For Sale - Cameras, Lenses, Tripods, Production Gear, Lighting & Accessories

Cameras, Lenses, Cinema / Production

ALL ITEMS SOLD INCLUDE A
30 DAY WARRANTY!

Camcorders / Cameras

(In Stock)
Price: $925

The Blackmagic Production Camera 4K is a cinema style camera featuring a Super 35mm image sensor, global shutter, and Canon EF lens mount. Record Ultra HD 4K (3840x2160) and 1080P using 10-bit Apple ProRess 422 family of codecs. Or 12-bit CinemaDNG RAW at 4000x2160. Uses 2.5" SSD as recording medium to handle the high data rates required by RAW and 880MBps ProRes HQ. Features an astounding 12 stops of dynamic range for a truly film-like look. Large 5" touchscreen for monitoring, playback, metadata, and menu navigation. Includes a 6G-SDI connection for Ultra HD or down convert to HD over a single SDI cable. Also features Thunderbolt, 1/4" mic/line inputs, DC input, 3.5mm headphone input, and LANC remote. Features internal battery (for around 60 minutes plus of power) or ability to connect external battery pack.

Firmware updated, so you get all the improvements and fixes that entails. Includes power supply and body cap only. No sunshade, Resolve dongle, SSD drive, or original box. Has some noticeable cosmetic wear on the case from being in rigs, mostly on bottom and side. But no damage or abuse. The screen is clean. Internal battery works and holds a normal charge of about an hour, which also indicates this camera has not seen a lot of usage. Good sensor without defects. All functions/features are fully tested in excellent working order.

(In Stock)
Price: $5,750

This is the rare Epic-M opposed to the Epic-X, which means it was hand-built to the highest tolerances rather than cast and assembled in a manufacturing plant. The Red Epic-M and Epic-X Mysterium-X camera features a 5K sensor capable of 1-120 frames per second at full resolution. The Epic can reach up to 18 stops of dynamic range with HDRx (13.5+ without engaged). Can also shoot 4K (1-150fps), 3K (1-200fps), and 2K (1-300fps). Redcode compression choices of 18:1 to 3:1. 3G-SDI / HD-SDI clean feed, HDMI monitor output, and full compatibility with a wide array of Red and third party DSMC accessories. Redcode RAW files give you the ultimate freedom and control when finished. Capable for professional use for cinematography or still photography. Highly flexible and customizable so you can have just what you need for your production and nothing you don't. And of course features all the professional connections and features one would expect from a high end cinema camera. Different lenses such as Canon EF, Nikon, PL, or Leica-M can be acheived by changing the lens mount. Control is acheived via Red Side Handle, Redmote, and/or Red Pro Touch LCD monitor.

Includes the 1.8" Redmag SSD side module and Wooden Camera Easy Top-X top cheese plate with removable link cover. This does not include any other accessories. This does not include monitor, only pictured to show hour reading. There is no lens mount, so you will need to choose a Red or Wooden Camera mount of choice such as Canon EF, PL, or Nikon.

Cosmetically has some marks in finish and paint wear, mainly on bottom, but overall presentable and clean compared to most. Upgraded to recent version 6.3.102 firmware. 1420 hours logged on hour meter. The internal battery has been replaced so this will keep the time/date code correctly upon restart, unlike most of these on the market (battery replacement is actually a complicated procedure that most users cannot do so this is a valuable thing to be done already). There is one flaw, the headphone jack is loose, so that the headphone doesn't click in securely. It will still work if in the right position, but it can be finicky. Most will record audio separately and not need this or can work around it by perhaps taping the headphone connection once in the right position to keep it secure. Other than this, this Epic has all functions, connections, and sensor tested in excellent working order.

(In Stock)
Price: $6,750

The Red Epic-X Mysterium-X camera features a 5K sensor capable of 1-120 frames per second at full resolution. The Epic can reach up to 18 stops of dynamic range with HDRx (13.5+ without engaged). Can also shoot 4K (1-150fps), 3K (1-200fps), and 2K (1-300fps). Redcode compression choices of 18:1 to 3:1. 3G-SDI / HD-SDI clean feed, HDMI monitor output, and full compatibility with a wide array of Red and third party DSMC accessories. Redcode RAW files give you the ultimate freedom and control when finished. Capable for professional use for cinematography or still photography. Highly flexible and customizable so you can have just what you need for your production and nothing you don't. And of course features all the professional connections and features one would expect from a high end cinema camera. Different lenses such as Canon EF, Nikon, PL, or Leica-M can be acheived by changing the lens mount. Control is acheived via Red Side Handle, Redmote, and/or Red Pro Touch LCD monitor.

Includes the valuable Red Ti PL mount (titanium for extra strength ideal for heavy/long lenses). This also has the side handle (for camera control, Redvolt battery usage, and of course grip). Lastly comes with the 1.8" Redmag SSD side module and AC power supply. This does not include monitor, only pictured to show hour reading.

Cosmetically has some marks in finish and paint wear, but overall presentable and clean compared to most. hours of use. Upgraded to the latest version 6.3.106 firmware. 1088 hours logged on hour meter. The internal battery has been replaced so this will keep the time/date code correctly upon restat, unlike most of these on the market (battery replacement is actually a complicated procedure that most users cannot do so this is a valuable thing to be done already). This Epic has all functions, connections, and sensor tested in excellent working order.

(In Stock)
Price: $1,895

The Red One MX Mysterium-X 4K digital cinema video camera redefines digital cinematography. Utilizing a S35mm image plane, it displays a natural depth of field from 2K to 4.5K resolutions. Capture from 1-120fps onto high speed Red CF or SSD media, depending on side module installed. 1-30fps at 4.5K and 4K. 1-60fps at 3K. 1-120fps at 2K. PL mount standard, interchangeable lens mounts such as Nikon or Canon available on the market for more versatility. Redcode raw files allow flexibility for editors, colorists, and VFX artists - making it easy to composite, grade, and finish via Redcine-x pro. 3D friendly, 13 stops of dynamic range, and a market flooded with accessories (both made by Red and third party) to acheive the perfect package and features for your application. Inputs/outputs include: headphone, 2x HD-SDI, preview (720P), genlock, USB, HDMI, XLR audio, timecode, viewfinder, monitor, aux 232, drive, power, more.

This has the Mysterium-X (MX) sensor, not the original. This listing is for the Red One body/brain with CF (CompactFlash module for Red CF cards). This also includes several valuable accessories: Element Technica breakout box (provides full size SDI connectors for HD-SDI and Genlock), power supply (ac adaptor), 2x 19mm top mount, Anton Bauer QR-RH top handle attached to the top mounts, and Element Technica 19mm EVF tube clamp. Note that the Anton Bauer top handle is just the handle itself, without any gold mounts or accessories - so it just acts as a simple handle with various 1/4-20 and 3/8-16 mounting point. Lastly, this will ship in a hard case. The interior foam isn't completely customized for the Red One, but it and some accessories can fit.

Has a moderate 1320 hours on the meter. Has the latest firmware installed. Cosmetically clean overall, with just some reasonable paint wear in a few areas. Fully tested in excellent working order.

(In Stock)
Price: $275

The HVR-A1U fits many professional features in an small "handycam" form factor. 1080i switchable between 60i and cineframe 30P / 24P with 2:3 pulldown. This is NTSC, not PAL. Features include: C-MOS imager, HD to SD downconversion, cinematone gamma and cineframe functions, switchable hdv/dvcam/dv recording (onto mini DV tape), high quality 10x Carl Zeiss lens, lens hood with integrated cap, stabilization system, manual focus ring, 2.7" 16:9 LCD screen with touch screen menus, viewfinder at rear, built-in mic, color bars, nightshot (green low light capability), XLR inputs with phantom power, i.LINK (IEEE 1394), expanded focus, 3 mega pixel still images onto memory stick, and much more. Output connections for monitoring or live output include: HDV/DV firewire / i.link IEEE 1394, component HD / SD, composite. This doesn't have HDMI, but one can always gets a component to HDMI converter for example if they need that. Many use this as an affordable studio / live / streaming camera into a mixer, if they do not want to record onto HDV tape. It is extremely compact which makes it useful in a variety of situations where larger cameras are impossible.

This includes XLR adapter, remote, ac adapter / charger, long-life battery, component/av cables, manual (not pictured), lens hood w/ integrated cap. This does not include external mic. Good cosmetic condition with some exterior scratches from transportation, not from usage because this has low hour meter readings. The hood shows a bit of extra wear because it came from a different camera with more usage. The previous owner did etch the serial number into the bottom of the camera. Clean LCD screen. Good lens optics. Hours of use: drum 0x10, tape 0x10, threading 5x10, operation 1x10. So this has had under 10 hours of actual usage, which is quite rare indeed. All functions, features, connections, tape transport are tested in good working order.

(In Stock)
Price: $375

The HVR-V1U 3CMOS HDV camcorder packs a lot of big features in a small package. Captures video at 24P, 30P, and 60i - processed at 1920x1080/60p in full 4:2:2 and recorded as 1080/60i (24P recorded with 2:3 pulldown). This is NTSC only, not PAL. Records onto miniDV / HDV tape. Many professional features include: DVCAM/DV recording, 20x Carl Zeiss Vario-Sonnar T* optical zoom lens, downconversion, 3.5" LCD, rear color viewfinder, manual or automatic control of iris/shutter/focus/zoom/gain, HDMI and i.link interfaces, XLR audio, ClearVid for clear diagonal lines, integrated ND filters, picture profiles, focus peaking / zebra functions, SteadyShot, color bars, gamma settings including Cinematone Gamma, black stretch/compress, knee correction, versatile ergonomic design for handheld or tripod use, and much more. Many use this as an affordable studio / live / streaming camera into a mixer, if they do not want to record onto HDV tape.

Low hours of use: Operation 50x10, Drum 15x10, Tape 11x10, Thread 37x10. 150 drum hours is very low usage. Includes ac adapter/charger, small eyecup, av/component cables, and mic holder. This includes battery, but note it is a generic model, not genuine Sony battery (it does still work but full life not guaranteed). Cosmetically this camera has some scratches and scuffs in various places on the body. There is also some cleaning scratches on LCD, which are only lightly visible when in use. It's not perfect looking, but it is overall presentable and clean. Optics are clear and without scratches. All functions, features, connections, tape transport are tested in good working order.

(In Stock)
Price: $2,995

The Sony PDW-700 is a XDCAM HD422 2/3" broadcast ENG camcorder. Features Power HAD FX (three 2/3" CCD), 14-bit A/D converter, 50Mbps data rate, 1080P recording at international PAL/NTSC framerates to MXF format, HD/SD conversion and cross conversiion between 1080i / 720P, recording to single and dual layer XDCAM optical discs, ND wheel, thumbnail scene selection, 2x HD-SDI output, i.LINK, ethernet, proxy data, metadata, interval recording, 3.5" LCD, 5-pin XLR stereo front audio and 3-pin XLR rear audio inputs, picture cache recording (up to 30 seconds), slow shutter, smooth gain control, focus magnification, and more. Records in 1080/50i, 1080/59.94i (60i), 1080/25P, 1080/29.97P, 720/50P, and 750/59.94P (60P). The XDCAM HD422 discs are reliable, durable, and long lasting - ideal for archiving. All of this is in a ENG shoulder mount form factor with precise audio/video customization, and ergonomic capabilities you'd expect from a high end broadcast camera.

Includes the valuable HDVF-20A viewfinder, a high quality 2" HD viewfinder. Has extra resolution to provide ample detail for discerning focus over cheaper viewfinders. Features contorls for zebra, tally, display/aspect, focus peaking, contrast and brightness. Also will ship in a hard shipping case (from a different model camcorder but fits well).

This does show quite a bit of cosmetic paint wear and areas of paint touchups, but looks presentable as a whole - so is a professionally field used camcorder but not abused. The LCD has several scratches in the protective window, which don't much show up when in use (plus the LCD on this is not for critical viewing anyway like the viewfinder or output). The hinged door over the audio controls has been removed for convenience. There is a lot of cosmetic wear in the rubber around the speaker. The label for filter wheel is missing, but this of course does not affect use of filters. This has been upgraded to the latest great version 3.2 firmware with all the feature improvements, better pixel correction, and bug fixes that entails. The composite input option is installed, no other options are included. Hours: Operation 4158, Laser 27, spindle 1951, loading 16400. The most important reading is laser hours. These are rated at 6,000+ laser hours, so 27 laser hours means this has a ton of life left. Good optical block. All functions/features tested in good working order. Additional units are available.

(In Stock)
Price: $7,499

(In Stock)
Price: $9,825

(In Stock)
Price: $8,825

(In Stock)
Price: $9,995

The Arri Ultra Prime 20mm T1.9 (K2.47325.0) is a PL mount wide angle prime lens that covers super 35mm format. Compact, lightweight, and optically matched to the Master Prime series. Provides the optimal image quality, vivid colors, clarity, sharpness, and skin tones which Arri / Zeiss is famous for. Image quality retained across the frame. Features T* XP coating for reduced glare / reflections, Carl Zeiss Distagon optics, close focus of 11", fast aperture of T1.9 for shallow depth of field, minimal focus breathing and aberration, focus marks on both sides of barrel, industry standard 0.8 mod focus/iris gears, 95mm front barrel diameter, clickless iris ring, markings in feet.

This is in very good condition with only minimal paint wear on exterior one would expect. Includes front/rear caps. Rings turn smoothly and consistently. Clean glass, no optical problems. In excellent working order.

(In Stock)
Price: $9,595

The Arri Ultra Prime 85mm T1.9 (K2.47331.0) is a PL mount prime lens that covers super 35mm format. Compact, lightweight, and optically matched to the Master Prime series. Provides the optimal image quality, vivid colors, clarity, sharpness, and skin tones which Arri / Zeiss is famous for. Image quality retained across the frame. Features T* XP coating for reduced glare / reflections, Carl Zeiss Planar optics, MOD of 3' (0.9m), fast aperture of T1.9 for shallow depth of field, minimal focus breathing and aberration, focus marks on both sides of barrel, industry standard 0.8 mod focus/iris gears, 95mm front barrel diameter, clickless iris ring, markings in feet.

(In Stock)
Price: $244

This is for a Chrosziel CLWAH-F4,5 mattebox system, also known as the 415-02F110 or MB 415. Designed for any Canon, Fujinon, or other brand of lenses, even wide angle lenses with focal length up to 4.5mm. Dual stage filter stages - 1 fixed and 1 rotating filter stage. This is a clip-on style mattebox for use without rods. This is a robust and professional matte box system, not a chintzy knock off.

This includes the CLWAH-F4.5 sunshade housing, 410-31 4x4/4x5.650 filter holder, 510-01 5x5/4x5.650 filter holder, 130-110mm intermediate ring, 110mm-98mm stepdown ring, 110mm-95mm stepdown ring, and foldable top french flag. So this can accomodate 130mm, 110mm, 98mm, and 95mm diameter lenses (though you can obtain other stepdown rings if your needs differ). Even includes a hard case to carry it, model Pelican 1500. Shows noticeable cosmetic wear and paint touchups, but no damage. In very good working order. Multiple units available.

(In Stock)
Price: $1,575

The Fujinon HAe10x10-F is a 2/3" B4 cine style HD zoom lens. This does not have ENG servo (manual zoom/focus/aperture), but is optimized for cinematography use with high quality optics and industry standard gears for use of follow focus and 160 degree zoom and 280 degree focus rotation. This is a member of the "premier series", using Fujinon's highest quality glass/optics. The overall high quality of the HAe10x10 zoom makes the lens ideal for episodic TV, commercials, green-screen shoots, independent film production, or any other cinematic projects that employ 2/3" HD cameras. E series lenses offer top optical performance one would expect from primes.

This high definition 10x lens features a focal-length range of 10-100mm. Fast maximum aperture of T1.8. Internal focus designs to minimize focus breathing and ramping. Perfect for any 2/3" camcorder such as the F23, AG-HPX500, AG-HPX600, AJ-HPX2000, AJ-HPX2700, AJ-HPX3000, AJ-HPX3100, AJ-HPX3700, HDC-930, HDC-950, HDC-1500R, HDC-1700, HDC-2400, HDC-2500, HDC-2550, HDC-2570, HDC-3100, HDC-3170, HDC-3300R, HDC-3500, HDC-4300, HDC-P1, HDW-F900R, HSC-100R, HSC-300R, HXC-FB75, HXC-FB80, PDW-700, PDW-F800, PMW-350, PMW-500, PXW-X400, PXW-X500, PXW-Z450, and many more. This could be a good choice for adapting to Panasonic GH4/GH5, Sony a7S / a7R II, PXW-FS5, PXW-FS7, PMW-F5/F55, Canon C300 mark II, Blackmagic URSA Broadcast / Mini 4.6K / Pro, etc. Please research the technical limitations of adapting a 2/3" B4 lens on your specific camera if it is not natively designed for 2/3" B4 lenses, to make sure you will find the trade-offs acceptable compared to the benefits.

This is a large and heavy lens, so it is assumed you will likely provide lens support / rods to support the weight. This is a cinema lens, so most would use a rig for things like mattebox or follow focus that also provides support.

Includes front and rear caps. Also comes in a valuable custom Omega hard case for protection in shipping and transit. Overall in above average cosmetic condition, with just a few minor marks on barrel if looking carefully. Clean glass and proper sharp optical quality. Focus and aperture rings turn smoothly, accurately, and evenly. Note the zoom ring is not as consistent and smooth as the focus. It still mostly works acceptably for most users and zooms correctly, but has the potential to not have a totally consistent feel to it as much as the focus ring does (the focus ring is far more important anyway to be perfect). Overall a very fine example of this lens.

(In Stock)
Price: $695

The DSMC Titanium TI PL Mount (725-0022) enables the use of high quality PL mount cinema lenses on your Red DSMC and DSMC2 camera such as Epic Dragon, Scarlet Dragon, Scarlet-X, Epic-X, Weapon, Epic-W, Scarlet-W, Monstro, Helium, Gemini. Has a robust titanium construction and solid locking mechanism for lightweight, but durable support for even the longest/heaviest lens. Features electronic pins contact for lens communication.

This includes protective cap (attachment screws not included). Clean cosmetic condition overall with some superficial wear from normal usage. Good working order.

(In Stock)
Price: $625

The DSMC VV AL Canon Lens Mount (model 725-0030) allows you to use Canon EF-S and full frame Canon EF compatible lenses with your DSMC2 8K VV camera brain (Weapon Monstro 8K VV). Constructed from lightweight aluminum. Supports autofocus and electronic iris control with compatible lenses. Touch focus enabled for select lenses. Uses a dual-ring lock system to securely attach lens. Captive screws provide a secure attachment and convenient removal. This mount is optimized for VV sensor. Though it can be used with smaller sensors, there could be unintended artifacts, so it is not reccomended.

This is brand new and sealed in factory box.

(In Stock)
Price: $4,745

The Zeiss CP.3 XD 15mm T2.9 (model 2189-367) is a compact prime full-frame sensor coverage lens in PL mount, with marking in meters. This is the newer upgrade to the CP.2 with an updated form factor to be more similar to Ultra Prime lenses, improved mechanics, better T* lens coatings, even weight distribution. Increased anti-reflection masking for increased contrast and reduced flare. Has the signature Zeiss look, to match up well with other CP.3 lenses as well as any types of high-end Zeiss cinema lens. Features Zeiss eXtended Data (XD) technology combined with Cooke's /i lens metadata protocol. All information is transmitted in real-time via the 12 o' clock position on the PL mount or the 4-pin LEMO port. This technology allows for accurate focus pulling when combined with a rangefinder or recording alongside footage and applied in post. In particular, the recording of ZEISS-specific datasets enable DITs using Pomfort or DaVinci Resolve software to analyze recorded footage to remove distortion and shading in post-production (saves time especially for productions than plan on using VFX). Has the standard 95mm front diameter to be compatible easily with matte boxes, follow focus, and lens supports. 14-blade iris for pleasing round bokeh. Clickless iris ring and geared focus and iris control round out this very impressive lens.

Includes front/rear caps. This is the version with markings in meters, not feet. Cosmetically in mint condition with extremely little wear or use, imperfections only noticed if looking carefully. Clean optics inside and out. Rings turn smoothly, accurately, and consistently. Tested in excellent working order.

Camera Accessories

(In Stock)
Price: $195

The Anton Bauer Dionic HC is a li-ion professional battery. This is the newer replacement for the popular Dionic 90. Constructed with specialized lithium ion cells originally desgined for high-rate military applications. Features Real Time LCD display that shows runtime based upon existing operating conditions/load. Compatible with Titan series chargers and also powerchargers currently in the field, though a firmware update is possibly required. Quad 2702 - version 5.0, Dual 2722 / T2 - version 2.8, Tandem - version 6.

This only has 38 charge cycles on it, so is very low usage. Very good cosmetic condition with only extremely minor wear. Charges up fully and retains charge, as one would expect from a very low usage battery. Second available in similar shape.

(In Stock)
Price: $2,250

The Arri EVF-1 electronic viewfinder (model K2.72008.0) is a state of the art F-LCOS (ferroelectric liquid crystal on silicon) display with 1280x768 resolution, high refresh rate, and ARRI optical design. Offers extremely fast display, high image quality, accurate color reproduction, low distortion, evenly illuminated viewing area, auto-calibration, ergonomic design, and quick access buttons for camera control. Displays camera or EVF menus, customizable frame lines, surround view, camera status, Lens Data System info and clip/reel numbers. Compatible with ALEXA Classic cameras, ALEXA Classic cameras with the XR Module upgrade, ALEXA XT cameras and ALEXA SXT cameras. ALEXA Classic Studio, Classic Studio with the XR Module upgrade, XT Studio and SXT cameras require the Electronic Viewfinder Adapter EVA- 1 (K2.72063.0).

Includes only what is shown, no cable or mounting bracket. Good cosmetic condition with some superficial paint wear. Brand new eyecup installed. Good working order. Additional units are available.

(In Stock)
Price: $145

The Freefly Carbon V-lock Adapter Kit (model 910-00023) allows you to use V-mount battery on your Red Epic or Scarlet DSMC camera. Ideal for MoVI customers, though is useful for anybody that wants to power their Red with v-mount battery mounted on the side, for those desiring a low profile and lightweight method. This kit includes a IDX PV2 (P-V2) battery plate with one D-tap output for powering accessories. The plate comes with a high strand braided sheathed durable and flexible lemo plug emerging from the side to power your Red DSMC Epic or Scarlet camera.

Includes the Carbon plate, P-V2 battery adapter, screws, and spacers (for use with Scarlet). Clean cosmetic with some minor paint wear. Tested in good working order.

(In Stock)
Price: $275

The Red EVF is a electronic viewfinder, most often used with the Red One or Red One MX (mysterium-X) cinema camera. Also can be used with the Epic and Scarlet cameras as well. Interfaces with a proprietary 17-pin LEMO connector. Displays captured image along with look around, frame line overlays, status indicators, focus assist, waveform monitors, histogram, false color exposure indicator, zebra lines, luminance ramp, menu system, and playback. The diopter can be focused to the user's eye. 3 buttons and scroll wheel knob (scroll wheel may not be compatible with Red Epic / Scarlet). This requires a mounting device such as Red Arm or mounts from 3rd party companies such as Wooden Camera, Zacuto, Noga, Cavision, Element Technica, etc.

This includes the Element Technica Red branded EL-VFM-7DT 7" mini dovetail plate. This works with either the original Element Technica EVF mount or the MiniClutch. It should also work with other mounts that accept a similar dovetail. Or you can change the plate to accept any mounting device you chose. Connection cable is not included. The viewfinder has minor paint wear, mainly on sharp edges, but overall gives a clean appearance. Tested in good working order on a Red One MX camera.

(In Stock)
Price: $595

The Redmag 240GB (part 750-0061) is a 1.8" SSD drive designed for use in the DSMC 1.8" SSD side module and the Red Station card reader. Provides a fast and reliable recording medium in a durable casing. Compatible with Scarlet-X, Epic-X, Scarlet Dragon, and Epic Dragon (not Red One). 240GB size, this is newer release than the 256GB version (current item on Red website).

Shows minor paint wear, but overall in above average cosmetic condition compared to most. Tested in excellent working order. Multiple units are available.

(In Stock)
Price: $525

The Redmag 256GB is a 1.8" SSD drive designed for use in the DSMC 1.8" SSD side module and the Red Station card reader. Provides a fast and reliable recording medium in a durable casing. Compatible with Scarlet-X, Epic-X, Scarlet Dragon, Epic Dragon, and Red One (w/ appropriate 1.8" side module). 256GB size.

Shows some paint wear and touchups, plus small amount of wear on rear label, but overall in good presentable condition with nothing that indicates rough usage. Tested in excellent working order. Multiple units available.

(In Stock)
Price: $475

Shows various paint wear and imperfections in finish, but no damage. Rear label has a large tear in it, that obscures the serial number. This comes from a batch of legitimate cards that had serial numbers, this is just cosmetic wear, not intentional removal. The internal serial number is still available via metadata in software such as Redcine-X Pro. This has previous owner's name neatly etched/stenciled into front below Red logo. Tested in excellent working order.

(In Stock)
Price: $20

The Red DC Power Cable (model 790-0060) is a 10' cable to power your Red One Camera from the Red Brick v-mount charger (model CVTR2), thus allowing it to work as a AC power supply for your Red One.

Clean cosmetic and good working order.

(In Stock)
Price: $565

The Sony AXS-512S24 is a high-speed 512GB flash memory card for recording high frame rate 4K and 2K 16-bit video onto the Sony AXS-R5 RAW recorder. The AXS-R5 docks directly to the PMW-F5 and PMW-F55 and via the HXR-IFR5 on the NEX-FS700, NEX-FS700R and PXW-FS7. This card has a guaranteed write speed of 2.4 Gbps and is compatible with the AXS-CR1 card reader.

Includes case. Above average cosmetic condition with only minor wear. Tested in good working order on AXS-R5. Multiple units are available.

(In Stock)
Price: $1,295

The Sony AXS-R5 enables 4K and 2K 16-bit RAW video recording on the PMW-F55 and PMW-F5 Cinealta camera. Also can be used with the HXR-IFR5 on the NEX-FS700 and NEX-FS7. Attaches to the rear of the camera for a sleek integrated form factor. Can simultaneously record RAW files and proxy HD on the camera's SxS card. Matching time code, start frame, stop frame, file names, and other metadata for seamless confirming in post. Unlocks high frame rates up to 240fps in 2K RAW and 60fps in 4K. RAW recording preserves the greatest latitude for color correction and post. 16 times as many RGB gradations as 12-bit RAW nad 64 times as many tones per channel as 10-bit. Uses AXSM memory cards such as the AXS-512S24 and AXS-A1TS24 / AXS-A1TS48 / AXS-A512S24 with adapter (adapter not included).

Very low usage of 72 hour on meter. Latest firmware V4.10 installed. Fully tested in good working order on a PMW-F55 and FS700, unlike some sellers who are unable to test this or even gather the hour meter reading. Clean cosmetic condition overall, with only minor wear. Multiple units are available.

(In Stock)
Price: $369

The Sony HXR-IFR5 interface unit connects your 4K ready NEX-FS700, NEX-FS700R, or NEX-FS7 camera (with XDCA-FS7 extension) to the AXS-R5 RAW recorder. It enables camera's 2K and 4K RAW files to take advantage of the RAW workflow of Sony PMW-F55 and F5 cinealta cameras. Receives the uncompressed bistream carrying RAW sensor data, metadata, timecode, and start/stop commands via 3G-SDI. Allows simultaneous recording (4K on AXS-R5 with HD on the FS700). Features built-in LCD status panel and large tactile control buttons.

This includes an Ikan mount that allows attachment to 15mm rod / rails. Cosmetically very good with little signs of wear except some on the Ikan mount. Tested with a FS700 and AXS-R5 combo to be in good working order.

(In Stock)
Price: $269

The SBP-64C is a 64GB SxS Pro+ memory card, designed for high-speed video recording with XDCAM / XDCAM EX camcorder. This is ideal for 4K and high data rates on the PMW-F5 and PMW-F55 cinealta camera (unlike the previous SBP-64 / SBP-64A card which is not suitable). Of course, this can also be used with any model that takes an SxS / ExpressCard such as PMW-500, PMW-300, PMW-320, PMW-400, PMW-200, PMW-100, PMW-160, PMW-EX1R, PMW-EX3, PXW-X200, PXW-X180, PXW-X160, PXW-X400, PXW-X500, PXW-X320, PMW-RX50, PMW-PZ1, PMW-50, PMW-F3 and more. This features around double the read/write speed of the previous generation SBP-64B. Maximum read speed of 3.5Gbps and write speed of 2.8Gbps (minimum read speed of 1.3Gbps). This faster speed is useful for ensuring stable high frame rate recordings in formats such as XAVC 4K 60P or XAVC 4K 180P. Also has improved safety features such as data refreshing, error correct, and power failure management. Example recording times: 20-32 minutes in 4K XAVC, 10 minutes in 4K XAVC 4:2:2 60P at 600Mbps, 60 minutes HD XAVC Intra 4:2:2, and 120 minutes in HD MPEG2 4:2:2 30P at 50Mbps. Maximum recording time possible is 200 minutes at 35Mbps. This SxS Pro plus card is the ultimate memory card that can support any codec or camera model out there.

Mint cosmetic condition and tested in excellent working order. Includes case (no label on case). Multiple units available.

(In Stock)
Price: $89

The Sony SNCA-ZX104 is a hybrid 4-channel receiver, allowing you to seamlessly integrate images from 4 different hybrid cameras - enabling their easy and cost-effective migration towards HD IP video surveillance / security systems. Offers 4x BNC camera input and 4x BNC analog video output, as well as LAN and remote RS-485 connection.

This is new in the box with all the accessories from the factory. First two pictures are stock photo. Multiple units available.

(In Stock)
Price: $265

The Sony SR-256S55 SRMemory Card is a 256GB ultra high-speed reliable flash memory media for SRMaster series products. Compatible with F65 camera (with SR-R4), SR-R1000 memory storage unit, SR-R1 portable memory recorder, SR-PC5 / SR-PC4 data transfer units. Transfer speeds up to 5.5 Gbps in order to record and replay multiple streams simultaneously, high frame rate (HFR), and support data rates that can handle HD up to 4K (YPbPr422, RGB444, 1080 59.94p, 3D, 4K, and uncompressed). With 256GB capacity, can record over an hour at 1080/25P, for example. If you see the original MSRSP of these, you'll see this is an insanely deep discount!

Excellent cosmetic condition, with only a scratch on the front. Good working order.

(In Stock)
Price: $449

The Sony SR-512S55 SRMemory Card is a 512GB ultra high-speed reliable flash memory media for SRMaster series products. Compatible with F65 camera (with SR-R4), SR-R1000 memory storage unit, SR-R1 portable memory recorder, SR-PC5 / SR-PC4 data transfer units. Transfer speeds up to 5.5 Gbps in order to record and replay multiple streams simultaneously, high frame rate (HFR), and support data rates that can handle HD up to 4K (YPbPr422, RGB444, 1080 59.94p, 3D, 4K, and uncompressed). With 512GB capacity, can record up to 2.5 hours at 1080/25P, for example. If you see the original MSRSP of these, you'll see this is an insanely deep discount!

Excellent cosmetic condition, with only a scratch on the front. Case has small crack, but still closes fine. Good working order.

(In Stock)
Price: $75

The Wooden Camera D-Tap to Alexa Mini (8-pin lemo) Braided Flex Cable (model 208700) allows you to power the Arri Alexa Mini camera from a V-mount or Gold Mount battery that has a D-tap output. Features a right-angle 8-pin Lemo type connector and a flexible design with insulated wires wrapped inside of a braided nylon sheath. It is about 36" in length.

Clean cosmetic condition and good working order.

Production Equipment / Studio / Support

(In Stock)
Price: $775

The Arri BP-8 bridge plate kit (K2.47090.0) is used to balance your camera and support 19mm rod accessories. The package consists of the BP-8 sled (K4.47460.0), 12" bottom dovetail, and pair of 17" 19mm rods. The BP-8 is Compatible with ALEXA Studio, ALEXA M head with ALEXA M Bridge Plate Adapter (AMB-1), ARRIFLEX 235, ARRIFLEX D-21, ARRIFLEX 435, Sony F23/35/65, SI-2K, Phantom Flex4K, Weisscam HS-2. With the Bridge Plate Adapter BPA-1 or BPA-2 also compatible with ALEXA, ALEXA Plus, ALEXA Plus 4:3 and ALEXA M Body or Canon C100/C300/C500. Alexa Mini requires BPA-4 and MAP-2 combination. Amira requires BPA-3 adapter. Fits to most ARRI PCA baseplates for third-party cameras.

The 12" bottom dovetail plate is helps to balance your rig. Features a spring-loaded post on one end and stationsary stop on other. Allows mounting to tripod quick relese plate or other support. The included 17" rods feature a sturdy steel construction for heavier loads. Compatible with any 19mm based accessory.

This system is in very good condition. There is some paint wear, mostly on sharp edges, but overall is clean and presentable. Good working order, everything locks/unlocks correctly.

(In Stock)
Price: $95

The Arri UMB-1 (K2.66168.0) Universal Mounting Bracket is used to attach accessories to your existing 15mm lightweight support rig, such as the AJA Kipro and many other accessories. Provides several 3/8"-16 and 1/4"-20 threaded mounting points. Also used as a component of the Arri USP-2 lightweight shoulder mount. Fastens onto rods and shoulder mounts via thumb lever locks.

Has some cosmetic paint wear, mostly on sharp edges, but overall clean and presentable. Good working order, locks/unlocks correctly.

(In Stock)
Price: sold

The Chrosziel 401-FS5 is a Lightweight Support for the Sony PXW-FS5, featuring a sliding ergonomic shoulder pad that turns your FS5 into a balanced shoulder camera. Has 2 Hirth rosettes for adding hand grip / handles and 15mm front rod clamps.

(In Stock)
Price: sold

The Chrosziel C-401-457KIT3 consists of a 401-457 LWS 15mm light weight support, 401-BP15B mounting plate, 3050-02 MultiPad straight shoulder pad, 401-83-190 15mm extension rods, 403-31 190mm bar with rosettes for handles, and a 403-30 leather handle / grip. This package is ideal if you are using the 4K RAW upgraded NEX-FS700 / NEX-FS700R with HXR-IFR5 and AXS-R5. Though it is also ideal for a third party recorder or a NEX-FS700 with battery plate at rear for large battery (such as Anton Bauer gold mount, IDX v-mount, and PagLok). The shoulder pad consists of a rod bracket which the pad slides onto, with ability to adjust pad behind or directly underneath camera to your liking. With the lower rods and shoulder pad removed, this kit can be attached to tripod or other support. The front rods are ideal for mattebox, follow focus, and more. Handles can be attached via industry standard rosettes.

Includes one leather handle, not two. It is in mint "like new" condition with almost no signs of use.

(In Stock)
Price: $135

The Element Technica ElementS 19mm Studio Hybrid Bridge Plate (791-0433) is designed for the Red One camera, becoming the foundation for a modular system. Comes with two 19mm rod clamps on each side, allowing you to mount 19mm support rods for attaching light, mattebox, follow focus, battery mount, drive mount, or other accessories. The rear support can be moved to front and doubled up if heavy large zoom lens is used. This requires dovetail; it is compatible with ElementS dovetails or any Arri standard dovetail. Other cameras than Red One such as from Arri, Sony, Red, Canon, etc can be used, but may require shim / adapter.

This includes the Bridge Plate with 2x 19mm rod clamps only. No dovetail or rods are included. There is noticeable paint wear and some marker writing on it, especially on the underside and knobs. But everything is intact, undamaged, and locks up normally. Good working order.

(In Stock)
Price: $925

The Litepanels Hilio H72 (907-1001) is a small 10x14" footprint yet powerful LED light fixture capable of throwing daylight balanced 5600K illumination over a 20-25' (6.1-7.6m) distance. This functions as an HMI replacement with the equivalent luminance output of a 650W HMI fixture (or 1000W conventional tungsten). Ideal for exterior or interior use. Uses 95% less energy than conventional lights. Comprised of 72 one watt daylihgt LEDs focused to a 15 degree angle. Can dim from 0-100% without color shift, controllable via DMX or local dial. Filter slot holds two gel filters on front. Standard yoke design for easy positioning with 1–1/8" (28mm) diameter detachable junior pin. Integrated rear gimbal plate for accessory attachments. Has a silent mode switch to turn off cooling fans (if they come on) for critical shots where silence is desired. Very rugged housing and multi-voltage power supply for worldwide use.

This includes AC adapter power supply mounted to rear plate, power cord, and a 5 filter set (Full CTO, 1/2 CTO, 1/4 CTO, 1/8 CTO, and 1/2 white diffusion). This also will come shipped in a hard case for added protection. Cosmetically has some scuffs and paint wear, but overall in very presentable clean condition. It is missing the knob cap for the dimming knob, but dimming is still easily controlled by turning the shaft (so this is cosmetic only). Tested in excellent working order.

Still Photography

(In Stock)
Price: sold

The Canon EF 50mm F1.0 L USM lens is an exceedingly rare super lens. It is the most advanced 50mm lens. Not only the fastest, but packed with technology such as two ground aspheric elements, autofocus, electronic focus, focus-by-wire, ultrasonic focus motor, and electronically actuated diaphragm. Ultra low light ability (1/2 to 2/3 stops faster than f/1.2 lenses). If you want to shoot in available light at high enough shutter speed to stop action in very low light, you need this lens. Provides a unique bokeh and extreme subject isolation with shallow depth of field that can't be duplicated by lesser lens - background can virtually disappear if needed. This is designed to be sharp and contrasty even wide open, though you need to focus perfectly for best results at f1.0 due to the extremely shallow depth of field. By design, there is strong falloff (vignetting) in corners at f1.0 especially in lower light conditions, minor at f/1.4, and no more at f/2. Useful for isolating the subject, though can easily be corrected in Photoshop if needed. This has instant manual focus override. Note the focus ring is an encoder that tells the motor what to do, so the manual focus will not operate unless lens is awake and communicating with body. This has a minimum focus distance of .6 meters (2 feet), so understand that you cannot focus on objects extremely close to the lens. It may have been made a long time ago, but has abilities that no other lens today can really match, even with some limitations as a result. This is not only a powerful lens, but a real collector's item.

Includes hood and lens caps. Cosmetically this has some paint wear and scratches on body and brassing on mount - but overall presentable and nothing that exceeds what a professionally used lens with some years on it would exhibit. No scratches or marks on front and rear glass. There is some internal dust, most noticeable underneath the rear element - which does not affect optical quality and is rather typical (it is almost impossible for internal dust to cause any issues except if unusually abundant or shooting in unusual conditions). There is one anomaly in manual focus, when one moves ring past infinity limit quickly it can make a squealing/squeaking noise, presumably from the motor, though this is not consistent. One really wouldn't do this under normal circumstances, but just wanted to point everything out. Overall this functions extremely well in terms of sharpness, optical quality, autofocus, manual focus, aperture function, etc.



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