Cameras, Lenses, Cinema / Production

Camcorders / Lenses Accessories Production Photo Gear
 
ALL ITEMS SOLD INCLUDE A
30 DAY WARRANTY!
 
 

 

Camcorders / Cameras

Arri
Alexa Classic cinema camera
More Info

S/N: 2295
Used. Cosmetic 7/10

(In Stock)
Price: $5,625
The Arri Alexa Classic EV (K1.71000.0) is a Super 35 16:9 sensor cinema camera. This has the exceptional film-like organic image the Alexas are known for with extended clean highlights, low noise floor, natural skin tones, excellent color separation, and cinematic depth. Extremely rugged and reliable build with ergonomics and easy usability well considered. Form factor ideal for balanced shoulder use and on tripod.

Can record in HD / 2K ProRes up to 4444. It records onto affordable SxS Pro and Pro+ cards. 64GB cards allow up to 60fps ProRes 444. 120fps at HD resolution is possible with highspeed license (up to ProRes 422 HQ). This can also record 2.8K ARRIRAW if you add a compatible external recorder (via a special protocol called T-Link to output ARRIRAW via HD-SDI to an Arri certified recorder).

Additional features include: 14 stop dynamic range, EI 800 base sensitivity (160-3200 range), Log C / Rec 709 / DCI P3, audio recording over 5-pin XLR line level input, 3-pin RS power for accessories, 2x HD-SDI out and 1x monitor out, surround view, false color exposure check, peaking focus, color bars/tone, and much more.

This comes with the highspeed (120fps) and anamorphic de-squeeze licenses. Also includes: EVF-1 viewfinder with eyecup and connecting cable, VMB-1 (K2.72009.0) viewfinder mounting bracket, 4120-BAB-V V-mount / V-lock battery adapter back with D-tap, CCH-1 center top handle, BP-13 bridge plate, and sliding dovetail plate. Has velcro for SP-3 / SP-4 shoulder pad, though shoulder pad itself is not included. There is a good amount of paint wear, scuffs, and touchups on the body - but no damage and is still overall presentable and typical for a professionally used Alexa. Newest Sup 11.1.1 installed. This has 4674 hours of use, which is actually reasonable for the very durable and reliable Alexa (they can get to more than double this amount of usage easily and still be good to go). Just had both button key pads replaced so that all buttons will function reliably and consistently. All features, functions, sensor, connections and included accessories are fully tested in excellent working order.






Arri
Alexa Plus 4:3 cinema camera
More Info

S/N: 1072
Used. Cosmetic 8/10

(In Stock)
Price: $13,425
The Arri Alexa Plus 4:3 (K1.71150.0) is like the standard Alexa Plus, but has a 4:3 Super 35 sensor ideal for using anamorphic lenses. The full area of the sensor is used and a much higher image quality retained - the magic that anamorphic lenses provide is rendered faithfully and fully in the digital image. This can also be used in 16:9 mode just like any Alexa, so it's versatile even if you're not using anamorphic. This has the exceptional film-like organic image the Alexas are known for with extended clean highlights, low noise floor, natural skin tones, excellent color separation, and cinematic depth. Extremely rugged and reliable build with ergonomics and easy usability well considered. Form factor ideal for balanced shoulder use and on tripod.

The newer Alexa Plus models have all the features of the Alexa Classic EV, but adds features such as: Arri wireless lens control system compatibility, electronic horizon, lens mount has LDS contacts (lens data system), extra monitor BNC out (1.5G HD-SDI), GPS function, lens synchronisation for 3D, a third RS accessory power output, built-in position and motion sensors, and quick switch BNC connectors.

These come with the Alexa Plus 4:3 license bundle - which includes high-speed (120fps), DNxHD recording, and anamorphic de-squeeze standard.

Can record in HD / 2K ProRes up to 4444 and HD DNxHD. This has the newest SUP 11.1.1 which allows 3.2K Pro Res at 16:9 (which is easily upscaled to 4K / 3.8K UHD). Also has the XR module upgrade just like the XT models have, so also can do internal ARRIRAW as well (though note does not do Open Gate). This module uses capture card drive such as Codex CDX-3730. But can also use SxS Pro / Pro+ cards if adapter CDX-3790 (K2.48838.0) is installed. Can also work with qualfied SanDisk Extreme Pro CFast 2.0 card with use of adapter K2.48839.0

Additional features include: 14 stop dynamic range, EI 800 base sensitivity (160-3200 range), Log C / Rec 709 / DCI P3, audio recording over 5-pin XLR line level input, surround view, false color exposure check, peaking focus, color bars/tone, and much more.

This has the XR module upgrade installed, allowing internal ARRIRAW onto CDX-3730 drives (adapter are available to allow Prores / DNxHD onto SxS / SxS Pro+, or Sandisk Extreme Pro CFast 2.0 cards). The XR module makes this very similar to the Alexa XT model, except without Open Gate. Newest Sup 11.1.1 installed, unlocking 3.2K pro res recording in addition to HD / 2K. Also includes many valuable accessories: EVF-1 viewfinder with eyecup and connecting cable, VMB-2 viewfinder mounting bracket, Anton Bauer battery plate, CCH-1 center top handle, SP-4 shoulder pad, BP-13 bridge plate, Tilta sliding dovetail plate. Cosmetically in acceptable condition for a professionally used Alexa - with just some paint wear / touchups and a good amount of scuffs on body, but no damage or indications of rough usage - overall very presentable. This has a reasonable 3603 hours of use. All features, functions, sensor, connections and included accessories are tested in excellent working order.







Panasonic
AG-AC160A AVCCAM camera
More Info

S/N: F6TDA0034
Used. Cosmetic 9/10

(In Stock)
Price: $1,069
The Panasonic AG-AC160A AVCCAM is a HD handheld camcorder that is the higher end professional version of the AG-AC130A, adding HD-SDI output, Linear PCM uncompressed audio recording, variable frame rate recording (VFR), and worldwide frame rates, so it can work in both 50/60Hz (PAL/NTSC) formats. It can also do valuable 1080p60 and 1080p50 recording, unlike the AC130A. Also records 1080p30, 1080i60, 1080i50, 1080p24, 1080p25, 720p60, 720p50, and more to it's dual SD/SDHC/SDXC card slots. Features include: 22x optical zoom lens (28-616mm equivalent), 1/3" 2.2MP 3MOS sensor (high sensitivity / low noise, equal to their shoulder mount P2 HD offerings), expanded focus assist, turbo one-push auto focus, 3.45" 1920x480 LCD, 2 XLR inputs w/ phantom power, DV (standard definition) capability output over IEEE 1394 firewire, SMPTE time code generation, 7 gamma settings, manual control rings for iris / zoom / focus, manual settings for gain / white balance / shutter, optical image stabilization (OIS), built-in neutral density filter wheel, 18-bit digital signal processor, dynamic range stretch (DRS), area focusing / iris functions, scene files, waveform/vectorscope, viewfinder, zebra, tally lamps, color bars, and much more. Essentially this has the capabilities and features of a full fledged professional ENG camcorder in a useful compact form factor.

This is the AG-AC160AEN which was originally sold in Europe, instead of the AG-AC160AP which is the USA version. These models are identical in function, except the European version will reset to PAL standard when a full factory reset is done. Both models are NTSC / PAL switchable, so the only difference is which one they start in the rare times you would do a factory reset.

Excellent cosmetic condition with very little wear. Includes charger, battery, dc coupler (to make the charger an AC adapter), hood, eyecup, and mic holder. Hour meter shows 791 hours of use, which is moderate. Excellent working order.





Panasonic
AJ-HPX3100G P2 HD camcorder
More Info

S/N: E1TAA0648
Used. Cosmetic 8/10

(In Stock)
Price: $4,449
The Panasonic AJ-HPX3100 P2 HD camcorder is a 2/3" 1920x1080 10-bit 4:2:2 master quality ENG style shoulder camcorder. Newly designed smaller/lighter and less power consumption than the AJ-HPX3000 / AJ-HPX3700. Records in AVC Intra and DVCPROHD. Worldwide framerate capability of 24P, 25P, 30P, 50i, and 60i. High sensitivity and excellent s/n ratio. Power is via Anton Bauer goldmount battery plate or any quality 4-pin XLR power supply. It can also use v-mount / v-lock batteries by installing a simple goldmount to v-mount adapter plate. Features include: advanced gamma settings, film-like shutter controls, HD-SDI output, wireless metadata input, chromatic aberration compensation (CAC), three level dynamic range stretch (DRS), advanced 14-bit digital signal processing (DSP), digital zoom/super gain, one clip REC function, 2 disc/4 position ND/CC optical filter wheel, 3.5" color LCD monitor, and full customization of image you'd expect in a high end broadcast camcorder.

This includes the Panasonic AJ-HVF21G 2" black & white viewfinder. Provides ample resolution for easy focusing. Useful functions for focus peaking, contrast, brightness, zebra, and front/rear tally. Includes microphone holder and eyecup.

This comes with the AJ-HVF21G viewfinder. Microphone, batteries, and power supply not included - as is typical with broadcast camcorders. This has some cosmetic wear and paint touchups sporadically but overall gives a clean and well taken care of appearance. The flip-out LCD has some hairline scratches, which are not visible unless looking closely while it's off and not noticed when in use. The LCD is for basic composition and menu operation anyway, not for the most critical viewing like the viewfinder and HD-SDI output. This has already been upgraded to the latest firwmare. Hours of use: operation 301x10, power on 6343. While this may seem a little high at a glance, this is a solid state camcorder and extremely well made and taken care of, so this is just moderate usage in the scheme of a high end ENG camcorder. This is tested in excellent working order, good sensor, with all functions/features operating correctly.






Red Digital Cinema
Epic-M 5K cinema camera
More Info

S/N: 980
Used. Cosmetic 7.5/10

(In Stock)
Price: $4,695
This is the rare Red Epic-M opposed to the Epic-X, which means it was hand-built to the highest tolerances rather than cast and assembled in a manufacturing plant. The Red Epic-M and Epic-X Mysterium-X camera features a 5K sensor capable of 1-120 frames per second at full resolution. The Epic can reach up to 18 stops of dynamic range with HDRx (13.5+ without engaged). Can also shoot 4K (1-150fps), 3K (1-200fps), and 2K (1-300fps). Redcode compression choices of 18:1 to 3:1. 3G-SDI / HD-SDI clean feed, HDMI monitor output, and full compatibility with a wide array of Red and third party DSMC accessories. Redcode RAW files give you the ultimate freedom and control when finished. Capable for professional use for cinematography or still photography. Highly flexible and customizable so you can have just what you need for your production and nothing you don't. And of course features all the professional connections and features one would expect from a high end cinema camera. Different lenses such as Canon EF, Nikon, PL, or Leica-M can be acheived by changing the lens mount. Control is acheived via Red Side Handle, Redmote, and/or Red Pro Touch LCD monitor. Takes Redmag 1.8" media. Power is acheived via a compatible AC power supply, Redvolt in the side handle, or v-mount / goldmount battery system with battery plate designed for Red camera.

Includes hard case with customized foam, SSD 1.8" Redmag side module, Ti PL lens mount (titanium construction for the heaviest/longest lenses), and DSMC side handle (providing grip, Redvolt usage, and camera control). As long as you have any HDMI monitor that will display the Red menu overlays, you don't strictly need a Red Touch LCD. The included side handle can access all parts of the menu - with a few features that need to be assigned to keys as desired such as playback controls. No additional accessories included beyond what is pictured (such as Redmags or battery system / power supply). Has a moderate / reasonable 1496 hours of use. Firmware is updated to current version 6.3.106. Above average cosmetic condition overall, but does have some paint wear (mostly on bottom). The top fan cover was replaced with one from a Scarlet, so is grey in color intead of black. The internal battery that keeps the accurate date/time code has been replaced. This is dead on most of these sold and often not mentioned. The battery is located deep inside and is not easily replaced, so this is a good value to have this already done. Fully tested with various accessories to ensure it is in good working condition.




Red Digital Cinema
Scarlet-X 4K cinema camera
More Info

S/N: 2563
Used. Cosmetic 7/10

(In Stock)
Price: $3,235
The Red Scarlet Mysterium-X is a digital cinema camera capable of 4K (up to 30fps) or 5K (up to 12 frames). 3K allows 48fps, 2K 60fps, and 1K 120fps. Redcode RAW files give you the ultimate freedom and control when finished. Capable for professional use for cinematography or still photography. Highly flexible and customizable so you can have just what you need for your production and nothing you don't. HDRx technology yields up to 18 stops of dynamic range (more than other 35mm and DSLR alternatives). Dynamic range is rated at 13.5+ stops without HDRx engaged. And of course features all the professional connections and features one would expect from a high end cinema camera. Different lenses such as Canon EF, Nikon, PL, or Leica-M can be acheived by changing the lens mount. Control is acheived via Red Side Handle, Redmote, and/or Red Pro Touch LCD monitor. Takes Redmag 1.8" media. Power is acheived via a compatible AC power supply, Redvolt in the side handle, or v-mount / goldmount battery system with battery plate designed for Red camera.

With SSD 1.8" Redmag side module, Canon EF lens mount, and DSMC side handle (providing grip, Redvolt usage, and camera control). As long as you have any HDMI monitor that will display the Red menu overlays, you don't strictly need a Red Touch LCD. The included side handle can access all parts of the menu - with a few features that need to be assigned to keys as desired such as playback controls. No additional accessories included beyond what is pictured (such as Redmags or battery system / power supply). Only has 602 hours of use. Firmware is updated to current version 6.3.106. Good cosmetic condition overall, but does have some paint wear, repainted areas, and touchups around body. The internal battery that keeps the accurate date/time code has been replaced. This is dead on most of these sold and often not mentioned. The battery is located deep inside and is not easily replaced, so this is a good value to have this already done. Fully tested with various accessories to ensure it is in good working condition.



Sony
HVR-A1U HDV camcorder
More Info

S/N: 117604
Used. Cosmetic 8/10

(In Stock)
Price: $275
The HVR-A1U fits many professional features in an small "handycam" form factor. 1080i switchable between 60i and cineframe 30P / 24P with 2:3 pulldown. This is NTSC, not PAL. Features include: C-MOS imager, HD to SD downconversion, cinematone gamma and cineframe functions, switchable hdv/dvcam/dv recording (onto mini DV tape), high quality 10x Carl Zeiss lens, lens hood with integrated cap, stabilization system, manual focus ring, 2.7" 16:9 LCD screen with touch screen menus, viewfinder at rear, built-in mic, color bars, nightshot (green low light capability), XLR inputs with phantom power, i.LINK (IEEE 1394), expanded focus, 3 mega pixel still images onto memory stick, and much more. Output connections for monitoring or live output include: HDV/DV firewire / i.link IEEE 1394, component HD / SD, composite. This doesn't have HDMI, but one can always gets a component to HDMI converter for example if they need that. Many use this as an affordable studio / live / streaming camera into a mixer, if they do not want to record onto HDV tape. It is extremely compact which makes it useful in a variety of situations where larger cameras are impossible.

This includes XLR adapter, remote, ac adapter / charger, long-life battery, component/av cables, manual (not pictured), lens hood w/ integrated cap. This does not include external mic. Good cosmetic condition with some exterior scratches from transportation, not from usage because this has low hour meter readings. The hood shows a bit of extra wear because it came from a different camera with more usage. The previous owner did etch the serial number into the bottom of the camera. Clean LCD screen. Good lens optics. Hours of use: drum 0x10, tape 0x10, threading 5x10, operation 1x10. So this has had under 10 hours of actual usage, which is quite rare indeed. All functions, features, connections, tape transport are tested in good working order.





Sony
HVR-V1U 1080P HDV camcorder
More Info

S/N: 4111428
Used. Cosmetic 7/10

(In Stock)
Price: $375
The HVR-V1U 3CMOS HDV camcorder packs a lot of big features in a small package. Captures video at 24P, 30P, and 60i - processed at 1920x1080/60p in full 4:2:2 and recorded as 1080/60i (24P recorded with 2:3 pulldown). This is NTSC only, not PAL. Records onto miniDV / HDV tape. Many professional features include: DVCAM/DV recording, 20x Carl Zeiss Vario-Sonnar T* optical zoom lens, downconversion, 3.5" LCD, rear color viewfinder, manual or automatic control of iris/shutter/focus/zoom/gain, HDMI and i.link interfaces, XLR audio, ClearVid for clear diagonal lines, integrated ND filters, picture profiles, focus peaking / zebra functions, SteadyShot, color bars, gamma settings including Cinematone Gamma, black stretch/compress, knee correction, versatile ergonomic design for handheld or tripod use, and much more. Many use this as an affordable studio / live / streaming camera into a mixer, if they do not want to record onto HDV tape.

Low hours of use: Operation 50x10, Drum 15x10, Tape 11x10, Thread 37x10. 150 drum hours is very low usage. Includes ac adapter/charger, small eyecup, av/component cables, and mic holder. This includes battery, but note it is a generic model, not genuine Sony battery (it does still work but full life not guaranteed). Cosmetically this camera has some scratches and scuffs in various places on the body. There is also some cleaning scratches on LCD, which are only lightly visible when in use. It's not perfect looking, but it is overall presentable and clean. Optics are clear and without scratches. All functions, features, connections, tape transport are tested in good working order.





Sony
PMW-500 SxS XDCAM HD camera
More Info

S/N: 11504
Used. Cosmetic 8/10

(In Stock)
Price: $8,225
The Sony PMW-500 is a 2/3" camcorder that combines the 4:2:2 color space, sensor, and 50Mbps bitrate of camcorders like the PDW-F800 and PDW-700 with the SxS recording of the PMW-350. Features Power HAD FX 3CCDs, dual SxS slots, MPEG HD422 codec, ALAC, slow shutter, HyperGamma, interval recording function, ND filter wheel, proxy data recording, up/down/cross conversion, high quality 24-bit four channel audio, scene file system, 3.5" LCD (for footage review/thumbnails, menus, status), eight assignable switches,and all the functions, features, precise audio/video customization, and ergonomic capabilities you'd expect from a professional shoulder mount ENG video camera.

This includes the CBK-HD02 option which adds SDI/composite video input, digital extender, pool feed input, 50-pin interface, and support for the XDCA-55 camera adapter and HDCA-702 MPEG TS adapter.

Includes the HDVF-20A viewfinder, a high quality 2" HD viewfinder. Has extra resolution to provide ample detail for discerning focus over cheaper viewfinders. Features controls for zebra, tally, display/aspect, focus peaking, contrast and brightness.

This has some mild cosmetic wear on body if looking for it - but overall gives the impression of a clean and well-treated camcorder. There is some scratches on the LCD screen protector, but nothing that inhibits viewing in a significant way. Above average compared to most field used ENG broadcast camera. Running firmware 1.61 (1.090 on the CBK-HD02 option). Low usage at 785 hours on the meter. Good optical block with no issues at any gain after warmed up. All functions/features tested in good working order.






 

 

Lenses

Arri / Zeiss
LDS Ultra Prime 100mm T1.9 lens
More Info

S/N: 1048
Used. Cosmetic 8.5/10

(In Stock)
Price: $7,875
The Arri LDS Ultra Prime 100mm T1.9 (K2.52132.0) lens is a PL mount lens that covers super 35mm format. Creates a sharp image consistent with other Arri lenses such as standard Ultra and Master Primes in color, clarity, and skin tones. Image quality retained across the frame. Features T* XP coating for reduced glare / reflections, Carl Zeiss Sonnar optics, minimum focus distance of 39.4", fast aperture of T1.9 for shallow depth of field, internal focus design for precise focusing and minimal breathing, minimal aberration, focus marks on both sides of the barrel, industry standard 0.8 mod focus/iris gears, 104mm front barrel diameter, clickless iris ring, and markings in feet. The LDS line specifically features fully floating lens elements that improve performance in close-ups. Also have built-in encoders to communicate with camera via the PL-LDS mount (which is a PL mount with electronic contacts) - providing metadata.

Very good condition with only minimal paint wear if looking closely. Well above average cosmetics. Includes front/rear caps. Aperture and focus rings turn smoothly, accurately, and freely. There is a slight inconsistency in tension in the focus ring, which could cause marks to be missed with very fast movement, but overall would not be noticeable or cause problems for most users - it has a typical feel similar to most examples of this lens. Clean glass, no unusual optical problems. Tested in excellent working order.



Canon
XJ27x6.5B IESD-SB 6.5-180mm
More Info

S/N: 321164AB
Used. Cosmetic 7/10

(In Stock)
Price: $9,295
The Canon XJ27x6.5B IESD-SB Digisuper 27 is a HD studio box lens for 2/3" studio cameras / camcorders. Ideal for Canon, Fujinon, Ikegami, etc studio cameras that natively take a box lens or any 2/3" broadcast camcorder or even URSA broadcast that is setup with a sled / adapter to accept box lenses. Has a 27x zoom ratio and an exceptional 6.5mm wide angle, while maintaining a relatively compact size (when compared to other box lenses). This has a 6.5-180mm focal length range. But it also has a 2x extender built-in, so you can get all the way to 360mm. So this has a very versatile and useful zoom range. Maximum relative aperture of 1:1.5. Has technology to reduce ghosting, flare, and distortions. CAFS Constant Angle Focusing System reduces focus breathing. Additional features include: latest generation digital servo system, improved zoom control capabilities, compatibility with virtual studio system, anti-dust / anti-fog technology.

This includes everything you need: the FDJ-D02 focus demand, ZDJ-D01 zoom demand, 2x SMJ-D02 servo modules, and 2x cables to connect the zoom/focus servo controls. The lens itself is cosmetically above average, with very little signs of wear. The controls have a little paint/rubber wear, so show a bit more signs of use than the lens itself, but overall are in good shape compared to most. This is tested on camera to be in good shape optically and mechanically; everything works normally to factory spec.






Chrosziel
CLWAH-F4.5 matte box system
More Info

S/N:
Used. Cosmetic 7/10

(In Stock)
Price: $244
This is for a Chrosziel CLWAH-F4,5 mattebox system, also known as the 415-02F110 or MB 415. Designed for any Canon, Fujinon, or other brand of lenses, even wide angle lenses with focal length up to 4.5mm. Dual stage filter stages - 1 fixed and 1 rotating filter stage. This is a clip-on style mattebox for use without rods. This is a robust and professional matte box system, not a chintzy knock off.

This includes the CLWAH-F4.5 sunshade housing, 410-31 4x4/4x5.650 filter holder, 510-01 5x5/4x5.650 filter holder, 130-110mm intermediate ring, 110mm-98mm stepdown ring, 110mm-95mm stepdown ring, and foldable top french flag. So this can accomodate 130mm, 110mm, 98mm, and 95mm diameter lenses (though you can obtain other stepdown rings if your needs differ). Even includes a hard case to carry it, model Pelican 1500. Shows noticeable cosmetic wear and paint touchups, but no damage. In very good working order. Multiple units available.




Cooke Optics Ltd
S4 14mm T2 PL cinema lens
More Info

S/N: 14-0219
Used. Cosmetic 8.5/10

(In Stock)
Price: $7,725
The Cooke S4 14mm T2 is a PL mount wide angle prime cinema lens that covers Super 35mm format. Offers superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. Fast aperture of T2 for shallow depth of field and low light capability. Cam-style focus movement coupled with a large lens barrel diameter, allowing for an increased number of focus markings, particularly at close focus. A four-point contact bearing provides a smooth positive backlash-free movement. Compact, lightweight, and optically matched to other Cooke lenses. Also features MOD of 33", minimal focus breathing, focus marks on both sides of barrel (imperial in feet), industry standard 0.8 mod focus/iris gears, 110mm front barrel diameter, clickless iris ring, eight-leaf linear modular iris assembly, and scratch resistant PTFE hard anodised finish.

This is the 14mm focal length. Has imperial markings (feet). This is the standard S4, not the S4/i, so there is no lens contacts. Includes front/rear lens caps. Cosmetically in very good shape with only very minor traces of paint wear on barrel if examining closely. Clean glass with no optical problems. Focus and iris rings operate smoothly and accurately. All in all, this is a very fine example of this lens.



Fujinon
HAF20B-10 2/3" cine prime lens
More Info

S/N: 960847
Used. Cosmetic 8.5/10

(In Stock)
Price: $725
The Fujinon HAF20B-10 is a 20mm 2/3" B4 cine style HD prime lens. Very fast maximum aperture of T1.5. This does not have ENG servo (manual zoom/focus/aperture), but is optimized for cinematography use with high quality optics and industry standard gears for use of follow focus. Has 144.5 degree focus rotation. Internal focus designs to minimize focus breathing and ramping. This is a member of the "premier series", using Fujinon's highest quality glass/optics. The overall high quality and top optical high definition performance of the HAF20B-10 makes the lens ideal for episodic TV, commercials, green-screen shoots, independent film production, or any other cinematic projects that employ 2/3" HD cameras.

Perfect for any 2/3" camcorder such as the F23, AG-HPX500, AG-HPX600, AJ-HPX2000, AJ-HPX2700, AJ-HPX3000, AJ-HPX3100, AJ-HPX3700, HDC-930, HDC-950, HDC-1500R, HDC-1700, HDC-2400, HDC-2500, HDC-2550, HDC-2570, HDC-3100, HDC-3170, HDC-3300R, HDC-3500, HDC-4300, HDC-P1, HDW-F900R, HSC-100R, HSC-300R, HXC-FB75, HXC-FB80, PDW-700, PDW-F800, PMW-350, PMW-500, PXW-X400, PXW-X500, PXW-Z450, and many more. This could be a good choice for adapting to Panasonic GH4/GH5, Sony a7S / a7R II, PXW-FS5, PXW-FS7, PMW-F5/F55, Canon C300 mark II, Blackmagic URSA Broadcast / Mini 4.6K / Pro, etc. Please research the technical limitations of adapting a 2/3" B4 lens on your specific camera if it is not natively designed for 2/3" B4 lenses, to make sure you will find the trade-offs acceptable compared to the benefits.

Includes front/rear caps. Cosmetically in very good condition with only minor wear. Clean glass and good optical performance. Focus and iris ring work normally, smoothly, and consistently. Excellent example of this lens.


Optitek
CPLI-AR3 ProLock-i lens mount
More Info

S/N: 2661
Used. Cosmetic 8/10

(In Stock)
Price: $925

The Optitek CPLI-AR3 ProLock-i Mark III C-EF Adapter replaces the factory PL adapter on an Arri Alexa Mini or Amira camera, allowing use of Canon EF-mount, Tamron, Tokina, and Sigma lenses. Power is provided from camera contacts internally, no power cable needed. Lens stabilization is activated in lenses. When combined with the OptiTron2 lens controller kit it provides electronic drive by wire follow focus and remote iris control, in wired or wireless mode.

This is in good cosmetic condition, with some typical signs of wear from professional usage. Includes cap and captive attachment screws. Good working order.



Schneider Kreuznach
Arriflex-Cinegon 1:1.8/10 lens
More Info

S/N: 6787446
Used. Cosmetic 8.5/10

(In Stock)
Price: $150
The Schneider Cinegon (Schneider-Kreuznach Arriflex-Cinegon) is a vintage 10mm f/1.8 prime cinema lens. This was designed for 16mm film and should mostly cover Super 16, though could have some vignetting or require mild cropping for acceptable coverage. It is an Arri Standard mount. There is numerous affordable adapters for this to convert it to PL mount, MFT (Micro 4/3), or other types of mounts if needed. Or one could have a lens tech do a more professional and complex permanent modification. This has a clickless aperture that can be turned into one with hard stops via a switch on the lens. Obviously has good bokeh and low light capability since it can open up to f/1.8, though maximum sharpness is acheived by stopping down some from that. The focus markings are metric, with the closes focus scale distance available at 20cm.

This is in surprisingly good cosmetic condition for a vintage lens, with only very minimal signs of wear. Includes front/rear caps. The front/rear glass is clean without scratches or visible defects. The internal elements have enough dust / contamination on it to be considered on the hazy side, though this is only noticeable when doing the "flashlight test" with bright light shone into the elements. With the naked eye, the optics still appear clear. There is also some tiny dots / bubbles on the edges of internal elements, which could be very slight seperation - but they do not appear anywhere in the usable part of the optics and are just at the extremity/edges so this is considered cosmetic. Aperture blades don't have visible oil on them. Mechanically works nice and smooth/evenly. So this looks nice and operates well, with the internal optics having slight hazy quality when looking carefully (but still is usable under the vast majority of shooting conditions).


Schneider Kreuznach
Arriflex-Cinegon 1:2/16 lens
More Info

S/N: 8858412
Used. Cosmetic 8.5/10

(In Stock)
Price: $225
The Schneider Cinegon (Schneider-Kreuznach Arriflex-Cinegon) is a vintage 16mm f/2 prime cinema lens. This was designed for 16mm film and should cover Super 16 without noticeable vignetting. It is an Arri Standard mount. There is numerous affordable adapters for this to convert it to PL mount, MFT (Micro 4/3), or other types of mounts if needed. Or one could have a lens tech do a more professional and complex permanent modification. This has a clickless aperture that can be turned into one with hard stops via a switch on the lens. Has noticeable bokeh and good low light performance since it can open to f/2, though maximum sharpness is acheived by stopping down some from that. The focus markings are metric, with the closes focus scale distance available at 24cm.

This is in surprisingly good cosmetic condition for a vintage lens, with only very minimal signs of wear. Includes front/rear caps. The front/rear glass is clean without scratches or visible defects. One of the internal elements has enough dust / contamination on it to be considered on the hazy side, though this is only noticeable when doing the "flashlight test" with bright light shone into the elements. With the naked eye, the optics still appear clear. Aperture blades don't have visible oil on them. Mechanically works nice and smooth/evenly. So this looks nice and operates well, with the internal optics having slight hazy quality when looking carefully (but still is usable under the vast majority of shooting conditions).


Schneider Kreuznach
Arriflex-Cine-Xenon 1:2/75 lens
More Info

S/N: 9071699
Used. Cosmetic 8.5/10

(In Stock)
Price: $495
The Schneider Cine Xenon (Schneider-Kreuznach Arriflex-Cine-Xenon) is a vintage 25mm f/1.4 prime cinema lens. This was designed for 16mm film and should cover Super 16 without noticeable vignetting. It is an Arri Standard mount. There is numerous affordable adapters for this to convert it to PL mount, MFT (Micro 4/3), or other types of mounts if needed. Or one could have a lens tech do a more professional and complex permanent modification. This has a clickless aperture that can be turned into one with hard stops via a switch on the lens. Obviously has fairly extreme bokeh and low light capability since it can open up to f/1.4, though maximum sharpness is acheived by stopping down some from that. The focus markings are metric, with the closes focus scale distance available at 35cm.

This is in surprisingly good cosmetic condition for a vintage lens, with only very minimal signs of wear. Includes front/rear caps. The front/rear glass is clean without scratches or visible defects. Internal optics have some dust, but much less than the typical very dusty/hazy example. Aperture blades don't have visible oil on them. Overall good solid clear optics. Mechanically works nice and smooth/evenly. This is an above average example for this lens.


Service Vision
Scorpio Focus wireless lens control
More Info

S/N: 127
Used. Cosmetic 6.5/10

(In Stock)
Price: $5,795

The Service Vision Scorpio Focus is an ultra high quality wireless digital cinema lens control system for Focus, Iris, and Zoom - i.e. FIZ. The hand unit can be connected to the motor driver box wirelessly (most common application) or wired. The motor driver box then is wired to the motors to control the lens. The hand unit has a focus wheel that can accept marking discs, iris slider with marking strip, and zoom potentiometer micro knob for iris - though any control can be assigned to focus, iris, or zoom as desired. The information display shows menu items, speed, total meters/feet counter, last take counter, signal coverage indicator, low battery indicator, camera status, and zoom position scales. Motor drive box can accept power between 11-30VDC. The hand unit is powered with NP-FM50 style batteries. Lenses are automatically calibrated either by connecting motor cable to motor or from the hand unit menu - this can be saved on memory when disconnecting the equipment. It is possible to add a second hand unit in master-slave mode. Two motors can also be synchronized or even six motors two-by-two when adding a second motor driver box, plus one can rescale mark by mark the second focus in regards to the first - so this is ideal for 3D applicaitons. One can set limits for any FIZ movements. Can also run camera start/stop control from the hand unit. This system is very versatile, with brackets, gears, driver cables, and power cables available for nearly any camera/lens configuration you can imagine.

This includes 3x motors - 1x SB 92 (5101) digital motor and 2x standard S.C.O.R.P.I.O motor. One of the motors is a "clunker" and requires repair to work normally. The other two motors work very well with no problems or backlash, though note that they have re-glued cable connectors (which is cosmetic only in nature). So consider this a 2 motor kit, with a bonus motor which could be hypothetically be repaired if desired.

This is a fully loaded package which includes: hard carrying case with custom foam, 3x blue Arri bushings, 2x gold Panavision bushings, 2x rod brackets for motors, bracket/shield and handle for hand unit, 3x genuine batteries, 2x generic chargers, a large collection of markings discs (all have marker on them which needs to be cleaned), a wide assortment of gears for many lens types, 4x motor cables, Arri run/stop cable, Arri power cable, zoom-iris command 6-pin cable, and misc parts/screws/antennas.

This is a well-used system that has seen some time on set. It has heavy paint wear and brassing. There is velcro and electrical tape affixed in many areas. Some connectors are re-glued securely. Though there is no damages and it is mostly in good clean presentable shape if one gets past the mentioned cosmetic wear. This is fully tested to be in good working order. Reset to factory settings and calibrated. The only functional issue is one of the three motors is for parts/repair. Otherwise, this is a good working 2 motor system. Buyer is responsible to add any brackets, gears, cables, or other accessories as needed for their specific configuration if not included or pictured here.








Zeiss / Carl Zeiss
CP.3 XD 15mm T2.9 PL cine lens
More Info

S/N: 50077236
Used. Cosmetic 9/10

(In Stock)
Price: $4,245

The Zeiss CP.3 XD 15mm T2.9 (model 2189-367) is a compact prime full-frame sensor coverage lens in PL mount, with marking in meters. This is the newer upgrade to the CP.2 with an updated form factor to be more similar to Ultra Prime lenses, improved mechanics, better T* lens coatings, even weight distribution. Increased anti-reflection masking for increased contrast and reduced flare. Has the signature Zeiss look, to match up well with other CP.3 lenses as well as any types of high-end Zeiss cinema lens. Features Zeiss eXtended Data (XD) technology combined with Cooke's /i lens metadata protocol. All information is transmitted in real-time via the 12 o' clock position on the PL mount or the 4-pin LEMO port. This technology allows for accurate focus pulling when combined with a rangefinder or recording alongside footage and applied in post. In particular, the recording of ZEISS-specific datasets enable DITs using Pomfort or DaVinci Resolve software to analyze recorded footage to remove distortion and shading in post-production (saves time especially for productions than plan on using VFX). Has the standard 95mm front diameter to be compatible easily with matte boxes, follow focus, and lens supports. 14-blade iris for pleasing round bokeh. Clickless iris ring and geared focus and iris control round out this very impressive lens.

Includes front/rear caps. This is the version with markings in meters, not feet. Cosmetically in mint condition with extremely little wear or use, imperfections only noticed if looking carefully. Clean optics inside and out. Rings turn smoothly, accurately, and consistently. Tested in excellent working order.



 

 

Camera Accessories

Ambient Recording
ACL 202CT Clockit TC generator
More Info

S/N:
Used. Cosmetic 8.5/10

(In Stock)
Price: $145

The Ambient Recording ACL-202CT Lockit is a time code generator for video and audio equipment. It has the ability to generate time code or jam sync to an external source. Useful for syncing multiple cameras or other equipment. Tri-level Sync works with component video; allowing for reference in component and HD applications. Portable and operates on AA batteries. Works in worldwide framerates.

This includes case, BNC timecode cable, and BNC to 5-pin lemo timecode cable (commonly used with Arri Alexa and various Sound Devices recorders). Good condition cosmetically, just had a new label installed. These are often worn on these, making it difficult to read how to set the dip switches / settings. This is nice and clean label, easy to read. There is velcro on the underside. Tested in good working order.



Arri
EVF-1 Alexa FLCOS Viewfinder
More Info

S/N: 2544
Used. Cosmetic 8/10

(In Stock)
Price: $1,195
The Arri EVF-1 electronic viewfinder (model K2.72008.0) is a state of the art F-LCOS (ferroelectric liquid crystal on silicon) display with 1280x768 resolution, high refresh rate, and ARRI optical design. Offers extremely fast display, high image quality, accurate color reproduction, low distortion, evenly illuminated viewing area, auto-calibration, ergonomic design, and quick access buttons for camera control. Displays camera or EVF menus, customizable frame lines, surround view, camera status, Lens Data System info and clip/reel numbers. Compatible with Alexa Classic, Alexa Classic with the XR Module upgrade, Alexa Plus, Alexa Plus 4:3, ALEXA XT, and ALEXA SXT cameras. ALEXA Studio models are not compatible, unless you install the Electronic Viewfinder Adapter EVA-1 (K2.72063.0).

Includes genuine Arri KC 150-S (K2.72012.0) short viewfinder cable (1.2' length ideal for eliminating the need to wrap excess length of cable). Does not include viewfinder mounting bracket (such as VMB-1, VMB-2, VMB-3). Good cosmetic condition with some superficial paint wear and touchups. Brand new eyecup installed. Tested on camera in good working order.



Denecke
Dcode Syncbox SB-2 / SB-2A
More Info

S/N:
Used. Cosmetic 8/10

(In Stock)
Price: $50
The Denecke Dcode Syncbox SB-2A (SB-2) is a time code generator / jam sync box. Can generate timecode at world-wide rates such as 23.976, 24, 25, 29.97, 30, 29.97. Can also be jammed from an external source if not internally set. Sync pulses generate at: 50, 59.94, and 60 Hz square wave

Some cosmetic wear and scratches on body. Velcro attached to back, which is difficult to remove, but useful for attachment. Cables not included. Tested in good working order. Multiple units are available.


Red Digital Cinema
DSMC 1.8" Side SSD module
More Info

S/N: 720102A4836C
Used. Cosmetic 9.5/10

(In Stock)
Price: $525

The Red DSMC 1.8" SSD Side Module attaches to your Red Epic Dragon, Scarlet Dragon, Epic-X, and Scarlet-X. Allows use of 1.8" Redmag SSD media plus adds 2 user defined keys, record button, and EVF/LCD port.

This is the rare carbon fiber version, from the Red Dragon Carbon Fiber camera (i.e. Epic-M Red Dragon w/ carbon fiber shell). This includes red color attachment screws. Mint condition, doesn't show any physical signs of use. Good working order, in "like new" shape.


Red Digital Cinema
Redmag 1.8" 64GB SSD drive
More Info

S/N: 7501024C8AE92
Used. Cosmetic 8/10

(In Stock)
Price: $75
The Redmag 64GB is a 1.8" SSD drive designed for use in the DSMC 1.8" SSD side module and the Red Station card reader. Provides a fast and reliable recording medium in a durable casing. Compatible with Scarlet-X, Epic-X, Scarlet Dragon, Epic Dragon, and Red One (w/ appropriate 1.8" side module). 64GB size.

Shows some paint wear and minor label wear, but overall in above average cosmetic condition compared to many on the market. Tested on camera to confirm in excellent working order.


Red Digital Cinema
Redmag 1.8" 128GB SSD drive
More Info

S/N: 7501024DFC862
Used. Cosmetic 8/10

(In Stock)
Price: $195
The Redmag 128GB is a 1.8" SSD drive designed for use in the DSMC 1.8" SSD side module and the Red Station card reader. Provides a fast and reliable recording medium in a durable casing. Compatible with Scarlet-X, Epic-X, Scarlet Dragon, Epic Dragon, and Red One (w/ appropriate 1.8" side module). 128GB size.

Shows some paint wear and minor label wear, but overall in above average cosmetic condition compared to many on the market. Tested on camera to confirm in excellent working order. Second unit is available.


Red Digital Cinema
Redmag 1.8" 128GB SSD drive
More Info

S/N: 7501024DAC3F2
Used. Cosmetic 7/10

(In Stock)
Price: $165
The Redmag 128GB is a 1.8" SSD drive designed for use in the DSMC 1.8" SSD side module and the Red Station card reader. Provides a fast and reliable recording medium in a durable casing. Compatible with Scarlet-X, Epic-X, Scarlet Dragon, Epic Dragon, and Red One (w/ appropriate 1.8" side module). 128GB size.

This shows heavy paint wear and some rear label wear - but no damage (these are very durable). The previous owner did permanently stencil their name and an identification number carefully on the front, which is not removable. Fully tested in excellent working order. Multiple units are available.


Red Digital Cinema
Redmag 1.8" 240GB SSD drive
More Info

S/N: 750102B596C3
Used. Cosmetic 8/10

(In Stock)
Price: $414
The Redmag 240GB (part 750-0061) is a 1.8" SSD drive designed for use in the DSMC 1.8" SSD side module and the Red Station card reader. Provides a fast and reliable recording medium in a durable casing. Compatible with Scarlet-X, Epic-X, Scarlet Dragon, and Epic Dragon (not Red One). 240GB size, this is newer release than the 256GB version (current item on Red website).

Shows some paint wear, mainly around the writing on the front and minor label wear, but overall in above average cosmetic condition compared to many on the market. Tested on camera to confirm in excellent working order. Second unit available.


Red Digital Cinema
Redvolt battery and travel charger
More Info

S/N: 7401026F4795
Used. Cosmetic 8/10

(In Stock)
Price: $45
This is a package consisting of 1 Redvolt battery and a DSMC Travel Charger. The Redvolt battery (model 740-0020) is compatible with Red Epic and Scarlet cinema camera. The Redvolt lithium ion battery provides 37 Wh of power to your DSMC brain. This equates to a 20-30 minute range per battery depending on configuration and age of battery. Can be hot swapped when camera connected to external power supply or when using Redvolt equipped DSMC Side Handle. May be used with battery module or inserted into a DSMC side handle for compact configurations.

The DSMC Travel Charger (model 790-0134) is a compact and lightweight charger for Redvolt batteries. A Convenient way to charge your Redvolt battery.

These are in good cosmetic condition overall, with some paint wear. The battery was able to power DSMC camera for about 18 minutes, so roughly 50-75% life on it. So charger works well and battery mostly works normally with somewhat reduced life.


Sony
AC-DN10 ac adaptor / charger
More Info

S/N: 24490
Used. Cosmetic 8/10

(In Stock)
Price: $195

The AC-DN10 directly attaches to the V-mount shoe of broadcast camcorders. It provides 100W AC adapter functionality as well as high speed charging of Sony V-mount batteries such as BP-GL65, BP-GL95, BP-L60A/S, BP-FL75, etc. Should also charge many third party / generic v-mount batteries, but compatibility for non-Sony batteries is not guaranteed. Also includes 4-pin XLR output for powering other equipment besides the camcorder. Can charge batteries while supply AC power to other equipment. Battery will automatically take over if AC power is removed.

Some cosmetic wear, but nothing noticeable. Overall clean. Includes power cable (not pictured). Tested in good working order.


Sony
AXS-512S24 AXSM memory card
More Info

S/N: 101970
Used. Cosmetic 8/10

(In Stock)
Price: $475
The Sony AXS-512S24 is a high-speed 512GB flash memory card for recording high frame rate 4K and 2K 16-bit video onto the Sony AXS-R5 RAW recorder. The AXS-R5 docks directly to the PMW-F5 and PMW-F55 and via the HXR-IFR5 on the NEX-FS700, NEX-FS700R and PXW-FS7. This card has a guaranteed write speed of 2.4 Gbps and is compatible with the AXS-CR1 card reader.

Case not included. The card has some peeling in finish on front and mild scratches, but doesn't have any damage or signs of abuse. Tested in excellent working order.


Sony
AXS-R5 4K / 2K Raw Recorder
More Info

S/N: 10558
Used. Cosmetic 9/10

(In Stock)
Price: $925
The Sony AXS-R5 enables 4K and 2K 16-bit RAW video recording on the PMW-F55 and PMW-F5 Cinealta camera. Also can be used with the HXR-IFR5 on the NEX-FS700 and NEX-FS7. Attaches to the rear of the camera for a sleek integrated form factor. Can simultaneously record RAW files and proxy HD on the camera's SxS card. Matching time code, start frame, stop frame, file names, and other metadata for seamless confirming in post. Unlocks high frame rates up to 240fps in 2K RAW and 60fps in 4K. RAW recording preserves the greatest latitude for color correction and post. 16 times as many RGB gradations as 12-bit RAW nad 64 times as many tones per channel as 10-bit. Uses AXSM memory cards such as the AXS-512S24 and AXS-A1TS24 / AXS-A1TS48 / AXS-A512S24 with adapter (adapter not included).

Fully tested in good working order on a PMW-F55 and FS700, unlike some sellers who are unable to test this or even gather the hour meter reading. Latest firmware V4.10 installed. Has a low 163 hours of use. Clean cosmetic condition overall, with only minor superficial wear.


Sony
BC-L90 battery charging station
More Info

S/N: 13013000003
Used. Cosmetic 9.5/10

(In Stock)
Price: $175

The Sony BC-L90 dual battery charger is compatible with Sony's BP series of "Olivine" V-mount lithium-ion batteries such as the BP-FL75. This system is most commonly used with the Sony PMW-F55 / PMW-F5 / AXS-R5, though can be used with any other v-mount camera. Charges Long-life Olivine battery in half the time of conventional lithium-ion batteries. This also can act as a DC power supply with camera / camcorder that takes 4-pin XLR power supply (with the addition of a 4-pin XLR power cable).

This includes original box, power cable, and manual. Mint condition, appears to be barely used. Good working order.



Sony
BP-FL75 li-ion v-mount battery
More Info

S/N: 104360
Used. Cosmetic 8.5/10

(In Stock)
Price: $185

The Sony BP-FL75 is a 76Wh 12.8V Olivine lithium ion v-mount battery. Designed with the Sony PMW-F5 and PMW-F55 in mind, though would be compatible with nearly any camera, camcorder, AXS-R5, or any gear you have with a v-mount battery plate. Compatible chargers include BC-L90, BC-L70A, BC-L70, BC-L160, AC-DN10. Very likely can be charged on third party v-mount chargers as well, but compatibility only guaranteed with Sony chargers. Built-in sensors to protect from voltage and temperature fluctuations. 4-LED push button gauge conveniently displays remaining battery power.

Overall good cosmetic condition, though has some scuffs/scrapes associated with professionally used batteries. Tested in excellent working order, charges up completely, and has normal life. Multiple units are available.


Sony
DVF-EL100 OLED viewfinder
More Info

S/N: 103078
Used. Cosmetic 9/10

(In Stock)
Price: $1,325

The Sony DVF-EL100 is a OLED viewfinder for the PMW-F5, PMW-F55, and F65 (with version 3 upgrade). Features high resolution of 1280x720, 10,000:1 contrast ratio for deep black tonal gradations, nearly 14 stop range, no smear or blur, widely adjustable mounting arm for optimum positioning, 26-pin digital interface, and buttons for focus magnification and display on/off. This is an incredibly high-end top quality viewfinder.

Includes connecting cable, rubber eyecup, and original box. Has very few signs of cosmetic wear or use; it is in excellent physical condition. Tested in good working order on a PMW-F55 camera.



Sony
SBP-64B SxS Pro+ memory card
More Info

S/N: LGMR1440
Used. Cosmetic 9/10

(In Stock)
Price: $250

The SBP-64B is a 64GB SxS Pro+ memory card, designed for high-speed video recording with XDCAM / XDCAM EX camcorder. This is ideal for 4K and high data rates on the PMW-F5 and PMW-F55 cinealta camera (unlike the previous SBP-64 / SBP-64A card which is not suitable). This is also popular for use with the Arri Alexa. Of course, this can also be used with any model that takes an SxS / ExpressCard such as PMW-500, PMW-300, PMW-320, PMW-400, PMW-200, PMW-100, PMW-160, PMW-EX1R, PMW-EX3, PXW-X200, PXW-X180, PXW-X160, PXW-X400, PXW-X500, PXW-X320, PMW-RX50, PMW-PZ1, PMW-50, and more. Features a maximum read speed of 1.6Gbps and write speed of 1.5Gbps (minimum read speed of 1.3Gbps). Example recording times: 20 minutes 4K XAVC Intra 4:2:2, 10 minutes in 4K XAVC 4:2:2 60P at 600Mbps, 60 minutes HD XAVC Intra 4:2:2, and 120 minutes in HD MPEG2 4:2:2 30P at 50Mbps. Maximum recording time possible is 200 minutes at 35Mbps. This SxS Pro plus card is the ultimate memory card that can support any codec or camera model out there.

Includes case. Good cosmetic condition, with only very minor wear. Good working order.


Sony
SNCA-ZX104 camera receiver
More Info

S/N: 1000439
New. Cosmetic 10/10

(In Stock)
Price: $89
The Sony SNCA-ZX104 is a hybrid 4-channel receiver, allowing you to seamlessly integrate images from 4 different hybrid cameras - enabling their easy and cost-effective migration towards HD IP video surveillance / security systems. Offers 4x BNC camera input and 4x BNC analog video output, as well as LAN and remote RS-485 connection.

This is new in the box with all the accessories from the factory. First two pictures are stock photo. Multiple units available.


Swit
S-8BG6 camcorder battery - lot of 3
More Info

S/N:
Used. Cosmetic 8.5/10

(In Stock)
Price: $75

The Swit S-8BG6 is a replacement battery for cameras that use the CGA-E/625 or VW-VBG6 batteries such as the AG-AC130A, AG-AC160A, AG-AC7, AG-HMC40, AG-HMC70, AG-HMC150, AG-AF101, AG-HMC71, AG-HMC81, AG-HMC151, AG-AC130, AG-AC160 and many more models. Nominal voltage: 7.2V. Capacity: 36Wh / 5.1Ah. Has a 4-level LED indicator on battery and a 7.2V pole-tap DC output. Can be charged by the Swit S-3602B or S-3010D chargers or factory charger with your compatible camera such as Panasonic VW-AD20.

This is for a lot of 3 batteries. They have minor cosmetic wear (nicks and scuffs), but are overall clean looking. They hold a normal charge and are tested in good working order. Multiple lots are available if you need more than three.


Wooden Camera
D-tap to C200 / C300 MK2 cable
More Info

S/N:
Used. Cosmetic 9/10

(In Stock)
Price: $75

The Wooden Camera D-Tap to Canon C200, C200B, C300 mark II Braided Flex Cable (model 212100) allows you to power your C300 mark II, C200, or C200B camera camera from a V-mount or Gold Mount battery that has a D-tap output. Features a lemo type connector and a flexible design with insulated wires wrapped inside of a braided nylon sheath. It is about 24" in length custom length instead of the typical 36".

Clean cosmetic condition and good working order.

 

 

Production Equipment / Studio / Support

Chrosziel
C-401-457KIT3 FS700 kit
More Info

S/N: E2848011
Used. Cosmetic 9.5/10

(In Stock)
Price: $325

The Chrosziel C-401-457KIT3 consists of a 401-457 LWS 15mm light weight support, 401-BP15B mounting plate, 3050-02 MultiPad straight shoulder pad, 401-83-190 15mm extension rods, 403-31 190mm bar with rosettes for handles, and a 403-30 leather handle / grip. This package is ideal if you are using the 4K RAW upgraded NEX-FS700 / NEX-FS700R with HXR-IFR5 and AXS-R5. Though it is also ideal for a third party recorder or a NEX-FS700 with battery plate at rear for large battery (such as Anton Bauer gold mount, IDX v-mount, and PagLok). The shoulder pad consists of a rod bracket which the pad slides onto, with ability to adjust pad behind or directly underneath camera to your liking. With the lower rods and shoulder pad removed, this kit can be attached to tripod or other support. The front rods are ideal for mattebox, follow focus, and more. Handles can be attached via industry standard rosettes.

Includes one leather handle, not two. It is in mint "like new" condition with almost no signs of use.




 

 

Still Photography

Sony
A7S mirrorless full-frame camera
More Info

S/N: 3023491
Used. Cosmetic 7.5/10

(In Stock)
Price: sold

The Sony A7s (ICLE-7S) is a full-frame 12.2MP Exmor CMOS sensor mirrorless camera with expansive dynamic range, low noise, extended sensitivity, and professional video recording. This is a highly professional tool with an extensive feature set normally found on much larger cameras / camcorders. Native sensitivity of 100-102400 (expandable to 50-409600) and large individual pixel size, making this ideal for low-light / native-light situations. Continuous shooting rate of 5fps and a fast 25-point contrast detection autofocus systems with sensitivity to -4 EV. A tilting LCD monitor and OLED viewfinder are available for monitoring and review. Other features include: built-in Wi-FI with NFC, face detection, auto object framing, 2x clear image zoom, various picture effects modes and style settings, and a compact body design.

Where this camera really shines is video recording. It records internally to 50Mbps XAVC S codec and can output 4K UHD at 4:2:2 over HDMI to third party external recorders. Can record 24P, 30P, 60i, and 60P using the entire sensor. Up to 120fps is possible at APS-C sized center crop at 720P. S-log2 gamma curve and customization of gamma, black level, knee, color level, and more allow an extensive dynamic range with generous latitude in post-production. Professional time code capabilities such as record run, free run, drop/non-drop modes, and output over HDMI. Features such as focus peaking, zebra, audio levels, focus magnification, and various overlays to acheieve the perfect shot. Sound can be recorded via the internal stereo microphone or 3.5mm external microphone jack. Use of the optional XLR-K1M adapter allows XLR audio with phantom power and adjustable mic/line inputs. Built-in headphone jack rounds out the audio features.

This includes original battery, 2x generic battery, generic charger, and lens cap. There is some paint wear, nick, and touchups around the body, mostly on the underside. Though has some cosmetic wear, is overall presentable. This just had the screen protector replaced so it has a nice clean screen unlike many. The exposure count is 16185 which is quite reasonable / low. Clean sensor. Tested in excellent working order.