For Sale - Cameras, Lenses, Tripods, Production Gear, Lighting & Accessories

Cameras, Lenses, Cinema / Production

ALL ITEMS SOLD INCLUDE A
30 DAY WARRANTY!

Camcorders / Cameras

(In Stock)
Price: $1,749

The AJA RovoCam is a compact 4K UltraHD / HD block camera. The HDBaseT interface provides video, power, stereo audio, and RS-232 over a single Cat 5e/6 cable that can be up to 100 meters distance. This signal is sent to either the RovoRx-HDMI or RovoRx-SDI receiver. This is built around a 4K (Sony FCB-ER8300) camera module with back illuminated 1/2.3" CMOS sensor and Sony image processing. UHD at up to 25/29.97 fps and 1080P at 50/59.94. The high quality 12x optical (20x digital) zoom has autofocus and manual focus capability. Can plug-in a 3.5mm microphone via the rear connector and mount to top cold shoe.

Small size but rugged construction with limitless mounting possibilities - ideal for tripod, studio, stage, conference room, security, broadcast, cinema, corporate, and any use you can think of. Compatible with NC-UNIHB/1 Outdoor Housing.

Image processor functions include: noise reduction (2D/3D), visibility enhancer ICR (day and night) slow AE, high sensitivity, gamma, character generator, defog, color enhancement picture effect, spherical privacy zone masking, e-flip, and more.

The free RovoControl software (compatible with MacOS, Windows, and Linux) allows you to control multiple RovoCams - with control of things like zoom, iris, focus. You can even treat this like a PTZ camera by moving a HD 1080P box around the UltraHD frame, allowing pan and tilt for HD output. You can also map and control via PTZ controllers or even video game controllers and USB joysticks.

The RovoRX-SDI is a receiver for HDBaseT signal that converts to 4x identical 6G-SDI / 3G-SDI output, functioning as a DA (distribution amplifier). Also has 1x HDMI UHD / HD output. Also communicates and powers the RovoCAM over HDBaseT and via computer of choice with RS-232. It even has a stereo audio output.

This includes the RovoRX-SDI receiver, power supply, Cat 6 cable, USB cable, and RS-232 to USB adapter cable. There is some cosmetic nicks and paint wear on camera, mainly on edges. One REF IN connector on the receiver has a chip in it, but still functions normally. Overall this system is clean and presentable. Fully tested and in excellent working order. This includes the RovoCam and the RovoRX-SDI receiver for less than the retail pricing of the RovoCam alone.

(In Stock)
Price: $5,495

The Arri Alexa Classic EV (K1.71000.0) is a Super 35 16:9 sensor cinema camera. This has the exceptional film-like organic image the Alexas are known for with extended clean highlights, low noise floor, natural skin tones, excellent color separation, and cinematic depth. Extremely rugged and reliable build with ergonomics and easy usability well considered. Form factor ideal for balanced shoulder use and on tripod.

Can record in HD / 2K ProRes up to 4444. It records onto affordable SxS Pro and Pro+ cards. 64GB cards allow up to 60fps ProRes 444. 120fps at HD resolution is possible with highspeed license (up to ProRes 422 HQ). This can also record 2.8K ARRIRAW if you add a compatible external recorder (via a special protocol called T-Link to output ARRIRAW via HD-SDI to an Arri certified recorder).

Additional features include: 14 stop dynamic range, EI 800 base sensitivity (160-3200 range), Log C / Rec 709 / DCI P3, audio recording over 5-pin XLR line level input, 3-pin RS power for accessories, 2x HD-SDI out and 1x monitor out, surround view, false color exposure check, peaking focus, color bars/tone, and much more.

This has low 2096 hours of use. Comes with the highspeed (120fps) license. Also includes: EVF-1 viewfinder with eyecup and connecting cable, viewfinder mounting bracket, Anton Bauer gold mount battery adapter back, CCH-1 center top handle, and BP-12 bridge plate. Dovetail plate or tripod head compatible with Arri bridge plates required for tripod mounting (or you can use a cheap WA-1 wedge adapter to use with VCT-14 / VCT-U14 style plates). Has velcro for SP-3 / SP-4 shoulder pad, though shoulder pad itself is not included. This will ship in a Portabrace case (not pictured). The case isn't neccessarily from this specific camera and might have older foam and show significant wear - so consider the Portabrace a bonus extra. There is some paint wear and touchups around the body - but in better cosmetic condition than many examples on the market, is very presentable for a professionally used Alexa. Newest Sup 11.1.1 installed. All features, functions, connections and included accessories are fully tested in excellent working order.

(In Stock)
Price: sold

The Arri Alexa Plus 4:3 (K1.71150.0) is like the standard Alexa Plus, but has a 4:3 Super 35 sensor ideal for using anamorphic lenses. The full area of the sensor is used and a much higher image quality retained - the magic that anamorphic lenses provide is rendered faithfully and fully in the digital image. This can also be used in 16:9 mode just like any Alexa, so it's versatile even if you're not using anamorphic. This has the exceptional film-like organic image the Alexas are known for with extended clean highlights, low noise floor, natural skin tones, excellent color separation, and cinematic depth. Extremely rugged and reliable build with ergonomics and easy usability well considered. Form factor ideal for balanced shoulder use and on tripod.

The newer Alexa Plus models have all the features of the Alexa Classic EV, but adds features such as: Arri wireless lens control system compatibility, electronic horizon, lens mount has LDS contacts (lens data system), extra monitor BNC out (1.5G HD-SDI), GPS function, lens synchronisation for 3D, a third RS accessory power output, built-in position and motion sensors, and quick switch BNC connectors.

These come with the Alexa Plus 4:3 license bundle - which includes high-speed (120fps), DNxHD recording, and anamorphic de-squeeze standard.

Can record in HD / 2K ProRes up to 4444. It records onto affordable SxS Pro and Pro+ cards. If you were to swap the SxS module with XR module, it could then use Codex CDX-3730 drives and unlock 3.2K ProRes and internal ARRIRAW recording just like the XT models have. This can also record 2.8K ARRIRAW if you add a compatible external recorder (via a special protocol called T-Link to output ARRIRAW via HD-SDI to an Arri certified recorder).

Additional features include: 14 stop dynamic range, EI 800 base sensitivity (160-3200 range), Log C / Rec 709 / DCI P3, audio recording over 5-pin XLR line level input, surround view, false color exposure check, peaking focus, color bars/tone, and much more.

Includes: EVF-1 viewfinder, KC 150-S short viewfinder cable, VMB-3 viewfinder mounting bracket, V-mount battery plate, CCH-1 center top handle, WA-1 wedge adapter, VCT-14 tripod plate. Cosmetically in acceptable condition for a professionally used Alexa - with just some paint wear, scratches, and touchups all around body - but no damage or indications of rough usage - overall presentable. Newest Sup 11.1.1 installed. This has 4141 hours of use, which is reasonable for a professionally used Alexa - these are built rugged and reliable as you already know. All features, functions, sensor, buttons connections and included accessories are tested in excellent working order.

(In Stock)
Price: $3,125

The JVC GY-HC500USPCU is a powerful handheld "Connected Cam" 4K / HD professional camcorder with 1" CMOS sensor and 20x optical zoom lens, for very high sensitivty and picture quality. Can capture up to 4K UHD 30p, 25p, 24p 4:2:0 8-bit to SDXC / SDHC cards. Can record 10-bit ProRes 4:2:2 up to 50P / 60P onto M.2 SSD drives (requires KA-MC100G media adapter caddy and qualified M.2 SSD drive). Can work worldwide in both NTSC and PAL frame rates.

This version of the GY-HC500U enables scoreboard and broadcast overlays, built-in GPS, and sports metadata tagging. Note that these features are only available in HD resolutions, not 4K. This camera works well with both a traditional and IP workflows.

The 20x optical zoom is a broadcast quality 3-ring lens, providing both full manual or automatic control of focus, aperture, and zoom. 35mm equivalent of 28-560mm (with f/2.8 - f/4.5 aperture which handles low light even better than expected due to large sensor). All parameters such as ND filter, white balance, shutter, gain, focus assist, zebra, user buttons, etc are represenated and easily controllable from buttons right on the camera - giving this the usability of a much larger sized ENG camcorder.

Additionally features HDR recording in HLG or J-Log 1 (10-bit), high-resolution 4" LCD monitor, LCOS quad VGA viewfinder, advanced audio features including XLR inputs with phantom power, streaming capability over IP in HD, 4K HDMI output, 3G-SDI output, 4K HDMI output, return over IP, auto FTP, and much more.

This includes dual charger, 2x batteries, power supply, mic holder, lens hood, and eyecup. It also includes the valuable KA-MC100G media adapter caddy, so you can add qualified M.2 SSD drive for recording 10-bit ProRes 4:2:2 up to 50P / 60P (M.2 drives not included). This is low usage with only 113 hours logged onto the meter. Cosmetically very clean with only some signs of wear on the lens hood. Excellent working order.

(In Stock)
Price: $1,125

The JVC GY-HM200U / GY-HM200 is a 4K UHD streaming camcorder with professional ENG broadcast style features in a compact form factor. The 1/2.33" backside-illuminated sensor supports UHD up to 24P / 30P and 4:2:2 HD 1080P from 24P to 60P. 12x optical zoom lens with manual or servo function give 35mm equivalent of 29.5-354mm. Records onto SDHC/SDXC cards (UHS-I Speed Class 3 (U3) at 150Mbps). Additional features include: dual XLR audio inputs w/ phantom power and manual level control, 3G-SDI / HDMI outputs, 3.5" LCD, viewfinder, smart focus assist, built-in ND filters, internal microphone, web friendly proxy recording, nine assignable user buttons, and many ENG style features directly accessible on camera.

When an optional Wi-Fi or 4G LTE modem is added, can deliver live video feed direclty from camcorder while simultaneously internally. A variety of streaming protocols, including RTMP, allows delivery to popular streaming websites and content delivery networks (CDN). Zixi's Advanced Streaming Technology (AST) provides content-aware error correction and bandwidth shaping, while JVC's Streamconfidence delivers real-time feedback of LTE and streaming status in the camera viewfinder.

This is un-used in original box, only opened to take pictures and ensure contents. Includes handle unit, SSL-JVC50 IDX battery, AC adapter, hood, cap, mic holder, eyecup, and original box.

(In Stock)
Price: $2,995

The Panasonic AG-HPX600 is a 2/3" broadcast ENG style camcorder recording to P2 card media. Records HD video in AVC-Intra 100Mbps 10-bit 4:2:2 codec (DVCPROHD, DVCPRO50, DVCPRO, DV are also available). Available frame rates are 1080/59.94i, 1080/50i, 1080/30p, 720/59.94P, 720/50P. This cannot do 1080/23.98PsF, 1080/60P, or 1080/50P. Features a CMOS sensor with high F12 sensitivity and a signal-to-noise ratio of 59 dB. Additional features include: chromatic aberration compensation (with compatible lenses), flash band compensation, dynamic range stretch, focus assis functions, waveform/vectorscope, 4 position filter wheel, compatiblity with AJ-RC10 / AG-EC4 remotes, and more. Rear XLR audio inputs with phantom power and front mic input, with advanced audio monitoring and level capabilities. HD-SDI and HDMI video output. Also has genlock, timecode in/out, and monitor out. Operates on 4-pin XLR power supply or Anton Bauer goldmount style batteries. This is relatively compact for a broadcast camcorder, but has all the available tactile controls (gain, white balance, shutter speed, etc), customizability, ergonomics, and functionality you'd expect from any larger sized high-end broadcast shoulder camera.

The Panasonic AG-CVF15G HD Color Viewfinder features a 3.45" LCD display with an eyepiece. The eyepiece can be flipped up and out of the way, allowing the LCD be viewed as a direct monitor. Can be repositioned easily for optimal viewing angles. Controls for adjusting peaking, chroma, contrast, brightness, backlight brightness, zebra and tally intensity.

This includes the valuable upgraded AG-CVF15G color viewfinder. Cosmetically has some wear and scuffs on the body, plus some area of paint touchups - but overall is presentable and taken care of well without any damage. There is electrical tape applied at base of viewfinder cable to provide extra support where sheathing is connected. No options are installed. Hours of use are 2954, which is not significant for a solid-state P2 camcorder. All functions, features, and connectors are tested in good working order.

(In Stock)
Price: $3,750

The Red Scarlet Dragon is a DSMC line digital cinema camera capable of 5K (up to 48fps) or 6K (up to 12fps and stills). 4K allows 60fps, 3K 75fps, 2K 120fps. Higher frame rates available at 2.4:1 widescreen. This has the Dragon sensor, providing improved color science, greater dynamic range up to an amazing 16.5+ stops, improved low-light capability over the older Mysterium-X sensor. Redcode RAW files give you the ultimate freedom and control when finished. Capable for professional use for cinematography or still photography. Highly flexible and customizable so you can have just what you need for your production and nothing you don't. And of course features all the professional connections and features one would expect from a high end cinema camera. Different lenses such as Canon EF, Nikon, PL, or Leica-M can be acheived by changing the lens mount. Control is acheived via Red Side Handle, Redmote, and/or Red Pro Touch LCD monitor.

Includes SSD 1.8" Redmag side module, Canon EF lens mount, DSMC side handle (providing grip, Redvolt usage, and camera control), and AC power supply. Also has an Element Technica top plate and "Man Handle" top handle - peppered with 1/4" and 3/8" threads and 15mm rod pass-through and is adjustable on the riser. Cosmetically in good condition with only minor marks and paint wear, mostly on on exterior. Moderate usage of 847 hours (LCD not included only shown to prove hours). Upgraded to the latest firmware version 6.3.106. Replaced the internal battery so this will keep date/time correctly upon restart, unlike most of these found on the used market. All functions, features, and connections are fully tested with a variety of accessories to be confirmed in excellent working order.

(In Stock)
Price: sold

The HVR-A1U fits many professional features in an small "handycam" form factor. 1080i switchable between 60i and cineframe 30P / 24P with 2:3 pulldown. This is NTSC, not PAL. Features include: C-MOS imager, HD to SD downconversion, cinematone gamma and cineframe functions, switchable hdv/dvcam/dv recording (onto mini DV tape), high quality 10x Carl Zeiss lens, lens hood with integrated cap, stabilization system, manual focus ring, 2.7" 16:9 LCD screen with touch screen menus, viewfinder at rear, built-in mic, color bars, nightshot (green low light capability), XLR inputs with phantom power, i.LINK (IEEE 1394), expanded focus, 3 mega pixel still images onto memory stick, and much more. Output connections for monitoring or live output include: HDV/DV firewire / i.link IEEE 1394, component HD / SD, composite. This doesn't have HDMI, but one can always gets a component to HDMI converter for example if they need that. Many use this as an affordable studio / live / streaming camera into a mixer, if they do not want to record onto HDV tape. It is extremely compact which makes it useful in a variety of situations where larger cameras are impossible.

This includes XLR adapter, remote, ac adapter / charger, long-life battery, component/av cables, manual (not pictured), lens hood w/ integrated cap. This does not include external mic. Good cosmetic condition with some exterior scratches from transportation, not from usage because this has low hour meter readings. The hood shows a bit of extra wear because it came from a different camera with more usage. The previous owner did etch the serial number into the bottom of the camera. Clean LCD screen. Good lens optics. Hours of use: drum 0x10, tape 0x10, threading 5x10, operation 1x10. So this has had under 10 hours of actual usage, which is quite rare indeed. All functions, features, connections, tape transport are tested in good working order.

(In Stock)
Price: sold

The HVR-V1U 3CMOS HDV camcorder packs a lot of big features in a small package. Captures video at 24P, 30P, and 60i - processed at 1920x1080/60p in full 4:2:2 and recorded as 1080/60i (24P recorded with 2:3 pulldown). This is NTSC only, not PAL. Records onto miniDV / HDV tape. Many professional features include: DVCAM/DV recording, 20x Carl Zeiss Vario-Sonnar T* optical zoom lens, downconversion, 3.5" LCD, rear color viewfinder, manual or automatic control of iris/shutter/focus/zoom/gain, HDMI and i.link interfaces, XLR audio, ClearVid for clear diagonal lines, integrated ND filters, picture profiles, focus peaking / zebra functions, SteadyShot, color bars, gamma settings including Cinematone Gamma, black stretch/compress, knee correction, versatile ergonomic design for handheld or tripod use, and much more. Many use this as an affordable studio / live / streaming camera into a mixer, if they do not want to record onto HDV tape.

Low hours of use: Operation 50x10, Drum 15x10, Tape 11x10, Thread 37x10. 150 drum hours is very low usage. Includes ac adapter/charger, small eyecup, av/component cables, and mic holder. This includes battery, but note it is a generic model, not genuine Sony battery (it does still work but full life not guaranteed). Cosmetically this camera has some scratches and scuffs in various places on the body. There is also some cleaning scratches on LCD, which are only lightly visible when in use. It's not perfect looking, but it is overall presentable and clean. Optics are clear and without scratches. All functions, features, connections, tape transport are tested in good working order.

(In Stock)
Price: $1,795

The Sony PDW-700 is a XDCAM HD422 2/3" broadcast ENG camcorder. Features Power HAD FX (three 2/3" CCD), 14-bit A/D converter, 50Mbps data rate, 1080P recording at international PAL/NTSC framerates to MXF format, HD/SD conversion and cross conversiion between 1080i / 720P, recording to single and dual layer XDCAM optical discs, ND wheel, thumbnail scene selection, 2x HD-SDI output, i.LINK, ethernet, proxy data, metadata, interval recording, 3.5" LCD, 5-pin XLR stereo front audio and 3-pin XLR rear audio inputs, picture cache recording (up to 30 seconds), slow shutter, smooth gain control, focus magnification, and more. Records in 1080/50i, 1080/59.94i (60i), 1080/25P, 1080/29.97P, 720/50P, and 750/59.94P (60P). With the 24P option installed, this can also do 1080/24P (23.98P) just like the PDW-F800. The XDCAM HD422 discs are reliable, durable, and long lasting - ideal for archiving. All of this is in a ENG shoulder mount form factor with precise audio/video customization, and ergonomic capabilities you'd expect from a high end broadcast camera.

Includes the 24P record and playback option, giving this 24P (23.98P) capability which is not facotry standard with the PDW-700 like it is with the PDW-F800.

Includes the valuable HDVF-20A viewfinder. This has noticeable patches of missing paint - mostly on the left side, underside, and handle. Paint failure is typical on this model and is not representative of harsh usage. There is cosmetic wear, but no damage and it still is reasonably presentable. Has minor LCD scratches, which don't show up when in use (plus the LCD on this is not for critical viewing anyway like the viewfinder is). Running current updated firmware. Hours: Operation 5890, Laser 2033, spindle 4624, loading 8035. These are rated at 6,000+ laser hours, so at only 2033 laser hours there is tons of life left. Good optical block, pixels masked well and no lit pixels show at 0db with camera warmed up. All functions, features, and connections are tested in good working order.

(In Stock)
Price: $1,500

The Sony PMW-200 is a XDCAM HD422 SxS camcorder, the more powerful successor to the PMW-EX1/EX1R cameras. 50 Mbps MPEG HD422 codec recorded as MXF files. Support of UDF (professional disc) or FAT (XDCAM EX) formats. Three 1/2" Full HD Exmor 3CMOS sensors (high resolution, high sensitivity, low noise, wide dynamic range). Additional features include: 14x Fujinon lens (with manual and autoamtic focus, zoom, aperture), NTSC/PAL worldwide compatibility, articulated LCD, timecode/genlock, dual SXS memory card slots, slow/quick motion, focus magnification, shutter angle settings, picture cache recordings, four channel audio, HD/SD-SDI, HDMI, XLR inputs, six standard gamma, four hypergamma, integrated ND filters, and a slew of professional features and detailed image customization you'd expect from a high end broadcast / cinema video camera.

Includes lens hood with integrated cap, mic holder, eyecup, genuine BP-U30 battery (48 cycles), BC-U1 battery charger/ac adapter. Also includes valuable extras - a long-life genuine BP-U60 battery (50 cycles) and a high quality shotgun microphone with Rycote Softie windshield. Has only 282 hours of use. Cosmetically in excellent condition with very few signs of wear. Lens is optically and functionally to factory specifications. All functions and features are tested in excellent working condition.

(In Stock)
Price: $2,725

The Sony PMW-F5 Cinealta Digital Cinema features a 8.9MP Super 35mm sensor capable of capturing 2K and HD internally in XAVC codec onto SxS Pro+ memory cards - as well as 4K and 2K RAW to AXS-R5 external recorder. Also can record internal 4K XAVC QFHD / 4K and engage 4K quad SDI and 4K HDMI output if you purchase the CBKZ-55FX 4K upgrade license. Framerate range, 1-60fps at 4K Raw, 1-240fps at 2K RAW, and 1-180fps at 1080P 4:2:2 internally. Can also record SStP SR at 4:4:4 internally when you select RGB mode. Features 14 stops of dynamic range when S-log is on, for film-like rendering of highlights and shadows. Native FZ lens mount with include PL mount adapter. Uses Sony BC-L90 Olivine li-ion batteries (along with BC-L90 charger) - batteries/charger not included or can be powered with nearly any 4-pin XLR power supply or any battery adaptor you might use (such as v-mount or Anton Bauer). Direct one touch access to many shooting parameters and assignable buttons means your most crucial adjustments are right at your fingertips. Additonal features include: four HD-SDI jacks, HDMI output, XLR audio input with phantom power, user gamma, waveform/historgram, center scan mode, user monitor LUT created by RAW viewer, interval recording, and a limitless amount of manual customization to acheive the cinematic look you need. This is an extremely high end film camera.

The Sony DVF-EL100 is a OLED viewfinder for the PMW-F5, PMW-F55, and F65 (with version 3 upgrade). Features high resolution of 1280x720, 10,000:1 contrast ratio for deep black tonal gradations, nearly 14 stop range, no smear or blur, widely adjustable mounting arm for optimum positioning, 26-pin digital interface, and buttons for focus magnification and display on/off. This is an incredibly high-end top quality viewfinder.

The Arri top handle viewfinder kit consists of Top Plate (K2.66247.0), Viewfinder Adapter VFA-1 (K2.66248.0), Center Camera Handle CCH-2 (K2.73002.0), 15mm LWS rod console (K2.65264.0) and Viewfinder Plug Protection (K2.66251.0). The Top Plate is a sturdy cheese plate with a wide variety of 3/8"-16 and 1/4"-20 threaded accessory mounting points. The Arri CCH-2 handle can be attached at three different positions, providing a sturdy top carrying handle as well as additional accessory mounting points. The viewfinder adapter allows you to mount your DVF-EL100 or DVF-L350 viewfinder. The Viewfinder Plug Protection allows your viewfinder cable to remain secure and undamaged where connected to camera. The 15mm LWS rod console adds 15mm rod support and is attached at front of top plate.

The Arri baseplate kit consists of Adapter Plate for F5/F55 (K2.66246.0) and Shoulder Pad (K2.66249.0). The Adapter Plate is in the form of an integrated Sachtler Touch and Go plate, for easy mounting to a tripod head or other support with a standard quick release plate. If you don't have a Touch and Go system, it has screw holes on bottom to attach a traditional tripod plate. Also has 15mm rod mounts for things like follow focus and matte box, as well as Arri rosettes on both sides for attachment of handgrips. The Shoulder Pad attaches to bottom of camera for shoulder use. Thin profile means the pad can remain mounted to the camera in most situations, when switching from tripod to handheld use.

Includes the DVF-EL100 OLED viewfinder, v-mount battery back, XLR audio module, PL mount. On top of this includes a host of very valuable Arri accessories for the top and bottom of camera- Top Plate (K2.66247.0), Viewfinder Adapter VFA-1 (K2.66248.0), Center Camera Handle CCH-2 (K2.73002.0), 15mm LWS rod console (K2.65264.0), Viewfinder Plug Protection (K2.66251.0), bottom adapter Plate for F5/F55 (K2.66246.0) and Shoulder Pad (K2.66249.0). The 4K internal XAVC option is not installed (4K only available if using the AXS-R5 RAW recorder).

Cosmetically in good cosmetic shape with only minor superficial paint wear and scratches in a few areas - overall clean and presentable. Firmware version 9.1 installed. Reasonable 1618 hours use on the meter. The PL mount has good contact pins. Everything is in normal working condition.

(In Stock)
Price: $7,475

The Arri LDS Ultra Prime 100mm T1.9 (K2.52132.0) lens is a PL mount cinema lens that covers super 35mm format. Creates a sharp image consistent with other Arri lenses such as standard Ultra and Master Primes in color, clarity, and skin tones. Image quality retained across the frame. Features T* XP coating for reduced glare / reflections, Carl Zeiss Sonnar optics, minimum focus distance of 39.4", fast aperture of T1.9 for shallow depth of field, internal focus design for precise focusing and minimal breathing, minimal aberration, focus marks on both sides of the barrel, industry standard 0.8 mod focus/iris gears, 104mm front barrel diameter, clickless iris ring, and markings in feet. The LDS line specifically features fully floating lens elements that improve performance in close-ups. Also have built-in encoders to communicate with camera via the PL-LDS mount (which is a PL mount with electronic contacts) - providing metadata.

The LDS contacts don't seem to be functional, so this lens is not expected to properly electronically communicate with camera over PL mount. Very good condition with only minimal paint wear if looking closely. Well above average cosmetics. Includes front/rear caps. Aperture and focus rings turn smoothly, accurately, and freely. There is a slight inconsistency in tension in the focus ring, which could cause marks to be missed with very fast movement, but overall would not be noticeable or cause problems for most users - it has a typical feel similar to most examples of this lens. Clean glass, no optical problems. Good working order.

(In Stock)
Price: sold

(In Stock)
Price: $1,125

This is a Catcan lightweight rehousing of a Sigma 18-35mm 1:1.8 (f/1.8) zoom lens, converted for professional cinema style use with PL mount and 0.8 standard gears for zoom, focus, and aperture control. Fast f/1.8 maximum aperture for excellent low light use and control of depth of field / bokeh. Optics are 17 elements in 12 groups. 102mm diameter front ring or 72mm inner. This is able to focus very close-up at only 28cm (11 inches) from sensor, making this useful as a macro type lens for shots otherwise not acheivable.

Includes front and rear caps. Cosmetically in good condition with only minor paint wear in a couple areas if looking carefully - overall very clean and presentable. The rings on this model do run stiff compared to some lenses out there, so bear that in mind if you like extremely smooth action in your rings that require a light touch. Also, there is an anamoly where the image will shift slightly when iris is adjusted at the wide open end (which doesn't cause any issue in any normal shooting situation). So this works typically for this model, but bear in mind it is a lightweight re-housed lens so may not be as smooth as more complex rehousings and lenses designed from the ground up. But is very usable, excellent optics, and a great value for the money compared to other rehoused Sigma 18-35mm f/1.8 lenses.

(In Stock)
Price: sold

This is for a Chrosziel CLWAH-F4,5 mattebox system, also known as the 415-02F110 or MB 415. Designed for any Canon, Fujinon, or other brand of lenses, even wide angle lenses with focal length up to 4.5mm. Dual stage filter stages - 1 fixed and 1 rotating filter stage. This is a clip-on style mattebox for use without rods. This is a robust and professional matte box system, not a chintzy knock off.

This includes the CLWAH-F4.5 sunshade housing, 410-31 4x4/4x5.650 filter holder, 510-01 5x5/4x5.650 filter holder, 130-110mm intermediate ring, 110mm-98mm stepdown ring, 110mm-95mm stepdown ring, and foldable top french flag. So this can accomodate 130mm, 110mm, 98mm, and 95mm diameter lenses (though you can obtain other stepdown rings if your needs differ). Even includes a hard case to carry it, model Pelican 1500. Shows noticeable cosmetic wear and paint touchups, but no damage. In very good working order. Multiple units available.

(In Stock)
Price: $1,695

The Chrosziel MB 602 is a 6.6x6.6" four stage matte box designed for high end film and digital cinema production. The swing-away design attaches to 19mm rod support systems for ease of lens changes. There is four filter stages. The first is not detachable. The other three can rotate. Two of them are geared and can be precisely moved up and down via the including flexible shaft / whip. This also has a top french flag and two adjustable side flags for perfect control of light. All areas of this mattebox have precise adjustments available to suit your particular system and needs. This is native 165mm diameter with a 142.5mm intermediate ring standard. Further stepdowns are available via optional rings to fit your precise lens/lenses.

This includes the top french flag, 2x side flags, 4x 6.6x6.6" filter holders (2 of which are geared), shaft/whip for adjusting geared holders, 165-142.5mm intermediate ring, 142.5mm-136mm (410-58) stepdown ring, 142.5mm-114mm (410-12A) stepdown ring, and a Pelican 1550 case. Mask inserts not included. Cosmetically has some paint wear and scratches, but overall is clean and undamaged. Excellent working condition.

(In Stock)
Price: $475

The Meike MK-S50T21-PL is a 50mm T2.1 Super 35 cine prime PL mount lens. This has a 33.6mm image circle which covers at least 6K resolution in Super 35 sensors. A fast T2.1 aperture enables capture in lower light levels and better control of depth of field. 11-blade iris adds to the smooth bokeh. Standard 0.8 focus and iris gears, 270 degrees of focus barrel rotation, markings in both feet and meters, 80mm front diameter, 22.8" close focus, and multilayer coating to supress lens flare / ghosting.

This is in mint condition with very few signs of cosmetic wear. Low usage. Clean optics and all in good smooth working order.

(In Stock)
Price: $375

The Optitek ProLock Mark II (CPLII-Sony-F3) is a FZ to EF adapter that allows Canon EF lenses to be used on the Sony PMW-F3, PMW-F5, or PMW-F55 camera. Unlike previous version, the mk II has electrical contacts (Birger Engineering RD-X-X-FZ2) to allow powered control over the iris in 1/3rd stop increments via buttons on the mount. The adaptor also provides power to IS stabilization and internal focus servos. Draws power directly from camera mount, so no additional cable required like previous versions. Features a PL style clamping lock ring on the Canon EF mount to secure lenses. When used with the Optitek Optitron Lens Controller, precision repeatable remote focus control is also available.

This has mild cosmetic wear from light usage, but overall clean. Front cap included. Good working order. Second unit is available.

(In Stock)
Price: $1,995

The Service Vision Scorpio Focus is an ultra high quality wireless digital cinema lens control system for Focus, Iris, and Zoom - i.e. FIZ. The hand unit can be connected to the motor driver box wirelessly (most common application) or wired. The motor driver box then is wired to the motors to control the lens. The hand unit has a focus wheel that can accept marking discs, iris slider with marking strip, and zoom potentiometer micro knob for iris - though any control can be assigned to focus, iris, or zoom as desired. The information display shows menu items, speed, total meters/feet counter, last take counter, signal coverage indicator, low battery indicator, camera status, and zoom position scales. Motor drive box can accept power between 11-30VDC. The hand unit is powered with NP-FM50 style batteries. Lenses are automatically calibrated either by connecting motor cable to motor or from the hand unit menu - this can be saved on memory when disconnecting the equipment. It is possible to add a second hand unit in master-slave mode. Two motors can also be synchronized or even six motors two-by-two when adding a second motor driver box, plus one can rescale mark by mark the second focus in regards to the first - so this is ideal for 3D applicaitons. One can set limits for any FIZ movements. Can also run camera start/stop control from the hand unit. This system is very versatile, with brackets, gears, driver cables, and power cables available for nearly any camera/lens configuration you can imagine.

This includes 3x motors - 1x SB 92 (5101) digital motor and 2x standard S.C.O.R.P.I.O motor. One of the motors is a "clunker" and requires repair to work normally. The other two motors work very well with no problems or backlash, though note that they have re-glued cable connectors (which is cosmetic only in nature). So consider this a 2 motor kit, with a bonus motor which could be hypothetically be repaired if desired.

This is a fully loaded package which includes: hard carrying case with custom foam, 3x blue Arri bushings, 2x gold Panavision bushings, 2x rod brackets for motors, bracket/shield and handle for hand unit, 3x genuine batteries, 2x generic chargers, a large collection of markings discs (all have marker on them which needs to be cleaned), a wide assortment of gears for many lens types, 4x motor cables, Arri run/stop cable, Arri power cable, zoom-iris command 6-pin cable, and misc parts/screws/antennas.

This is a well-used system that has seen some time on set. It has heavy paint wear and brassing. There is velcro and electrical tape affixed in many areas. Some connectors are re-glued securely. Though there is no damages and it is mostly in good clean presentable shape if one gets past the mentioned cosmetic wear. This is fully tested to be in good working order. Reset to factory settings and calibrated. The only functional issue is one of the three motors is for parts/repair. Otherwise, this is a good working 2 motor system. Buyer is responsible to add any brackets, gears, cables, or other accessories as needed for their specific configuration if not included or pictured here.

(In Stock)
Price: $1,475

The Sony LA-FZB1 allows you to use a 2/3" B4 mount HD / 4K lens on the FZ mount of the PMW-F55 or PMW-F5 camera. Ideal for using ENG, Cinema, or box style sports lenses. This is an optical adapter, so it maintains the same angle of view, expanding the 2/3" lens to cover S35. The optical nature of the adapter does result in a 2.6 stop light loss. Once the 2/3" lens is attached to the 12-pin hirose connector on the adapter, metadata can be passed such as focus, zoom, and iris - and functions like servo zoom and aperture are activated. The adapter supports chromatic aberration compensation using ALAC-2 for select lenses, and you can assign the "RET" button allowing you to call functions such as Expanded Focus and last clip review. Ideal when used in combination with the CBK-55BK ENG documentary build-up kit.

Includes front/rear caps. Lens support knob and bracket not included, just the adapter as pictured. Cosmetically in good shape with normal signs of wear on the mounts. There is also a patch of paint wear that is touched up on the barrel near the model number tag. Overall in very presentable cosmetic condition. Optics are clean and to normal factory spec. Excellent working order. Multiple units are available.

(In Stock)
Price: $225

The Canon LO-32BMT in an optical lens mount adapter that allows you to mount a 2/3" B4 bayonet lens onto a Sony 1/2" camera. When a 2/3" lens is mounted on the 1/2" camera using the LO-32BMT adapter, the focal length and effective aperture of the lens do not change. However, the angle of view associated with that focal length changes. The lens will capture images that are visually more telephoto by a factor of 1.38x.

This includes original box and appears to be un-used or nearly un-used, without any real signs of cosmetic wear. Good working order.

Camera Accessories

(In Stock)
Price: $25

This is a time code adapter cable for Red DSMC and DSMC2 cameras (with module such as base expander or v-lock i/o expander). The side which connects to camera is 4-pin male. The other side is BNC. Length is 50cm.

Clean cosmetic condition and working order.

(In Stock)
Price: $145

The Anton Bauer QR-SDH (model 8375-0131) is a Gold Mount adapter plate that converts a Sony V-mount broadcast ENG camcorder to utilize Anton Bauer style battery (XDCAM EX, XDCAM HD, HDCAM, and more). Has a P-tap accessory connector and Automatique switch to choose to be able to only have power to P-tap when camera is recording. This attaches to compatible camcorders very securely with two top screws and two side screws.

This includes a Anton Bauer QR-SDH (8375-0131) gold mount adapter plate and a wireless receiver side mounting plate (model 8275-0015). The receiver plate has velcro attached. This system has minor cosmetic wear, but overall is clean and undamaged. Good working order.

(In Stock)
Price: $49

The Arri KC52-S (model K2.0001268 / 821300) is a 12/20 pin ENG short lens cable (9.8") to provide power and lens data when using an ENG lens on the Arri Amira camera. This cable connects the AMIRA's 12-pin Hirose port to the 20-pin Hirose connector on select servo-type zoom lenses.

Clean cosmetic condition and good working order. Second unit available.

(In Stock)
Price: $95

The Arri KC 151-S (K2.72013.0) is a 2.1' long medium viewfinder cable, designed for connecting the EVF-1 to Alexa Classic, Alexa Plus, Alexa Plus XR, Alexa XT, and Alexa SXT / SXR cameras. The longer length is ideal for using on camera right or left side or when using a VEB-1 or VEB-3 viewfinder extension bracket.

Clean cosmetic with only minor signs of wear. Good working order. Multiple units available.

(In Stock)
Price: $795

The Cmotion Cfinder is an optical range finder distance measurement tool with an invisible class 1 laser beam. Measures from 0.3m to 300mm with readings updated up to 50 times a second and an accuracy range of of +/- 0,05m at maximum distance. For invisible laser sharp reference while filming, a telescopic sight can be easily mounted to the cfinder by means of a quick fastener. The operator can either mount the cfinder with brackets to various cameras or operate as a stand alone unit on a separate tripod beside the camera. Using the CBUS interface cable, two way communication can be established between the Cfinder and Camin (also the source of power). Camin will then send wireless measurement information to the cDisplay. This can also be powered with 3-pin RS power such as found on the Arri Alexa camera. This information can be used to identify depth of field, enable auto focusing and preset distance limits where all other distance values are ignored. This is like a more advanced CineTape.

This is the original Cmotion Cfinder. Cosmetically has some scratches and paint wear, but no damage or signs of rough usage. This is fitted with a BSA Air Rifle 2-7X32 telescopic sight / scope. This is an incomplete system. It does not include items such as Cdisplay, Camin, or any cables. This includes the Cfinder and scope only. Because this is incomplete system, it has not been fully tested here. It is presumed in good working order, but is sold "as is" to a buyer who can obtain the rest of the equipment to acheive a complete working system.

(In Stock)
Price: $1,225

The Codex CDX-3730 capture drive provides 512GB (480GB usable) of solid-state storage for your Arri Alexa XT, Alexa XT Plus, Alexa Plus 4:3 XR, or Alexa SXT (XR versions). Use of the Codex drive media instead of a Cfast / SxS adapter allows internal ARRIRAW and Open Gate as well as unlocks maximum frame rates, resolutions, and recording times available for the camera.

This his yellow ring version, not the slower orange ring. This is in good cosmetic condition with only superficial cosmetic paint wear (mainly on the edges) - overall in good presentable condition. Tested in good working order on an Arri Alexa XT camera. Second unit is available.

(In Stock)
Price: $475

The Denz C0100133 is shut-eye style heated viewfinder eyecup. It is designed for was used with the Panasonic Varicam 35 camera with the AU-VCVF1G or AU-VCVF2G viewfinder - though it might work on other models of Panasonic viewfinders on ENG camcorders such as AJ-CVF100G and AJ-HVF21G. It allows more comfortable operating and/or to eliminate eyepiece fog in cold or humid conditions. Eyepiece features include an auto-closing eyepiece iris, an LED status indicator, and two temperature settings to suit a range of environmental conditions. The included coiled cable stretches when the eyepiece is tilted without adding a lot of bulk.

Includes coiled connection cable. Good cosmetic condition with little wear. Working order. Multiple units are available.

(In Stock)
Price: $125

This is the EVF mount assembly for attaching the AU-VCVF1G or AU-VCVF2G viewfinder to the Panasonic Varicam 35 (AU-V35C1 / AU-V35C1G) camera. This might also work with the AU-VCVF10G / AU-VCVF20G viewfinders on the Varicam LT (AU-V35LT1G) but that has not been confirmed here.

This consists of two parts, the slider unit (VYQ9064-S) and the hinge unit (VYQ9066-S).

Some cosmetic paint wear, but overall looks clean. Attachment screws not included. Good working order.

(In Stock)
Price: $115

The Panasonic VARICAM-VFC155 is a 15.5" long EVF viewfinder connection cable for the Varicam 35 or Varicam Pure camera with the AU-VCVF1G or AU-VCVF2G attached. Both sides are a right-angle connector with 14-pins. Retails for over $300 if purchased new.

Good cosmetic condition with very few signs of use. Good working order. Multiple units are available in the same condition.

(In Stock)
Price: $100

The Portabrace RS-PMWF55 is a rain slicker (raincover) designed for the PMW-F55 or PMW-F5 cinema camera, to protect it from the elements. Waterproof nylon taslan to keep camera dry without overheating. The soft tricot interior protects the camera. The back end of the slicker adjusts to accommodate different battery and recorder configurations. The RS-PMWF55's unique expandable design covers a variety of rails and mounts. Multiple input / output access points, including on top, make the rain slicker adaptable to add-ons like monitors, recorders and microphones. Also a cover that accommodates different viewfinder types and positions.

This includes one front-end lens attachment (not the complete set), suitable for medium/longer lenses and mattebox. This appears to have had very little usage or wear.

(In Stock)
Price: $45

This is a custom-made 4-pin XLR power cable (long 12 foot length) that allows you to power your Red DSMC Epic / Scarlet or DSMC2 camera (with appropriate expander module) via the standard 4-pin LEMO connector. Requires a high quality 4-pin XLR power supply (11.5-17 VDC) or battery. Recommended your power supply is capable of at least 150W.

Custom-made, not sure of brand. 12 feet in length. Clean cosmetic and good working order.

(In Stock)
Price: $325

The Red Binary is a dual Anton Bauer battery mount plate system, compatible with Red DSMC or DSMC2 camera. Accepts two Anton Bauer gold mount style batteries and mounts to 19mm rails. Readout on the unit shows power voltage provided. This also has D-tap accessory power output.

This includes a 20" adapter cable to go to from this unit to Red 6-pin lemo power connector, compatible with DSMC and DSMC2 camera systems. Clean cosmetic condition with only minor wear. Good working order.

(In Stock)
Price: $700

The Red DSMC2 Sidekick Magnesium (720-0032) is a lightweight low-profile interface that provides full access to basic and advanced menus via a 1.7" OLED display. Compatible with any DSMC camera body. The rotary dial, D-Pad, function buttons, and configurable preset buttons provide an improved method of controlling your camera. There is two operating modes available, one to control parameters on Sidekick menus and the other to view menus on another screen while controlling with the sidekick.

Clean cosmetic condition overall. Some hairline scratches on screen (which don't affect usability or readability when operating). Good working order.

(In Stock)
Price: $75

The Red LCD / EVF cable (model 790-0645) is a 12" braided cable with two 90 degree connectors that provides video feed to your Red LCD or EVF display.

Genuine Red part, not a generic third party knockoff. Clean condition with only minor wear. Good working order. Multiple units are available.

(In Stock)
Price: $625

The Red Mini Mag 240GB (model 750-0082) is the smallest and fastest Red media option with read/write speed up to 300 Mb/s to support higher frame rates and resolutions with minimal compression. Ideal for DSMC2 camera like Weapon 8K / 6K, Epic-W, Scarlet-W, Raven, Monstro, Helium, Gemini, Dragon-X, etc. Also works with Epic / Scarlet Dragon and MX with mini-mag side SSD module installed (transfer speeds 50% faster on Weapon than Epic Dragon). Capable of supporting simultaneous R3D and Apple ProRes or Avid DNx recording on DSMC2 camera systems.

Shows only minor cosmetic paint wear, but no signs of damage or harsh use - overall presentable and in above average condition. Tested in good working order. Multiple units are available.

(In Stock)
Price: $50

The Red LEMO 2B-to-1B Power Adapter Cable (model 790-0138) allows you to use Red One accessories (such as Red Quickplate or Red battery plate) to power your Red DSMC or DSMC2 style camera body. The 2B end is for Red One power accessory and the 1B end goes into your DSMC or DSMC2 camera.

Genuine Red brand cable. There is some typical fraying on cable sheath, but not damage. Good working order.

(In Stock)
Price: $50

The Red 3BNC-TO-00 sync cable (model 790-0154) is a breakout cable which provides timecode, genlock, trigger functionality via the Sync port of your Red Weapon, Epic / Scarlet Dragon, and Epic / Scarlet MX or with compatible module used with DSMC2. The white BNC is for start/stop trigger, yellow BNC timecode, and green BNC genlock.

In good cosmetic shape, with the exception that the rubber "over sheath" at Red side of cable is half missing. This is just decorative and doesn't affect functionality of the cable. It is in normal working order.

(In Stock)
Price: $500

This is the Sony Battery Adaptor Assembly (model A-1922-131) for the PMW-F5 or PMW-F55 camera. This battery back allows power from a 4-pin XLR power supply or Gold Mount Anton Bauer style battery. Also has 4-pin (12V 1.8A) accessory outputs. You can also output the REC Tally signal and input the REC Trigger signal through the DC OUT connector. This is something around $1,500 to order new, so this is a significant savings if you need this part for your F55 / F5.

This is modified to accept Anton Bauer Gold Mount style batteries instead of the typical v-mount. Clean cosmetic condition with only superficial wear if looking for it. Tested on camera to be in good working order.

(In Stock)
Price: $750

This is the Sony Battery Adaptor Assembly (model A-1922-131) for the PMW-F5 or PMW-F55 camera. This battery back allows power from a 4-pin XLR power supply or V-mount battery. Also has 4-pin (12V 1.8A) accessory outputs. You can also output the REC Tally signal and input the REC Trigger signal through the DC OUT connector. This is something around $1,500 to order new, so this is a significant savings if you need this part for your F55 / F5.

Clean cosmetic condition, does not appear to have much usage. Good working order.

(In Stock)
Price: $95

The Sony BP-U60 is a 14.4V / 56Wh lithium-ion battery - ideal for cameras such as the PMW-100, PMW-150, PMW-160, PMW-200, PMW-300, PMW-EX1, PMW-EX1R, PMW-EX3, PMW-EX160, PMW-EX260, PMW-EX280, PMW-F3, PXW-FS5, PXW-FS7, PXW-X160, PXW-X180, PXW-FX6, PXW-FX9 or PHU-60K. The BP-U60 uses a communication line with the EX camcorder, whereby the precise remaining capacity can be displayed on the camcorder's LCD and viewfinder. Indicater to show the remaining capacity of the battery at the push of a button on the battery itself.

This is a genuine BP-U60 battery, not a cheap knockoff. Good cosmetic condition with minor wear. Only has 24 charge cycles, so it is very low usage. Currently holds a full charge and works well. Second unit available.

(In Stock)
Price: $750

The Sony CBK-HD02 is a multi-function option board for the PMW-500 camcorder. Once installed, it activates: SDI/composite input, digital extender, pool feed input, and adds a 50-pin interface. The 50-pin interface adds support for the XDCA-55 camera adaptor for the Camera Signal Extender Unit, CA-FB70 Fiber Adapter, CA-TX70 Triax Adapter, and HDCA-702 MPEG TS adaptor to provide a MPEG Transport Stream output over DVB-ASI connection).

This is un-used in original box. The original box has some wear and writing on it, but the option itself was never removed from box or installed. Includes all the factory parts and instructions. Note you must have ver 1.1 firmware or higher installed on your PMW-500 camera to ensure compatibility of this option.

(In Stock)
Price: $150

This is the EVF monitor connection cable (model 130102Y / part A1970764A) for the PMW-F55 / PMW-F5 camera. Works with viewfinders such as the DVF-EL100, DVF-L350, and DVF-L700.

Good cosmetic and functional condition. Working order. Multiple units are available.

(In Stock)
Price: $145

The SBP-64A is a 64GB SxS Pro memory card, ideal for Sony XDCAM HD / XDCAM EX camcorder, as well as the Arri Alexa Classic / Plus / XT (with SxS module). This is ideal for Sony models such as PMW-500, PMW-300, PMW-320, PMW-400, PMW-200, PMW-100, PMW-160, PMW-EX1R, PMW-EX3, PXW-X200, PXW-X180, PXW-X160, PXW-X400, PXW-X500, PXW-X320, PMW-RX50, PMW-PZ1, PMW-50, and more. Not ideally suitable for 4K recording on PMW-F55 or other examples of extremely high data rates. Features a maximum speed of 1.2Gbps.

Example recording times: 60 minutes HD XAVC Intra 4:2:2, 120 minutes in HD MPEG2 4:2:2 30P at 50Mbps. Maximum recording time possible is 200 minutes at 35Mbps HQ or 280 minutes SP.

Case not included. Some cosmetic wear - scratches on front, label wear, and a missing piece of plastic on the write protect switch (which does not affect functionality in any way). Excellent working order. Second unit is available.

(In Stock)
Price: $160

The SBP-64B is a 64GB SxS Pro+ memory card, designed for high-speed video recording with XDCAM / XDCAM EX camcorder. This is ideal for 4K and high data rates on the PMW-F5 and PMW-F55 cinealta camera (unlike the previous SBP-64 / SBP-64A card which is not suitable). This is also popular for use with the Arri Alexa. Of course, this can also be used with any model that takes an SxS / ExpressCard such as PMW-500, PMW-300, PMW-320, PMW-400, PMW-200, PMW-100, PMW-160, PMW-EX1R, PMW-EX3, PXW-X200, PXW-X180, PXW-X160, PXW-X400, PXW-X500, PXW-X320, PMW-RX50, PMW-PZ1, PMW-50, and more. Features a maximum read speed of 1.6Gbps and write speed of 1.5Gbps (minimum read speed of 1.3Gbps).

Case not included. Good cosmetic condition with only minor wear and front label tear. Tested in good working order. Multiple units are available, if you need more than one!

(In Stock)
Price: $185

The SBP-64C is a 64GB SxS Pro+ memory card, designed for high-speed video recording with XDCAM / XDCAM EX camcorder. This is ideal for 4K and high data rates on the PMW-F5 and PMW-F55 cinealta camera (unlike the previous SBP-64 / SBP-64A card which is not suitable). Of course, this can also be used with any model that takes an SxS / ExpressCard such as PMW-500, PMW-300, PMW-320, PMW-400, PMW-200, PMW-100, PMW-160, PMW-EX1R, PMW-EX3, PXW-X200, PXW-X180, PXW-X160, PXW-X400, PXW-X500, PXW-X320, PMW-RX50, PMW-PZ1, PMW-50, and more.

This features around double the read/write speed of the previous generation SBP-64B. Maximum read speed of 3.5Gbps and write speed of 2.8Gbps (minimum read speed of 1.3Gbps). This faster speed is useful for ensuring stable high frame rate recordings in formats such as XAVC 4K 60P or XAVC 4K 180P.

Also has improved safety features such as data refreshing, error correct, and power failure management.

Example recording times: 20 minutes 4K XAVC Intra 4:2:2, 10 minutes in 4K XAVC 4:2:2 60P at 600Mbps, 60 minutes HD XAVC Intra 4:2:2, and 120 minutes in HD MPEG2 4:2:2 30P at 50Mbps. Maximum recording time possible is 200 minutes at 35Mbps. This SxS Pro plus card is the ultimate memory card that can support any codec or camera model out there.

Good cosmetic condition with only minor wear. Tested in good working order. Case not included. Multiple units are available, so ask if you need more than one!

(In Stock)
Price: $195

The SBP-64D is a 64GB SxS Pro+ memory card, designed for high-speed video recording with XDCAM / XDCAM EX camcorder. This is ideal for 4K and high data rates on the PMW-F5 and PMW-F55 cinealta camera (unlike the previous SBP-64 / SBP-64A card which is not suitable). Of course, this can also be used with any model that takes an SxS / ExpressCard such as PMW-500, PMW-300, PMW-320, PMW-400, PMW-200, PMW-160, PMW-EX1R, PMW-EX3, PXW-X200, PXW-X180, PXW-X160, PXW-X400, PXW-X500, PXW-X320, PMW-RX50, PMW-PZ1, PMW-50, PMW-100, Arri Alexa Classic / XT / SXT, and more.

This features around double the read/write speed of the previous generation SBP-64B and is the most current model (newer than the SBP-64C). Maximum read speed of 3.5Gbps and write speed of 2.8Gbps (minimum read speed of 1.3Gbps). This faster speed is useful for ensuring stable high frame rate recordings in formats such as XAVC 4K 60P or XAVC 4K 180P.

Also has improved safety features such as data refreshing, error correct, and power failure management. Supports EB Streaming between the card and Sony camcorders, enabling constant 2-way communication and insuring stable recording while avoiding speed degradation. Example recording times: 20 minutes 4K XAVC Intra 4:2:2, 10 minutes in 4K XAVC 4:2:2 60P at 600Mbps, 60 minutes HD XAVC Intra 4:2:2, and 120 minutes in HD MPEG2 4:2:2 30P at 50Mbps. Maximum recording time possible is 200 minutes at 35Mbps. This SxS Pro plus card is the ultimate memory card that can support any codec or camera model out there.

Includes case. Good cosmetic condition with only minor signs of wear. Tested in good working order. Multiple units are available, so ask if you need more than one!

(In Stock)
Price: $375

The SBP-128D is a 128GB SxS Pro+ memory card, designed for high-speed video recording with XDCAM / XDCAM EX camcorder. This is ideal for 4K and high data rates on the PMW-F5 and PMW-F55 cinealta camera (unlike the previous SBP-128 / SBP-128A card which is not suitable). Of course, this can also be used with any model that takes an SxS / ExpressCard such as PMW-500, PMW-300, PMW-320, PMW-400, PMW-200, PMW-160, PMW-EX1R, PMW-EX3, PXW-X200, PXW-X180, PXW-X160, PXW-X400, PXW-X500, PXW-X320, PMW-RX50, PMW-PZ1, PMW-50, PMW-100, and more.

This features around double the read/write speed of the previous generation SBP-128B and is the most current model (newer than the SBP-128C). Maximum read speed of 3.5Gbps and write speed of 2.8Gbps (minimum read speed of 1.3Gbps). This faster speed is useful for ensuring stable high frame rate recordings in formats such as XAVC 4K 60P or XAVC 4K 180P.

Also has improved safety features such as data refreshing, error correct, and power failure management. Supports EB Streaming between the card and Sony camcorders, enabling constant 2-way communication and insuring stable recording while avoiding speed degradation. Example recording times: 40 minutes 4K XAVC Intra 4:2:2, 20 minutes in 4K XAVC 4:2:2 60P at 600Mbps, 120 minutes HD XAVC Intra 4:2:2, and 240 minutes in HD MPEG2 4:2:2 30P at 50Mbps. Maximum recording time possible is 400 minutes at 35Mbps. This SxS Pro plus card is the ultimate memory card that can support any codec or camera model out there.

Includes case. Good cosmetic condition with very few signs of wear. Low usage. Tested in good working order. Second unit available.

(In Stock)
Price: $45

The Sony SBS-32G1A is a 32GB SXS-1 solid state memory card using ExpressCard technology, for use with camcorders such as PMW-500, PMW-300, PMW-320, PMW-400, PMW-200, PMW-160, PMW-EX1R, PMW-EX3, PXW-X200, PXW-X180, PXW-X160, PXW-X400, PXW-X500, PXW-X320, PMW-RX50, PMW-PZ1, PMW-50, PMW-100, and more. Certain older cameras could require firmware update for use. Features 32GB storage capacity and high speed transfer up to 1.2 Gbps (unlike the SBS-32G1 card which goes to 800 Mb/s). Although the SXS-1 have less life/cycles than SxS pro cards such as SBP-32, they still have a life of approximately 5 years with very heavy daily use, so essentially still will last forever. And they are faster cards to boot.

Example recording times: 30 minutes HD XAVC Intra 4:2:2, 60 minutes in HD MPEG2 4:2:2 30P at 50Mbps. Maximum recording time possible is 100 minutes at HQ 35Mbps.

Includes case. Excellent cosmetic condition. Low usage. Tested in good working order. Multiple units are available.

(In Stock)
Price: $75

The Sony SBS-32G1B is a 32GB SXS-1 solid state memory card designed for high-speed video recording with XDCAM / XDCAM EX camcorder. This is ideal for 4K and high data rates on the PMW-F5 and PMW-F55 cinealta camera (unlike the previous SBP-128 / SBP-128A card which is not suitable). Of course, this can also be used with any model that takes an SxS / ExpressCard such as PMW-500, PMW-300, PMW-320, PMW-400, PMW-200, PMW-160, PMW-EX1R, PMW-EX3, PXW-X200, PXW-X180, PXW-X160, PXW-X400, PXW-X500, PXW-X320, PMW-RX50, PMW-PZ1, PMW-50, PMW-100, and more.

This is faster than the previous generation SBS-32G1A with maximum read speed of 3.5Gbps and write speed of 2.8Gbps (minimum read speed of 1.3Gbps). This is the same speed available with Pro+ cards. This faster speed is useful for ensuring stable high frame rate recordings in formats such as XAVC 4K 60P or XAVC 4K 180P. Certain older cameras could require firmware update for use. Although the SXS-1 have less life/cycles than SxS pro / pro+ cards, they still have a life of approximately 5 years with very heavy daily use, so essentially still will last forever.

Example recording times: 10 minutes 4K XAVC Intra 4:2:2, 5minutes in 4K XAVC 4:2:2 60P at 600Mbps, 30 minutes HD XAVC Intra 4:2:2, and 60 minutes in HD MPEG2 4:2:2 30P at 50Mbps. Maximum recording time possible is 100 minutes at 35Mbps.

Includes case. Excellent cosmetic condition. Low usage. Tested in good working order. Multiple units are available.

(In Stock)
Price: $175

The Sony SBS-64G1C is the latest generation 64GB SXS-1 solid state memory card designed for high-speed video recording with XDCAM / XDCAM EX camcorder. This is ideal for 4K and high data rates on the PMW-F5 and PMW-F55 cinealta camera (unlike the previous SBP-128 / SBP-128A card which is not suitable). Of course, this can also be used with any model that takes an SxS / ExpressCard such as PMW-500, PMW-300, PMW-320, PMW-400, PMW-200, PMW-160, PMW-EX1R, PMW-EX3, PXW-X200, PXW-X180, PXW-X160, PXW-X400, PXW-X500, PXW-X320, PMW-RX50, PMW-PZ1, PMW-50, PMW-100, and more.

This is faster than the previous generation SBS-64G1A with maximum read speed of 3.5Gbps and write speed of 2.8Gbps (minimum read speed of 1.3Gbps). This is the same speed available with Pro+ cards. This faster speed is useful for ensuring stable high frame rate recordings in formats such as XAVC 4K 60P or XAVC 4K 180P. Certain older cameras could require firmware update for use. Although the SXS-1 have less life/cycles than SxS pro / pro+ cards, they still have a life of approximately 5 years with very heavy daily use, so essentially still will last forever.

Includes case. Excellent cosmetic condition. Low usage. Tested in good working order. Multiple units are available.

(In Stock)
Price: $175

The Zacuto C300 / C500 Z-Finder 1.8x (Z-FIND-C3) is an optical viewfinder that turns the Canon C300, C300 Mark II, or C500 4" LCD into a clear, easy to focus magnified viewfinder with 1.8x magnification lens. Slips over the LCD with a padded sleeve and secures with a bar clamp. Also has a monitor lock clip to keep LCD from moving forward when z-finder is pressed against your eye. Features interchangeable anti-fog diopters, light proof eyecup, built-in aluminum sun mask cap (to help avoid sun from damaging LCD when not in use). You can add a Mounting Kit (along with helmet and handle) to acheive more versatile and traditional mounting of this Z-finder - though it can be used immediately though with less configuration versatility.

Includes set of anti-fog coated optical diopters, monitor lock clip, lens cloth, sun mask cap, eyecup, and original box. Mint condition, does not appear to have been put into full usage, accessories are still un-used. All is in good working order.

Production Equipment / Studio / Support

(In Stock)
Price: $225

This is the original factory handle for the Arri Amira camera (model K4.75024.0). This is a dovetail style plate which locks into the top of the Amira and can slide front/back. It also is a viewfinder bracket that holds the MVF-1 EVF via it's 15mm side rod mount. There is lastly a wide variety of accessory mounting holes.

This has extensive paint wear, especially on the top part (where most of the original paint has worn off). Everything is working and undamaged, however. It is not the prettiest, but it is in good usable shape.

(In Stock)
Price: $150

The Arri CCH-1 (K2.72007.0) is a center camera handle for the full-sized Alexas - Alexa Classic EV, Alexa Plus, Alexa XT, Alexa SXT, Alexa Studio, Alexa M, etc. Various 3/8"-16 threaded holes are provided for accessories.

Some paint wear, but no damage. In good working order.

(In Stock)
Price: $225

The Arri HEB-2 handle extension block elongates the CCH-1 and adds additional 3/8"-16 threaded accessory holes.

Some paint wear, but no damage. In good working order.

(In Stock)
Price: $500

The DJI Ronin-S (model RS1) is a 3-axis gimbal stabilizer with a compact single-handed form factor. Can handle loads up to 8 lbs. The joystick controls camera movements. The front trigger locks the gimbal when held, re-centers when tapped twice, and goes into selfie mode when tapped three times. The mode mode button engages three customizable operation profiles. Sport mode is available for extra quick response times and speed. Can run for up to 12 hours on a single charge of the battery grip. This is a versatile system with many options to add direct connected or wireless modules. Multiple accessory mounts are available to add mic, light, video transmitter, etc. This is versatile system that beyond handeld use, can be mounted to RC buggy, mounted to a jib, attached to dual-handheld bar, and more. Focus wheel module is included standard for pulling focus with compatible lenses (or with optional focus motor). Supports 2.4/5.8 Ghz receivers, D-bus receiver, extended GPS, virtual joystick operation, panorama, roll 360 degrees, and quick record. Additional features include: SmoothTrack function, Time-Lapse / Motion-Lapse, Track function, and more.

This includes factory accessories such as storage case, BG37 battery grip, camera mounting plate, camera riser, lens support, focus wheel, extended grip / tripod, and various camera control cables.

This also includes many valuable additional components - an extra second BG37 battery grip, the Ronin-S command unit module (which allows adjustment of advanced settings and functions on gimbal intself without need for the mobile app), and a Focus Motor set (which works in tandem with the included focus wheel to control either focus, iris, or zoom). The Focus motor comes with a 15mm rod mount, 2x long/short 15mm rods, screws, attachment cable, and a gear ring (for use with lenses that don't have 0.8 gears).

This is all in excellent condition with only some paint wear along path where gimbal is balanced/adjusted. Camera and lens are obviously not included, just shown in pictures for demonstration purposes. Fully tested for all functions and features, along with the DJI Ronin Pro app - all is in excellent working condition (once properly balanced and auto tuned).

(In Stock)
Price: $875

The Element Technica Mantis is a handheld shoulder mounting kit for cinema camera with an Arri standard dovetail base or bridge plate. It includes a shoulder pad, dovetail, crossbar, and rubber handle kit (two handles). This is extremely adjustable to fit any camera and body configuration. The bicycle grip style handles are telescoping, rotating, extendable, and adjustable via two rosettes and 3 locks. They can be moved side-to-side along the crossbar. The camera can slide back and forth on the dovetail. The shoulder pad can be adjusted and tilted on the dovetail. The cloth covered shoulder pad provides comfort and a sturdy amount of grip. This is a high end and highly adjustable shoulder kit, perfect for any camera and operator. This is one of the most versatile and high quality shoulder rigs out there.

Includes a shoulder pad, dovetail, crossbar, and rubber handle kit (two handles). Must have a camera rig with dovetail bridge plate to use this system. Some cosmetic paint wear throughout, but no damage. Rubber was intentionally torn from bottom of each grip, which does not affect usability. Overall this is in good solid working condition, everything locks up tight.

(In Stock)
Price: $845

The Proaim Airwave Vibration Isolator Arm (5-30kg) model VI-252-00 is is a necessity for getting stable shots from a moving platform or vehicle. The stainless steel springs absord shocks and bumps while the dampers dampen the movement and transfer softer and smoother movements to your gimbal. Removes high-frequency vibrations and low-frequency oscillations, resulting in natural and smooth output. Also reduces stress on your gimbal. Spring tension can be adjusted to perform optimally for loads up to 66lbs (30kgs). The damping action of all axes, vertical, tilt, and roll can be adjusted (damping via knob with 22 steps) to precisely dial in damping needed. Highly customizable to suit weight of your rig, speed of vehicle, and terrain conditions. Can be mounted to any scaffold pole (standard speed rail with 1.5 - 2" diameter) via the quick-lock scaff mechanism.

Includes stabilizing arm, vibration isolator, and hard blue flight transport case. Comes with Quick Release plate for Ronin gimbal (other plates can be used for any major gimbal by contacting manufacturer). This system is in good cosmetic shape with only a couple minor nicks and wear spots. Was used minimally and carefully. Good working condition.

(In Stock)
Price: $625

The Proaim Tri-Way Damper System (VI-TRIW-00) is designed to help 3-axis gimbals (such as DJI Ronin models or adapted to others such as Movi or Tilta) mounted to the Proaim Airwave vibration isolator arm absorb and compensate for roll and tilt issues normally found when shooting on moving platforms on vehicles over rough terrain. The built-in tension adjustment knobs allow you to fine-tune your set up for camera rigs weighing up to 44 pounds. The tension adjustment enables tuning the damper system to match the weight of your camera rig, the speed of the moving platform, and the terrain.

Includes a carrying case with custom-cut foam. Clean cosmetic condition with only minor signs of wear. This is low usage condition and in good working order.

(In Stock)
Price: $95

The Red Outrigger Handle is a sturdy fixed handle designed with the Red DSMC Epic and Scarlet in mind, mounting at the top, extending out to the side, with the handle oriented vertically. Can be mounted underneath the Touch 5.0" LCD with long enough screws. Though designed for DSMC, this can work with DSMC2 cameras or even the top plate of a rig from many other brands than Red (the long slotted mount allows for mounting to almost anything).

This is the original version, not the DSMC2 specific version (though can be mounted to DSMC2 rigs it does not have camera control). Has cosmetic wear in the slot where screws attach. Some rubber flaking at top of handle, but overall the rubber is intact and in good shape. Screws are not included. Shows some usage, but is still in good working usable shape.

(In Stock)
Price: $725

The Rosco Litepad Axiom Digital Shooters Kit AX Daylight is a 6 light LED daylight 5800k balanced lighting kit. Features 3x large 12"x12" fixtures plus 3x compact fixtures (3"x12", 3"x6", and 3" circle HO+). This is six lights in total in one hard case with many accessories. Ideal for videographer, photographer, or filmmaker who wants a portable kit with a variety of mounting options for situations where a full large kit won't fit. The Axiom housing is made from rugged steel and aluminum with the ability to attach a variety of mounting hardware and filters. Produce a soft and even beam of light, low heat, minimal power consumption, easy on the eyes, versatile, and dimmable.

This is a 6-light kit with 3x Axiom 12x12, Axiom 3x12, Axiom 3x6, and 3" circle HO+ fixtures. Each fixture includes a power supply (normally this kit only includes 4x power supply but we are including 6x). 5x eggcrates are provided for the rectangular lights. 3x light stands, brackets, 1/4-20 baby (5/8) pin adapters and swivel arms are provided. Smaller fixtures can be mounted with gaffer tape, velcro, etc. This also includes: car adapter, 2x Y splitter, 4x right angle 10' extension cables, 4-way splitter, 4-pin XLR adapter cable, P-tap adapter cable, 2x fader dimmers, and several filter packs. All is packed in factory 2-level hard case.

This is missing the clips to attach eggcrates to fixtures. Otherwise, has all the important original factory accessories. Cosmetically overall clean, with only a few marks/scratches if looking carefully. One 12x12 fixture has a loose bezel, but still works normally. Overall this package is in excellent working condition.

(In Stock)
Price: $2,400

The Sony CBK-55BK Documentary Dock build-up kit is a powerful accessory that converts your PMW-F55 or PMW-F5 into a ENG style broadcast shoulder camcorder. Features front 5-pin stereo and rear 3-pin XLR audio with auto/manual level controls and headphone monitoring, as well as support for wireless slot-in audio. Familiar ergonomic tactical controls available you'd find on any broadcast camcorder such as gain, white/black balance, assign buttons, shutter, rec start, assign buttons, etc. Also has 15mm front rod support and compatibility with VCT-14 / VCT-U14 style tripod plate. Easy to change from shoulder to tripod or attach/detach to go from build-up kit to original style. Can use the same v-mount batteries, XLR power supply, and AXS-R5 RAW recorder as before. Shoulder pad and front block are adjustable for good weight balance. You can use PL mount lenses or 2/3" broadcast lenses by adding an LA-FZB1 or LA-FZB2 if you want to complement it with true ENG style lens. Has a convenient sturdy extended top handle with accessory mounting points. You can use hand grip on lens or add handgrips/handles via the Arri rosettes.

This includes dock itself, top handle, slide plate, battery adaptor, and VF connector protector. It does not include the factory microphone holder. This unit is in good cosmetic shape with only some paint wear in typical areas such as underside, attachment points, and top handle. This was just overhauled with new parts in the camera lock mechanism to ensure that everything locks up tight, stays put, and is reliable. All electronics and functions are tested in great working order.

(In Stock)
Price: $675

The Sony RM-B750 is a remote control unit "paint box" for studio use. It controls basic camera functions in addition to the camcorder's VTR functions. It also controls all aspects of the electronic shutter (ExtendedClearScan, Super EVS), and can be used to select the filter on the camera. Standard paintbox features available via buttons such as Master Iris and pedestal controls, knee gamma and detail, gain, bars/test, and white and black balance are all present. This also has a LCD touchscreen to access deeper functions and menus than the smaller RM-B150 doesn't allow - plus allow for a more accurate adjustment of parameters. Video monitor output available (more for rough image confirmation not a high quality output meant as a replacement for camera output). Memory stick slot to save setup paramaters. Compatible with cameras with 8-pin remote port such as PDW-F800, PDW-700, PDW-850, F23, HDW-F900, HDW-650, PMW-300, PMW-320, PMW-400, PMW-500, PXW-X320, PXW-X400, PXW-X500, PDW-F350, PDW-F355, PMW-TD300, BVP-950A, BVP-750A, DSR-450, HDC-950, HDC-930, HDC-2400, HDC-2500, HDW-750, HDW-250, and more.

This includes a very long (about 30M / 98 feet) 8-pin hirose RCU / RCP cable model CCA-5-30 (CCA5/30US). The cable and RM-B750 are packed in a customized red color Pelican case, allowing for protection and easy cable management. Some superficial cosmetic wear on body and screen, but nothing harsh. Overall it is very presentable. Previous owner did stencil their name on underside. This is tested with a camera to confirm it is in good working order.

(In Stock)
Price: $75

The Tilta / Tiltaing TA-SH-57-G Nucleus-N side power handle slides onto the base of half of full Tiltaing camera cages for the BMPCC 4K / 6K, Panasonic GH series, Nikon Z6/Z7, Sony A6, and Fuji XT3/XT4. Provides a simple side handle and a space saving way to power a Nucleus-Nano follow focus motor using a slim Sony NP-F570 type battery. An 8V micro-USB port outputs power to the motor via a separately available cable (not included) and a 12V barrel output can be used to power an accessory or dummy battery for your camera.

This is for the Side Power Handle module only. Does not include F570 battery, Nucleus Nano motor, or cables - though it is compatible with these items. Clean cosmetic condition with very little signs of wear. Good working order.

(In Stock)
Price: $125

The Triad / Alphatron VPA-10 KIT (VPA-10KIT) consists of the VPA-10 camera plate with VTA-7 tripod adapter. This is a mini v-mount wedge plate style quick-release system, ideal for compact handheld style (small to medium sized) cameras / camcorders. Offers a fast way to switch from tripod or other mount to handheld use. You can fit your camcorder in a number of different positions due to the multiple locations for the thread and locator pin in the plate. 1/4"-20 and 3/8"-16 mounting holes at base to attach to your tripod or other support. With the 1/4" screw with metal griphandle you can attach the plate to the video camera without using any tools.

Mint condition with no real signs of use. Good working order.

(In Stock)
Price: $275

The Zacuto Marauder is a foldable camera rig for DSLR / mirrorless camera and small camcorders. Similar to the Zacuto Striker, but with an extremely compactable fold-away design perfect for run-and-gun and guerilla-style shooting. Features a gunstock with rubber pad, articulating handgrip, and Gorilla Plate V2 on an adjustable support arm. The support arm has an ideal position for either use with Z-finder or with your camera LCD screen. The gunstock is pressed under your shoulder for stability and is adjustable for a personalized fit. The grip can be adjusted to five different positions as well as articulated for custom fit. Camera is mounted to the plate via a 1/4"-20 captive screw.

This is in excellent clean condition with very few signs of use. In good working order.

Still Photography

(In Stock)
Price: sold

This is a Canon 1.4x Extender for EF lenses / bodies. Designed to increase the focal length by 1.4x. This is compatible with accordant mount style EF lenses (you can tell if your EF lens will be compatible if it has 10 electronic contacts on the mount). This costs a given lens 1 stop of aperture and about 50% reduction in autofocus speed and other autofocus limitations depending on your combination of lens and body. This is the original version of the 1.4x extender.

Includes case and front/rear protective caps. Has a few small spots of paint wear on exterior, but overall in very good cosmetic condition. Optically and electronically in good working order.



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