Cameras, Lenses, Cinema / Production
Camcorders / Lenses Accessories Production Photo Gear
 
ALL ITEMS SOLD INCLUDE A
30 DAY WARRANTY!
 
 

 
Camcorders / Cameras

Arri
Alexa Classic cinema camera
More Info

S/N: 2104 (K1.71000.0)
Used. Cosmetic 8/10

(In Stock)
Price: $4,750
The Arri Alexa Classic EV (K1.71000.0) is a Super 35 16:9 sensor cinema camera. This has the exceptional film-like organic image the Alexas are known for with extended clean highlights, low noise floor, natural skin tones, excellent color separation, and cinematic depth. Extremely rugged and reliable build with ergonomics and easy usability well considered. Form factor ideal for balanced shoulder use and on tripod.

Can record in HD / 2K ProRes up to 4444. It records onto affordable SxS Pro and Pro+ cards. 64GB cards allow up to 60fps ProRes 444. 120fps at HD resolution is possible with highspeed license (up to ProRes 422 HQ). This can also record 2.8K ARRIRAW if you add a compatible external recorder (via a special protocol called T-Link to output ARRIRAW via HD-SDI to an Arri certified recorder).

Additional features include: 14 stop dynamic range, EI 800 base sensitivity (160-3200 range), Log C / Rec 709 / DCI P3, audio recording over 5-pin XLR line level input, 3-pin RS power for accessories, 2x HD-SDI out and 1x monitor out, surround view, false color exposure check, peaking focus, color bars/tone, and much more.

Comes with the highspeed (120fps) license. This has a very low 1534 hours of use. Also includes: EVF-1 viewfinder with eyecup and connecting cable, viewfinder mounting bracket, Anton Bauer gold mount battery adapter back, CCH-1 center top handle, and BP-12 bridge plate. Dovetail plate or tripod head compatible with Arri bridge plates required for tripod mounting (or you can use a cheap WA-1 wedge adapter to use with VCT-14 / VCT-U14 style plates). Shoulder pad not included, but velcro for attaching one is intact. This will ship in a Portabrace case (not pictured). The case isn't from this specific camera and might have older foam and show significant wear - so consider the Portabrace a bonus extra to aid in shipping protection. There is some typical paint wear and touchups around the body and accessories - but overall in better cosmetic condition than most examples on the market - it is very presentable for a professionally used Alexa with low hours. Newest Sup 11.1.1 installed. All features, functions, connections, sensor and included accessories are fully tested to be in excellent working order to factory spec.







Arri
Alexa Plus 4:3 cinema camera
More Info

S/N: 1034 (K1.71150.0)
Used. Cosmetic 8/10

(In Stock)
Price: $6,500
The Arri Alexa Plus 4:3 (K1.71150.0) is like the standard Alexa Plus, but has a 4:3 Super 35 sensor ideal for using anamorphic lenses. The full area of the sensor is used and a much higher image quality retained - the magic that anamorphic lenses provide is rendered faithfully and fully in the digital image. This can also be used in 16:9 mode just like any Alexa, so it's versatile even if you're not using anamorphic. This has the exceptional film-like organic image the Alexas are known for with extended clean highlights, low noise floor, natural skin tones, excellent color separation, and cinematic depth. Extremely rugged and reliable build with ergonomics and easy usability well considered. Form factor ideal for balanced shoulder use and on tripod.

The newer Alexa Plus models have all the features of the Alexa Classic EV, but adds features such as: Arri wireless lens control system compatibility, electronic horizon, lens mount has LDS contacts (lens data system), extra monitor BNC out (1.5G HD-SDI), GPS function, lens synchronisation for 3D, a third RS accessory power output, built-in position and motion sensors, and quick switch BNC connectors.

These come with the Alexa Plus 4:3 license bundle - which includes high-speed (120fps), DNxHD recording, and anamorphic de-squeeze standard.

Can record in HD / 2K ProRes up to 4444. It records onto affordable SxS Pro and Pro+ cards. If you were to swap the SxS module with XR module, it could then use Codex CDX-3730 drives and unlock 3.2K ProRes and internal ARRIRAW recording just like the XT models have. This can also record 2.8K ARRIRAW if you add a compatible external recorder (via a special protocol called T-Link to output ARRIRAW via HD-SDI to an Arri certified recorder).

Additional features include: 14 stop dynamic range, EI 800 base sensitivity (160-3200 range), Log C / Rec 709 / DCI P3, audio recording over 5-pin XLR line level input, surround view, false color exposure check, peaking focus, color bars/tone, and much more.

Includes: EVF-1 viewfinder, KC 150-S short viewfinder cable, viewfinder mounting bracket, Anton Bauer battery plate, CCH-1 center top handle, WA-1 wedge adapter, SHAN-TM700 tripod plate. Does not include shoulder pad, but does have the velcro to attach one. Cosmetically in acceptable condition for a professionally used Alexa - with just some paint wear, scratches, and touchups - but no damage or indications of rough usage - overall presentable. Newest Sup 11.1.1 installed. This has 2925 hours of use, which is reasonable for a professionally used Alexa - these are built rugged and reliable as you already know. All features, functions, sensor, buttons connections and included accessories are tested in excellent working order.







Arri
Alexa SXT Plus cinema camera
More Info

S/N: 5495 (K1.0006383)
Used. Cosmetic 7/10

(In Stock)
Price: $9,500
The Arri Alexa SXT Plus (K1.0006383) combines the power of the Alexa 65 with the familiar design of the original Alexa. Format options include 16:9 ProRes 4K UHD, Open Gate ProRes 4K Cine, economical 6:5 ProRes 2K Anamorphic and 6:5 ProRes 4K Cine Anamorphic, 8:9 anamorphic, the VFX-friendly 4:3 ProRes 2.8K, the high-res Open Gate ProRes 3.4K, and the versatile 16:9 ARRIRAW 3.2K, and more. Dynamic range of 14+ stops and base sensitivity of EI 800, for HDR display. Wide color gamut compatible with Rec 2020 color space. Full-image frame rates up to 120fps with HFR (High Frame Rate).

Has the exceptional film-like organic image the Alexas are known for with extended clean highlights, low noise floor, natural skin tones, excellent color separation, and cinematic depth. Extremely rugged and reliable build with ergonomics and easy usability. Form factor ideal for balanced shoulder use and on tripod.

The SXT Plus has improved image-processing such as ability to bake-in 3D LUTs, mild noise reduction (ANR), and pixel correction. Look management architecture updated with ARRI Color Tool (ACT) and ARRI Look File (ALF-2) - stored in metadata. Can apply custimized settings to each output (EVF and four monitor outs).

The newer Alexa Plus models have all the features of the Alexa Classic EV, but adds features such as: Arri wireless lens control system compatibility, electronic horizon, PL lens mount has LDS contacts (lens data system), extra monitor BNC out (1.5G HD-SDI), GPS function, lens synchronisation for 3D, a third RS accessory power output, built-in position and motion sensors, Built-in 15mm LWS rod support, AC power input, and quick switch BNC connectors. Additional features include: audio recording over 5-pin XLR line level input, surround view, false color exposure check, peaking focus, color bars/tone, and more.

The ideal recording media to fully unlock the power of the SXT are the SXR capture drives with write speeds up to 20Gb/s, such as the Codex CDX-37019 and CDX-37021. With the appropriate adapter installed, this can also record to XR capture drives (CDX-3730), SxS Pro+ cards, or CFast 2.0 cards.

Includes SXR adapter for use with drives such as CDX-37019 and CDX-37021. Comes with a wide array of valuable accessories: EVF-1 viewfinder, KC 150-S short viewfinder cable, LMS-3 low mode support top cheese plate, VMB-3 viewfinder mounting bracket, Anton Bauer battery plate, CCH-1 center top handle with HEB-2 extension block, shoulder pad, Arri BP-12 bridge plate, and Arri dovetail plate.

This only has 1234 hours on the meter, so it is low usage. Cosmetically has areas of paint wear and touchups, typically found on a used Alexa (though these cameras are built tough and reliable, their paint is not). Most cosmetic wear is on top, which is covered by the LMS-3 top plate. Accessories have a bit more wear than camera body itself. All features and functions are tested in excellent working order.







Arri
Alexa XT Plus cinema camera
More Info

S/N: 8881 (K1.71310.0)
Used. Cosmetic 8/10

(In Stock)
Price: $5,650
The Arri Alexa XT Plus (K1.71310.0) is like the standard Alexa Plus, but has a Open Gate and 4:3 capable Super 35 sensor. Shooting ARRIRAW Open Gate gives you a frame size of approximately 3.4K with a 1:1.55 aspect ratio. 4:3 is ideal for using anamorphic lenses. The full area of the sensor is used and a much higher image quality retained - the magic that anamorphic lenses provide is rendered faithfully and fully in the digital image. This can also be used in 16:9 mode just like any Alexa, so it's versatile even if you're not using anamorphic. This has the exceptional film-like organic image the Alexas are known for with extended clean highlights, low noise floor, natural skin tones, excellent color separation, and cinematic depth. Extremely rugged and reliable build with ergonomics and easy usability well considered. Form factor ideal for balanced shoulder use and on tripod.

The newer Alexa Plus models have all the features of the Alexa Classic EV, but adds features such as: Arri wireless lens control system compatibility, electronic horizon, lens mount has LDS contacts (lens data system), extra monitor BNC out (1.5G HD-SDI), GPS function, lens synchronisation for 3D, a third RS accessory power output, built-in position and motion sensors, and quick switch BNC connectors.

Can record in HD / 2K ProRes up to 4444 and HD DNxHD. This has the newest SUP 11.1.1 which allows 3.2K Pro Res at 16:9 (which is easily upscaled to 4K / 3.8K UHD). Can do internal ARRIRAW 2.8K and 3.4K Open Gate.

This has the XR module which uses capture card drive such as Codex CDX-3730. But can also use SxS Pro / Pro+ cards if adapter CDX-3790 (K2.48838.0) is installed. Can also work with qualfied SanDisk Extreme Pro CFast 2.0 card with use of adapter K2.48839.0.

Maximum frame rates are: 16:9 ProRes HD at 120fps, 16:9 ProRes 2K at 60fps, 16:9 Prores 3.2K at 30fps. 16:9 ARRIRAW at 120fps, 4:3 Prores at 48fps, 4:3 ARRIRAW at 90fps, Open Gate ARRIRAW at 75fps. Some reduced frame rates at 4:4:4 when using SxS media instead of CFast 2.0 or XR capture drive.

Additional features include: 14 stop dynamic range, EI 800 base sensitivity (160-3200 range), Log C / Rec 709 / DCI P3, audio recording over 5-pin XLR line level input, surround view, false color exposure check, peaking focus, color bars/tone, and much more.

Includes EVF-1 viewfinder with eyecup, KC 150-S viewfinder connecting cable, VMB-3 viewfinder mounting bracket, Anton Bauer goldmount battery plate, CCH-1 center top handle with HEB-2 extension block, shoulder pad, and Arri BP-12 bridge plate, and dovetail plate. Cosmetically in acceptable condition for a professionally used Alexa - with just some typical paint wear, touchups, and scuffs on body - but no damage or indications of rough usage. Overall this kit is very cosmetically presentable. Newest Sup 11.1.1 installed. Installed licenses: Alexa Plus 4:3 Bundle & Alexa Xtreme Bundle. This has a reasonable 2836 hours of use. All features, functions, sensor, connections and included accessories are tested in good working order to factory specifications.

We have good fully tested CDX-3730 drives, CDX-75112 reader, CDX-3790 SxS adapter, SxS Pro+ cards, and other accessories in case you need any of these items with purchase.







Blackmagic Design
URSA Mini Pro 12K Camera (EF)
More Info

S/N: 7843275
Used. Cosmetic 8.5/10

(In Stock)
Price: $4,000
The Blackmagic Design URSA Mini Pro 12K digital cinema camera (CINEURSAMUPRO12K) boasts a 12,288x6480 12K Super35 sensor (80MP per frame) with 14 stop dynamic range. 8K, 6K, and 4K are also available without scaling. The 12K sensor allows you to reframe shots in lower resolutions to get a multicamera look. Oversampling from 12K down to 8K or 4K both improves color and eliminates aliasing for an ultra-smooth look. Immersive detail, wide dynamic range, and deep color of film combined with an incredible definition around objects that is perfect for chromakeying, VFX, and IMAX imaging. Generation 5 color science for more improved skin tones and improved color saturation.

Recording rates include up to 60 fps in 12K 17:9 full sensor, up to 75 fps in 12K 2.4:1, 120 fps in 8K, and up to 240 fps in 4K Super16. This records onto Blackmagic RAW with various compression options. Can record onto CFast 2.0 or UHS-11 SD slots (record RAW on 2 cards option for faster speeds) or to NVMe SSD drives over a USB Type-C 32. Gen 2 port.

You get a massive number of ergonomically designed controls on the side of the camera so you can adjust most settings by feel, and without ever having to take your eyes off the action. Can be modified with shoulder kit, Compatible with shoulder kit, traditional viewfinder, studio viewfinder, battery plates, lens mounts, and more. Also features built in ND filters, a status display and a revolutionary new interchangeable lens mount that lets you change between EF, PL, and Nikon F mount lenses. Tactile controls available without needing to access touchscreen like gain, shutter, white balance, focus, peaking, volume, timecode, playback controls, menus, and more. The 4" touchscreen LCD monitor is available in addition to button-driven menus. Connections include 12G-SDI, HD-SDI monitoring, LANC, XLR with phantom power (as well as internal mics), timecode, reference, 4-pin XLR, and more.

This has been modified with EF lens mount (these come standard with PL mount but it was professionally changed to EF). This could be swapped back to PL mount by user if desired. V-mount battery plate on rear. Power supply included. Comes in original box. No other accessories included beyond what is shown. This is in very good cosmetic condition with only a few marks in the finish if looking for them. Overall extremely clean. Clearly a low usage camera, treated well. All connections, features, functions, and sensor are in good working order.







Panasonic
AJ-HPX3100G P2 HD camcorder
More Info

S/N: I1TAA0114
Used. Cosmetic 7.5/10

(In Stock)
Price: $2,000
The Panasonic AJ-HPX3100 P2 HD camcorder is a 2/3" 1920x1080 10-bit 4:2:2 master quality ENG style shoulder camcorder. Newly designed smaller/lighter and less power consumption than the AJ-HPX3000 / AJ-HPX3700. Records in AVC Intra and DVCPROHD. Worldwide framerate capability of 24P, 25P, 30P, 50i, and 60i. High sensitivity and excellent s/n ratio. Power is via Anton Bauer goldmount battery plate or any quality 4-pin XLR power supply. It can also use v-mount / v-lock batteries by installing a simple goldmount to v-mount adapter plate. Features include: advanced gamma settings, film-like shutter controls, HD-SDI output, wireless metadata input, chromatic aberration compensation (CAC), three level dynamic range stretch (DRS), advanced 14-bit digital signal processing (DSP), digital zoom/super gain, one clip REC function, 2 disc/4 position ND/CC optical filter wheel, 3.5" color LCD monitor, and full customization of image you'd expect in a high end broadcast camcorder.

This includes the Panasonic AJ-HVF21KG 2" black & white viewfinder. Provides ample resolution for easy focusing. Useful functions for focus peaking, contrast, brightness, zebra, and front/rear tally. Includes microphone holder and eyecup.

This comes with the AJ-HVF21KG viewfinder and a Pelican 1650 hard case. The camera has some cosmetic paint wear, touchups, and mild scratches - but overall gives a presentable and clean physical appearance. The flip-out LCD has some wear on it's screen protector, but nothing that is noticeable when in use. The LCD is for basic composition and menu operation anyway, not for the most critical viewing like the viewfinder and HD-SDI output. The Pelican case has heavier wear than the camcorder itself, including sticker residue, dust, interior foam wear, and some cracks in the underside. So the case is not pretty, but does function to protect it in transport (so consider the case a bonus extra). This has already been upgraded to the latest firmware. Reasonable hours of use for a solid state camcorder: operation 298x10, power on 11179. This is tested in excellent working order, good sensor with properly masked pixels, with all functions, features, and connections operating correctly. The ND filter wheel is a little finicky in one direction, but still works well enough to use properly. Overall this is a professionally field-used, but reliably working, example of a HPX3100. Multiple units are available.








Sony
HVR-A1U HDV camcorder
More Info

S/N: 117604
Used. Cosmetic 8/10

(In Stock)
Price: sold
The HVR-A1U fits many professional features in an small "handycam" form factor. 1080i switchable between 60i and cineframe 30P / 24P with 2:3 pulldown. This is NTSC, not PAL. Features include: C-MOS imager, HD to SD downconversion, cinematone gamma and cineframe functions, switchable hdv/dvcam/dv recording (onto mini DV tape), high quality 10x Carl Zeiss lens, lens hood with integrated cap, stabilization system, manual focus ring, 2.7" 16:9 LCD screen with touch screen menus, viewfinder at rear, built-in mic, color bars, nightshot (green low light capability), XLR inputs with phantom power, i.LINK (IEEE 1394), expanded focus, 3 mega pixel still images onto memory stick, and much more. Output connections for monitoring or live output include: HDV/DV firewire / i.link IEEE 1394, component HD / SD, composite. This doesn't have HDMI, but one can always gets a component to HDMI converter for example if they need that. Many use this as an affordable studio / live / streaming camera into a mixer, if they do not want to record onto HDV tape. It is extremely compact which makes it useful in a variety of situations where larger cameras are impossible.

This includes XLR adapter, remote, ac adapter / charger, long-life battery, component/av cables, manual (not pictured), lens hood w/ integrated cap. This does not include external mic. Good cosmetic condition with some exterior scratches from transportation, not from usage because this has low hour meter readings. The hood shows a bit of extra wear because it came from a different camera with more usage. The previous owner did etch the serial number into the bottom of the camera. Clean LCD screen. Good lens optics. Hours of use: drum 0x10, tape 0x10, threading 5x10, operation 1x10. So this has had under 10 hours of actual usage, which is quite rare indeed. All functions, features, connections, tape transport are tested in good working order.





Sony
HVR-V1U 1080P HDV camcorder
More Info

S/N: 4111428
Used. Cosmetic 7/10

(In Stock)
Price: sold
The HVR-V1U 3CMOS HDV camcorder packs a lot of big features in a small package. Captures video at 24P, 30P, and 60i - processed at 1920x1080/60p in full 4:2:2 and recorded as 1080/60i (24P recorded with 2:3 pulldown). This is NTSC only, not PAL. Records onto miniDV / HDV tape. Many professional features include: DVCAM/DV recording, 20x Carl Zeiss Vario-Sonnar T* optical zoom lens, downconversion, 3.5" LCD, rear color viewfinder, manual or automatic control of iris/shutter/focus/zoom/gain, HDMI and i.link interfaces, XLR audio, ClearVid for clear diagonal lines, integrated ND filters, picture profiles, focus peaking / zebra functions, SteadyShot, color bars, gamma settings including Cinematone Gamma, black stretch/compress, knee correction, versatile ergonomic design for handheld or tripod use, and much more. Many use this as an affordable studio / live / streaming camera into a mixer, if they do not want to record onto HDV tape.

Low hours of use: Operation 50x10, Drum 15x10, Tape 11x10, Thread 37x10. 150 drum hours is very low usage. Includes ac adapter/charger, small eyecup, av/component cables, and mic holder. This includes battery, but note it is a generic model, not genuine Sony battery (it does still work but full life not guaranteed). Cosmetically this camera has some scratches and scuffs in various places on the body. There is also some cleaning scratches on LCD, which are only lightly visible when in use. It's not perfect looking, but it is overall presentable and clean. Optics are clear and without scratches. All functions, features, connections, tape transport are tested in good working order.





Sony
PDW-700 2/3" XDCAM camcorder
More Info

S/N: 12372
Used. Cosmetic 7/10

(In Stock)
Price: sold
The Sony PDW-700 is a XDCAM HD422 2/3" broadcast ENG camcorder. Features Power HAD FX (three 2/3" CCD), 14-bit A/D converter, 50Mbps data rate, 1080P recording at international PAL/NTSC framerates to MXF format, HD/SD conversion and cross conversiion between 1080i / 720P, recording to single and dual layer XDCAM optical discs, ND wheel, thumbnail scene selection, 2x HD-SDI output, i.LINK, ethernet, proxy data, metadata, interval recording, 3.5" LCD, 5-pin XLR stereo front audio and 3-pin XLR rear audio inputs, picture cache recording (up to 30 seconds), slow shutter, smooth gain control, focus magnification, and more. Records in 1080/50i, 1080/59.94i (60i), 1080/25P, 1080/29.97P, 720/50P, and 750/59.94P (60P). With the 24P option installed, this can also do 1080/24P (23.98P) just like the PDW-F800. The XDCAM HD422 discs are reliable, durable, and long lasting - ideal for archiving. All of this is in a ENG shoulder mount form factor with precise audio/video customization, and ergonomic capabilities you'd expect from a high end broadcast camera.

Includes the 24P record and playback option, giving this 24P (23.98P) capability which is not factory standard with the PDW-700 like it is with the PDW-F800.

Includes the valuable HDVF-20A viewfinder. This has noticeable patches of missing paint - mostly on the left side, underside, and handle. Paint failure is typical on this model and is not representative of harsh usage. There is cosmetic wear, but no damage and it still is reasonably presentable. Has minor LCD scratches, which don't show up when in use (plus the LCD on this is not for critical viewing anyway like the viewfinder is). Running current updated firmware. Hours: Operation 5890, Laser 2033, spindle 4624, loading 8035. These are rated at 6,000+ laser hours, so at only 2033 laser hours there is tons of life left. Good optical block, pixels masked well and no lit pixels show at 0db with camera warmed up. All functions, features, and connections are tested in good working order.






Sony
PMW-300K1 camera w/ lens
More Info

S/N: 101392
Used. Cosmetic 8/10

(In Stock)
Price: $1,600

The Sony PMW-300 XDCAM HD camcorder features three 1/2" Full HD Exmor CMOS sensors, providing good low-light performance and low image noise. This is a semi-shoulder mount camera, offering extenable chest pad, rotary handgrip, and adjustable LCD with viewfinder loupe. Records onto dual SxS card slots to MPEG HD422 at 50 Mb/s, MPEG HD420 at 35 Mb/s, XAVC 10-bit HD422, XAVC Intra frame 10-bit HD22 100Mbps, XAVC Long GOP 10-bit HD 422, and more. NTSC / PAL region compatible with frame rates such as 23.98p, 25p, 29.97p, 50i, and 59.94i. Connections include 2x HD-SDI, HDMI, i.Link, timecode in/out, genlock, and USB 2.0 (for optional CBK-WA100 wireless adapter). Has all the quickly accessible ergonomic features and adjustability you'd expect from a broadcast style camcorder.

Additional features include: 3.5" color LCD viewfinder with optical loupe, 3DNR noise reducer technology, two XLR audio inputs with phantom power, internal mics for scratch audio, built-in neutral density filters, multicam operation with RM-B170 remote compatiblity, planning metadata, power-on quick record mode, continuous recording, color bars, assignable buttons.

This has an interchangeable lens system, compatible with the ACM-18 adapter for 1/2" ENG lenses and the the ACM-21 adapter for 2/3" B4 lenses. The factory included lens in the PMW-300K1 package is a Fujinon HD 14x lens (31.4-439mm equivalent at 35mm) featuring automatic / manual focus, macro, servo zoom, auto/manual iris, steadyshot, and integrated lens cap in hood.

This includes the factory 14x lens (making it the PMW-300K1 package). Also comes with 2x BP-U60 batteries, BC-U1 charger / AC adapter, Varizoom Pro-EX grip style zoom controller (w/ tripod clamp), and VCL-EX0877 0.8x wide angle conversion lens (mounts to front of factory lens instead of lens hood). 849 hours of use on the meter. Upgraded to latest V1.6 firmware. The batteries are in working order, but do have high charge count, so cannot guarantee full battery life. Cosmetically clean overall with only minor paint wear and some coating wear on the optical loupe for the viewfinder (which doesn't affect normal viewing). Function, features, connections, sensor are in good working order. Second unit available.







 

 
Lenses

Arri
EMC-1 Motor Controller w/ cables
More Info

S/N: 8079
Open box. Cosmetic 9/10

(In Stock)
Price: $1,000
The Arri EMC-1 Motor Controller (K2.0001474) is used to remotely control focus, iris, and/or zoom functions on Fujinon Cabrio, Canon, other ENG style zoom lenses, and the Angenieux ASU servo unit. Works with WCU-4 hand unit, SXU-1 single axis unit, Master Grips, and the cmotion pan-bar zoom control. Compatible cameras include Arri Alexa, Amira, and many third party cameras. Can transmit lens data to a WCU-4. Interfaces include ARRI LCS 5-pin (for wired hand unit), CAM 10-pin (REC and tally control), LENS 12-pin Hirose for ENG-type zoom lens, and a Micro SD card slot. Has a 3/8"-16 thread for mounting an L-bracket or V-plate. The 1.2” transflective LCD display shows vital status information and is easily readable in any ambient light conditions. Four soft buttons are located above and below the display.

The Arri SMC/EMC/AMC to RS connector cable (K2.0001606) is a 1.6' cable that connects the motor controller to a Arri RS connector on an Alexa or Amira camera, providing RUN/STOP and tally function.

The Arri EMC-1 to 20-pin Fujinon ZK Cabrio lens cable (K2.0003418) is a 1.6' cable that connects the motor controller to a 20-pin connector on Fujinon ZK series lenses.

This includes cables to connect to Arri Alexa / Amira and Fujinon ZK series Cabrio lenses. Other cameras and lenses can be used with optional cables from Arri. The Arri EMC-1 and 2x cables are in un-used open box condition, never put into service yet. Includes original box and packing. MSRP for these items is $3,600 total, so this is a steep savings!




Canon
CN-E 14.5-60mm T2.6 L SP lens
More Info

S/N: 92410027
Open box. Cosmetic 9/10

(In Stock)
Price: $7,000
The Canon CN-E 14.5-60mm T2.6 L SP (6141B001) is a PL mount cinema zoom wide angle lens designed for APS-C or Super 35 equivalent cameras up to 4K resolution. Can cover larger sensors and higher resolutions without vignetting when zoomed in. Maximum aperture of T2.6 throughout entire range. The 11-blade iris enables smooth bokeh. Internal focus par focal design to minimize breathing. Easy to read focus, zoom, and iris markings on both sides of lens - readable on either side or behind lens. Focus rotation of 300 degrees and zoom of 160 degrees - subtle, smooth, precise, and repeatable. Designed to counteract barrel expansion and contraction, the special glass and the construction of the lens suppress temperature-induced marking discrepancies and flange-back changes. Fluorite and aspherical lens elements reduce distortion and give high optical performance. The anti-reflective coating of the lens helps reduce ghosting or flaring. Can be used with standard accessories such as follow focus gears, marking disks, and matte boxes.

Excellent cosmetic condition with only minor wear. Includes front/rear caps and support bracket. Mechanically works normally, smoothly and consistent. No optical defects. A very fine example of this lens.




Canon
J11ax4.5B4 WRSD SX12 2/3" lens
More Info

S/N: 20112449
Used. Cosmetic 7/10

(In Stock)
Price: $1,125
 The Canon J11ax4.5B4 WRSDII SX12 2/3" IFxs lens is a 2/3" 21x internal focus wide angle lens in the IFxs line. This model features a rare 0.8x (16:9/4:3 switchable) crossover unit for use with smaller sensors. The crossover preserves image angle when shooting in 4:3 aspect ratio mode on a 16:9 camera. Also the crossover makes this ideal for using on a 1/2" HD camcorder (with lens adapter of course).

Perfect for any 2/3" camcorder such as the F23, AG-HPX500, AG-HPX600, AJ-HPX2000, AJ-HPX2700, AJ-HPX3000, AJ-HPX3100, AJ-HPX3700, HDC-930, HDC-950, HDC-1500R, HDC-1700, HDC-2400, HDC-2500, HDC-2550, HDC-2570, HDC-3100, HDC-3170, HDC-3300R, HDC-3500, HDC-4300, HDC-P1, HDW-F900R, HSC-100R, HSC-300R, HXC-FB75, HXC-FB80, PDW-700, PDW-F800, PMW-350, PMW-500, PXW-X400, PXW-X500, PXW-Z450, and many more. With the 2x extender engaged to prevent vignetting, this could be a good choice for adapting to micro 4/3 (MFT) camera like GH4/GH5, or Sony a7S / a7R II. There is also B4 adapters available for Sony PXW-FS5, PXW-FS7, PMW-F5/F55, Canon C300 mark II and many others. This is also ideal for the Blackmagic URSA Broadcast or Mini 4.6K / Pro with B4 mount installed. Please research the technical limitations of adapting a 2/3" B4 lens on your specific camera if it is not natively designed for 2/3" B4 lenses, to make sure you will find the trade-offs acceptable compared to the benefits.

4.5-50mm focal length range (9-100mm with extender engaged), and 1:1.8 relative aperture for low light capability. Also has a macro capability which you don't see in other types of lenses and can create some unique and powerful shots. Includes a zoom speed control on the underside of the lens. 12 pin lens connector and B4 mount, perfect for any professional or broadcast camcorder whether 4:3 or 16:9 - even high definition camcorders if you don't want to pay a fortune for a HD lens. Even though this is technically an SD lens, this is very high quality glass when it was released and very few people can tell the difference between this and HD glass with the naked eye.

Overall this is a good working lens with a good amount of professional usage. Includes hood, hood cap, and rear cap. This is a well-used lens. Shows noticeable signs of cosmetic wear throughout, mostly on the rubberized grip and extender housing (where the rubber has become slightly sticky as is typical with this model). There is some paint wear and touchups on the barrel as well, but no signs of damage or harsh use, overall this is in presentable physical shape. The exterior glass doesn't have any noticeable imperfections. Interior glass has some minor internal contamination (dust not fungus) typical for lens of this age, that does not affect anything optically. Optically this has above average edge to edge sharpness for this model and performs well, even with 2x extender engaged. The focus ring works and is usable, accurate, and overall smooth - though has a slight inconsistency in tension (which wouldn't be noticed in most situations). Zoom and aperture rings work normally, consistent and smoothly. Zoom and aperture servos all work well. This is a good solid working lens.




Canon
J21ax7.8B4 WRSD SX12 2/3" lens
More Info

S/N: 14017
Used. Cosmetic 7/10

(In Stock)
Price: $700
 The Canon J21ax7.8B4 WRSD SX12 2/3" IFxs lens is a 2/3" 21x internal focus telephoto lens in the IFxs line w/ digital drive. This model features a rare 0.8x (16:9/4:3 switchable) crossover unit for use with smaller sensors. The crossover preserves image angle when shooting in 4:3 aspect ratio mode on a 16:9 camera. Also the crossover makes this ideal for using on a 1/2" HD camcorder (with lens adapter of course).

Perfect for any 2/3" camcorder such as the F23, AG-HPX500, AG-HPX600, AJ-HPX2000, AJ-HPX2700, AJ-HPX3000, AJ-HPX3100, AJ-HPX3700, HDC-930, HDC-950, HDC-1500R, HDC-1700, HDC-2400, HDC-2500, HDC-2550, HDC-2570, HDC-3100, HDC-3170, HDC-3300R, HDC-3500, HDC-4300, HDC-P1, HDW-F900R, HSC-100R, HSC-300R, HXC-FB75, HXC-FB80, PDW-700, PDW-F800, PMW-350, PMW-500, PXW-X400, PXW-X500, PXW-Z450, and many more. With the 2x extender engaged to prevent vignetting, this could be a good choice for adapting to micro 4/3 (MFT) camera like GH4/GH5, or Sony a7S / a7R II. There is also B4 adapters available for Sony PXW-FS5, PXW-FS7, PMW-F5/F55, Canon C300 mark II and many others. This is also ideal for the Blackmagic URSA Broadcast or Mini 4.6K / Pro with B4 mount installed. Please research the technical limitations of adapting a 2/3" B4 lens on your specific camera if it is not natively designed for 2/3" B4 lenses, to make sure you will find the trade-offs acceptable compared to the benefits.

7.8-164mm focal length range (15.6-328mm with extender engaged), and 1:1.8 relative aperture for low light capability. Also has a macro capability which you don't see in other types of lenses and can create some unique and powerful shots. Includes a zoom speed control on the underside of the lens. 12 pin lens connector and B4 mount, perfect for any professional or broadcast camcorder whether 4:3 or 16:9 - even high definition camcorders if you don't want to pay a fortune for a HD lens. Even though this is technically an SD lens, this is very high quality glass when it was released and very few people can tell the difference between this and HD glass with the naked eye.

Overall this is a good working lens with a good amount of professional usage. Includes hood, hood cap, and rear cap. This is a well-used lens. Shows noticeable signs of cosmetic wear throughout, mostly on the rubberized grip and extender housing (where the rubber has become slightly sticky as is typical with this model). There is some paint wear and touchups on the barrel as well, but no signs of damage or harsh use, overall this is in presentable physical shape. The exterior glass doesn't have any noticeable imperfections. Interior glass has some minor internal contamination (dust not fungus) typical for lens of this age, that does not affect anything optically. Optically this has above average edge to edge sharpness for this model and performs well, even with 2x extender engaged. Focus, zoom, and aperture rings all works normally, consistent and smoothly. Zoom and aperture servos all work well. This is a good solid working lens.




Canon
J22ex7.6B4 WRSD SX12 2/3" lens
More Info

S/N: 20710591
Used. Cosmetic 7.5/10

(In Stock)
Price: $975
 The Canon J22ex7.6B4 WRSD SX12 2/3" eIFxs lens is a 2/3" 22x internal focus telephoto lens in the e-IFxs line w/ digital drive. This model features a rare 0.8x (16:9/4:3 switchable) crossover unit for use with smaller sensors. The crossover preserves image angle when shooting in 4:3 aspect ratio mode on a 16:9 camera. Also the crossover makes this ideal for using on a 1/2" HD camcorder (with lens adapter of course).

Perfect for any 2/3" camcorder such as the F23, AG-HPX500, AG-HPX600, AJ-HPX2000, AJ-HPX2700, AJ-HPX3000, AJ-HPX3100, AJ-HPX3700, HDC-930, HDC-950, HDC-1500R, HDC-1700, HDC-2400, HDC-2500, HDC-2550, HDC-2570, HDC-3100, HDC-3170, HDC-3300R, HDC-3500, HDC-4300, HDC-P1, HDW-F900R, HSC-100R, HSC-300R, HXC-FB75, HXC-FB80, PDW-700, PDW-F800, PMW-350, PMW-500, PXW-X400, PXW-X500, PXW-Z450, and many more. With the 2x extender engaged to prevent vignetting, this could be a good choice for adapting to micro 4/3 (MFT) camera like GH4/GH5, or Sony a7S / a7R II. There is also B4 adapters available for Sony PXW-FS5, PXW-FS7, PMW-F5/F55, Canon C300 mark II and many others. This is also ideal for the Blackmagic URSA Broadcast or Mini 4.6K / Pro with B4 mount installed. Please research the technical limitations of adapting a 2/3" B4 lens on your specific camera if it is not natively designed for 2/3" B4 lenses, to make sure you will find the trade-offs acceptable compared to the benefits.

Features enhanced digital drive with information display and digital function selector. 7.6-168mm focal length range (15.2-336mm with extender engaged), and 1:1.8 relative aperture for low light capability. Also has a macro capability which you don't see in other types of lenses and can create some unique and powerful shots. Includes a zoom speed control on the underside of the lens. 12 pin lens connector and B4 mount, perfect for any professional or broadcast camcorder whether 4:3 or 16:9 - even high definition camcorders if you don't want to pay a fortune for a HD lens. Even though this is technically an SD lens, this is very high quality glass when it was released and very few people can tell the difference between this and HD glass with the naked eye.

Overall this is a good working lens with a good amount of professional usage. Includes hood, front circle cap, and rear cap. This is a well-used lens. Shows noticeable signs of cosmetic wear throughout, mostly on the rubberized grip and extender housing (where the rubber has become sticky as is typical with this model). There is some paint wear and touchups on the barrel as well, but no signs of damage or harsh use, overall this is in presentable physical shape. The exterior glass doesn't have any noticeable imperfections. Interior glass has some minor internal contamination (dust not fungus) typical for lens of this age, that does not affect anything optically. Optically this has above average edge to edge sharpness for this model. The zoom functionality, aperture, and various servos all work normally.




Chrosziel
CLWAH-F4.5 matte box system
More Info

S/N:
Used. Cosmetic 7/10

(In Stock)
Price: sold
This is for a Chrosziel CLWAH-F4,5 mattebox system, also known as the 415-02F110 or MB 415. Designed for any Canon, Fujinon, or other brand of lenses, even wide angle lenses with focal length up to 4.5mm. Dual stage filter stages - 1 fixed and 1 rotating filter stage. This is a clip-on style mattebox for use without rods. This is a robust and professional matte box system, not a chintzy knock off.

This includes the CLWAH-F4.5 sunshade housing, 410-31 4x4/4x5.650 filter holder, 510-01 5x5/4x5.650 filter holder, 130-110mm intermediate ring, 110mm-98mm stepdown ring, 110mm-95mm stepdown ring, and foldable top french flag. So this can accomodate 130mm, 110mm, 98mm, and 95mm diameter lenses (though you can obtain other stepdown rings if your needs differ). Even includes a hard case to carry it, model Pelican 1500. Shows noticeable cosmetic wear and paint touchups, but no damage. In very good working order. Multiple units available.




Chrosziel
MB 602 6.6x6.6" matte box
More Info

S/N:
Used. Cosmetic 8/10

(In Stock)
Price: $1,100
The Chrosziel MB 602 is a 6.6x6.6" four stage matte box designed for high end film and digital cinema production. The swing-away design attaches to 19mm rod support systems for ease of lens changes. There is four filter stages. The first is not detachable. The other three can rotate. Two of them are geared and can be precisely moved up and down via the including flexible shaft / whip. This also has a top french flag and two adjustable side flags for perfect control of light. All areas of this mattebox have precise adjustments available to suit your particular system and needs. This is native 165mm diameter with a 142.5mm intermediate ring standard. Further stepdowns are available via optional rings to fit your precise lens/lenses.

This includes the top french flag, 2x side flags, 4x 6.6x6.6" filter holders (2 of which are geared), shaft/whip for adjusting geared holders, 165-142.5mm intermediate ring, 142.5mm-136mm (410-58) stepdown ring, 142.5mm-114mm (410-12A) stepdown ring, and a Pelican 1550 case. Mask inserts not included. Cosmetically has some paint wear and scratches, but overall is clean and undamaged. Excellent working condition.




Fujinon
ZA12x4.5BMD-DSD 2/3" lens
More Info

S/N: 447473
Used. Cosmetic 8/10

(In Stock)
Price: $2,750
The Fujinon ZA12x4.5BMD-DSD is a 2/3" B4 mount HD wide angle zoom lens, with Motor Drive designed for full servo remote applications as part of a pan and tilt (PTZ) system. This is a teleconferencing style lens, not intended for ENG style shoulder usage. Applications include: virtual studio, robotic, tower cam, POV, sporting events, large arenas/venues, and more. This is the same as the ZA12x4.5BEMD-DSD (but without the 2x extender). The latest digital servo drive features enhanced FIZ performance. An internal focus design minimizes the effects of lens breathing. 16-bit encoders for compatibility with virtual systems. Fast f/1.8 maximum aperture. 4.5-54mm focal length range. Connections are via two cables, 12-pin female and 12-pin male - one for camera connection and one for control. Remote control via Fujinon controllers (RM-10, RM-20, RM-30), Pan / Tilt units or third party controllers is possible.

Includes hood and front/rear caps. Clean cosmetic condition overall with only mild wear (most noticed on exterior of servo box area). Overall very clean and low usage condition. Good working order, once setup in a complete compatible system.




Sachtler
Ace Follow Focus system
More Info

S/N: S215314001025
Used. Cosmetic 9/10

(In Stock)
Price: $200
The Sachtler Ace Follow Focus (S2153-0001) is a backlash-free follow focus system that can support photo or video lenses. Features both a 0.8 Mod (50 tooth) drive gear and a 35mm friction wheel to accommodate lenses whether or not they have gear rings. The direction of the gear mechanism is reversible and it can be mounted on either side of lens. Works with 15mm rod support systems. Also features Interchangeable marking discs, hard stop functionality, compatability with focus whips.

This is in "like new" condition with no discernible signs of usage. Includes 2x marking discs, drive gear, friction wheel, manual, and original box. Excellent working order.


Service Vision
Scorpio Focus wireless lens control
More Info

S/N: 127
Used. Cosmetic 6.5/10

(In Stock)
Price: sold

The Service Vision Scorpio Focus is an ultra high quality wireless digital cinema lens control system for Focus, Iris, and Zoom - i.e. FIZ. The hand unit can be connected to the motor driver box wirelessly (most common application) or wired. The motor driver box then is wired to the motors to control the lens. The hand unit has a follow focus wheel that can accept marking discs, iris slider with marking strip, and zoom potentiometer micro knob for iris - though any control can be assigned to focus, iris, or zoom as desired. The information display shows menu items, speed, total meters/feet counter, last take counter, signal coverage indicator, low battery indicator, camera status, and zoom position scales. Motor drive box can accept power between 11-30VDC. The hand unit is powered with NP-FM50 style batteries. Lenses are automatically calibrated either by connecting motor cable to motor or from the hand unit menu - this can be saved on memory when disconnecting the equipment. It is possible to add a second hand unit in master-slave mode. Two motors can also be synchronized or even six motors two-by-two when adding a second motor driver box, plus one can rescale mark by mark the second focus in regards to the first - so this is ideal for 3D applicaitons. One can set limits for any FIZ movements. Can also run camera start/stop control from the hand unit. This system is very versatile, with brackets, gears, driver cables, and power cables available for nearly any camera/lens configuration you can imagine.

This includes 3x motors - 1x SB 92 (5101) digital motor and 2x standard S.C.O.R.P.I.O motor. One of the motors is a "clunker" and requires repair to work normally. The other two motors work very well with no problems or backlash, though note that they have re-glued cable connectors (which is cosmetic only in nature). So consider this a 2 motor kit, with a bonus motor which could be hypothetically be repaired if desired.

This is a fully loaded package which includes: hard carrying case with custom foam, 3x blue Arri bushings, 2x gold Panavision bushings, 2x rod brackets for motors, bracket/shield and handle for hand unit, 3x genuine batteries, 2x generic chargers, a large collection of markings discs (all have marker on them which needs to be cleaned), a wide assortment of gears for many lens types, 4x motor cables, Arri run/stop cable, Arri power cable, zoom-iris command 6-pin cable, and misc parts/screws/antennas.

This is a well-used system that has seen some time on set. It has heavy paint wear and brassing. There is velcro and electrical tape affixed in many areas. Some connectors are re-glued securely. Though there is no damages and it is mostly in good clean presentable shape if one gets past the mentioned cosmetic wear. This is fully tested to be in good working order. Reset to factory settings and calibrated. The only functional issue is one of the three motors is for parts/repair. Otherwise, this is a good working 2 motor system. Buyer is responsible to add any brackets, gears, cables, or other accessories as needed for their specific configuration if not included or pictured here.








 

 
Camera Accessories

Alvin's Cables
Red time code adapter cable
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $25
This is a time code adapter cable for Red DSMC and DSMC2 cameras (with module such as base expander or v-lock i/o expander). The side which connects to camera is 4-pin male. The other side is BNC. Length is 50cm.

Clean cosmetic condition and working order.

Anton Bauer
Dionic 90 lithium ion battery
More Info

S/N: 19603
Used. Cosmetic 8/10

(In Stock)
Price: $100
The Anton Bauer Dionic 90 gold mount li-ion camcorder / camera battery has a high capacity of 90Wh, while weighing less than 2lbs. Features a LCD real time display which automatically calculates the run-time in 1/4 hour increments based on existing operating load (based on 20W draw when off camera).

This has less than 50 charge cycles since it was re-celled, so still has essentially full normal life. The LCD shows maximum capacity when fully charged, retaining that charge - 4 hr, 30 minutes at 20W draw. Cosmetically has some wear around the body and serial number partially rubbed off. But no damage and overall clean. Good working order with low charge cycles since recell.


Anton Bauer
QRC-4K-S V-mount to Gold-mount
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $125
The Anton Bauer QRC-4K-S is a battery adapter plate to convert the V-mount of the Sony PMW-F5 or PMW-F55 camera to use Anton Bauer Goldmount batteries. Also compatible with the AXS-R5 recorder. Includes four P-tap connectors (10 amp draw max) and passes battery information through to camera viewfinder.

Very clean, with only very minor cosmetic wear. Tested in good working order. Second unit is available.


Arri
KC 151-S medium viewfinder cable
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: sold
The Arri KC151-S (K2.72013.0) is a 2.1' long medium viewfinder cable, designed for connecting the EVF-1 to Alexa Classic, Alexa Plus, Alexa Plus XR, Alexa XT, and Alexa SXT / SXR cameras. The longer length is ideal for using on camera right or left side or when using a VEB-1 or VEB-3 viewfinder extension bracket.

Clean cosmetic with only minor signs of wear. Good working order. Multiple units available.


Arri
Top Plate for Sony PXW-FS7
More Info

S/N:
Used. Cosmetic 7/10

(In Stock)
Price: $140
The Arri Top Plate for Sony PXW-FS7 (model K2.0003722) is also compatible with the PXW-FS7 II (PXW-FS7M2) and the PXW-FX9. Cheese plate style provides multiple threaded accessory mounting points in 1/4"-20 and 3/8"-16. Built-in support for 15mm LWS rods. Compatible with CCH-1 and CCH-2 handles.

Good cosmetic condition, with some light scratches and paint wear. Attachment screws included. In good working order.


Cmotion
Cfinder optical rangefinder
More Info

S/N: 100
Used. Cosmetic 7/10

(In Stock)
Price: $500
The Cmotion Cfinder is an optical range finder distance measurement tool with an invisible class 1 laser beam. Measures from 0.3m to 300mm with readings updated up to 50 times a second and an accuracy range of of +/- 0,05m at maximum distance. For invisible laser sharp reference while filming, a telescopic sight can be easily mounted to the cfinder by means of a quick fastener. The operator can either mount the cfinder with brackets to various cameras or operate as a stand alone unit on a separate tripod beside the camera. Using the CBUS interface cable, two way communication can be established between the Cfinder and Camin (also the source of power). Camin will then send wireless measurement information to the cDisplay. This can also be powered with 3-pin RS power such as found on the Arri Alexa camera. This information can be used to identify depth of field, enable auto focusing and preset distance limits where all other distance values are ignored. This is like a more advanced CineTape.

This is the original Cmotion Cfinder. Cosmetically has some scratches and paint wear, but no damage or signs of rough usage. This is fitted with a BSA Air Rifle 2-7X32 telescopic sight / scope. This is an incomplete system. It does not include items such as Cdisplay, Camin, or any cables. This includes the Cfinder and scope only. Because this is incomplete system, it has not been fully tested here. It is presumed in good working order, but is sold "as is" to a buyer who can obtain the rest of the equipment to acheive a complete working system.




Codex
CDX-37019 1TB SXR drive
More Info

S/N: 711547
Used. Cosmetic 8/10

(In Stock)
Price: $500
The Codex CDX-37019 Capture Drive SXR is a 1TB drive media card, compatible with the Arri Alexa SXT (EV, Plus, Studio), LF, and 65. Also used in the Canon C700 w/ CDX-36150 recorder, Panasonic Varicam 35 with CDX-36050 recorder, or Varicam 35 Pure with AU-VCXRAW2 recorder. This is NOT the Compact Drive style compatible with Mini LF or 35. This is used in docks such as the CDX-75014 and CDX-75013 or the Codex Vault. Designed with the latest PCe flash storage for fast and reliable performance. Very long life of 10,000 actions. Up to 20Gb/s. Advanced thermal design, performs reliably in virtually any temperature.

Tested with Arri Alexa SXT and Codex dock to ensure in good working order. Cosmetically has some edge wear and light scratches, but overall gives a reasonable clean appearance. Multiple units are available.


Codex
CDX-37021 2TB SXR drive
More Info

S/N: 730824
Used. Cosmetic 8/10

(In Stock)
Price: $1,000
The Codex CDX-37021 Capture Drive SXR is a 2TB drive media card, compatible with the Arri Alexa SXT (EV, Plus, Studio), LF, and 65. Also used in the Canon C700 w/ CDX-36150 recorder,. This is NOT the Compact Drive style compatible with Mini LF or 35. This is used in docks such as the CDX-75014 and CDX-75013 or the Codex Vault. Designed with the latest PCe flash storage for fast and reliable performance. Very long life of 10,000 actions. Up to 20Gb/s. Advanced thermal design, performs reliably in virtually any temperature.

Tested with Arri Alexa SXT and Codex dock to ensure in good working order. Cosmetically has some edge wear and light scratches, but overall gives a reasonable clean appearance. Multiple units are available.


Codex
CDX-37096 XR adapter for SXT
More Info

S/N: 641315
Used. Cosmetic 8.5/10

(In Stock)
Price: $150
The Codex CDX-37096 (K2.0008430) is a XR Adapter for the Arri Alexa SXT camera, to allow recording onto XR capture drive like CDX-3730.

Some minor cosmetic wear, but overall looks in very good condition with low usage. Working order.

Codex
CDX-37098 SxS Adapter 2
More Info

S/N: 661182
Used. Cosmetic 8.5/10

(In Stock)
Price: $550
The Codex CDX-37098 (K2.0006338) is a SxS Adapter for the Arri Alexa SXT / SXR camera, to allow recording of ProRes to readily available SxS Pro and Pro+ card media.

Some minor cosmetic paint wear, but overall looks in very good condition with low usage. Good working order. Multiple units are available.


Codex
CDX-3730 XT / XR capture drive
More Info

S/N: 311551
Used. Cosmetic 8/10

(In Stock)
Price: $400
The Codex CDX-3730 capture drive provides 512GB (480GB usable) of solid-state storage for your Arri Alexa XT, Alexa XT Plus, Alexa Plus 4:3 XR, or Alexa SXT (with XR adapter installed)). Use of the Codex drive media instead of a Cfast / SxS adapter allows internal ARRIRAW and Open Gate as well as unlocks maximum frame rates, resolutions, and recording times available for the camera (such as Prores 3.2K).

Tested in good working order on an Arri Alexa XT camera with ARRIRAW and Prores 3.2K. Many of these drives on the market have an issue recording ARRIRAW when they have been sitting un-used for too long. Each drive has 2x internal SSD - only one is required to record Prores, but both are required to record ARRIRAW. Many resellers do not FULLY test these before listing them. So it is important that these are recently fully tested on camera like this one has been, to ensure they can record ARRIRAW successfully and reliably. This has minor cosmetic paint wear and scratches, but only superficially - no damage or signs of abuse - overall very presentable in above average condition. Good working order. Multiple units are available, all fully tested in similar condition.


Codex
CDX-3790 SxS Adapter XT / XR
More Info

S/N: 00291104
Used. Cosmetic 8/10

(In Stock)
Price: $350
The Codex CDX-3790 (model K2.48838.0) is an adapter that fits into the Arri Alexa XT, Alexa XT Plus, and Alexa Plus 4:3 XR cameras. This allows use of SxS Pro or SxS Pro+ memory cards instead of CDX-3730 XR capture drive. This is meant for recording of ProRes or DNxHD, not for ARRIRAW / Open Gate formats.

Has some minor cosmetic wear (mainly on sharp edges), but no damage or signs of harsh use. Overall clean condition. Tested in good working order on an Alexa XT. Multiple units are available.


Codex
Compact Drive Adapter for SXR
More Info

S/N: 1091413
Used. Cosmetic 8.5/10

(In Stock)
Price: $200
The Codex Compact Drive Adapter (CX.0001009 / CX.0000109 / K2.0024131) allows you to use Codex Compact Drives from a Alexa Mini LF and Alexa 35 in a reader designed for SXR cards such as the Codex CDX-75014, CDX-75013, CDX-62102-2, CDX-62102-3 or Codex Vault. This adaptor is not intended for using Compact Drives in a Alexa SXT, LF, or 65 camera. This is exclusively for being able to read Compact Drives in a reader designed for SXR drives.

Clean cosmetic condition with very little wear. Good working order. Multiple units available.


Denz
Heater Eyecup for Panasonic
More Info

S/N:
Used. Cosmetic 8.5/10

(In Stock)
Price: $350
The Denz C0100133 is shut-eye style heated viewfinder eyecup. It is designed for was used with the Panasonic Varicam 35 camera with the AU-VCVF1G or AU-VCVF2G viewfinder - though it might work on other models of Panasonic viewfinders on ENG camcorders such as AJ-CVF100G and AJ-HVF21G. It allows more comfortable operating and/or to eliminate eyepiece fog in cold or humid conditions. Eyepiece features include an auto-closing eyepiece iris, an LED status indicator, and two temperature settings to suit a range of environmental conditions.The included coiled cable stretches when the eyepiece is tilted without adding a lot of bulk.

Includes coiled connection cable, that goes from the eyecup to a 3-pin Fischer connector. You will need to have an accessory or adapter on your Varicam or other camera that provides power over 3-pin Fischer style connector. Good cosmetic condition with little wear. Working order.


Panasonic
AJ-P2E064FG 64GB P2 card
More Info

S/N: ABZ14E0031
Used. Cosmetic 7/10

(In Stock)
Price: $85
The Panasonic 64GB "F series" P2 card AJ-P2E064FG is a plug-in PC card utilizing ultra-reliable, solid-state memory. The F series is compatible with AVC Intra class 200 AVC Ultra codec, as well as all existing P2 codecs. The lightweight P2 card has a rugged die-cast frame resistant to impact, vibration, shock, dust and environmental extremes. Withstands impacts up to 1500 G and vibrations up to 15 G. Flash memory error correction system, which is equivalent to RAID system, which greatly strenghtens data retention reliability. The P2 card is reusable and connects instantly with most laptops and major non-linear editing systems. F series features up to 1.2GBps transfer speed.

Compatible with the latest P2 cameras such as: AJ-PX800G, AJ-PX380G, AJ-PX270, AJ-PX230, AJ-PD500, AJ-PG50, AJ-PX5100G, etc. Can also work with legacy units such as AG-HVX200, AG-HPX170, AG-HPX500, AJ-HPX2700, AJ-HPX3700, AJ-HPX200, AG-HPX3000, AG-HVX200A, AG-HPX3100, AG-HPX600, AG-HPX250, AG-HPX300, AG-HPX370, AJ-SPX800, AG-HPG20, AJ-HPM110, AJ-HPM200, AG-HPD24, etc.

Includes case. Tested on camcorder to be in good working condition. Cosmetically has some noticeable wear on rear side, where previous companies sticker and label writing was removed. This is all superficial and this card is still overall presentable, with no damage, and in good working order. Multiple units are available.


Panasonic
AJ-P2E064FG 64GB P2 card
More Info

S/N: ACZ15C1388
Used. Cosmetic 9/10

(In Stock)
Price: $115
The Panasonic 64GB "F series" P2 card AJ-P2E064FG is a plug-in PC card utilizing ultra-reliable, solid-state memory. The F series is compatible with AVC Intra class 200 AVC Ultra codec, as well as all existing P2 codecs. The lightweight P2 card has a rugged die-cast frame resistant to impact, vibration, shock, dust and environmental extremes. Withstands impacts up to 1500 G and vibrations up to 15 G. Flash memory error correction system, which is equivalent to RAID system, which greatly strenghtens data retention reliability. The P2 card is reusable and connects instantly with most laptops and major non-linear editing systems. F series features up to 1.2GBps transfer speed.

Compatible with the latest P2 cameras such as: AJ-PX800G, AJ-PX380G, AJ-PX270, AJ-PX230, AJ-PD500, AJ-PG50, AJ-PX5100G, etc. Can also work with legacy units such as AG-HVX200, AG-HPX170, AG-HPX500, AJ-HPX2700, AJ-HPX3700, AJ-HPX200, AG-HPX3000, AG-HVX200A, AG-HPX3100, AG-HPX600, AG-HPX250, AG-HPX300, AG-HPX370, AJ-SPX800, AG-HPG20, AJ-HPM110, AJ-HPM200, AG-HPD24, etc.

Includes case. Tested on camcorder to be in good working condition. Cosmetically is clean, with only minor wear, and in above average cosmetic condition. Multiple units are available.


Panasonic
VARICAM-VFC155 cable
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $75
The Panasonic VARICAM-VFC155 is a 15.5" long EVF viewfinder connection cable for the Varicam 35 or Varicam Pure camera with the AU-VCVF1G or AU-VCVF2G attached. Both sides are a right-angle connector with 14-pins. Retails for over $300 if purchased new.

Good cosmetic condition with very few signs of use. Good working order. Multiple units are available in the same condition.


Red Digital Cinema
4-pin XLR power cable (12')
More Info

S/N: 7911029FB46C
Used. Cosmetic 8.5/10

(In Stock)
Price: $45
This is a custom-made 4-pin XLR power cable (long 12 foot length) that allows you to power your Red DSMC Epic / Scarlet or DSMC2 camera (with appropriate expander module) via the standard 4-pin LEMO connector. Requires a high quality 4-pin XLR power supply (11.5-17 VDC) or battery. Recommended your power supply is capable of at least 150W.

Custom-made, not sure of brand. 12 feet in length. Clean cosmetic and good working order.


Sony
Battery Adapter for F55 (goldmount)
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $425
This is the Sony Battery Adaptor Assembly (model A-1922-131) for the PMW-F5 or PMW-F55 camera. This battery back allows power from a 4-pin XLR power supply or Gold Mount Anton Bauer style battery. Also has 4-pin (12V 1.8A) accessory outputs. You can also output the REC Tally signal and input the REC Trigger signal through the DC OUT connector. This is something around $1,500 to order new, so this is a significant savings if you need this part for your F55 / F5.

This is modified to accept Anton Bauer Gold Mount style batteries instead of the typical v-mount. Clean cosmetic condition with only superficial wear if looking for it. Tested on camera to be in good working order. Second unit available.


Sony
EVF cable for PMW-F55 viewfinder
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $95
This is the EVF monitor connection cable (part A-1970-764-A / A1970764A) for the PMW-F55 / PMW-F5 camera. Works with viewfinders such as the DVF-EL100 and DVF-L700.

Good cosmetic and functional condition. Working order. Multiple units are available.

Sony
47" cable for PMW-F55 viewfinder
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $125
This is the EVF monitor extension connection cable (part A-1970-765-A / A1970765A). This is a 47" cable for the PMW-F55 / PMW-F5 camera. Works with viewfinders such as the DVF-EL100 and DVF-L700. This is like the A-1970-764-A except is a long length of 47" for applications where extending the viewfinder away from the camera is required.

Good cosmetic and functional condition. Working order. Multiple units are available.

Sony
PXW-FS7 factory top handle
More Info

S/N:
Used. Cosmetic 8/10

(In Stock)
Price: $265
This is a genuine factory replacement top handle assembly for the Sony PXW-FS7 or PXW-FS7M2 (mark II) 4K XDCAM camcorder. Provides record button, zoom switch, hot smart shoe, cold shoe, GPS, 15mm rod holder for mic holder and viewfinder attachement, and more.

Comes with 4x attachment screws. This includes the valuable pipe clamp piece that secures the viewfinder/mic holder rod, but does not include the rod itself. Electronics are in good working order. Cosmetically clean with some minor wear in the finish if looking carefully, but overall good clean shape. Second unit is available.


Sony
SBP-64D SxS Pro+ memory card
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $125
The SBP-64D is a 64GB SxS Pro+ memory card, designed for high-speed video recording with XDCAM / XDCAM EX camcorder. This is ideal for 4K and high data rates on the PMW-F5 and PMW-F55 cinealta camera (unlike the previous SBP-64 / SBP-64A card which is not suitable). Of course, this can also be used with any model that takes an SxS / ExpressCard such as PMW-500, PMW-300, PMW-320, PMW-400, PMW-200, PMW-160, PMW-EX1R, PMW-EX3, PXW-X200, PXW-X180, PXW-X160, PXW-X400, PXW-X500, PXW-X320, PMW-RX50, PMW-PZ1, PMW-50, PMW-100, Arri Alexa Classic / XT / SXT, and more.

This features around double the read/write speed of the previous generation SBP-64B and is the most current model (newer than the SBP-64C). Maximum read speed of 3.5Gbps and write speed of 2.8Gbps (minimum read speed of 1.3Gbps). This faster speed is useful for ensuring stable high frame rate recordings in formats such as XAVC 4K 60P or XAVC 4K 180P.

Also has improved safety features such as data refreshing, error correct, and power failure management. Supports EB Streaming between the card and Sony camcorders, enabling constant 2-way communication and insuring stable recording while avoiding speed degradation.

Example recording times: 20 minutes 4K XAVC Intra 4:2:2, 10 minutes in 4K XAVC 4:2:2 60P at 600Mbps, 60 minutes HD XAVC Intra 4:2:2, and 120 minutes in HD MPEG2 4:2:2 30P at 50Mbps. Maximum recording time possible is 200 minutes at 35Mbps. This SxS Pro plus card is the ultimate memory card that can support any codec or camera model out there.

Includes case. Good cosmetic condition with only minor signs of wear. Tested in good working order. Multiple units are available, so ask if you need more than one!


Sony
SBP-64E SxS Pro+ memory card
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $150
The SBP-64E is a 64GB SxS Pro+ memory card, designed for high-speed video recording with XDCAM / XDCAM EX camcorder. This is ideal for 4K and high data rates on the PMW-F5 and PMW-F55 cinealta camera (unlike the previous SBP-64 / SBP-64A card which is not suitable). Of course, this can also be used with any model that takes an SxS / ExpressCard such as PMW-500, PMW-300, PMW-320, PMW-400, PMW-200, PMW-160, PMW-EX1R, PMW-EX3, PXW-X200, PXW-X180, PXW-X160, PXW-X400, PXW-X500, PXW-X320, PMW-RX50, PMW-PZ1, PMW-50, PMW-100, Arri Alexa Classic / XT / SXT, and more.

This features around double the read/write speed of the previous generations and is the most current model (newer than the SBP-64C or SBP-64D). Maximum read speed of 3.5Gbps and write speed of 2.8Gbps (minimum read speed of 1.3Gbps). This faster speed is useful for ensuring stable high frame rate recordings in formats such as XAVC 4K 60P or XAVC 4K 180P.

Also has improved safety features such as data refreshing, error correct, and power failure management. Supports EB Streaming between the card and Sony camcorders, enabling constant 2-way communication and insuring stable recording while avoiding speed degradation. Additionally this has extreme shock resistance and insertion/removal durability rated at over 30,000 times.

Example recording times: 20 minutes 4K XAVC Intra 4:2:2, 10 minutes in 4K XAVC 4:2:2 60P at 600Mbps, 60 minutes HD XAVC Intra 4:2:2, and 120 minutes in HD MPEG2 4:2:2 30P at 50Mbps. Maximum recording time possible is 200 minutes at 35Mbps. This SxS Pro plus card is the ultimate memory card that can support any codec or camera model out there.

Good cosmetic condition with only very minor signs of wear. Tested in good working order. Case not included. Multiple units are available, so ask if you need more than one!

Sony
SR-256S55 256GB memory card
More Info

S/N: 1400366
Used. Cosmetic 8/10

(In Stock)
Price: $50
The Sony SR-256S55 SRMemory Card is a 256GB ultra high-speed reliable flash memory media for SRMaster series products. Compatible with F65 camera (with SR-R4), SR-R1000 memory storage unit, SR-R1 portable memory recorder, SR-PC5 / SR-PC4 data transfer units. Transfer speeds up to 5.5 Gbps in order to record and replay multiple streams simultaneously, high frame rate (HFR), and support data rates that can handle HD up to 4K (YPbPr422, RGB444, 1080 59.94p, 3D, 4K, and uncompressed). With 256GB capacity, can record over an hour at 1080/25P, for an example.

Includes case. Very good condition, with a paint scratch and chip on front, but otherwise very clean. Low usage, good working order.


Sony
XDCA-FS7 Extension Unit
More Info

S/N: 16186
Un-used / open box. Cosmetic 9.9/10

(In Stock)
Price: $450
The Sony XDCA-FS7 Extension Unit attaches to the back of the PXW-FS7 and PXW-FS7M2, adding additional I/O, enabling RAW output, enabling internal ProRes recording, adding v-mount battery mount and 4-pin XLR power input for AC power supply use, and more. 12-bit RAW recording up to 59.94P is possible via the HXR-IFR5 Interface Unit and AXS-R5 recorder combo. Also compatible with third party RAW recorders such as the Convergent Design Odyssey 7Q or the Atomos Shogun. This enables 1080P ProRes 422 HQ 4:2:2 10-bit up to 29.97P to an XQD card in camera. Also has Genlock and timecode I/O for multi-camera operation. This adds many powerful broadcast style features to your PXW-FS7 and PXW-FS7 mark II.

This is un-used in open box condition, never used or installed. Mint condition cosmetically because of the nature of it being new in "open box".


Teradek
RT Latitude-SK Receiver Module
More Info

S/N: 45050139
New / open box. Cosmetic 10/10

(In Stock)
Price: $445
Teradek RT Latitude MDR-SK Sidekick interface (3 Axis) for Red DSMC2 cameras (model 15-0012) is a RTMotion receiver module designed for any DSMC2 camera body / brain. Sandwiches between a Sidekick, cheeseplate, or blank plate. Simultaneous use of DSMC2 side handle is not supported / reccomended. Provides an array of input / output ports for various control devices. Use the MDR-SK with the RT MK3.1 wireless controller to drive up to three RT MK3.1 lens motors. Or attach up to two Slave Controllers like the RT Thumbwheel, Zoomrocker, or Smartknob to the MDR-SK's two accessory inputs. Powered via the external power port and control cables.

This is un-used in open box condition. Only opened to ensure contents, still sealed in factory plastic. Includes factory accessories.



 

 
Production Equipment / Studio / Support

Arri
CCH-1 camera handle w/ HEB-2
More Info

S/N:
Used. Cosmetic 7/10

(In Stock)
Price: sold
The Arri CCH-1 (K2.72007.0) is a center camera handle for the full-sized Alexas - Alexa Classic EV, Alexa Plus, Alexa XT, Alexa SXT, Alexa Studio, Alexa M, etc. Various 3/8"-16 threaded holes are provided for accessories.

The included Arri HEB-2 handle extension block elongates the CCH-1 and adds additional 3/8"-16 threaded accessory holes.

Some paint wear and touchups, but no damage. There is cosmetic wear, but overall gives a presentable appearance that would sufficiently compliment most used Alexas. In good working order with attachment screws included.


Arri
HEB-2 extension block for CCH-1
More Info

S/N: 2014
Used. Cosmetic 7/10

(In Stock)
Price: sold
The Arri HEB-2 (K2.72015.0) handle extension block elongates the CCH-1 center camera handle and adds additional 3/8"-16 threaded accessory holes. Used on cameras such as the Alexa Classic EV, Alexa Plus, Alexa XT, Alexa SXT, Alexa Studio, etc. Will also mount to any standard 3/8"-16 thread on a camera cage, gimbal, etc.

Some noticeable paint wear, but no damage. Overall presentable. In good working order.


DSC Labs
CamStand Chart Stand
More Info

S/N:
Used. Cosmetic 8/10

(In Stock)
Price: $300
The DSC Labs CamStand is a chart stand designed for use with DSC labs charts. Contructed of aluminum, makes it easier to move your chart about your setup for better positioning in relation to your camera. Full forward / backward tilt allows for easy adjustment of lighting (tilt to remove reflections). Right / left adjustment for easy alignment. Fits any 5/8" spigot. Fits all DSC chart sizes (except Maxi and Super Maxi).

In good shape with only some superficial cosmetic wear in the form of a few scrapes/scuffs in looking carefully. One rubber bumper is missing, which does not affect normal operation. No damage. Good working order.


DSC Labs
HWW Handy White and Warm
More Info

S/N:
Used. Cosmetic 8.5/10

(In Stock)
Price: $95
The DSC Labs HWW Handy White and Warm is a double-side set-up chart allowing you to shoot neutral whites by white balancing to TrueWhite and a warming card on reverse. CamWhite DSC White Reference Test Pattern on front and CamWarm DSC Warm Reference Test Pattern on reverse. 10x6" size, for maximum of 8' distance from camera. Spectrophotometrically neutral, white balancing to this chart ensures skin tones and colors reproduce with greater accuracy. Ideal to use with each change to lighting to help optimize image quality, expedite and facilitate video sweetening. The warming card on the reverse helps to warm up scenes accurately and consistently, providing more appealing and healthy glowing skin tones.

This includes the DSC Labs HWW Handy White and Warm, which is a CamWhite TrueWhite card on one side and a CamWarm warming card on the reverse. Packaged with a pouch and lanyard. There is some minor scuffs and scratches on it, but overall in good usable condition.


DSC Labs
MBST MultiBurst Test Pattern chart
More Info

S/N: SW8020501
Used. Cosmetic 8/10

(In Stock)
Price: $450
The DSC Labs MBST (SW5-MB) CamAlign MB-SW is a MultiBurst Test Pattern chart, designed to calibrate the focus and resolution of your camera. 21.3x13" size. Features central horizontal and veritcal resolution gratings up to 1200 TV LPPH (15MHz) for testing camera frequency response. Moreover, it offers zone plates up to 1200 TV LPPH (15MHz) for checking resolution characteristics and anti-aliasing. Continuous resolution sweeps from 50 to 1200 with identifier every 100 TV LPPH. Spaces every 200 TV LPPH – simplify analysis when using a waveform monitor. Corner gratings – useful for checking lens performance.

Version 4.1. Cosmetically in good shape with very few signs of usage or wear. Includes manual.


Lupo
Superpanel Dual Color 60 (soft)
More Info

S/N: 38938
Used. Cosmetic 9/10

(In Stock)
Price: $950

The Lupo Superpanel Dual Color 60 Soft 2x1 LED Light Panel with Manual Yoke is a bright bi-color soft LED studio / film light fixture. Temperature range from anywhere between 2800K to 6500K (7800-8300 lux at 3.3' / 1m distance). Three dimming curve modes including Linear, Exponential, and Logarithmic. Can be used with 8-bit or 16-bit DMX control (DMX512 remote control protocols). Powered by the included dual AC power adapters (batteries, battery plates, and D-tap cable available optionally from Lupo). Also features: four special effects modes, dual silent fans (which can be turned off completely when needed), lightweight polycarbonate shell, and compatibility with accessory light modifiers. This is a very high quality light, worth considering as a comparison to something like an Arri Skypanel or Litepanels Gemini.

This is in very good condition with only minor signs or wear / usage. Excellent working order, reset to factory settings. Second unit is available.


PortaBrace
PB-2780 Superlite Vault hard case
More Info

S/N:
Used. Cosmetic 6/10

(In Stock)
Price: $150
The PortaBrace PB-2780 (PB-2780E) is a Superlite Vault hard case designed to protect your equipment. Very large size. Exterior: 31.9 x 23.1 x 15.2". Interior: 29.4 x 20.6 x 14.3". Made of TTX01 high-strength resin. Three folding haul handles and built-in wheels for transport. Lighter than other cases of a similar size. Pressure relief valve and gasket to help maintain water tightness. Double-hinged locking system for increased security with a total of 7 locks around the case.

This shows heavy cosmetic wear. Many scuffs, scratches, and scraped areas (more noticeable on bottom and one specific side). There is a number stenciled to one side as well and some dusty areas. Some discoloration (variance of darker and lighter blue). But overall nothing is damaged and all works normally (it locks up tight, wheels function, nothing broken or missing). It is a very usable case. This has foam included which was customized to fit a broadcast camcorder. The foam isn't in the best shape and doesn't fill the entire bottom of the case. So the foam is considered an "extra" and this is really sold as an empty case for all intents and purposes.



Sony
Top Handle Assy for PMW-F55
More Info

S/N:
Used. Cosmetic 8/10

(In Stock)
Price: $100

This is the original factory top handle assembly (part A-1927-754-A or A-1927-754-B) for the Sony PMW-F55 and PMW-F55 cinema camera. This includes the shoe assembly for attachment of the DVF-EL100 and DVF-L350 viewfinder. Has a series of 1/4-20 and 3/8-16 holes on top for accessory attachment.

This includes 4x attachment screws. Minor cosmetic nicks on edges, but overall clean and in very good condition without damage. Multiple units are available.


Zacuto
Zgrips V3 w/ C300 Grip Relocator
More Info

S/N:
Used. Cosmetic 8/10

(In Stock)
Price: $200
The Zacuto Z-LSHK-CGR is a handle set ideal for the Canon C100, C300, C500 camera when configured with the original grip. It is a Zacuto Z-grips V3 set with the Grip Relocator in place of the second handle. Zgrips is an "upside down V" configuration emerging from each side of a 15mm rod mount. This attaches to a Zacuto or third party rig with 15mm rods, serving as handle-bars for the rig and to allow distance extended chest-level handling. C300 Grip attaches onto the side of the Relocator, and a 24" cable that's already built into the Relocator will snake up a rod of the Zgrips and will connect to the C300 camera. Both handles articulate until they are locked in by lever.

Some cosmetic wear (mostly in the form of scratches on the rods). But overall is clean and intact with no damage or signs of harsh usage. Good working order, everything functions normally.



 

 
Still Photography

Canon
EF 50mm f/1.8 STM lens
More Info

S/N: 0221106253
Used. Cosmetic 9/10

(In Stock)
Price: sold

The Canon EF 50mm f/1.8 STM is a 50mm prime lens designed for full-frame EF mount camera (80mm equivalent if using APS-C). Versatile focal length, ideal for everyday shooting. The f/1.8 aperature benefits working in difficult lighting conditions and gives increased depth of field. The Super Spectra coating minimizes flare and ghosting, to realize greater contrast and color accuracy. The STM stepping AF motor provides quick and near-silent autofocus performance - also has full-time manual focus override. The seven-blade diaphragm gives pleasing bokeh. Durable metal mount and compact design.

Includes front/fear lens caps and original box. Mint condition with very little usage. Tested in good working order.