For Sale - Cameras, Lenses, Tripods, Production Gear, Lighting & Accessories

Cameras, Lenses, Cinema / Production

ALL ITEMS SOLD INCLUDE A
30 DAY WARRANTY!

Camcorders / Cameras

(In Stock)
Price: $6,249

The Canon C300 Mark II is a Super 35mm EOS cinema camera. This is the version designed for PL mount lens, not Canon EF. Records up to 4K DCI (as well sa UHD and Full HD) resolution onto CFast 2.0 cards. 4K is up to 30fps at 10-bit 4:2:2. 2K/HD 10/12-bit 4:4:4 up to 60fps. Cropped 2K/HD mode up to 120fps. Canon Log 3 gamma supports up to 14 stops dynamic range with excellent tonal reproduction in the highlight and lowlight regions. XF-XAVC codec (H.264 format in MXF wrapper) at up to 410Mbps for utmost image quality. This can also output 4K RAW externally. Connections include 2x 3G-SDI outputs, timecode I/O, genlock, HDMI, XLR, XLR audio with phantom power, and more. The modular design allows you to strip down completely or built up with handle, LCD unit, and grip. A well thought out ergonomic and useful design with many buttons and dials to make operation quick and easy. This has a viewfinder as well as LCD depending on your shooting style. A built-in ND wheel add great convenience. A dust-proof, splash-proof, and silent cooling system allow usage in any environment. Full manual control, focusing aids, zebra, and scopes allow consistent and accurate shooting.

This is the PL mount lens version, not the Canon EF mount version. Includes all the factory accessories: LCD monitor unit, handle, handle bracket, battery, charger, AC power adapter, strap, eye cup, measure hooks, body caps, and LCD cables. This even has the original box! Extremely low hours of use at only 28 hours. So this is nearly un-used. Excellent working order as one would expect from a very low usage C300 Mark II camcorder.

(In Stock)
Price: $349

The Livestream Mevo Plus MV2-01A-BL is a compact streaming live event camera system. You can stream in up to 1080P to Livestream, Facebook, YouTube, Periscope, or Twitter. You can record 4K to microSD card. It can simulate multicamera production by merit of it's ultra-wide 150 degree lens and 4K (12MP) image sensor. The wide image and high resolution leave room for you to put up to nine different squares over different areas of the frame in the live editing app; simply tap on the square you want to "switch" between different shots. You can even do virtual pans and zooms to simulate camera movement. This can be used tabletop or attached via tripod/stand. Built-in stereo microphones or external microphone can be connected to your mobile device or directly via the optional Mevo Boost accessory. Streaming can be done over Wi-fi, LTE network using hotspot mode, or ethernet (if Mevo Boost installed). This is powered by an internal battery that allows up to an hour of us or AC power adapter for continuous operation. The Mevo app is compatible with iPhone 5s or higher, iPad with iOS 9 or higher, and Android 6.0 or higher. This even has electronic image stabilization. A very powerful and easy to use all-in-one device for live event capture and streaming.

This is brand new in the box, still shrink wrapped. Includes factory accessories: tripod/stand adapter, 16GB microSD card, power adapter, 10' USB charging cable. Second unit available.

(In Stock)
Price: $3,949

The Red Scarlet Mysterium-X is a digital cinema camera capable of 4K (up to 30fps) or 5K (up to 12 frames). 3K allows 48fps, 2K 60fps, and 1K 120fps. Redcode RAW files give you the ultimate freedom and control when finished. Capable for professional use for cinematography or still photography. Highly flexible and customizable so you can have just what you need for your production and nothing you don't. HDRx technology yields up to 18 stops of dynamic range (more than other 35mm and DSLR alternatives). Dynamic range is rated at 13.5+ stops without HDRx engaged. And of course features all the professional connections and features one would expect from a high end cinema camera. Control is acheived via Red Side Handle, Redmote, and/or Red Pro Touch LCD monitor.

Includes SSD 1.8" Redmag side module, Canon S35 EF lens mount, AC power supply, and DSMC side handle (providing grip, Redvolt usage, and camera control). No additional accessories included beyond what is pictured (Touch LCD is shown only to show hour reading and is not included). Only 368 hours of use. Firmware is updated to current version 6.3.106. Good cosmetic condition with only minor paint wear. The internal battery that holds the current date/time code has been replaced. This is dead on most of these sold and often not mentioned. The battery is located deep inside and is not easily replaced, so this is a good value to have this already done. Fully tested with various accessories to ensure it is in good working condition.

(In Stock)
Price: $275

The HVR-A1U fits many professional features in an small "handycam" form factor. 1080i switchable between 60i and cineframe 30P / 24P with 2:3 pulldown. This is NTSC, not PAL. Features include: C-MOS imager, HD to SD downconversion, cinematone gamma and cineframe functions, switchable hdv/dvcam/dv recording (onto mini DV tape), high quality 10x Carl Zeiss lens, lens hood with integrated cap, stabilization system, manual focus ring, 2.7" 16:9 LCD screen with touch screen menus, viewfinder at rear, built-in mic, color bars, nightshot (green low light capability), XLR inputs with phantom power, i.LINK (IEEE 1394), expanded focus, 3 mega pixel still images onto memory stick, and much more. Output connections for monitoring or live output include: HDV/DV firewire / i.link IEEE 1394, component HD / SD, composite. This doesn't have HDMI, but one can always gets a component to HDMI converter for example if they need that. Many use this as an affordable studio / live / streaming camera into a mixer, if they do not want to record onto HDV tape. It is extremely compact which makes it useful in a variety of situations where larger cameras are impossible.

This includes XLR adapter, remote, ac adapter / charger, long-life battery, component/av cables, manual (not pictured), lens hood w/ integrated cap. This does not include external mic. Good cosmetic condition with some exterior scratches from transportation, not from usage because this has low hour meter readings. The hood shows a bit of extra wear because it came from a different camera with more usage. The previous owner did etch the serial number into the bottom of the camera. Clean LCD screen. Good lens optics. Hours of use: drum 0x10, tape 0x10, threading 5x10, operation 1x10. So this has had under 10 hours of actual usage, which is quite rare indeed. All functions, features, connections, tape transport are tested in good working order.

(In Stock)
Price: $375

The HVR-V1U 3CMOS HDV camcorder packs a lot of big features in a small package. Captures video at 24P, 30P, and 60i - processed at 1920x1080/60p in full 4:2:2 and recorded as 1080/60i (24P recorded with 2:3 pulldown). This is NTSC only, not PAL. Records onto miniDV / HDV tape. Many professional features include: DVCAM/DV recording, 20x Carl Zeiss Vario-Sonnar T* optical zoom lens, downconversion, 3.5" LCD, rear color viewfinder, manual or automatic control of iris/shutter/focus/zoom/gain, HDMI and i.link interfaces, XLR audio, ClearVid for clear diagonal lines, integrated ND filters, picture profiles, focus peaking / zebra functions, SteadyShot, color bars, gamma settings including Cinematone Gamma, black stretch/compress, knee correction, versatile ergonomic design for handheld or tripod use, and much more. Many use this as an affordable studio / live / streaming camera into a mixer, if they do not want to record onto HDV tape.

Low hours of use: Operation 50x10, Drum 15x10, Tape 11x10, Thread 37x10. 150 drum hours is very low usage. Includes ac adapter/charger, small eyecup, av/component cables, and mic holder. This includes battery, but note it is a generic model, not genuine Sony battery (it does still work but full life not guaranteed). Cosmetically this camera has some scratches and scuffs in various places on the body. There is also some cleaning scratches on LCD, which are only lightly visible when in use. It's not perfect looking, but it is overall presentable and clean. Optics are clear and without scratches. All functions, features, connections, tape transport are tested in good working order.

(In Stock)
Price: $2,995

The Sony PDW-700 is a XDCAM HD422 2/3" broadcast ENG camcorder. Features Power HAD FX (three 2/3" CCD), 14-bit A/D converter, 50Mbps data rate, 1080P recording at international PAL/NTSC framerates to MXF format, HD/SD conversion and cross conversiion between 1080i / 720P, recording to single and dual layer XDCAM optical discs, ND wheel, thumbnail scene selection, 2x HD-SDI output, i.LINK, ethernet, proxy data, metadata, interval recording, 3.5" LCD, 5-pin XLR stereo front audio and 3-pin XLR rear audio inputs, picture cache recording (up to 30 seconds), slow shutter, smooth gain control, focus magnification, and more. Records in 1080/50i, 1080/59.94i (60i), 1080/25P, 1080/29.97P, 720/50P, and 750/59.94P (60P). The XDCAM HD422 discs are reliable, durable, and long lasting - ideal for archiving. All of this is in a ENG shoulder mount form factor with precise audio/video customization, and ergonomic capabilities you'd expect from a high end broadcast camera.

Includes the valuable HDVF-20A viewfinder, a high quality 2" HD viewfinder. Has extra resolution to provide ample detail for discerning focus over cheaper viewfinders. Features contorls for zebra, tally, display/aspect, focus peaking, contrast and brightness. Also will ship in a hard shipping case (from a different model camcorder but fits well).

This does show quite a bit of cosmetic paint wear and areas of paint touchups, but looks presentable as a whole - so is a professionally field used camcorder but not abused. The LCD has several scratches in the protective window, which don't much show up when in use (plus the LCD on this is not for critical viewing anyway like the viewfinder or output). The hinged door over the audio controls has been removed for convenience. There is a lot of cosmetic wear in the rubber around the speaker. The label for filter wheel is missing, but this of course does not affect use of filters. This has been upgraded to the latest great version 3.2 firmware with all the feature improvements, better pixel correction, and bug fixes that entails. The composite input option is installed, no other options are included. Hours: Operation 4158, Laser 27, spindle 1951, loading 16400. The most important reading is laser hours. These are rated at 6,000+ laser hours, so 27 laser hours means this has a ton of life left. Good optical block. All functions/features tested in good working order. Additional units are available.

(In Stock)
Price: $5,445

The Sony PDW-850 is a XDCAM HD422 2/3" broadcast ENG camcorder. This is the newer successor to the PDW-700 and PDW-F800 with more features standard, lower noise, higher sensitivity and wider dynamic range. Features Power HAD FX IT (three 2/3" CCD), 50Mbps data rate, 1080P recording at international PAL/NTSC framerates to MXF format, HD/SD conversion and cross conversiion between 1080i / 720P, recording to single and dual layer XDCAM optical discs, dual filter wheels (ND & CC/cross), thumbnail scene selection, 2x HD-SDI output, 3" higher resolution LCD, GPS location data embedded in metadata, ALAC (auto lens aberration compensation) even on vertical axis, 4x digital extender, i.LINK, ethernet, proxy data, metadata, interval recording, composite input "pool feed" standard, HD-SDI input for return video, DC accessory power outputs, support of CBK-WA100 wireless adapter, proxy features, studio integration over 50-pin interface compatible with CA-FB70 / CA-TX70, 5-pin XLR stereo front audio and 3-pin XLR rear audio inputs, picture cache recording (up to 30 seconds), slow shutter, smooth gain control, focus magnification, and more. Records in 1080/50i, 1080/59.94i (60i), 1080/25P, 1080/29.97P, 1080/23.98P, 720/50P, and 750/59.94P (60P). The XDCAM HD422 discs are reliable, durable, and long lasting - ideal for archiving. All of this is in a ENG shoulder mount form factor with precise audio/video customization, and ergonomic capabilities you'd expect from a high end broadcast camera.

This shows some sporadic paint wear, but overall is in above average cosmetic condition for a broadcast camcorder. The LCD has several large scratches in the protective window, which show up a little bit when in use but are easy to ignore (plus the LCD on this is not for critical viewing anyway like the viewfinder or output). This has been current 3.06 firmware. Low hours of use: Operation 1495, Laser 174, spindle 257, loading 668. Good optical block. All functions/features tested in good working order. Second unit is available.

(In Stock)
Price: $7,249

(In Stock)
Price: $9,449

(In Stock)
Price: $8,625

(In Stock)
Price: $9,695

The Arri Ultra Prime 20mm T1.9 (K2.47325.0) is a PL mount wide angle prime lens that covers super 35mm format. Compact, lightweight, and optically matched to the Master Prime series. Provides the optimal image quality, vivid colors, clarity, sharpness, and skin tones which Arri / Zeiss is famous for. Image quality retained across the frame. Features T* XP coating for reduced glare / reflections, Carl Zeiss Distagon optics, close focus of 11", fast aperture of T1.9 for shallow depth of field, minimal focus breathing and aberration, focus marks on both sides of barrel, industry standard 0.8 mod focus/iris gears, 95mm front barrel diameter, clickless iris ring, markings in feet.

This is in very good condition with only minimal paint wear on exterior one would expect. Includes front/rear caps. Rings turn smoothly and consistently. Clean glass, no optical problems. In excellent working order.

(In Stock)
Price: $9,295

The Arri Ultra Prime 85mm T1.9 (K2.47331.0) is a PL mount prime lens that covers super 35mm format. Compact, lightweight, and optically matched to the Master Prime series. Provides the optimal image quality, vivid colors, clarity, sharpness, and skin tones which Arri / Zeiss is famous for. Image quality retained across the frame. Features T* XP coating for reduced glare / reflections, Carl Zeiss Planar optics, MOD of 3' (0.9m), fast aperture of T1.9 for shallow depth of field, minimal focus breathing and aberration, focus marks on both sides of barrel, industry standard 0.8 mod focus/iris gears, 95mm front barrel diameter, clickless iris ring, markings in feet.

(In Stock)
Price: $244

This is for a Chrosziel CLWAH-F4,5 mattebox system, also known as the 415-02F110 or MB 415. Designed for any Canon, Fujinon, or other brand of lenses, even wide angle lenses with focal length up to 4.5mm. Dual stage filter stages - 1 fixed and 1 rotating filter stage. This is a clip-on style mattebox for use without rods. This is a robust and professional matte box system, not a chintzy knock off.

This includes the CLWAH-F4.5 sunshade housing, 410-31 4x4/4x5.650 filter holder, 510-01 5x5/4x5.650 filter holder, 130-110mm intermediate ring, 110mm-98mm stepdown ring, 110mm-95mm stepdown ring, and foldable top french flag. So this can accomodate 130mm, 110mm, 98mm, and 95mm diameter lenses (though you can obtain other stepdown rings if your needs differ). Even includes a hard case to carry it, model Pelican 1500. Shows noticeable cosmetic wear and paint touchups, but no damage. In very good working order. Multiple units available.

(In Stock)
Price: $1,249

The Red Motion Ti PL mount (model 725-0012) is compatible with the Epic/Scarlet Dragon and MX as well as DSMC2 cameras such as Weapon 6K, Epic-W, Scarlet-W, Dragon-X, Helium, or Gemini. This titanium lens mount pushes the limit of what's possible under any motion capture scenario. It's a finely tunable neutral density filter up to 2.4 ND - allowing you to acheive more precision than glass filters and to work faster/lighter. It acts as a global shutter that prevents partial illumination with strobes and shearing with fast subjects - reduces partial exposure and provides more constant illumination. Time filter renders sharper but smoother pans, artifact-free cyclical motion, natural motion blur, and reduced flicker with lights and electronic displays - thus bringing your image closer to human eyesight. Note that when soft or square shutter is enabled, the maximum frame rate is limited to ensure highest quality capture. Also, the ND filter minimally cuts out 1.5 stops of light at all times. This is more than a simple lens mount, it fundamentally changes the way your camera captures light and functions, especially for motion capture applications.

This includes protective rear cap, front cap, hard case, and attachment screws. Only minor cosmetic wear and tested in good working order.

(In Stock)
Price: $4,745

The Zeiss CP.3 XD 15mm T2.9 (model 2189-367) is a compact prime full-frame sensor coverage lens in PL mount, with marking in meters. This is the newer upgrade to the CP.2 with an updated form factor to be more similar to Ultra Prime lenses, improved mechanics, better T* lens coatings, even weight distribution. Increased anti-reflection masking for increased contrast and reduced flare. Has the signature Zeiss look, to match up well with other CP.3 lenses as well as any types of high-end Zeiss cinema lens. Features Zeiss eXtended Data (XD) technology combined with Cooke's /i lens metadata protocol. All information is transmitted in real-time via the 12 o' clock position on the PL mount or the 4-pin LEMO port. This technology allows for accurate focus pulling when combined with a rangefinder or recording alongside footage and applied in post. In particular, the recording of ZEISS-specific datasets enable DITs using Pomfort or DaVinci Resolve software to analyze recorded footage to remove distortion and shading in post-production (saves time especially for productions than plan on using VFX). Has the standard 95mm front diameter to be compatible easily with matte boxes, follow focus, and lens supports. 14-blade iris for pleasing round bokeh. Clickless iris ring and geared focus and iris control round out this very impressive lens.

Includes front/rear caps. This is the version with markings in meters, not feet. Cosmetically in mint condition with extremely little wear or use, imperfections only noticed if looking carefully. Clean optics inside and out. Rings turn smoothly, accurately, and consistently. Tested in excellent working order.

Camera Accessories

(In Stock)
Price: $275

This is a package designed for powering your Canon C300 (mark I) or C500 cinema camera with gold mount batteries from Anton Bauer or generic equivalent (such as Core SWX HyperCore battery). It includes the Anton Bauer QRC-CA940 battery plate, Wooden Camera Battery Slide, 15mm LW rod clamp, and 2x short rods. The QRC-CA940 battery plate powers your C300 / C500 via DC connector and has 3x P-tap outputs for powering monitor, recorder, or other accessories. The WC Battery Slide is an adjustable and tiltable mounting system for the battery plate. The multi-point adjustability makes it ideal for adjusting counterbalance and for transitioning from studio to handheld mode. It also comes with a Wooden Camera 15mm rod clamp and rods to attach this system to your support rig.

So this comes with the Anton Bauer QRC-CA940 battery plate, Wooden Camera Battery Slide, 15mm rod clamp, and 2x rods - all for less than the price of the QRC-CA940 alone. It is in good cosmetic condition with only very minor signs of wear/use and in good working order.

(In Stock)
Price: $1,775

The Arri EVF-1 electronic viewfinder (model K2.72008.0) is a state of the art F-LCOS (ferroelectric liquid crystal on silicon) display with 1280x768 resolution, high refresh rate, and ARRI optical design. Offers extremely fast display, high image quality, accurate color reproduction, low distortion, evenly illuminated viewing area, auto-calibration, ergonomic design, and quick access buttons for camera control. Displays camera or EVF menus, customizable frame lines, surround view, camera status, Lens Data System info and clip/reel numbers. Compatible with ALEXA Classic cameras, ALEXA Classic cameras with the XR Module upgrade, ALEXA XT cameras and ALEXA SXT cameras. ALEXA Classic Studio, Classic Studio with the XR Module upgrade, XT Studio and SXT cameras require the Electronic Viewfinder Adapter EVA- 1 (K2.72063.0).

Includes only what is shown, no cable or mounting bracket. Good cosmetic condition with some superficial paint wear. Brand new eyecup installed. Good working order. Additional units are available.

(In Stock)
Price: $3,249

The Arri MVF-1 for the Arri Amira (model K2.750004.0) is a multifunctional viewfinder comprised of an OLED EVF eyepiece and folding tiltable 3.2" LCD monitor / GUI. This provides two options for bright, accurate viewing. Full access to camera functions and menus are available via buttons on the LCD monitor. Simultaneous viewing is possible so camera operator could use OLED eyepiece while others on set can view the LCD. Peaking, exposure tool, and REC buttons provide quick access to critical controls, as do two user-assignable buttons. A proximity sensor automatically activates the EVF when your eye presses against the eyepiece. The eyepiece has built in diopter to adjust to your vision.

This includes a highly adjustable and positionable mounting bracket (a top 15mm rod mount oriented perpendicular to lens direction is required to attach this bracket to camera). Eyecup and cable are also included. Cosmetically in very good shape with only minor signs of wear. The LCD is scratch-free. Everything is in good working order.

(In Stock)
Price: $595

The Beachtek DXA-Alexa is a low-noise preamplifier which connects directly to your Alexa Mini or other compatible camera such as Red DSMC2 model, capturing audio through it's transformer-balanced inputs and eliminates the need for external syncing. 100db dynamic range, galvanic isolation, and high common mode rejection all contribute to superior quality. Lightweight carbon fiber chassis and weather resistance ensures reliability in a variety of conditions. Powered from a 2-pin lemo connection. Features locking XLR connectors, dual mono or stereo recording, dual gain controls, high/low switches for microphone matching, switchable 48V phantom power, LED level indicators, 5-pin XLR output, unbalanced 3.5mm output for attaching an audio recorder, headphone jack, loopback monitoring, three 1/4"-20 holes, and more.

This includes a mounting bracket for attachment to camera cage, 1/8" stereo audio output cable (from 5-pin XLR output), and 2-pin lemo to d-tap power cable. This also includes original box. This shows some cosmetic paint wear and scuffs, though is overall presentable and in good shape. Good working order.

(In Stock)
Price: $145

The Freefly Carbon V-lock Adapter Kit (model 910-00023) allows you to use V-mount battery on your Red Epic or Scarlet DSMC camera. Ideal for MoVI customers, though is useful for anybody that wants to power their Red with v-mount battery mounted on the side, for those desiring a low profile and lightweight method. This kit includes a IDX PV2 (P-V2) battery plate with one D-tap output for powering accessories. The plate comes with a high strand braided sheathed durable and flexible lemo plug emerging from the side to power your Red DSMC Epic or Scarlet camera.

Includes the Carbon plate, P-V2 battery adapter, screws, and spacers (for use with Scarlet). Clean cosmetic with some minor paint wear. Tested in good working order.

(In Stock)
Price: $1,525

The DSMC2 V-lock I/O Expander (model 720-0045) offers a variety of input/output connectors as well as a v-lock battery mount to power your DSMC2 brain with Red Brick or other V-mount batteries. Connections include: DC power input, HDMI, 3G-SDI, Ctrl, Sync, AUX power output, USB power output, stereo headphone, and stereo analog 3.5mm input. Also has a selector switch that enables camera to boot when power is provided via DC-IN connector (useful if camera is mounted in remote or difficult to access place).

This has only very minor paint wear, mainly on edges. But overall is clean and presentable. Good working order.

(In Stock)
Price: $275

The Red EVF is a electronic viewfinder, most often used with the Red One or Red One MX (mysterium-X) cinema camera. Also can be used with the Epic and Scarlet cameras as well. Interfaces with a proprietary 17-pin LEMO connector. Displays captured image along with look around, frame line overlays, status indicators, focus assist, waveform monitors, histogram, false color exposure indicator, zebra lines, luminance ramp, menu system, and playback. The diopter can be focused to the user's eye. 3 buttons and scroll wheel knob (scroll wheel may not be compatible with Red Epic / Scarlet). This requires a mounting device such as Red Arm or mounts from 3rd party companies such as Wooden Camera, Zacuto, Noga, Cavision, Element Technica, etc.

This includes the Element Technica Red branded EL-VFM-7DT 7" mini dovetail plate. This works with either the original Element Technica EVF mount or the MiniClutch. It should also work with other mounts that accept a similar dovetail. Or you can change the plate to accept any mounting device you chose. Connection cable is not included. The viewfinder has minor paint wear, mainly on sharp edges, but overall gives a clean appearance. Tested in good working order on a Red One MX camera.

(In Stock)
Price: $195

The Redmag 128GB is a 1.8" SSD drive designed for use in the DSMC 1.8" SSD side module and the Red Station card reader. Provides a fast and reliable recording medium in a durable casing. Compatible with Scarlet-X, Epic-X, Scarlet Dragon, Epic Dragon, and Red One (w/ appropriate 1.8" side module). 128GB size.

Shows some paint and label wear, but nothing major or offensive, or anything that indicates rough usage. Previous owner did permanently stencil their name and an identification number carefully on the front. Tested in excellent working order. Multiple units are available.

(In Stock)
Price: $545

The Redmag 240GB (part 750-0061) is a 1.8" SSD drive designed for use in the DSMC 1.8" SSD side module and the Red Station card reader. Provides a fast and reliable recording medium in a durable casing. Compatible with Scarlet-X, Epic-X, Scarlet Dragon, and Epic Dragon (not Red One). 240GB size, this is newer release than the 256GB version (current item on Red website).

Shows minor cosmetic wear, but overall in above average cosmetic condition compared to most. Tested in excellent working order. Multiple units are available.

(In Stock)
Price: $495

The Redmag 256GB is a 1.8" SSD drive designed for use in the DSMC 1.8" SSD side module and the Red Station card reader. Provides a fast and reliable recording medium in a durable casing. Compatible with Scarlet-X, Epic-X, Scarlet Dragon, Epic Dragon, and Red One (w/ appropriate 1.8" side module). 256GB size.

Shows some paint wear and touchups, plus bubbles on rear label - but overall in good presentable condition with nothing that indicates rough usage. Tested in excellent working order. Multiple units available.

(In Stock)
Price: $525

Above average cosmetic condition compared to most on the market. Looks very lightly used, with only very minor signs of wear. Tested in excellent working order.

(In Stock)
Price: $525

The Sony AXS-512S24 is a high-speed 512GB flash memory card for recording high frame rate 4K and 2K 16-bit video onto the Sony AXS-R5 RAW recorder. The AXS-R5 docks directly to the PMW-F5 and PMW-F55 and via the HXR-IFR5 on the NEX-FS700, NEX-FS700R and PXW-FS7. This card has a guaranteed write speed of 2.4 Gbps and is compatible with the AXS-CR1 card reader.

Includes case. In good cosmetic condition, with the exception of some sticker residue on front that is not easily removed. This is cosmetic in nature only and the card is overall in presentable condition. Tested in good working order on AXS-R5. Multiple units are available.

(In Stock)
Price: $1,295

The Sony AXS-R5 enables 4K and 2K 16-bit RAW video recording on the PMW-F55 and PMW-F5 Cinealta camera. Also can be used with the HXR-IFR5 on the NEX-FS700 and NEX-FS7. Attaches to the rear of the camera for a sleek integrated form factor. Can simultaneously record RAW files and proxy HD on the camera's SxS card. Matching time code, start frame, stop frame, file names, and other metadata for seamless confirming in post. Unlocks high frame rates up to 240fps in 2K RAW and 60fps in 4K. RAW recording preserves the greatest latitude for color correction and post. 16 times as many RGB gradations as 12-bit RAW nad 64 times as many tones per channel as 10-bit. Uses AXSM memory cards such as the AXS-512S24 and AXS-A1TS24 / AXS-A1TS48 / AXS-A512S24 with adapter (adapter not included).

Very low usage of 92 hour on meter. Latest firmware V4.10 installed. Fully tested in good working order on a PMW-F55 and FS700, unlike some sellers who are unable to test this or even gather the hour meter reading. Clean cosmetic condition overall, with only minor wear. Multiple units are available.

(In Stock)
Price: $369

The Sony HXR-IFR5 interface unit connects your 4K ready NEX-FS700, NEX-FS700R, or NEX-FS7 camera (with XDCA-FS7 extension) to the AXS-R5 RAW recorder. It enables camera's 2K and 4K RAW files to take advantage of the RAW workflow of Sony PMW-F55 and F5 cinealta cameras. Receives the uncompressed bistream carrying RAW sensor data, metadata, timecode, and start/stop commands via 3G-SDI. Allows simultaneous recording (4K on AXS-R5 with HD on the FS700). Features built-in LCD status panel and large tactile control buttons.

This includes an Ikan mount that allows attachment to 15mm rod / rails. Cosmetically very good with little signs of wear except some on the Ikan mount. Tested with a FS700 and AXS-R5 combo to be in good working order.

(In Stock)
Price: $395

The SBP-128B is a 128GB SxS Pro+ memory card, designed for high-speed video recording with XDCAM / XDCAM EX camcorder. This is ideal for 4K and high data rates on the PMW-F5 and PMW-F55 cinealta camera (unlike the previous SBP-64 / SBP-128 card which is not suitable). Of course, this can also be used with any model that takes an SxS / ExpressCard such as PMW-500, PMW-300, PMW-320, PMW-400, PMW-200, PMW-100, PMW-160, PMW-EX1R, PMW-EX3, PXW-X200, PXW-X180, PXW-X160, PXW-X400, PXW-X500, PXW-X320, PMW-RX50, PMW-PZ1, PMW-50, and more. Features a maximum read speed of 1.6Gbps and write speed of 1.5Gbps (minimum read speed of 1.3Gbps).

Example recording times: 40 minutes 4K XAVC Intra 4:2:2, 20 minutes in 4K XAVC 4:2:2 60P at 600Mbps, 120 minutes HD XAVC Intra 4:2:2, and 240 minutes in HD MPEG2 4:2:2 30P at 50Mbps. Maximum recording time possible is 400 minutes at 35Mbps. This SxS Pro plus card is the ultimate memory card that can support any codec or camera model out there.

Includes case. Very good cosmetic condition, only minor signs of wear. Tested in good working order.

(In Stock)
Price: $795

The SBP-256E is a 256GB SxS Pro+ memory card, designed for high-speed video recording with XDCAM / XDCAM EX camcorder. This is ideal for 4K and high data rates on the PMW-F5 and PMW-F55 cinealta camera (unlike the previous SBP-128 / SBP-128A card which is not suitable). Of course, this can also be used with any model that takes an SxS / ExpressCard such as PMW-500, PMW-300, PMW-320, PMW-400, PMW-200, PMW-160, PMW-EX1R, PMW-EX3, PXW-X200, PXW-X180, PXW-X160, PXW-X400, PXW-X500, PXW-X320, PMW-RX50, PMW-PZ1, PMW-50, PMW-100, and more. This features around double the read/write speed of the previous generations and is the most current model (newer than the SBP-256C or SBP-256D). Maximum read speed of 3.5Gbps and write speed of 2.8Gbps (minimum read speed of 1.3Gbps). This faster speed is useful for ensuring stable high frame rate recordings in formats such as XAVC 4K 60P or XAVC 4K 180P. Also has improved safety features such as data refreshing, error correct, and power failure management. Supports EB Streaming between the card and Sony camcorders, enabling constant 2-way communication and insuring stable recording while avoiding speed degradation. Additionally this has extreme shock resistance and insertion/removal durability rated at over 30,000 times.

Example recording times: 80 minutes 4K XAVC Intra 4:2:2, 40 minutes in 4K XAVC 4:2:2 60P at 600Mbps, 240 minutes HD XAVC Intra 4:2:2, and 480 minutes in HD MPEG2 4:2:2 30P at 50Mbps. Maximum recording time possible is 800 minutes at 35Mbps. This SxS Pro plus card is the ultimate memory card that can support any codec or camera model out there.

Includes case. Very good cosmetic condition, only minor signs of wear. Tested in good working order.

(In Stock)
Price: $89

The Sony SNCA-ZX104 is a hybrid 4-channel receiver, allowing you to seamlessly integrate images from 4 different hybrid cameras - enabling their easy and cost-effective migration towards HD IP video surveillance / security systems. Offers 4x BNC camera input and 4x BNC analog video output, as well as LAN and remote RS-485 connection.

This is new in the box with all the accessories from the factory. First two pictures are stock photo. Multiple units available.

(In Stock)
Price: $265

The Sony SR-256S55 SRMemory Card is a 256GB ultra high-speed reliable flash memory media for SRMaster series products. Compatible with F65 camera (with SR-R4), SR-R1000 memory storage unit, SR-R1 portable memory recorder, SR-PC5 / SR-PC4 data transfer units. Transfer speeds up to 5.5 Gbps in order to record and replay multiple streams simultaneously, high frame rate (HFR), and support data rates that can handle HD up to 4K (YPbPr422, RGB444, 1080 59.94p, 3D, 4K, and uncompressed). With 256GB capacity, can record over an hour at 1080/25P, for example. If you see the original MSRSP of these, you'll see this is an insanely deep discount!

Excellent cosmetic condition, with only a scratch on the front. Good working order.

(In Stock)
Price: $75

The Wooden Camera D-Tap to Alexa Mini (8-pin lemo) Braided Flex Cable (model 208700) allows you to power the Arri Alexa Mini camera from a V-mount or Gold Mount battery that has a D-tap output. Features a right-angle 8-pin Lemo type connector and a flexible design with insulated wires wrapped inside of a braided nylon sheath. It is about 36" in length.

Clean cosmetic condition and good working order.

(In Stock)
Price: $75

The Wooden Camera D-Tap to Canon C200, C200B, C300 mark II Braided Flex Cable (model 212100) allows you to power your C300 mark II, C200, or C200B camera camera from a V-mount or Gold Mount battery that has a D-tap output. Features a lemo type connector and a flexible design with insulated wires wrapped inside of a braided nylon sheath. It is about 24" in length custom length instead of the typical 36".

Clean cosmetic condition and good working order.

(In Stock)
Price: $915

The Zacuto Gratical HD Micro OLED EVF (Z-GTHD / Z-GHD) is a high-end viewfinder ideal for cameras such as Canon C300 / C500, Sony FS5 / FS7, Red models, Blackmagic models, PMW-F5/F55, FS700, Phantom 4K Flex, Digital Bolex D16, and many others. The Micro OLED display features 5.4 million pixels, true blacks, 10,000:1 contrast ratio, and support of RGB at 24-bits for vivid color reproduction. Built-in -1 to +4 diopter and Zacuto's patented anti-fog system to prevent fogging in any condition. Inputs/outputs include HDMI and HD-SDI, with cross conversion capability and independent LUT on output stream. Resolutions supported up to 1080p/60 (and anything below in worldwide frame rates). The powerful FPGA dual core processor supports a wide variety of professional features such as: waveform (3D), histogram (RGB,luma), vectorscope, audio meters, LUT import and editing, red line peaking, custom scaling/user presets, customizable zebra stripes, color processor, false color, frame store, test pattern, four programmable buttons, and multi-level focus assist peaking. The scopes and signal displays show outside of the viewable image, so as not to obstruct the full image from being seen. Mounting can be via rosette for attachment to mounts such as Zacuto Axis Mini or via a 1/4"-20 screw hole.

This includes D-tap adapter, allowing it to run off v-mount or gold mount battery. LP-E6 battery is not included. This is also missing the SDI/HDMI rubber port covers as well as the flap that protects the optics from sunlight. Many remove these pieces for convenience, though they are available to order in if you need them. With the flap removed from eye cup, extra care must be taken to not point at the sun. This has been updated to the latest firmware 3.4 to get all the bug fixes and feature upgrades this entails.

It is in excellent working order, except for one issue. There is screen burn vertically down the left side and horizontally of the bottom image area. Mostly around the edges of image, but could present itself mildy elsewhere if looking very closely. Presumably previous owner used overlays in these areas, creating a ghosted image of them. OLED burn on these is extremely common and most of them have some example of it. These are minor compared to many examples, though can be noticed especially on solid colors. The area on the left is more noticeable, the area on the bottom is very subtle. Overall this makes a good image and is priced accordingly, but you must be okay with there being some burn-in presenting itself as faint translucent splotches.

Production Equipment / Studio / Support

(In Stock)
Price: $95

The Arri UMB-1 (K2.66168.0) Universal Mounting Bracket is used to attach accessories to your existing 15mm lightweight support rig, such as the AJA Kipro and many other accessories. Provides several 3/8"-16 and 1/4"-20 threaded mounting points. Also used as a component of the Arri USP-2 lightweight shoulder mount. Fastens onto rods and shoulder mounts via thumb lever locks.

Has some cosmetic paint wear, mostly on sharp edges, but overall clean and presentable. Good working order, locks/unlocks correctly.

(In Stock)
Price: sold

The Chrosziel 401-FS5 is a Lightweight Support for the Sony PXW-FS5, featuring a sliding ergonomic shoulder pad that turns your FS5 into a balanced shoulder camera. Has 2 Hirth rosettes for adding hand grip / handles and 15mm front rod clamps.

(In Stock)
Price: $325

The Chrosziel C-401-457KIT3 consists of a 401-457 LWS 15mm light weight support, 401-BP15B mounting plate, 3050-02 MultiPad straight shoulder pad, 401-83-190 15mm extension rods, 403-31 190mm bar with rosettes for handles, and a 403-30 leather handle / grip. This package is ideal if you are using the 4K RAW upgraded NEX-FS700 / NEX-FS700R with HXR-IFR5 and AXS-R5. Though it is also ideal for a third party recorder or a NEX-FS700 with battery plate at rear for large battery (such as Anton Bauer gold mount, IDX v-mount, and PagLok). The shoulder pad consists of a rod bracket which the pad slides onto, with ability to adjust pad behind or directly underneath camera to your liking. With the lower rods and shoulder pad removed, this kit can be attached to tripod or other support. The front rods are ideal for mattebox, follow focus, and more. Handles can be attached via industry standard rosettes.

Includes one leather handle, not two. It is in mint "like new" condition with almost no signs of use.

Still Photography

(In Stock)
Price: sold

The Canon EF 50mm F1.0 L USM lens is an exceedingly rare super lens. It is the most advanced 50mm lens. Not only the fastest, but packed with technology such as two ground aspheric elements, autofocus, electronic focus, focus-by-wire, ultrasonic focus motor, and electronically actuated diaphragm. Ultra low light ability (1/2 to 2/3 stops faster than f/1.2 lenses). If you want to shoot in available light at high enough shutter speed to stop action in very low light, you need this lens. Provides a unique bokeh and extreme subject isolation with shallow depth of field that can't be duplicated by lesser lens - background can virtually disappear if needed. This is designed to be sharp and contrasty even wide open, though you need to focus perfectly for best results at f1.0 due to the extremely shallow depth of field. By design, there is strong falloff (vignetting) in corners at f1.0 especially in lower light conditions, minor at f/1.4, and no more at f/2. Useful for isolating the subject, though can easily be corrected in Photoshop if needed. This has instant manual focus override. Note the focus ring is an encoder that tells the motor what to do, so the manual focus will not operate unless lens is awake and communicating with body. This has a minimum focus distance of .6 meters (2 feet), so understand that you cannot focus on objects extremely close to the lens. It may have been made a long time ago, but has abilities that no other lens today can really match, even with some limitations as a result. This is not only a powerful lens, but a real collector's item.

Includes hood and lens caps. Cosmetically this has some paint wear and scratches on body and brassing on mount - but overall presentable and nothing that exceeds what a professionally used lens with some years on it would exhibit. No scratches or marks on front and rear glass. There is some internal dust, most noticeable underneath the rear element - which does not affect optical quality and is rather typical (it is almost impossible for internal dust to cause any issues except if unusually abundant or shooting in unusual conditions). There is one anomaly in manual focus, when one moves ring past infinity limit quickly it can make a squealing/squeaking noise, presumably from the motor, though this is not consistent. One really wouldn't do this under normal circumstances, but just wanted to point everything out. Overall this functions extremely well in terms of sharpness, optical quality, autofocus, manual focus, aperture function, etc.



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