45050234
New / open box. Cosmetic 10/10

(In Stock)
Price: $495
Teradek RT Latitude MDR-SK Sidekick interface (3 Axis) for Red DSMC2 cameras (model 15-0012) is a RTMotion receiver module designed for any DSMC2 camera body / brain. Sandwiches between a Sidekick, cheeseplate, or blank plate. Simultaneous use of DSMC2 side handle is not supported / reccomended. Provides an array of input / output ports for various control devices. Use the MDR-SK with the RT MK3.1 wireless controller to drive up to three RT MK3.1 lens motors. Or attach up to two Slave Controllers like the RT Thumbwheel, Zoomrocker, or Smartknob to the MDR-SK's two accessory inputs. Powered via the external power port and control cables.

This is un-used in open box condition. Only opened to ensure contents, still sealed in factory plastic. Includes factory accessories. Second unit is available.


Wooden Camera
A-Box for DSMC2 camera
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $135
The Wooden Camera A-Box (model 216200) allows for two 3-pin XLR microphones to be plugged into Red DSMC2 camera such as Monstro, Helium, Gemini, Weapon, Scarlet-W, Raven, etc when using module such as Base Expander module or V-lock I/O Expander. Also works with Komodo or any other camera with a single 3.5mm input (also referred to as 1/8"). Highest quality professional grade connectors. This adapter does not provide phantom power.

Includes short bolt-on 19mm rod which also can be attached to 1/4-20 threaded mounting holes at the bottom. 15mm adapter bushing not included. Good condition with only minor superficial cosmetic paint wear. Good working order.


Wooden Camera
Cable-less Red DSMC2 goldmount
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $375
The Wooden Camera Cable-less Gold Mount battery mount system (model 220800) is designed for Red DSMC2 camera brains such as the Monstro, Helium, Gemini, Weapon, Epic Weapon Epic-W, Scarlet Weapon Scarlet-W, Raven, Dragon-X, etc. Uses Anton Bauer Gold Mount style batteries. Attaches without tools directly to the back of the camera or a compatible expander module (such as base expander or redvolt expander). Has 2x d-tap ports for accessory power. Will communicate percentage or voltage data to the camera's LCD display. Intelligent batteries like RED Bricks, Blueshape, Switronix, PAG, and other batteries utilizing SMBUS or reversed SMBUS will allow for the module to communicate percentage data and estimated run time. Non-SMBUS batteries will only provide voltage data.

Minor cosmetic wear, but overall very clean. Good working order.


Wooden Camera
D-Box for Venice / Venice 2
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $875
The Wooden Camera D-Box (Sony Venice, Venice 2, Gold Mount) model 258100 adds power distribution, standardized remote start/stop, and hot swap abilities to the Sony Venice or Venice 2 camera. Attaches to the backs of the AXS-R7 or V-mount plate on camera rear while the power strip portion attaches to the top right of camera, with cable connecting both pieces. This is the version which has a Gold Mount battery plate on it (same as model 258000 but with Gold Mount intead of V-mount plate). Any Arri standard start/stop trigger can be used with the 3-pin Fischer port including the UMC-4 / WCU-4. The DC input is the same as the camera's 4-pin XLR allow for AC power supply, external power plate, or VCLX block battery to power everything during a battery change. The power strip portion matches camera profiles to avoid camera interference and provides 2x 24V (3-pin Fischer with Run Stop) and 2x 12V (2-pin Arri standard). Processor controlled amp limit which is settable to 3.8, 5.8, or 9 amps using the slide switch on the operator's side.

This includes the D-Box and power strip pieces. This does not include a cable to contact the two. Buyer will need to provide one of the following Wooden Camera D-Box 5-pin cables: 2" length (model 900172) for Venice without attached recorder, 3.5" length (model 900173) for Venice with Sony AXS-R7 recorder attached, or 5.5" length (model 900174) for Venice with both Sony AXS-R7 and Teradek Bolt attached.

The D-Box and power strip are both in clean cosmetic condition with only minor signs of wear. Good working order. Multiple sets are available.



Wooden Camera
Quick Back for Red DSMC2
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $249
The Quick Back for Red DSMC2 (model 214000) allows use of any v-mount or gold mount plate to be attached directly to the back of the Red DSMC2 brains, including Monstro, Helium, Gemini, Weapon, Epic Weapon (Epic-W), Scarlet Weapon (Scarlet-W), Raven, etc. This also can be attached to Base Expander and Redvolt Expander. Attaches without tools required by using the knurled thumbscrews. You can change the positioning of the detachable lower piece to allow for different battery mount configurations.

This Quick Back for DSMC2 includes an Anton Bauer gold mount plate with a cable emerging from the right side. This is ideal for use with Base Expander or Redvolt Expander and feeding into the DC power input. These do not come from factory with battery plate, so the inclusion of the goldmount plate is a valuable addition to this battery plate package. Good cosmetic condition with little wear. Excellent working order.


 

 

Production Equipment / Studio / Support

Arri
CCH-1 camera handle w/ HEB-2
More Info

S/N: 2014
Used. Cosmetic 7/10

(In Stock)
Price: $225
The Arri CCH-1 (K2.72007.0) is a center camera handle for the full-sized Alexas - Alexa Classic EV, Alexa Plus, Alexa XT, Alexa SXT, Alexa Studio, Alexa M, etc. Various 3/8"-16 threaded holes are provided for accessories.

The included Arri HEB-2 handle extension block elongates the CCH-1 and adds additional 3/8"-16 threaded accessory holes.

Some paint wear and touchups, but no damage. There is cosmetic wear, but overall gives a presentable appearance that would sufficiently compliment most used Alexas. In good working order with attachment screws included.


Arri
HEB-2 extension block for CCH-1
More Info

S/N: 2014
Used. Cosmetic 7/10

(In Stock)
Price: sold
The Arri HEB-2 (K2.72015.0) handle extension block elongates the CCH-1 center camera handle and adds additional 3/8"-16 threaded accessory holes. Used on cameras such as the Alexa Classic EV, Alexa Plus, Alexa XT, Alexa SXT, Alexa Studio, etc. Will also mount to any standard 3/8"-16 thread on a camera cage, gimbal, etc.

Some noticeable paint wear, but no damage. Overall presentable. In good working order.


Benro
A48TB aluminum monopod
More Info

S/N:
Used. Cosmetic 7.5/10

(In Stock)
Price: $65
The Benro A48TB / A48T is an aluminum monopod with 3-leg folding base for extra tripod-like stability. Similar to the A48TD and also the A48FD but with twist locks instead of flip locks. 4-section design with maximum height of 68.5" and closes down to 22" (measurements without a head attached). Twist lock legs make operation secure and easy in any weather as does the foam grip and wrist strap. The system's most striking feature is the folding 3 feet at the bottom of the first section; they're indispensible in slippery conditions or with longer lenses. The base of the feet allows tilting for accurate leveling. This is compatible with flat base style tripod heads. This is for the monopod only.

Tripod head is not included (works with flat base style heads). Some cosmetic scratches and minor tears in the foam grip, but overall presentable and without excessive usage. Good working order.



K5600 Lighting
Joker-Bug 400 HMI 400W light kit
More Info

S/N: 1192
Used. Cosmetic 7.5/10

(In Stock)
Price: $775
The K5600 Joker-Bug 400W has an output comparable to 1500/2000 watt quartz fixture, but with a power draw of only 5.5 amps. Powerful enough to make a difference in daylight interiors even through diffusion materials and light banks. Industry standard for fine daylight interiors, car shots, two camera interviews, and many other applications. Operates in 110/220V environments. Each fixture throws a beam of light 3860 footcandles 1' in diameter from 20 feet, with no lens mounted. The PAR design is preferred for its spot to flood ratio, compactness, ease of use, and efficiency. Set of four lenses and barndoors help control the beam pattern from 5 degrees to 65 degrees. The "Bug-Lite" configuration, once beamer is removed, allows use for lantern or lightbank applications. The power supply is electronic, square wave flicker free and silent due to convection cooling.

This is a well-outfitted kit, including: Joker-Bug 400 fixture, flicker free power supply / ballast, beamer, extension cable, frosted fresnel lens, super side lens, wide flood lens, medium flood lens, 4-leaf barndoor, 5x scrims, clear beaker, speed ring adapter for Chimera, and three Philips MSR 400 HR bulbs (one is installed and 2x spares are included). Case and stand are not included.

This shows some cosmetic wear, but is actually above average cosmetically compared to many used Joker lighting fixtures. There is a bend and some touchups on one of the fins of the power supply, which is only cosmetic in nature. Tested in excellent working condition, all functions performed correctly, strikes up quickly and with quiet operation.





LanParte
Offset Camera Plate for Crane 2
More Info

S/N:
Used. Cosmetic 8/10

(In Stock)
Price: $35
The LanParte Offset Camera Plate for Zhiyun Crane 2 (model 2708) allows you to balance and use your Blackmagic Design Pocket Cinema Camera 4K / 6K on the Zhiyun Crane 2 gimbal stabilizer. The dovetail slides onto the Crane 2 and offers a sliding top plate. A scale in millimeters allows you to balance accurately. There is M4 thread on the front to attach lens support, focus motor mount, or other accessory.

This has minor cosmetic paint wear, but overall is clean and in good shape. 1/4"-20 camera attachment screw is not included.


Lupo
Superpanel Dual Color 60 (soft)
More Info

S/N: 38938
Used. Cosmetic 9/10

(In Stock)
Price: $950

The Lupo Superpanel Dual Color 60 Soft 2x1 LED Light Panel with Manual Yoke is a bright bi-color soft LED studio / film light fixture. Temperature range from anywhere between 2800K to 6500K (7800-8300 lux at 3.3' / 1m distance). Three dimming curve modes including Linear, Exponential, and Logarithmic. Can be used with 8-bit or 16-bit DMX control (DMX512 remote control protocols). Powered by the included dual AC power adapters (batteries, battery plates, and D-tap cable available optionally from Lupo). Also features: four special effects modes, dual silent fans (which can be turned off completely when needed), lightweight polycarbonate shell, and compatibility with accessory light modifiers. This is a very high quality light, worth considering as a comparison to something like an Arri Skypanel or Litepanels Gemini.

This is in very good condition with only minor signs or wear / usage. Excellent working order, reset to factory settings. Second unit is available.


PortaBrace
PB-2780 Superlite Vault hard case
More Info

S/N:
Used. Cosmetic 6/10

(In Stock)
Price: $150
The PortaBrace PB-2780 (PB-2780E) is a Superlite Vault hard case designed to protect your equipment. Very large size. Exterior: 31.9 x 23.1 x 15.2". Interior: 29.4 x 20.6 x 14.3". Made of TTX01 high-strength resin. Three folding haul handles and built-in wheels for transport. Lighter than other cases of a similar size. Pressure relief valve and gasket to help maintain water tightness. Double-hinged locking system for increased security with a total of 7 locks around the case.

This shows heavy cosmetic wear. Many scuffs, scratches, and scraped areas (more noticeable on bottom and one specific side). There is a number stenciled to one side as well and some dusty areas. Some discoloration (variance of darker and lighter blue). But overall nothing is damaged and all works normally (it locks up tight, wheels function, nothing broken or missing). It is a very usable case. This has foam included which was customized to fit a broadcast camcorder. The foam isn't in the best shape and doesn't fill the entire bottom of the case. So the foam is considered an "extra" and this is really sold as an empty case for all intents and purposes.



Red Digital Cinema
Quick Release Platform (790-0079)
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $125
The Red Quick Release Platform is a baseplate that allows you to mount your Red DSMC or DSMC2 camera onto a tripod or any support equipment. Requires a camera specific DSMC / DSMC2 mounting plate to go between your Red camera and the Quick Release Platform. This can then be mounted to a Arri-standard dovetail plate or ARRI type head.

The Red Universal Mount (part 790-0087) has 15mm studio-spaced rod supports, ideal for accessories such as lens support, matte box, follow focus, battery plates, and more.. Four 1/4"-20 threaded holes are also included.

This includes the Quick Release Platform, DSMC / DSMC2 mounting plate, 15mm Universal rod mount, and screws. This is in mint condition with almost no signs of wear. Excellent working order. Multiple units are available.


Sony
CBK-55BK dock for PMW-F55 / F5
More Info

S/N: 10189
Used. Cosmetic 8/10

(In Stock)
Price: $1,250
The Sony CBK-55BK Documentary Dock build-up kit is a powerful accessory that converts your PMW-F55 or PMW-F5 into a ENG style broadcast shoulder camcorder. Features front 5-pin stereo and rear 3-pin XLR audio with auto/manual level controls and headphone monitoring, as well as support for wireless slot-in audio. Familiar ergonomic tactical controls available you'd find on any broadcast camcorder such as gain, white/black balance, assign buttons, shutter, rec start, assign buttons, etc. Also has 15mm front rod support and compatibility with VCT-14 / VCT-U14 style tripod plate. Easy to change from shoulder to tripod or attach/detach to go from build-up kit to original style. Can use the same v-mount batteries, XLR power supply, and AXS-R5 RAW recorder as before. Shoulder pad and front block are adjustable for good weight balance. You can use PL mount lenses or 2/3" broadcast lenses by adding an LA-FZB1 or LA-FZB2 if you want to complement it with true ENG style lens. Has a convenient sturdy extended top handle with accessory mounting points. You can use hand grip on lens or add handgrips/handles via the Arri rosettes.

Includes dock itself and slide plate. Does not include top handle, mic holder, or battery adapter. Your existing PMW-F55 / F5 factory handle and battery adapter can be used with this kit. We have battery adapter for sale separately as well if you don't have your factory adapter anymore with your camera. Good cosmetic shape overall, with some paint wear and touchups in typical areas such as underside, attachment points, and platform camera sits on. There is one screw hole on back right side which is broken off, but this is a seldom used mounting point (so this is merely cosmetic). All electronics and mechanical functions are tested in good working order.





Zacuto
Zgrips V3 w/ C300 Grip Relocator
More Info

S/N:
Used. Cosmetic 8/10

(In Stock)
Price: $200
The Zacuto Z-LSHK-CGR is a handle set ideal for the Canon C100, C300, C500 camera when configured with the original grip. It is a Zacuto Z-grips V3 set with the Grip Relocator in place of the second handle. Zgrips is an "upside down V" configuration emerging from each side of a 15mm rod mount. This attaches to a Zacuto or third party rig with 15mm rods, serving as handle-bars for the rig and to allow distance extended chest-level handling. C300 Grip attaches onto the side of the Relocator, and a 24" cable that's already built into the Relocator will snake up a rod of the Zgrips and will connect to the C300 camera. Both handles articulate until they are locked in by lever.

Some cosmetic wear (mostly in the form of scratches on the rods). But overall is clean and intact with no damage or signs of harsh usage. Good working order, everything functions normally.



 

 

Still Photography

Sigma
18-35mm f/1.8 DC HSM Art lens EF
More Info

S/N: 51752617
Used. Cosmetic 8/10

(In Stock)
Price: sold
The Sigma 18-35mm f/1.8 DC HSM Art lens is a fast zoom lens, covering from wide-angle to normal focal lengths. Designed for APS-C format Canon EF cameras, providing a 28.8-56mm equivalent focal length range. Features a constant f/1.8 aperture throughout the zoom range, ideal for low light and impressive depth of field control. The advanced Hyper Sonic Motor (HSM) and internal focusing design promote fast, quiet, and precise autofocus performance. Manual focus (with markings in feet and meters) available at any time. Nine-blade round diaphragm for pleasing bokeh.

As part of the Art line, this lens is designed to achieve truly notable optical performance. Five Special Low Dispersion (SLD) elements help to reduce color fringing and chromatic aberrations for improved clarity and color accuracy. Four aspherical elements are used to help limit distortion and spherical aberrations and also contribute to greater overall sharpness and accurate rendering. A Super Multi-Layer Coating has been applied to minimize lens flare and ghosting and contribute to producing contrast-rich and color-neutral imagery, even in backlit conditions. Constructed using a Thermally Stable Composite (TSC) material for greater precision and use in wide temperature variations. Additionally, a brass bayonet affords improved mounting accuracy and rigidity.

This is in good working order. Includes front and rear lens caps (hood not included). Cosmetically has some light scuffs on barrel, but overall is very presentable. No optical scratches or imperfections. Works to factory standard. Manual / automatic focus work normally. This is a solid example of this lens.